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Between Worlds and Breaking Rules: Inside School Spirits Season 3

by Jai Singh Nanda March 17, 2026
written by Jai Singh Nanda

In School Spirits, death has never meant the end of the story. But in season three, it finally starts to feel like the rules, whatever they once were, are breaking.

Created by Nate and Megan Trinrud, the Paramount+ drama returns with its most ambitious chapter yet, plunging Maddie Nears and her friends into a deeper, darker mystery as the veil between worlds grows dangerously thin. What began as a grounded supernatural whodunit has evolved into something more unsettling: a story about unfinished business, emotional fractures, and the terrifying consequences of knowing too much.

After clawing her way back to life, Maddie is no longer simply searching for answers. She is burdened by them. Visions haunt her, secrets fester at Split River High, and the cost of protecting both the living and the dead grows heavier with every revelation. Season three does not just raise the stakes. It interrogates them.

The Knockturnal’s Jai Singh Nanda sat down with multiple members of the School Spirits ensemble to unpack how the series expands its mythology while keeping its emotional core intact, speaking with Nick Pugliese and Sarah Yarkin, Jennifer Tilly and Josh Zuckerman, Spencer MacPherson, Kiara Pichardo, and Rainbow Wedell, and Miles Elliot and Ci Hang Ma about the shifting dynamics, darker tone, and surprising humanity behind the show’s most intense season yet.

A Darker Turn and Deeper Teamwork

For Sarah Yarkin, who plays the sharp-tongued Rhonda, season three marks a noticeable shift, not just in tone, but in how her character relates to the group.

With the mystery intensifying and the stakes affecting everyone, Rhonda is forced into unfamiliar territory: collaboration. Yarkin described a season where sillier moments give way to something more focused and more urgent, as Rhonda learns, uncomfortably, to be a team player. The darkness is not just external. It demands emotional growth.

Her co-star Nick Pugliese, who plays Charley, echoed that evolution from a different angle. While Charley has always wrestled with insecurity, season three magnifies those feelings by placing him in a relationship amid chaos. The result is a tonal balancing act the show embraces. Life-or-death stakes collide with deeply personal conversations about identity, love, and vulnerability. It is a contrast that feels true to the DNA of School Spirits: spooky, yes, but always human.

Stepping Into the Storm

Season three also introduces new energy into Split River High, most notably with Jennifer Tilly joining the cast as Dr. Hunter-Price. A deliciously unhinged addition, the character is narcissistic, power-hungry, and increasingly terrifying, and Tilly relished the challenge.

She spoke openly about the intimidation of stepping into an already tight-knit ensemble, but also about the thrill of playing someone with so few redeeming qualities. For Tilly, the appeal lay in digging for humanity where it barely exists and embracing a character who slowly transmogrifies into something truly horrific by season’s end.

For Josh Zuckerman, who returns as the enigmatic Mr. Martin, season three represents an earned unraveling. What once presented as confidence and authority begins to fracture as secrets surface, leaving Mr. Martin exposed, desperate, and emotionally adrift. Zuckerman credited the show’s creators and writers for being deeply communicative about the larger themes at play, emphasizing that School Spirits is never just about plot. It is about meaning.

Friendship Under Pressure

If season three interrogates the nature of truth, it also tests the strength of friendship. In conversations with Spencer MacPherson (Xavier), Kiara Pichardo (Nicole), and Rainbow Wedell (Claire), one theme emerged again and again. Pressure does not weaken these bonds. It reveals them.

MacPherson noted that the friendships at the center of the show are stronger than ever because they have to be. Wedell described the group as trauma-bonded, united by secrets they cannot share with anyone else. And for Pichardo, Nicole’s journey this season is about learning confidence under fire, guided by relationships that challenge her comfort zone.

Together, the trio painted a picture of an ensemble that thrives on trust, both on screen and off. That sense of safety, they agreed, is what allows the show to go to darker places without losing its heart.

Expanding the Afterlife

As the world of School Spirits widens, so too does its emotional and thematic reach. Miles Elliot and Ci Hang Ma, whose characters further expand the mythology of the afterlife, spoke about discovering new layers of meaning as season three reveals long-buried truths about Split River High.

For Ma’s Quinn, waking up in death paradoxically offers freedom, a second chance at belonging that life never quite provided. But that freedom comes with consequences, as the warnings left behind in season two begin to materialize. Elliot emphasized that this season does not just answer questions. It forces every character to rethink their place in a world that may be far more dangerous than they realized.

Grounding those revelations, both actors stressed, required constant communication with directors, writers, and each other to ensure the supernatural never eclipsed the emotional reality. Ghosts may haunt the halls, but it is the characters’ fear, hope, and longing that keep the story anchored.

A Haunting Evolution

By the end of these conversations, one thing became clear. School Spirits season three is not interested in easy answers. It is a season about consequences, of curiosity, of silence, of love stretched beyond its limits.

As the mystery deepens and the boundaries between worlds continue to blur, the series doubles down on what has always set it apart: an ensemble willing to go emotionally all in, even when the ground beneath them is not solid.

And if season three proves anything, it is that in School Spirits, the most frightening thing is not death. It is what happens when the truth refuses to stay buried.

Spending time with this cast, that passion extends far beyond the screen. There is a genuine sense that these are actors who not only care deeply about the work, but about the audience experiencing it. In a story built on connection between worlds, it feels fitting that the people behind it are just as invested in the connection with the fans watching along.

March 17, 2026 0 comments
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Peaky Blinders: The Immortal Man

by Torey Wyman March 16, 2026
written by Torey Wyman

Netflix Premieres Peaky Blinders: The Immortal Man in New York, Welcoming Cast, Creators, and a Constellation of Guests

Uptown Manhattan, New York, March 13, 2026, On a humidly brisk Manhattan evening that seemed to borrow its ambiance from another era, Netflix hosted the U.S premiere of Peaky Blinders: The Immortal Man at the DGA Theater on Thursday night. The long-anticipated cinematic universe is finally wrapping the acclaimed crime saga in New York City.

Film stars Cillian Murphy, Rebecca Ferguson, Tim Roth, and Barry Keoghan joined writer and producer Steven Knight. In addition to the film’s director, Tom Harper, producer Guy Heeley, and composer Antony Genn united together for a red carpet celebration and a series of interviews ahead of the screening.

Following the premiere, guests traveled uptown to a reception at The Plaza Hotel, where the evening’s design evoked and emulated The Garrison, the Shelby family’s infamous Birmingham pub in Peaky Blinders. Dim lighting, vintage décor, and time period music transported attendees back to the industrial streets of 20th-century England. A tribute fit for the series built over six seasons and now marking its final destination on the big screen.

Among the notable attendees were actors and artists, including Adrien Brody, Ed Sheeran, and Steve Buscemi. Athletes also joined the celebration, including Harrison Phillips of the New York Jets, Olympic ice dancers Madison Chock and Evan Bates, and members of the New Jersey Devils — Zack MacEwen, Jonas Siegenthaler, Dawson Mercer, Paul Cotter, Nico Hischier, and Timo Meier.

About Peaky Blinders: The Immortal Man

Set in Birmingham, England, in 1940, amid the turmoil of the Second World War, Peaky Blinders: The Immortal Man finds Tommy Shelby forced out of self-imposed exile and back into the conflict that once defined him. With the fate of both his family and his country in peril, Tommy must confront his most destructive reckoning yet, to face his legacy or let it burn to the ground.

Academy Award winner Cillian Murphy returns as the iconic Tommy Shelby in the epic feature film directed by Tom Harper and written by Steven Knight.

The cast also includes Rebecca Ferguson, Tim Roth, Sophie Rundle, Ned Dennehy, Packy Lee, Ian Peck, and Jay Lycurgo, alongside Academy Award nominee Barry Keoghan and Primetime Emmy Award winner Stephen Graham.

The film explores the fragile balance between power and responsibility, examining the cost of ambition and the weight of family legacy. Tommy is forced to confront both his past and the empire he built, questioning whether the Shelby name is meant to endure or disappear in flames.

At its core, the film is a meditation on loyalty and resilience, better yet, how families become the backbone of survival in moments of crisis. Through the lens of the Shelby dynasty, the story captures the role morale plays in wartime Britain, where courage is not only found on the battlefield but also in the stubborn refusal to surrender hope.

Peaky Blinders: The Immortal Man is now playing in select theaters and is available to stream on Netflix on March 20th. By order of the Peaky Blinders, you’ve officially been summoned to watch. 

March 16, 2026 0 comments
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EntertainmentThe LatestUncategorized

Gaten Matarazzo and Sean Giambrone Talk ‘Pizza Movie’

by Zipporah Pruitt March 16, 2026
written by Zipporah Pruitt

From American High, Pizza Movie released on Apr. 3rd, streaming on Hulu and Disney+.

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March 16, 2026 0 comments
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The Loren Hotels Launches CAMP Pop-Up with Exclusive Curated Dinner in NYC

by Danielle Niecey March 10, 2026
written by Danielle Niecey

Wednesday, March 4th, 2026. Balaboosta’s Private Wine Cellar. Manhattan, New York.—Guests gathered at Balaboosta’s private wine cellar for an intimate evening hosted by The Loren Hotels, celebrating the launch of their new CAMP pop-up culinary experience in Turks & Caicos. Opening March 12, CAMP is a 60-seat hilltop dining concept that blends the celebrated techniques of The Loren Austin and The Loren Bermuda kitchens, reimagined with a distinctive Turks & Caicos island flair.

The curated dinner offered a rare glimpse into the immersive world CAMP promises, with Chef Christian Grindrod—who leads The Loren’s culinary team—at the helm. Each course reflected the brand’s signature craftsmanship while incorporating vibrant Caribbean flavors, showcasing coastal techniques, fire-driven elements, and premium island ingredients. The evening set the stage for guests to anticipate CAMP’s experiential offerings, including a Boat-to-Table Fishing Experience and an Art + Culinary collaboration with contemporary artist Erik Parker, which will allow diners to engage with both cuisine and creativity in real time.

Beyond the culinary journey, the dinner also previewed The Loren Hotels’ 2026 updates, highlighting developments in Bermuda and Austin, as well as the highly anticipated Turks & Caicos property set to open in 2027. Guests were treated to a thoughtfully designed atmosphere in the private wine cellar, where the intimate setting paired perfectly with the refined yet approachable sophistication that defines The Loren brand.

CAMP’s concept is more than a meal—it’s a celebration of connection, artistry, and the natural beauty of Turks & Caicos. By combining open-air dining, cultural programming, and elevated island cuisine, the experience promises to offer visitors a sensory journey that extends beyond the plate. The March 12 opening will mark the start of CAMP’s limited-time residency, providing guests with a chance to experience a unique taste of luxury, creativity, and Caribbean-inspired innovation—all while previewing the next chapter in The Loren’s evolving story.

The evening closed guest were gifted with “ART: at The Loren”, a 200 page photo-book from the Loren hotel which features  contemporary collection of Art featured at The Loren Bird Lake in Austin and Art at the Pink Beach Bermuda.

March 10, 2026 0 comments
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One Art Space Honors Women’s History Month

by ElizaBeth Taylor March 9, 2026
written by ElizaBeth Taylor

A glittering exhibit honored Women’s History Month this weekend at One Art Space.

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March 9, 2026 0 comments
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From Viral Breakout to World-Builder: BENEE Steps Into the Particles Tour

by Serena Khahera March 4, 2026
written by Serena Khahera

On Saturday, Feb. 28, BENEE arrived at The Fillmore carrying the momentum of a long-awaited return. The New Zealand-born, LA-based alt-pop shapeshifter kicked off her 2026 “Particles Tour” the night before in Sacramento, marking the beginning of a 23-date North American run in support of her sophomore album, Ur An Angel I’m Just Particles.

Released in November 2025, the record ended a five-year gap since her breakout debut, Hey U X—a stretch of time that saw BENEE evolve from viral wunderkind to full-fledged world-builder. If Hey U X introduced her as a sharp, left-of-center pop voice, Ur An Angel I’m Just Particles confirms her as something more ambitious: an artist constructing her own sonic universe.

The album filters existential dread, spiritual curiosity, and everyday chaos into elastic, genre-bending alt-pop. Singles like Cinnamon and Underwater shimmer with airy hooks and emotional undercurrents, while Princess—her collaboration with PinkPantheress—adds a kinetic, hyper-pop pulse to the project’s dreamy core. Other fan favorites, including Sad Boiii, Animal, and Off The Rails, map the emotional terrain between vulnerability and defiance.

Critics have described the album as both adventurous and cohesive—an intricate web of science, spirituality, and spiraling emotion. It’s an album that doesn’t rush to resolve its questions. Instead, it invites listeners to sit inside the uncertainty. That ethos translates seamlessly to the stage.

If Sacramento was the ignition point for this North American run, San Francisco feels symbolic. The Fillmore’s storied walls—long associated with artists who bend genre and expectation—offer an ideal backdrop for BENEE’s kaleidoscopic pop. Backed by immersive visuals and a carefully constructed setlist, she leans into the album’s existential shimmer while keeping the energy loose and communal.

Touring with support from BAYLI and fresh off a European run with Tate McRae, BENEE enters this chapter with hard-earned confidence. The viral lightning strike of “Supalonely” may have introduced her to the masses, but Ur An Angel I’m Just Particles proves she was never interested in chasing a moment. She’s building something longer-lasting—an evolving, slightly chaotic, but unmistakably personal world.

Ahead of her second night on tour, I spoke with BENEE about creative cohesion, resisting industry pressure, embracing childlike wonder, and what it means to grow up in public while still allowing yourself to experiment.

The Knockturnal: It’s so great to meet you! You’re heading into night two of the Particles Tour at The Fillmore in San Francisco. After kicking things off in Sacramento, what did you learn from opening night?

BENEE: What’s funny is that we’ve been doing support tours for so long that I think we forgot what it feels like to play a show that’s entirely our own. It’s been really encouraging to see people singing along to both the new songs and the older ones.

But honestly, what stood out most was meeting everyone. We’re doing meet-and-greets on this run, which has been so special. It gives us more intentional time with listeners. There were some really sweet little girls who came with their families last night. Moments like that remind you how meaningful it is to connect directly with your audience.

The Knockturnal: That must make touring North America feel even more special—getting to see everyone across the country.

Looking at this North American run is there a city you feel particularly connected to, or one that you’re excited to visit?

BENEE: I’m in San Francisco right now, and I love it here. I wish I had an extra day because there are such beautiful beach towns nearby. Sacramento was also special—my boyfriend’s from there, so his whole family came out, which was really cute.

I’m excited for Portland, too. Honestly, I’m just excited for the ride—popping in and out of different states. Even random gas station stops become fun when you’re on the road with your team.

The Knockturnal: American gas stations really are something special.

BENEE: You can’t beat them.

The Knockturnal: I’m from San Francisco so I’ll be at the show tonight and love hearing you say it’s one of your favorites.

BENEE: It’s so nice here, and it’s such a beautiful day today as well. 

The Knockturnal: Your visuals have always felt intentional and slightly surreal. For the Particles Tour, what’s one visual or staging element you’re most excited for fans to experience live?

BENEE: Some venues have screens, and for those, we created really cool visuals. The intro incorporates my album teaser trailer with the opening music, which I’m really excited for people to see.

For venues without screens, we had a custom backdrop made that creates a strong visual world on its own. I’m excited for people to step into that environment.

The Knockturnal: You’ve mentioned being a part of a lot of supporting tours. BAYLI is joining you on this run — what do you look for in an opening act, and how important is it that the energy of the night feels cohesive from start to finish?

BENEE: It’s really important. BAYLI is actually a friend, so I already knew that I loved her and that we got along well. I tend to either choose someone I already know or an artist who feels aligned—even if we’re not in the exact same genre. It’s nice to introduce your audience to someone they might not know yet.

It’s a really exciting part of touring– getting to choose who gets to come along with you. Touring together builds such close relationships. We’re sharing a bus with Bailey and her tour manager, and it’s been great. She’s awesome, has incredible new music, and people were screaming for her last night. 

The Knockturnal: On Ur an Angel I’m Just Particles, is there a particular track that feels especially personal to you right now — or one you secretly hope becomes the song fans scream back at you on this tour? What about that song makes you excited to perform it live?

BENEE: I love performing “Cinnamon.” It’s such a fun one live. The chorus really hits, and the bridge has this ethereal moment that feels special on stage. Seeing people light up when we start playing it is amazing.

“Heaven” feels more personal, so it’s nice to shift into that energy as well. But honestly, it’s just been fun playing the new album.

The Knockturnal: You’ve talked about feeling the pressure of today’s fast-paced music climate — TikTok snippets, constant releases, staying “relevant.” How did taking five years between Hey u, x and this new album reshape your relationship with ambition and patience when it comes to creating a project?

BENEE: It’s interesting because five years sounds like a long time, but in some ways, it isn’t. At the start, I definitely felt pressure to keep releasing music quickly—especially with streaming and social media moving so fast.

But over time, I realized you don’t have to do it any particular way. You don’t have to rush. I just wasn’t ready to release for a while, so I took my time with it.

Even now, I’m making new music that I think is even better than what’s on the album. I feel like I’m evolving and growing and making better music than I have before. It’s nice to carve your own path and focus on making great art rather than reacting to external pressure. It’s kind of nice to be able to “reject” that, and I think it’s more important to just make really good art. That’s the work that resonates most. 

The Knockturnal: I also think you have a really good balance of having experienced that at the beginning of your career. Going from that and taking the time to focus on your project and ignore outside noise is very commendable. I’m excited to see the direction your music continues heading in, and I’m sure fans will totally resonate with what you said. 

BENEE: Yay!!! 

The Knockturnal: There’s a subtle cohesion to this record compared to your earlier, more eclectic projects. Was there a moment during recording — maybe in LA versus New Zealand — where the sonic direction suddenly clicked into place?

Here’s a polished and clarified version of that section:

BENEE: More than ever before, I’ve felt the challenge of making my work cohesive, mainly because I love experimenting with all different kinds of music. But when I intentionally set out to create an album, that’s when I focused on connecting the elements and shaping it into something that feels like a story. I think that’s important—an album having a concept or themes that tie everything together.

That was definitely a challenge for me, but a really good one. It pushed me creatively. I love when you listen to an album and it fully exists within its own world. Even though this record is quite existential and, in some ways, chaotic, I think that very chaos is what ultimately ties it all together.

The Knockturnal: You’ve had songs go massively viral before. When you’re writing now, do you consciously avoid thinking about “big moments,” or has your definition of success shifted since “Supalonely”?

BENEE: After that song took off, I’d get into sessions where people wanted to “make another Supalonely.” And I knew that wasn’t the right approach. You can’t really pre-calculate a hit—unless you’re Drake or Taylor Swift.

I don’t go into sessions trying to make a hit. Obviously, it would be incredible for a song to take off because people connect with it and love it. My goal is just to be there and try to make a really good song. I try not to think about where it’ll live or how it’ll perform.

The Knockturnal: The success should follow the passion. 

BENEE: Exactly! It does.

The Knockturnal: You’ve been open about living with OCD and even described it as a “weapon” creatively. On this album, was there a particular lyric or production choice that came directly from that—or something that might not exist without it?

BENEE: I think a lot of the songs wouldn’t exist without it. OCD brings pretty severe anxiety, and that changes how I experience the world and how I deal and cope with everything.

There’s a strong theme of childlike wonder on this album. When I was writing it, I was overwhelmed by everything happening in the world and just generally scared about life. I leaned into looking at things through a childlike lens—finding innocence, softness, even cuteness in things. It became a kind of fantastical escape.

That perspective—choosing wonder over fear—definitely shaped the album.

The Knockturnal: I can definitely relate to using art or music to escape, so I love that analogy of using a childlike wonder lens and you can totally see that when you listen to this album. I love that fans can have that perspective when listening to it now. 

The last time you headlined North America was in 2022 — before this album existed. Standing onstage now with songs like “Cinnamon” and “Underwater,” do you feel like you’re introducing fans to a new version of yourself, or finally revealing who you’ve been becoming over the past five years?

BENEE: I think it’s about growth and getting better at my craft. I think being able to evolve as an artist is a beautiful thing. When I toured in 2022, I was performing songs I’d written at 18 or 19. I’m 26 now—I’m a different person with more experiences and emotions to draw from.

The music feels more mature in some ways, but also more experimental. I’m less afraid to try things now, and that’s when I have the most fun.

It’s cool to write all these songs, play all of these songs, and build a setlist over time—rotating songs in and out, evolving it as I evolve. Even now I have demos that I’ve written and anticipate being able to flesh them out and change setlists in a year. We’ve been working with a music director, Derek in LA, and he’s been helping to make everything seamless and beautiful. I’m really proud of the show.

I guess it is a new version of me—and that’s the best part.

The Knockturnal: I totally get that. I feel like once I turned 25 everything just sort of clicked. 

BENEE: Right?! 

The Knockturnal: It kind of just feels like you have this moment where you go, “Oh my god I really knew nothing!”

BENEE: That’s that frontal lobe developing right there. I love that! 

The Knockturnal: I know! Well, I had so much fun chatting with you today. Before we wrap up, is there anything you want to add?

BENEE: My merch is really cute—I’m very proud of it. And we brought the Benny boots on tour, so I’m telling everyone about those. Plus, you get a free hair clip I designed.

The Knockturnal: I’ll be spreading the word tonight. Thank you so much for your time. I’m so excited for the show tonight.

BENEE: Thank you. It was lovely to meet you.

It’s clear she isn’t chasing the viral highs that first propelled her into the spotlight—she’s carving out something far more enduring. Ur An Angel I’m Just Particles doesn’t just mark her return after five years; it signals a creative rebirth. The songs feel lived-in, the risks intentional, the experimentation fearless.

If this tour is any indication, BENEE isn’t simply revisiting North America. She’s reintroducing herself—bigger, bolder, and building a world that only she could imagine.

Catch BENEE in a city near you here.

–

photo credit: Christina Bryson @averagecowgirl
March 4, 2026 0 comments
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LifestyleUncategorized

Restaurant Review: Sushi by Bou – East Village

by Ethan Singh February 28, 2026
written by Ethan Singh

Omakases are one of my favorite dining experiences. It’s one of the many reasons I love New York as I’m very much spoiled for choice here. Each experience is a unique story telling experience, like a masterfully composed orchestra hitting specific highs and coordinated contrasts on cue. At the same time, each one is rather similar in that you will be sat at a counter seating a handful of people, while you watch a master at work.

However, I recently went to Sushi by Bou’s new location in the Lower East Side where the usual counter is enclosed by a wall covered in Rock n’ Roll memorabilia and flanked from behind by old fashioned diner booths. I’ve never had Sushi in a place littered with this much Americana before. The best part though was the Wayne’s world replica set situated just in the backroom. It wasn’t some cheap flimsy gimmick put together overnight, but rather a well thought out and enthusiastically assembled experience. A great set which then led to a karaoke room of all things, with a bona fide stage equipped with amps and guitars. Of course I tested it out and to my shock, the guitars were all perfectly tuned as well, which is a testament to the incredible staff at this establishment.

All of that effort would be for naught if the food wasn’t good and rest assured, it was. The meal began with yellowtail threaded with chives, a subtle flourish that immediately set the tone. The fish was supple and clean, the chives lending just enough aromatic lift to brighten the bite without distracting from its natural sweetness. It was a smooth overture.

The lean tuna followed, paired with ginger in a way that reminded me why certain combinations endure. The tuna was vibrant and pure, the ginger offering a gentle heat that sharpened the edges just enough. Classic, yes—but classics become so for a reason.

Then came the spotted prawn which as I had hoped was impossibly creamy in texture. It dissolved across the palate with a sweetness that felt indulgent yet restrained. Close behind were salmon roe eggs—each one a bright, briny burst. They popped delicately, releasing tiny explosions of freshness that cut through the richness of the preceding courses.

Albacore with ponzu radish introduced a meaty depth, the tang of the radish slicing cleanly through the fish’s natural fattiness. It was balanced and thoughtful. But the surprise of the evening may have been the chopped tuna with radish and wasabi. Unassuming on paper, it delivered a layered bite—cool, sharp, and quietly complex. One of those moments where expectation gives way to delight.

The scallop was, as I hoped with the prawn, endlessly creamy. Miso cod arrived next, offering something slightly unexpected. Its sweet, savory glaze clinging to delicate flakes of fish. It was a welcome departure in the progression, adding warmth and familiarity before returning to the purity of nigiri.

Fatty tuna draped in truffle sauce brought the kind of indulgence that omakase devotees anticipate. It was rich without tipping into excess, the truffle adding earthiness rather than overwhelming perfume. Salmon with spicy yuzu followed, bright and energetic, the citrus heat awakening the palate once more.

Perhaps the most decadent bite of the night was the wagyu topped with sea urchin—luxuriously creamy, deeply savory, a convergence of land and sea that felt unapologetically opulent. It lingered.

And then, to close things off, was the eel. Sweet, glossy, and comforting. A strong final note—controlled, polished, assured. Like the last sustained chord of a performance that knows precisely when to end.

With this new opening, Sushi by Bou offers what I find to be an incredibly interesting and captivating omakase experience. Instead of bringing a date or significant other, gather a group of your friends. Have a nice dinner and then head into the back for a karaoke night quite unlike any other. You’ll have a uniquely photogenic time coupled with some great food and hopefully some great company.

February 28, 2026 0 comments
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Nyla XO Is Choosing Connection Over Clout in Her Most Intimate Era Yet

by Parris Rose February 27, 2026
written by Parris Rose

The singer-songwriter, producer, and keyboardist has built her reputation at the intersection of pop, alt-R&B, and soul, but her current chapter feels less like a genre shift and more like a philosophical one. After years of commanding major stages as a musician-for-hire — including serving as a lead vocalist in JC Chasez’s former mega girl group and performing as part of America’s Got Talent’s house band , Nyla XO is stepping fully into the spotlight on her own terms.

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February 27, 2026 0 comments
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‘In My Art’ Joffrey Concert

by Torey Wyman February 26, 2026
written by Torey Wyman

On February 20 and 21, the Joffrey Concert Group marked its 45th anniversary with In My Art, an evening of new and commissioned works performed at the Alvin Ailey Citigroup Theater. The milestone was celebrated not only onstage but off, with an opening-night fundraising reception supporting the organization’s Creative Movers Choreographic Initiative (CMCI), a program designed to champion the next generation of dance makers.

“For 45 years, this organization has stood for rigorous training, bold choreography, and a belief that young artists deserve both opportunity and excellence,” said Artistic Director and Resident Choreographer Bradley Shelver. “As we celebrate the past, I’m equally focused on the next 45 years. The future of dance depends not only on innovation in choreography, but on sustainability in the lives of the artists who bring that work to life. Our CMCI is central to that future. It’s about authorship, voice, and giving the next generation of makers the space to experiment and to lead.”

The program opened with When the Water Breaks, a meditation on aquatic life and environmental fragility. Set to an original score by David K. Israel and commissioned by Vildwerk, a company dedicated to inspiring conservation awareness through movement, the piece drew inspiration from the mission of the World Wildlife Fund. Dancers in vivid leotards moved through a soundscape of bubbling water and spare piano, their choreography fluid yet sharply defined, evoking both the serenity and volatility of the natural world. Company members were joined by select trainees from the Joffrey Ballet School, reinforcing the evening’s intergenerational spirit.

Ken Ossola’s Of Light, his first collaboration with JCG, shifted the atmosphere toward the digital present. The work probed society’s growing intimacy with artificial intelligence and technology. Our fascination with systems that simulate emotion and connection. Through stark staging and deliberate movement, the dancers embodied both the allure and unease of forming relationships with entities that were never human to begin with. 

In By Any Other Name, choreographer Clifford Williams turned inward, offering an exploration of love in its many forms. The piece unfolded as a study in emotional duality—joy and betrayal, curiosity and heartbreak—mirroring the complexities of lived experience. It was a portrait of love “by any other name,” suggesting that while labels may change, the core impulses of longing and acceptance remain constant. The dancers navigated vulnerability with restraint, allowing silence and stillness to amplify the emotional stakes.

The evening concluded with Stolen Moments, a sweeping meditation that felt like paging through the memoirs of countless lives. The choreography examined how easily one’s spark can be dimmed by circumstances. How isolation can persist even in crowded rooms. There was an undercurrent of quiet resilience as bodies reached for connection in shared darkness. The work left the audience suspended in collective stillness, seen and seeing at once.

At its core, the Creative Movers Choreographic Initiative is more than a development program. By focusing on contemporary, modern, and contemporary ballet choreographers from New York and the tristate area, it strikes a deliberate balance between accessibility and artistic rigor. Unlike many emerging artist initiatives that end in workshop showings, CMCI guarantees its choreographers a professional stage and a live audience which is an essential step toward artistic credibility and career momentum.

By intermission, the necessity of such work felt undeniable. In a world marked by technological acceleration and social fragmentation, art that engages directly with the present moment is not a luxury but a need.

Across two nights, In My Art became more than an anniversary program. It was a reflection on empathy, humanity, and the sustaining power of movement. In championing bold and diverse voices, JCG affirmed that the future of dance depends not only on innovation, but on investing in the artists courageous enough to shape it.

February 26, 2026 0 comments
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Sunday Night Soccer presented by Continental Tire Kicks Off in Carson with Electric Fan Activation and Hard-Fought Galaxy Draw

by Sharafa Odusanya February 25, 2026
written by Sharafa Odusanya

Major League Soccer’s new primetime showcase made its Los Angeles debut as Sunday Night Soccer presented by Continental Tire transformed Dignity Health Sports Park into a destination event for fans and media alike. Designed as a weekly ritual under MLS’s “Sundays Are Made for This” campaign, the February 22 matchup between the LA Galaxy and New York City FC delivered a nationally broadcast spectacle on Apple TV, pairing high-stakes soccer with immersive fan experiences that extended beyond the pitch.

Photo by Tommie Battle / NYCFC

Photo courtesy of MLS

The match opened at a blistering pace when João Klauss struck in the opening two minutes, stunning the home crowd and setting the tone for a physical, high-pressure contest. Momentum shifted late when LA Galaxy defender Carlos Garcés received a red card in the 64th minute, forcing the Galaxy to close the match short-handed. New York found its equalizer just two minutes later as Nicolas Fernández converted from the penalty spot in the 66th minute. Despite late pushes and a charged stadium atmosphere, the match concluded in a 1–1 draw, a gritty result that underscored the intensity of the season opener.

It was an amazing 75 degree day at Dignity Health Sports Park Sunday, drawing supporters in with photo opportunities, merchandise giveaways, and a curated interactive set that mirrored a stylish soccer watch party. Headlining the weekends’ activations was Olympic gold medalist and FIFA Women’s World Cup champion Sydney Leroux, who participated in media interviews and captured original content onsite. Leroux’s presence energized fans and reinforced MLS’s commitment to growing the game’s visibility across both men’s and women’s soccer communities. Her appearance bridged sport and storytelling, extending the reach of Sunday Night Soccer beyond the stadium through digital and broadcast channels.

Photo courtesy of MLS

Photo courtesy of MLS

With a dramatic draw on the field and fan-friendly activations outside the gates, Sunday Night Soccer’s Los Angeles launch delivered on its promise: transforming Sunday evening into a communal soccer experience and setting the tone for a season built around connection, spectacle, and the global reach of the beautiful game.

Photo by Tommie Battle / NYCFC

February 25, 2026 0 comments
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