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Inside Jaguar TCS Racing’s Formula E Mindset Before the Miami E-Prix

by Tristen Yang February 3, 2026
written by Tristen Yang

On Friday morning, ahead of practice sessions and race-day, we sat down with Jaguar TCS Racing drivers António Félix da Costa and Mitch Evans, alongside team principal Ian James, for a roundtable conversation during media day. The discussion offered a moment to understand how the team thinks about performance, energy, and competition before the race.

Miami, despite its reputation, did not feel like a holiday backdrop that morning. The air was unexpectedly cool, more winter than vacation, and the track had yet to assert itself as the dominant presence of the day. For the drivers, location operates less as spectacle and more as a variable. Da Costa, now in his first season with Jaguar, spoke about the ocean as a mental reset rather than an escape. Being near water, he explained, offers a subtle recalibration that sharpens focus.

Outside of racing, both drivers turn to physical movement not as training in the strict sense, but as a way to stay balanced during a season defined by constant travel. For da Costa, surfing and golf occupy the margins of an already crowded calendar. Evans, who grew up in New Zealand, pointed to rugby as a formative influence, less for its tactics than for the rhythm and discipline it instills. Neither framed these activities as escapes, instead, they function as anchors, ways of staying connected to their bodies while living in near-constant motion.

Ritual came up early in the conversation, though not in the way one might expect with no rigid superstitions. Da Costa described a simple pre-race sequence: stretching, skipping rope, twenty minutes of physical readiness before stepping into the car. Evans emphasized visualization over routine, constantly replaying the track in his mind and adapting to schedule changes rather than resisting them.

The ease between da Costa and Evans surfaced repeatedly. Although new to the team, da Costa is not new to Evans. The two have known each other for years, competitors who understand each other’s instincts without needing translation. They mentioned a philosophy of different experiences, different approaches, but a shared willingness to learn with a goal on alignment. This dynamic becomes especially important in Formula E, where races are not won by pushing flat out from start to finish. Da Costa explained it plainly. If drivers were to race at maximum output for the full duration, the battery would not last. The challenge is not speed alone, but energy management. Regeneration, timing, positioning, and restraint all shape the outcome. Drivers cycle between attack and conservation, sometimes literally following one another closely to minimize energy loss, a comparison da Costa likened to the peloton in the Tour de France.

This is where Formula E diverges most sharply from other forms of motorsport, and where it can be hardest to read from the outside. It is engineered because no one runs away with the race early. Strategy unfolds in layers, and the margin between winning and finishing mid-pack can be measured in decisions made minutes, or even seconds, apart. Evans described it as a form of art, a balance between performance and patience that rewards awareness as much as aggression.

For fans accustomed to Formula 1, where dominance can stretch across seasons, Formula E requires a different way of watching. The sport has been around for over a decade now, and its core audience understands the language. What remains is translating that experience to a broader public, particularly as sustainability moves from concept to constraint across motorsport. Da Costa noted that Formula E has effectively been living the future for years. That framing carried into the second half of the roundtable, where team principal Ian James joined the conversation. Where the drivers spoke about flow and instinct, James spoke about systems. Pressure, he explained, exists everywhere in the organization, not just in the cockpit. James has moved fluidly between disciplines. In Formula E, the role is far more active. The team is constantly responding, adjusting, supporting. Influence is not about overriding expertise, but about creating the conditions for it to operate effectively during simulations.

In terms of team culture, James spoke at length about the importance of collaboration, particularly between drivers. Talent alone is not enough. In a championship where the car is constantly evolving, drivers must be able to articulate what they feel, translate instinct into feedback, and work together rather than against each other. When garages split, development suffers. Alignment, even without friendship, is non-negotiable.

Behind the scenes, much of that alignment is built long before race weekend. Simulation plays a central role in preparation, not just for drivers, but for the entire team. Engineers, strategists, and performance staff are brought into the process, rehearsing scenarios, stress-testing decisions, and effectively gamifying strategy. While no simulation can account for every variable, the confidence it builds carries into the race. By the time the cars arrive at the circuit, most of the work has already been done. This is where sustainability becomes less of a talking point and more of a framework. Operating under cost caps has reshaped internal dynamics, bringing finance teams into direct conversation with performance goals. Where spending was once viewed as a limitation, it now becomes a strategic tool. Knowing where to allocate resources, where to extract the most value from each decision, creates competitive advantage.

The conversation eventually widened to Jaguar’s broader motorsport legacy. Drivers and leadership alike referenced Le Mans, the Silk Cut era, and the visual language that once defined Jaguar on the world stage. James recalled an early experience at Jaguar’s headquarters, driving an E-Type from 1960, followed by modern performance vehicles and future concepts. Across generations, he noted, the throughline remained tangible. The cars moved like Jaguars and they felt like Jaguars. That continuity matters as the brand moves deeper into the electric age. The question is no longer whether electric racing can be exciting, but how to carry identity forward within new constraints. Engagement, James suggested, will increasingly depend on how well that story is told, not just on track, but through experiences like this one. As the roundtable wrapped, the schedule pressed on. Formula E, viewed through Jaguar TCS Racing, reveals itself as a sport built on awareness, energy, people, and limits.

February 3, 2026 0 comments
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AutomotiveUncategorized

Inside Miami Formula E’s Pre-Race Day With Jaguar TCS Racing

by Tristen Yang February 3, 2026
written by Tristen Yang

Pre-race day at a Formula E weekend doesn’t begin with speed. It begins with structure, timing, and preparation. In Miami, that rhythm started early. Outside, the air was cooler than expected for Miami, and the city still subdued in the morning light. On Friday morning, the brand and press group gathered in the lobby of the Andaz Miami Beach, moving together into a line of Range Rover Sport models that would carry us across the city toward the Miami International Autodrome track. Media day has its own atmosphere, distinct from race day energy. It’s slower, more conversational, built around access and insight rather than adrenaline.

The first stop was the Jaguar TCS Racing garage: Jaguar’s position within the paddock reflected championship order from the previous season, placing the team in the second garage. Inside the garage, the GEN3 Evo car sat prepared, surrounded by engineers, laptops, and neatly organized equipment, with remarkably little excess. What stood out was how much wasn’t there. As the team walked us through the space, it became clear that what happens in the garage is only the visible layer of a much larger operation. Formula E cars are developed on long cycles, not race by race, but year by year. Jaguar is in the second year of the current homologation period, with major powertrain elements locked in and refined over time. The motor, inverter, gearbox, and suspension are developed within strict regulations, then frozen. Between races, Jaguar’s engineers don’t rebuild the car, but constantly rewrite it. Setup begins virtually, long before the car arrives in Miami. Digital models simulate braking behavior, corner entry, regenerative energy recovery, and how the car responds to the unique demands of each track. These simulations don’t require a driver and they don’t require a physical car. They exist in parallel, running continuously back at Jaguar’s UK headquarters while the race team travels.

Formula E is a data-led championship by necessity. Physical testing is heavily limited and track time is precious. There are only so many days a year when the car can be run in the real world and everything else happens digitally. Engineers work through thousands of scenarios, adjusting parameters virtually, then delivering software updates that are uploaded to the car when it arrives at each race. So what appears trackside is the final expression of weeks, sometimes months, of invisible work. Logistics follow the same logic. Freight doesn’t return to base between races. Instead, it moves continuously from city to city in a global loop, handled by a centralized logistics partner. Once the season begins, teams may not see certain components again unless something goes wrong. Repairs happen within tight windows and updates must be planned long in advance. The moment the cars arrive at the circuit, the scope for change narrows dramatically. Standing inside the garage, watching engineers move with practiced efficiency, the scale of the operation became clearer. Formula E may look quieter than other forms of motorsport, but the intensity is compressed because decisions are made earlier and margins are tighter.

From the garage, the day transitioned into conversation. Roundtables with drivers António Félix da Costa and Mitch Evans, followed by team principal Ian James, added a human layer to what had just been seen. Their discussions about preparation, collaboration, and energy management framed Formula E as a championship where restraint is not a limitation, but a competitive advantage.

Lunch passed quickly, functional and efficient, before attention returned to the garage for rookie practice. Held ahead of traditional sessions, the rookie run exists in a space between opportunity and utility. For young drivers, it’s a rare chance to experience GEN3 Evo machinery. For teams, it’s early access to real-world data from the track. Alessandro Giusti took the wheel for Jaguar TCS Racing during the 40-minute session, finishing sixth with a fastest lap of 56.278. The data on braking zones, regeneration patterns, grip levels, and energy usage fed directly back into Jaguar’s preparation. In Formula E, information gathered on Friday can quietly shape what happens on Sunday. Engineers watched screens more than lap times, tracking variables that would influence strategy later. At the time, there was no visible hint that Mitch Evans would go on to win a rain-affected Miami E-Prix with a composed, assured drive. On Friday, that outcome was still theoretical, but what mattered was readiness.

As afternoon softened into evening, the track receded and the schedule shifted again. Dinner brought the group together away from the circuit, creating space for conversation. Over a relaxed meal, members of Jaguar Land Rover’s media, brand, and motorsport teams spoke openly about travel, pacing, and the realities of sustaining a global season. The tone was warm and unguarded, a reminder that this highly technical sport is still powered by people. By the time pre-race day came to a close, Formula E had revealed itself not as a spectacle waiting to erupt, but as a system already in motion. For Jaguar TC Racing, Friday was not about spectacle, but about ensuring that when conditions changed, whether through weather, strategy, or pressure, the foundation would hold.

February 3, 2026 0 comments
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EntertainmentKoncertsMusicUncategorized

BigXthaPlug and Clipse Unite Generations of Hip Hop at the Hollywood Palladium

by Sharafa Odusanya February 2, 2026
written by Sharafa Odusanya

The sold out night at the Hollywood Palladium felt rooted in both legacy and momentum. Co-headlined by BigXthaPlug and Clipse, the show brought multiple generations of hip hop together in one room, with Armanii setting the tone as the opener.

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February 2, 2026 0 comments
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EntertainmentEventsEventsFashion & BeautyFeaturedMusicNewsThe LatestTVUncategorized

All the Right Notes: Inside the 68th Annual Grammy Awards

by Jesse K February 2, 2026
written by Jesse K

It was music’s biggest night—a cultural coronation draped in couture and soundtracked by the industry’s most daring icons. Whether you’re here for the fashion highlights or the show-stopping medleys, we’re keeping score on the moments that truly hit all the right notes.

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February 2, 2026 0 comments
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KoncertsMusicUncategorized

Room 112 Tour Brings R&B Nostalgia to Life at YouTube Theater

by Sharafa Odusanya January 28, 2026
written by Sharafa Odusanya

The Room 112 Tour stop at YouTube Theater on January 23 felt like a reunion rooted in nostalgia, legacy, and connection. R&B staples 112 were joined by special guests Total and Case for a night that celebrated timeless records while honoring the artists and eras that shaped the culture.

From the moment doors opened, the crowd felt intentional. Fans arrived ready to sing, reminisce, and relive memories tied to songs that have lived in playlists for decades. Case warmed up the room with smooth vocals and an intimate stage presence that immediately set the tone. His set included standout performances of “Touch Me, Tease Me,” “Missing You,” and “Happily Ever After,” each met with loud singalongs from the crowd. “Touch Me, Tease Me” brought out the flirtier side of the audience, while “Missing You” created one of the night’s more emotional moments, with phones raised and voices filling the theater. He closed strong with “Happily Ever After,” reminding everyone why his ballads still resonate years later.

Photo credit: Noel Vasquez/YouTube Theater

Total followed, bringing high energy despite performing without Pamela Long. Even with one member absent, the group delivered with confidence and cohesion. They performed fan favorites including “Kissing You,” “What About Us,” and “Can’t You See,” with each song receiving its own wave of nostalgia from the crowd. “Kissing You” felt especially powerful live, with layered harmonies echoing through the venue, while “What About Us” had fans dancing in their seats. One of the most meaningful moments of their set came during “Can’t You See,” when visuals of The Notorious B.I.G appeared on screen rapping his verse, allowing his presence to live on while the audience sang every word.

Photo credit: Noel Vasquez/YouTube Theater

112 took the stage next, performing as a duo with Slim and Mike holding it down for the group. They opened their set with “It’s Over Now,” setting an emotional tone right from the start. Despite being down two members, Slim and Mike carried the performance with ease, blending polished vocals with genuine engagement that kept the audience locked in throughout.

Their set moved seamlessly between slow jams and crowd favorites, but the emotional high points came during their tributes to hip hop royalty. The group paid homage to both Biggie and Tupac, taking a moment to honor their influence and impact. Biggie appeared on screen once again during their performance of “Only You (Remix),” creating another powerful singalong moment that connected generations in real time. The show closed on a high note with “Peaches & Cream,” sending the crowd home on pure nostalgia and joy. It was the kind of ending that reminded everyone why these records still matter.

From my perspective, the night worked because it balanced reverence for the past with present-day appreciation. Even with altered lineups, both Total and 112 delivered performances rooted in authenticity and love for the music. Seeing Slim and Mike lead 112 with confidence, and watching Total command the stage without Pam, spoke to the longevity and resilience of artists who continue to show up for their fans.

Ultimately, the Room 112 Tour stop in Los Angeles felt less like a concert and more like a shared experience. It was a reminder that R&B lives in memory, emotion, and community. These songs are woven into people’s stories, and on this night, YouTube Theater became a space where generations came together to celebrate that legacy.

Photo credit: Noel Vasquez/YouTube Theater

Photo credit: Noel Vasquez/YouTube Theater

January 28, 2026 0 comments
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EntertainmentFilmUncategorized

Moses the Black Sets the Tone With a Thought Provoking Black Carpet Premiere

by Sharafa Odusanya January 23, 2026
written by Sharafa Odusanya

The black carpet premiere of Moses the Black took place Tuesday, January 20 at the Pacific Design Center, bringing together film, faith, and culture for a powerful night centered on redemption and transformation. Industry guests, cast, creatives, and supporters gathered to celebrate the upcoming release ahead of its nationwide theatrical debut on January 30.

Photo credit: @jenjphoto/ Jennifer Johnson

Upon arrival, guests were welcomed with signature complimentary cocktails inspired by the film’s themes. A tequila-based cocktail titled The Light set the tone for the evening, alongside a vodka cocktail called The Sword and a mezcal cocktail named Saving Grace. Complimentary bites and cocktails were available throughout the premiere, creating an elevated yet intimate atmosphere that matched the film’s emotional weight. Following the screening, the celebration continued at the official after party at Rokusho LA, where guests enjoyed additional complimentary cocktails and a hand roll bar. The after party offered a relaxed setting for conversation, reflection, and celebration of the film’s message and creative achievement.

Moses the Black is written and directed by Yelena Popovic, who also serves as a producer on the film. The crime drama reimagines the story of the 4th-century saint St. Moses the Black within modern-day Chicago. The film follows Malik, played by Omar Epps, a former gang leader recently released from prison who finds himself torn between vengeance and spiritual awakening.

@jenjphoto/ Jennifer Johnson

@jenjphoto/ Jennifer Johnson

The cast includes Omar Epps, Wiz Khalifa, Quavo, Chukwudi Iwuji, Skilla Baby, Sambou “Bubba” Camara, and Deontay Wilder. The film is executive produced by Curtis ’50 Cent’ Jackson through G-Unit Film and Television. With a soundtrack featuring Wiz Khalifa and Quavo, the film blends contemporary hip hop culture with themes of faith, accountability, and the possibility of change.

The premiere also drew a notable group of guest who came out in support. Attendees included Big Boy, actor Johnell Young, rapper D Smoke, Gianni Paolo, Kris Lofton, former USC Trojans and Pittsburgh Steelers star Troy Polamalu, and Leslie David Baker. Their presence added to the sense of community and cultural crossover that defined the evening.

From a personal standpoint, the film left a strong impression. I genuinely enjoyed the screening and admired the level of nuance throughout the story, particularly how it explored the idea that many people are shaped by their environments. Ultimately, Moses the Black is a film that asks viewers to slow down and sit with complexity. It does not rush its message or offer easy answers, but instead invites empathy by showing how environment, circumstance, and personal history shape the choices people make. The story balances faith and realism in a way that feels intentional, not preachy, and deeply human.  It was also refreshing to see artists I have listened to for years, especially Wiz Khalifa and Skilla Baby, step into acting roles. Their performances felt natural, and it would be exciting to see both of them take on more film and television roles moving forward.

The story draws inspiration from the real-life journey of St. Moses the Black, an Ethiopian slave who rose to become a feared bandit leader before ultimately finding redemption. That historical foundation gives the film emotional depth while grounding its modern narrative in a story that continues to resonate today.

As the film heads toward its theatrical release on January 30, Moses the Black stands out as more than a crime drama. It is a meditation on accountability, grace, and the possibility of change, especially for those who come from environments where survival often comes before reflection. The premiere itself reflected that same spirit, bringing together creatives, cultural leaders, and community voices for a night rooted in intention and conversation. This is a film that lingers after the credits roll, encouraging viewers to consider not only who people are, but who they are still becoming.

@jenjphoto/ Jennifer Johnson

@jenjphoto/ Jennifer Johnson

January 23, 2026 0 comments
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Luis Fonsi shares the latest on St. Jude Children’s Research Hospital Campaign

by Sandra Ictech January 21, 2026
written by Sandra Ictech

The Holiday spirit was ignited by Luis Fonsi and the help of other well known brands and talents for the St. Jude Children’s Research Hospital Campaign. The campaign is a well known modern tradition and it marked its 22nd annual campaign for the research hospital. 

With the use of celebrity platforms and voices Luis Fonsi continues his deep relationship with St. Jude uses his voice and platform on different channels on social media to help spread St. Judes message and awareness.

The Knockturnal sat down with Luis, where he first reflected on his first ever visit at St. Jude, early into his career.

After learning about their mission Fonsi was left with the feeling of wanting to be a voice for the hospital and allow others to help save lives because for Fonsi that is a powerful thing.

Fonsi explained the 2025 campaign for those who haven’t heard of it, and touched on how the campaign supports the children and families in need.

With the families and children that are in hard times, this is the best and most important time to dontate.

Fonsi mentioned its people like him and others who are aware of the campaign, are ones that can help create awareness during the holidays. 

By shopping at certain stores one might not know but they are helping St Jude. Many of the stores or brands that people shop at, are involved and donate through their purchases.  

January 21, 2026 0 comments
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Fashion & BeautyUncategorized

Pantene’s Abundant & Strong Collection Proves You Don’t Need Luxury Prices for Healthy Hair

by Branda Ayo January 20, 2026
written by Branda Ayo

For many people, the start of a new year usually comes with setting goals and hoping to follow them through, some practical, others more lofty than others. With hair being such a big part of many people’s overall confidence, it’s no surprise that hair health is just as important. 

In their most recent collection, Pantene dug deep to better understand the top indicators behind hair loss and boiled it down to four key factors, one of the most overlooked being scalp oxidative stress. According to the brand, everyday exposure to things like pollution, UV rays, and even internal stress can weaken the scalp’s ability to hold onto hair at the root, leading to increased shedding over time.

To address that, Pantene introduced its new Abundant & Strong Collection, a three-step system designed to reduce hair loss by up to 85% while supporting stronger, denser hair in as little as six weeks. According to Pantene’s clinical testing, the Abundant & Strong system is designed to support hair retention at the root, with users seeing measurable changes over time rather than overnight. In studies highlighted by the brand, 77% of participants reported less hair loss after four weeks, while over 85% noticed increased hair density after six weeks. By the eight-week mark, the system helped retain 6,000 more strands at the root.

At a recent panel discussion, The Knockturnal sat down with Pantene’s experts to break down the science behind shedding versus breakage, why stress plays such a big role in hair health, and how this collection was tested across different hair types and textures.

This interview has been edited for concision and clarity.

The Knockturnal:
I love that. As you were talking, I kept thinking about how doctors say the best form of medicine is preventative care. This feels like being proactive instead of waiting for a problem to show up. The through line is that we all experience stress, and stress is one of the top causes of hair issues. The fact that you grounded this product in research and insight is really powerful.

And how many times do people say, “Oh, my hair is shedding,” and then spiral? Instead of spiraling, we should focus on addressing oxidative stress. Let’s find a solution instead of stressing ourselves out more.

I’m also curious. We touched on this earlier. How did you test this line across different hair types and textures, especially highly textured hair and protective styles? Shrinkage alone can make it hard to even assess length or growth.

Panelist:
Yeah, so during our research, we tested across a wide range of hair types. One of the great things about the technology Jeni Thomas, Ph.D., Global Principal Scientist for Pantene, uses is that it allows us to look directly at the hair at the follicle level—specifically the crown and root—without requiring the hair to be straightened or blow-dried.

To ensure consistency, test subjects actually had a small tattoo marking the exact area of the scalp being measured so we could analyze the same spot over time. That allowed us to get really accurate data.

The Knockturnal:
Wow, that’s really robust.

Panelist:
Yeah, and it’s been really exciting to see this product come to life. Hair care has come such a long way from 2010 to now, especially. It’s no longer just about cranking out products. There’s so much intentionality behind every layer—from the scalp to a single strand of hair, all the way to how people actually experience the product. We even saw trial participants talking about their experience on social media, saying things like, “I was part of this study.” It’s really cool to see people feel included in the process.

The Knockturnal:
Totally. And I love that you all emphasize routine and long-term care. This product is a solution, but it takes time and consistency. Sometimes people see claims and expect instant results, but even the studies show that change takes time.

Panelist:
Exactly. That’s why we guide people through what to expect at one week, two weeks, four weeks, six weeks, and eight weeks so they can track progress. It’s not one big magical moment. At eight weeks, you might notice something subtle, but at least you know where you are on the journey. That helps with motivation and consistency.

The Knockturnal:
That’s really great! Thanks again for taking the time to discuss this latest launch.

 

To learn more about the Abundant & Strong Collection and Pantene’s ongoing research into hair health, visit the brand’s website for additional details.

January 20, 2026 0 comments
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EntertainmentFilmUncategorized

Morena Baccarin Shares New film ‘Greenland 2: Migration’ and Moments From On and Behind Set

by Sandra Ictech January 11, 2026
written by Sandra Ictech

Along with discussing the difficulties she faced as the character in the movie, Morena Baccarin also shared about the behind-the-scenes moments that made her new picture an emotional and thrilling experience. 

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January 11, 2026 0 comments
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Uncategorized

TikTok Awards Top Trends: New Era. New Icons.

by Julia Melim January 6, 2026
written by Julia Melim

For the first time ever TikTok celebrated the top trends of the year at the inaugural TikTok Awards in the US, where the creators who defined the year were officially crowned. After a night filled with show-stopping moments, creator highlights, and your votes leading the way, they revealed the standout voices and talents who defined TikTok recognizing the top creators of the year – and in case you missed it here’s a recap of 2025’s top trends so you can get inspired this year.

Hosted by actress, producer, entrepreneur, and author La La Anthony at the Hollywood Palladium in Los Angeles, the TikTok Awards US brought creators together for an unforgettable night. Presenters, including Paris Hilton, Jordan Chiles, and Josh Richards, helped honor the innovators driving culture forward on TikTok.

The TikTok Awards brought together a community of more than 170 million viewers in the US to celebrate the creators who shaped culture across food, fashion, entertainment, sports, learning, and more. This inaugural ceremony marked a new era of recognition on TikTok, honoring those who turned creativity into real cultural impact. If you missed it LIVE, the ceremony is available on demand tomorrow on Tubi, the official streaming partner of the TikTok Awards 2025.

The TikTok community across the US had their voices heard, with millions of votes cast, and were thrilled to recognize the winners of the TikTok Awards US 2025. In one of the evening’s most exciting surprises, Mr. Fantasy emerged from the audience, taking the mic with his signature eccentric charm before inviting a fan to collab with him onstage.

Across the night, the Palladium turned into a living FYP for the audience in the room:

  • Labubu Cannon sent plush collectibles soaring into the crowd, triggering full-room FOMO and playful chaos.
  • Creator Collab Cam paired unexpected creator duos for spontaneous selfie linkups.
  • FYP Food Drop delivered 2025’s biggest food trends directly to creators’ hands, spotlighting the dishes that dominated TikTok this year.

TikTok Awards US 2025 Winners:

Creator of the Year: Keith Lee

@keith_lee125

TikTok is proud to celebrate the spirit of our Creator of the Year winner, Keith Lee, who uses his platform to uplift small businesses, address food insecurity, and create positive, real-world impact, by contributing a $50K donation that will help Feeding America directly support communities in need across the country. TikTok’s donation will provide half a million meals to families through their nationwide network of food banks, statewide food bank associations, food pantries, and meal programs.

Rising Star of the Year (sponsored by e.l.f. Cosmetics)

@findjeremiah

Breakthrough Artist of the Year

@alexwarren

Storyteller of the Year

@tinekeyounger

Muse of the Year

@parishilton

@tiktok

Sliving for our Muse of the Year, @ParisHilton, thank you for inspiring us always ✨

♬ original sound – TikTok

 

TikTok for Good Award

@valentinebrothers

My Show is On Award [Film & TV]

@dayanechrissel

MVP of the Year [Sports]

@mariahcrose

Okay Slay Award [Fashion/Beauty]

@katiefanggg

I Was Today Years Old Award (sponsored by H&R Block)

@lawbymike

Immediately Added To Cart Award (presented by TikTok Shop)

@klothesminded

CapCut Creator of the Year

@recider

TikTok LIVE Creator of the Year

@eliesparzaa

January 6, 2026 0 comments
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Photographer: @danielgeorgie
Stylist: @jasminewoolfork
Cover Writer: @julianexcalibur
Grooming: @kc_kissandmakeup_
Videographer: @jm.rodrigueznyc
Photo Asst: @kat0burrow
According to Mekai Curtis, ‘Power Book III: Raisin According to Mekai Curtis, ‘Power Book III: Raising Kanan’ has always been about more than crime and power struggles. “Throughout the entirety of the show, you’ve watched him asking questions, and now he finally has the answers he’s been looking for. In Season 5, you really get to see the fallout of him discovering his truth.”

More on Curtis at theknockturnal.com
________________________
Talent: @themekaicurtis
Editor in Chief: @ojwilliams4
Deputy Editor: @liztaylorworld
Creative Director: @equitiesmanager1
Photographer: @danielgeorgie
Stylist: @jasminewoolfork
Cover Writer: @julianexcalibur
Grooming: @kc_kissandmakeup_
Videographer: @jm.rodrigueznyc
Photo Asst: @kat0burrow
As the star of ‘Power Book III: Raising Kanan’ @th As the star of ‘Power Book III: Raising Kanan’ @themekaicurtis has evolved from a promising young actor into the defining face of the ever-expanding Power universe. 

More on the actor behind Kanan Stark, at theknockturnal.com
________________________
Talent: @themekaicurtis
Editor in Chief: @ojwilliams4
Deputy Editor: @liztaylorworld
Creative Director: @equitiesmanager1
Photographer: @danielgeorgie
Stylist: @jasminewoolfork
Cover Writer: @julianexcalibur
Grooming: @kc_kissandmakeup_
Videographer: @jm.rodrigueznyc
Photo Asst: @kat0burrow
More @thegotham coverage on our YouTube. More @thegotham coverage on our YouTube.
@shein_us hosted their first-ever Fashion Show in @shein_us hosted their first-ever Fashion Show in Miami at their Annual Campus Retreat, where student Ambassadors were split into teams to send down a SHEIN look (put together from the brand’s ‘Vacay Trends’ line) down the runway.

Full article on theknockturnal.com
The 2026 @shein_us Annual Campus Retreat and Gala The 2026 @shein_us Annual Campus Retreat and Gala kicked off in Miami this week, and Arianna Quintero received the brand’s Rising Star award.

SHEIN hosted their first-ever fashion show at the event, where teams of ambassadors were grouped together to style looks and send them down the runway. 

Full feature on theknockturnal.com
Malin Akerman speaks with The Knockturnal at the 3 Malin Akerman speaks with The Knockturnal at the 3rd annual Gotham Television Awards.

@thegotham 

#thehuntingwives
A Big Apple night at Gotham Television Awards- The A Big Apple night at Gotham Television Awards- The third annual event brought guests and honorees to Cipriani Wall Street and included Chase Infiniti, Kerry Washington, Claire Danes, Michelle Pfeiffer, Paul Anthony Kelly, Rachel Sennott, Odessa A’zion, Sarah Pidgeon, Linda Cardellini, Steven Conrad, David Harbour, Joy Sunday, Jeff Hiller, Jeff Frost, Miriam Shor, Karolina Wydra, Rhea Seehorn, Rebecca Hall, Laurie Metcalf, Brittany Snow, Ross Duffer, Shawn Levy, Matt Duffer, Jamie Bell, Richard Gadd, Molly Ringwald, 50 Cent, David E. Kelly, Mark Ronson, Grace Gunner, and so many more @thegotham
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