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2026 GRAMMY Red Carpet Arrivals and Chats with Artists: What’s New

by Sandra Ictech February 8, 2026
written by Sandra Ictech

The 68th Annual Grammys, also known as “music’s biggest night” was filled with numerous artists nominated throughout different categories, performances to anticipate, and amazing red carpet looks and arrivals. 

This year, the carpet was taken over by looks from new artists to household names within the entertainment and music industry. Each guest in attendance was able to show off elegance and their own glow with the elegant fashion choices and looks chosen for the night. 

These are a few of many, red carpet looks that attracted some attention.

Justin Bieber and Hailey Bieber

LOS ANGELES, CALIFORNIA – FEBRUARY 01: (L-R) Justin Bieber and Hailey Bieber attend the 68th GRAMMY Awards on February 01, 2026 in Los Angeles, California. (Photo by Neilson Barnard/Getty Images for The Recording Academy)

Photo Courtesy: (Photo by Neilson Barnard/Getty Images for The Recording Academy)

Tyla

LOS ANGELES, CALIFORNIA – FEBRUARY 01: Tyla attends the 68th GRAMMY Awards on February 01, 2026 in Los Angeles, California. (Photo by John Shearer/Getty Images for The Recording Academy)

Photo Courtesy: (Photo by John Shearer/Getty Images for The Recording Academy)

 

Katseye – Yoonchae Jeung, Megan Skiendiel, Lara Raj, Manon Bannerman, Sophia Laforteza, and Daniela Avanzini Katseye

LOS ANGELES, CALIFORNIA – FEBRUARY 01: (L-R) Yoonchae Jeung, Megan Skiendiel, Lara Raj, Manon Bannerman, Sophia Laforteza, and Daniela Avanzini of Katseye attend the 68th GRAMMY Awards on February 01, 2026 in Los Angeles, California. (Photo by John Shearer/Getty Images for The Recording Academy)

Photo Courtesy:(Photo by John Shearer/Getty Images for The Recording Academy)

 

Paris Hilton

LOS ANGELES, CALIFORNIA – FEBRUARY 01: Paris Hilton attends the 68th GRAMMY Awards on February 01, 2026 in Los Angeles, California. (Photo by Neilson Barnard/Getty Images for The Recording Academy)

Photo Courtesy: (Photo by Neilson Barnard/Getty Images for The Recording Academy)

 

Benson Boone

LOS ANGELES, CALIFORNIA – FEBRUARY 01: Benson Boone attends the 68th GRAMMY Awards on February 01, 2026 in Los Angeles, California. (Photo by Neilson Barnard/Getty Images for The Recording Academy)

Photo Courtesy: (Photo by Neilson Barnard/Getty Images for The Recording Academy)

 

Tate McRae 

LOS ANGELES, CALIFORNIA – FEBRUARY 01: Tate McRae attends the 68th GRAMMY Awards on February 01, 2026 in Los Angeles, California. (Photo by Neilson Barnard/Getty Images for The Recording Academy)

Photo Courtesy: (Photo by Neilson Barnard/Getty Images for The Recording Academy)

 

Harvey Mason jr., CEO, the Recording Academy, and Britt Mason

LOS ANGELES, CALIFORNIA – FEBRUARY 01: (L-R) Harvey Mason jr., CEO, the Recording Academy, and Britt Mason attend the 68th GRAMMY Awards on February 01, 2026 in Los Angeles, California. (Photo by Emma McIntyre/Getty Images for The Recording Academy)

Photo Courtesy: (Photo by Emma McIntyre/Getty Images for The Recording Academy)

 

J Balvin

LOS ANGELES, CALIFORNIA – FEBRUARY 01: J Balvin attends the 68th GRAMMY Awards on February 01, 2026 in Los Angeles, California. (Photo by Neilson Barnard/Getty Images for The Recording Academy)

Photo Courtesy: (Photo by Neilson Barnard/Getty Images for The Recording Academy)

 

Among these names that arrived at the carpet, some names that stopped for a chat at the carpet included Tyla, Paris Hilton, Anthony Hamilton, Rita Wilson, Nicki Nicole, Mike Sabath, Stevie Mackey, Reba McEntire and many more. 

Here’s what some of the artists shared:

Stevie Mackey

The Knockturnal: Hi, how are you doing?!

Stevie Mackey: I’m doing amazing. What’s up?!

The Knockturnal: That’s good, you look great! What are you most looking forward to within your career and your personal life?

Stevie Mackey: Thank you! I am really looking forward to how we’re talking about AI, and people are scared of it. But I want musicians to really get ahead of it. Use it for good, really seeking and finding inventive ways to use AI with your creativity. Not fight it ,but learn how to use it so it helps the future. What can it do, to help you and that is going to be magic. Don’t be afraid of it!

 

Anthony Hamilton

The Knockturnal: Hi how are you doing?!

Anthony Hamilton: I’m good, how are you love?

The Knockturnal: I am doing good, I wanted to know is there anyone you are most looking forward to seeing tonight perform? 

Anthony Hamilton: Lauryn Hill. I want to see her, and what she is going to do for D’Angelo, who was a good friend of mine. Roberta flack, and to see how they celebrate those guys. 

 

Tyla stopped to chat and shared her excitement about winning her second Grammy, and the recognition and availability to put more creative input into “PUSH 2 START”. As well, shared what’s new for her, which is A-Pop, her new album.

Paris Hilton, mentioned how proud she is, on her project “Infinite Icon”, and the inspiration it has been for many. This lead Hilton to mention that this film is her “most personal project” she has done so far. Many should expect a third album soon, as she has been working in the studio with exciting music to come.

February 8, 2026 0 comments
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EntertainmentEventsFeaturedLifestyleThe LatestUncategorized

Inside Borrowed Spotlight: A Living Tribute to Holocaust Survivors in Los Angeles

by Eliana Arian February 7, 2026
written by Eliana Arian

On February 3,  we arrived at the Los Angeles opening of Borrowed Spotlight in West Hollywood. The exhibition unfolded across three packed gallery rooms, along with a smaller adjoining space where a short film played on loop — intimate clips of Holocaust survivors speaking directly with the celebrities paired with them, sharing their stories face to face.

At the front of the gallery lay the coffee-table book the team has been working on for nearly four years. It is remarkable, filled with striking portraits and excerpts of testimony from each survivor, thoughtfully paired with a public figure helping to amplify their story. Lining the walls were large-scale photographs of the survivors — some alone, others mid-conversation — each accompanied by a brief paragraph recounting their lives. Interspersed throughout were quotes pulled directly from their words.

While the room was filled with celebrities who participated in the project, what mattered most was that the survivors themselves were there. Many of them had come.

One woman, nearly 100 years old, stepped onto the stage wearing a sparkling cobalt blue sweater. When we spoke with her afterward, she lit up talking about her pregnant granddaughter, who was also in attendance. Overcome with excitement, she shimmied and danced in place, full of life and animated. Nearby stood another survivor, 108 years old, dressed in a bright red sweater and gold sneakers. The energy in the room was alive in a way that felt rare and deeply moving. One survivor shared that he had not spoken his story aloud for more than 90 years before finally telling it for the first time with the Borrowed Spotlight team.

South African–born photographer Bryce Thompson also spoke during the evening, reflecting on the years he spent working on the project. Though he is not Jewish, he described feeling a deep responsibility to help preserve and share these stories, many of which had never been told publicly before.

Quotes from survivors lined the gallery walls:

“If you don’t tell your story, people won’t know.” — Gabriella Karin
“When someone puts out their hand, you never let it go empty.” — Yetta Kane
“My grandchildren are my revenge.” — Elizabeth Wilf

With fewer Holocaust survivors alive each year, the urgency of preserving these stories — in their own words — felt especially present.

One of the most moving moments of the evening came when 108-year-old survivor Risa Igelfeld stood up and signed her name on the back of her portrait.  She beamed as she did it.  As Jenna Dewan, who was paired up with her, reflected, ” I left with a really life-changing moment. It blew me away that somebody that I was dancing with survived the unimaginable and has such positivity and light and life force to her still at 108. And it just changed the way I see life and I hear life, my perspective.’

The photo exhibition runs until March 1 at Hancock Park.

Risa Igelfeld, Jenna Dewan

 

February 7, 2026 0 comments
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Wonder of the Seas is Winter Wonderland

by ElizaBeth Taylor February 5, 2026
written by ElizaBeth Taylor

Melt away all your worries with the trip of a lifetime this season on Wonder of the Seas.

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February 5, 2026 0 comments
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FeaturedLifestyleUncategorized

Best Fragrances for the Month of Love — and Where to Wear Them in NYC

by Lauren Wire February 4, 2026
written by Lauren Wire

Whether solo, with friends, or on a romantic date, February in New York is filled with moments worth savoring. The city’s chilly air, cozy interiors, and candlelit tables make every outing feel special — and you want to smell as good as what’s in your glass and on your plate. This month of love is the perfect excuse to match your fragrance to the vibe of the restaurant you’re dining in — because scent sets the tone before the first sip, lingering in memory long after the last bite.

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February 4, 2026 0 comments
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EntertainmentThe LatestTVUncategorized

‘The Oligarch and the Art Dealer’ Review

by Dano Nissen February 3, 2026
written by Dano Nissen

Van Gogh sitting in a free port is the new moonshine.

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February 3, 2026 0 comments
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The Hottest After-Party: UMG’s 2026 GRAMMY After Party Caps Off Music’s Biggest Night

by Emma Salehi February 3, 2026
written by Emma Salehi

One of music’s hottest nights of the year just wrapped up with one of music’s hottest after-parties of the year: UMG’s (Universal Music Group) 2026 After Party, presented by The Coca-Cola Company, with additional partners Johnnie Walker and Hydro Flask.

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February 3, 2026 0 comments
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AutomotiveUncategorized

Inside Jaguar TCS Racing’s Formula E Mindset Before the Miami E-Prix

by Tristen Yang February 3, 2026
written by Tristen Yang

On Friday morning, ahead of practice sessions and race-day, we sat down with Jaguar TCS Racing drivers António Félix da Costa and Mitch Evans, alongside team principal Ian James, for a roundtable conversation during media day. The discussion offered a moment to understand how the team thinks about performance, energy, and competition before the race.

Miami, despite its reputation, did not feel like a holiday backdrop that morning. The air was unexpectedly cool, more winter than vacation, and the track had yet to assert itself as the dominant presence of the day. For the drivers, location operates less as spectacle and more as a variable. Da Costa, now in his first season with Jaguar, spoke about the ocean as a mental reset rather than an escape. Being near water, he explained, offers a subtle recalibration that sharpens focus.

Outside of racing, both drivers turn to physical movement not as training in the strict sense, but as a way to stay balanced during a season defined by constant travel. For da Costa, surfing and golf occupy the margins of an already crowded calendar. Evans, who grew up in New Zealand, pointed to rugby as a formative influence, less for its tactics than for the rhythm and discipline it instills. Neither framed these activities as escapes, instead, they function as anchors, ways of staying connected to their bodies while living in near-constant motion.

Ritual came up early in the conversation, though not in the way one might expect with no rigid superstitions. Da Costa described a simple pre-race sequence: stretching, skipping rope, twenty minutes of physical readiness before stepping into the car. Evans emphasized visualization over routine, constantly replaying the track in his mind and adapting to schedule changes rather than resisting them.

The ease between da Costa and Evans surfaced repeatedly. Although new to the team, da Costa is not new to Evans. The two have known each other for years, competitors who understand each other’s instincts without needing translation. They mentioned a philosophy of different experiences, different approaches, but a shared willingness to learn with a goal on alignment. This dynamic becomes especially important in Formula E, where races are not won by pushing flat out from start to finish. Da Costa explained it plainly. If drivers were to race at maximum output for the full duration, the battery would not last. The challenge is not speed alone, but energy management. Regeneration, timing, positioning, and restraint all shape the outcome. Drivers cycle between attack and conservation, sometimes literally following one another closely to minimize energy loss, a comparison da Costa likened to the peloton in the Tour de France.

This is where Formula E diverges most sharply from other forms of motorsport, and where it can be hardest to read from the outside. It is engineered because no one runs away with the race early. Strategy unfolds in layers, and the margin between winning and finishing mid-pack can be measured in decisions made minutes, or even seconds, apart. Evans described it as a form of art, a balance between performance and patience that rewards awareness as much as aggression.

For fans accustomed to Formula 1, where dominance can stretch across seasons, Formula E requires a different way of watching. The sport has been around for over a decade now, and its core audience understands the language. What remains is translating that experience to a broader public, particularly as sustainability moves from concept to constraint across motorsport. Da Costa noted that Formula E has effectively been living the future for years. That framing carried into the second half of the roundtable, where team principal Ian James joined the conversation. Where the drivers spoke about flow and instinct, James spoke about systems. Pressure, he explained, exists everywhere in the organization, not just in the cockpit. James has moved fluidly between disciplines. In Formula E, the role is far more active. The team is constantly responding, adjusting, supporting. Influence is not about overriding expertise, but about creating the conditions for it to operate effectively during simulations.

In terms of team culture, James spoke at length about the importance of collaboration, particularly between drivers. Talent alone is not enough. In a championship where the car is constantly evolving, drivers must be able to articulate what they feel, translate instinct into feedback, and work together rather than against each other. When garages split, development suffers. Alignment, even without friendship, is non-negotiable.

Behind the scenes, much of that alignment is built long before race weekend. Simulation plays a central role in preparation, not just for drivers, but for the entire team. Engineers, strategists, and performance staff are brought into the process, rehearsing scenarios, stress-testing decisions, and effectively gamifying strategy. While no simulation can account for every variable, the confidence it builds carries into the race. By the time the cars arrive at the circuit, most of the work has already been done. This is where sustainability becomes less of a talking point and more of a framework. Operating under cost caps has reshaped internal dynamics, bringing finance teams into direct conversation with performance goals. Where spending was once viewed as a limitation, it now becomes a strategic tool. Knowing where to allocate resources, where to extract the most value from each decision, creates competitive advantage.

The conversation eventually widened to Jaguar’s broader motorsport legacy. Drivers and leadership alike referenced Le Mans, the Silk Cut era, and the visual language that once defined Jaguar on the world stage. James recalled an early experience at Jaguar’s headquarters, driving an E-Type from 1960, followed by modern performance vehicles and future concepts. Across generations, he noted, the throughline remained tangible. The cars moved like Jaguars and they felt like Jaguars. That continuity matters as the brand moves deeper into the electric age. The question is no longer whether electric racing can be exciting, but how to carry identity forward within new constraints. Engagement, James suggested, will increasingly depend on how well that story is told, not just on track, but through experiences like this one. As the roundtable wrapped, the schedule pressed on. Formula E, viewed through Jaguar TCS Racing, reveals itself as a sport built on awareness, energy, people, and limits.

February 3, 2026 0 comments
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AutomotiveUncategorized

Inside Miami Formula E’s Pre-Race Day With Jaguar TCS Racing

by Tristen Yang February 3, 2026
written by Tristen Yang

Pre-race day at a Formula E weekend doesn’t begin with speed. It begins with structure, timing, and preparation. In Miami, that rhythm started early. Outside, the air was cooler than expected for Miami, and the city still subdued in the morning light. On Friday morning, the brand and press group gathered in the lobby of the Andaz Miami Beach, moving together into a line of Range Rover Sport models that would carry us across the city toward the Miami International Autodrome track. Media day has its own atmosphere, distinct from race day energy. It’s slower, more conversational, built around access and insight rather than adrenaline.

The first stop was the Jaguar TCS Racing garage: Jaguar’s position within the paddock reflected championship order from the previous season, placing the team in the second garage. Inside the garage, the GEN3 Evo car sat prepared, surrounded by engineers, laptops, and neatly organized equipment, with remarkably little excess. What stood out was how much wasn’t there. As the team walked us through the space, it became clear that what happens in the garage is only the visible layer of a much larger operation. Formula E cars are developed on long cycles, not race by race, but year by year. Jaguar is in the second year of the current homologation period, with major powertrain elements locked in and refined over time. The motor, inverter, gearbox, and suspension are developed within strict regulations, then frozen. Between races, Jaguar’s engineers don’t rebuild the car, but constantly rewrite it. Setup begins virtually, long before the car arrives in Miami. Digital models simulate braking behavior, corner entry, regenerative energy recovery, and how the car responds to the unique demands of each track. These simulations don’t require a driver and they don’t require a physical car. They exist in parallel, running continuously back at Jaguar’s UK headquarters while the race team travels.

Formula E is a data-led championship by necessity. Physical testing is heavily limited and track time is precious. There are only so many days a year when the car can be run in the real world and everything else happens digitally. Engineers work through thousands of scenarios, adjusting parameters virtually, then delivering software updates that are uploaded to the car when it arrives at each race. So what appears trackside is the final expression of weeks, sometimes months, of invisible work. Logistics follow the same logic. Freight doesn’t return to base between races. Instead, it moves continuously from city to city in a global loop, handled by a centralized logistics partner. Once the season begins, teams may not see certain components again unless something goes wrong. Repairs happen within tight windows and updates must be planned long in advance. The moment the cars arrive at the circuit, the scope for change narrows dramatically. Standing inside the garage, watching engineers move with practiced efficiency, the scale of the operation became clearer. Formula E may look quieter than other forms of motorsport, but the intensity is compressed because decisions are made earlier and margins are tighter.

From the garage, the day transitioned into conversation. Roundtables with drivers António Félix da Costa and Mitch Evans, followed by team principal Ian James, added a human layer to what had just been seen. Their discussions about preparation, collaboration, and energy management framed Formula E as a championship where restraint is not a limitation, but a competitive advantage.

Lunch passed quickly, functional and efficient, before attention returned to the garage for rookie practice. Held ahead of traditional sessions, the rookie run exists in a space between opportunity and utility. For young drivers, it’s a rare chance to experience GEN3 Evo machinery. For teams, it’s early access to real-world data from the track. Alessandro Giusti took the wheel for Jaguar TCS Racing during the 40-minute session, finishing sixth with a fastest lap of 56.278. The data on braking zones, regeneration patterns, grip levels, and energy usage fed directly back into Jaguar’s preparation. In Formula E, information gathered on Friday can quietly shape what happens on Sunday. Engineers watched screens more than lap times, tracking variables that would influence strategy later. At the time, there was no visible hint that Mitch Evans would go on to win a rain-affected Miami E-Prix with a composed, assured drive. On Friday, that outcome was still theoretical, but what mattered was readiness.

As afternoon softened into evening, the track receded and the schedule shifted again. Dinner brought the group together away from the circuit, creating space for conversation. Over a relaxed meal, members of Jaguar Land Rover’s media, brand, and motorsport teams spoke openly about travel, pacing, and the realities of sustaining a global season. The tone was warm and unguarded, a reminder that this highly technical sport is still powered by people. By the time pre-race day came to a close, Formula E had revealed itself not as a spectacle waiting to erupt, but as a system already in motion. For Jaguar TC Racing, Friday was not about spectacle, but about ensuring that when conditions changed, whether through weather, strategy, or pressure, the foundation would hold.

February 3, 2026 0 comments
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EntertainmentKoncertsMusicUncategorized

BigXthaPlug and Clipse Unite Generations of Hip Hop at the Hollywood Palladium

by Sharafa Odusanya February 2, 2026
written by Sharafa Odusanya

The sold out night at the Hollywood Palladium felt rooted in both legacy and momentum. Co-headlined by BigXthaPlug and Clipse, the show brought multiple generations of hip hop together in one room, with Armanii setting the tone as the opener.

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February 2, 2026 0 comments
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EntertainmentEventsEventsFashion & BeautyFeaturedMusicNewsThe LatestTVUncategorized

All the Right Notes: Inside the 68th Annual Grammy Awards

by Jesse K February 2, 2026
written by Jesse K

It was music’s biggest night—a cultural coronation draped in couture and soundtracked by the industry’s most daring icons. Whether you’re here for the fashion highlights or the show-stopping medleys, we’re keeping score on the moments that truly hit all the right notes.

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February 2, 2026 0 comments
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🎥: https://youtu.be/2dpVM625v2k?si=H5meZka85162pPPr
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Full interview:
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