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Karol G Brings ‘Viajando Por El Mundo Tropitour’ to SoFi Stadium

The global superstar transformed the venue into a celebration of Latin music, culture and her biggest hits

by Sharafa Odusanya August 20, 2026
by Sharafa Odusanya August 20, 2026 0 comments
Karol G all smiles. Credit: @henryhwu
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Karol G brought her “Viajando Por El Mundo Tropitour” to SoFi Stadium in Inglewood on Sunday, delivering a massive celebration of Latin music, culture and the catalog that has made her one of the biggest global stars of her generation.

Greeicy opened the night and helped set the tone before Karol G took over the stadium with a show that felt every bit as large as the venue itself. With an elaborate production, multiple stages of her career represented and a crowd ready to sing along from the opening song, the Colombian superstar turned SoFi into her world for the evening.

The show arrived during another historic chapter in Karol G’s career. Earlier this year, she became the first Latina artist to headline Coachella. Her latest tour follows the success of 2025’s TROPICOQUETA, which became her fourth consecutive No. 1 on Billboard’s Top Latin Albums chart, as well as the record-breaking “Mañana Será Bonito World Tour.”

At SoFi, Karol G pulled from throughout that journey.

She opened with “LATINA FOREVA” before moving through songs including “Un gatito me llamó,” “OKI DOKI,” “Tá OK (Remix),” “QLONA” and “S91.” The concert continued through several distinct sets, allowing the production and energy to shift alongside the music. One of the night’s more intimate moments came during “Amiga Mía,” when Greeicy returned to join Karol G for their first performance of the song together. Greeicy was the evening’s only special guest, making the moment feel less like another surprise appearance and more like a genuine celebration between the two Colombian artists.

Karol G & Greeicy. Photo credit: @felipeorvi

Karol G & Greeicy. Photo credit: @felipeorvi

From there, Karol G continued moving between different eras of her career with songs including “Tusa,” “EL BARCO,” “PROVENZA,” “BICHOTA,” “AMARGURA,” “Si antes te hubiera conocido” and “MIENTRAS ME CURO DEL CORA.” The scale of the stadium production was impressive, but the strength of the night was how easily those songs translated to more than 70,000 people singing, dancing and reacting together. That connection was especially apparent during some of her biggest records. Songs like “Tusa,” “PROVENZA” and “BICHOTA” have long moved beyond being hits and have become records audiences immediately recognize within seconds. Hearing them inside SoFi Stadium made their cultural reach even more apparent.

For me, the show was also another reminder of why experiencing music outside of the genres I cover most often is important. This was only my third Reggaeton concert, and I genuinely enjoyed the entire experience. The energy from the crowd, the production and the communal feeling surrounding the music were different from many of the shows I regularly attend. It certainly will not be my last. Karol G has already established herself as one of Latin music’s defining artists, but seeing her command a stadium the size of SoFi provided another perspective on just how far that reach extends. “Viajando Por El Mundo Tropitour” was not simply a collection of hits on a large stage. It was a showcase of the music, personality and culture that have taken Karol G from Medellín to stadiums around the world. On Sunday night in Inglewood, Los Angeles became another stop in that world.

Karol G & band. Photo credit: @baeth

Karol G & band. Photo credit: @baeth

KAROL GKAROL G LAKAROL G SOFI STADIUMLatin musicRAGGAETONVIAJANDO POR EL MUNDO TROPITOUR
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Sharafa Odusanya

Sharafa Odusanya is the Sports & Music Editor at The Knockturnal, covering concerts, festivals, album releases, artist interviews, and the ever-evolving music landscape. Since joining the publication in 2024, he has reported on everyone from emerging artists to Grammy-winning performers, earning recognition for his thoughtful storytelling and engaging event coverage. A Los Angeles native of Nigerian American descent, he draws on firsthand experience producing sold-out music festivals and a passion for discovering artists across genres, giving him a unique perspective on the industry and connecting audiences with both established stars and emerging talent.

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