The Knockturnal
  • Home
  • Entertainment
  • Music
  • Lifestyle
  • News
  • Videos
  • Covers
  • Merch

Uncategorized

EntertainmentEventsFeaturedLifestyleThe LatestUncategorized

Inside Borrowed Spotlight: A Living Tribute to Holocaust Survivors in Los Angeles

by Eliana Arian February 7, 2026
written by Eliana Arian

On February 3,  we arrived at the Los Angeles opening of Borrowed Spotlight in West Hollywood. The exhibition unfolded across three packed gallery rooms, along with a smaller adjoining space where a short film played on loop — intimate clips of Holocaust survivors speaking directly with the celebrities paired with them, sharing their stories face to face.

At the front of the gallery lay the coffee-table book the team has been working on for nearly four years. It is remarkable, filled with striking portraits and excerpts of testimony from each survivor, thoughtfully paired with a public figure helping to amplify their story. Lining the walls were large-scale photographs of the survivors — some alone, others mid-conversation — each accompanied by a brief paragraph recounting their lives. Interspersed throughout were quotes pulled directly from their words.

While the room was filled with celebrities who participated in the project, what mattered most was that the survivors themselves were there. Many of them had come.

One woman, nearly 100 years old, stepped onto the stage wearing a sparkling cobalt blue sweater. When we spoke with her afterward, she lit up talking about her pregnant granddaughter, who was also in attendance. Overcome with excitement, she shimmied and danced in place, full of life and animated. Nearby stood another survivor, 108 years old, dressed in a bright red sweater and gold sneakers. The energy in the room was alive in a way that felt rare and deeply moving. One survivor shared that he had not spoken his story aloud for more than 90 years before finally telling it for the first time with the Borrowed Spotlight team.

South African–born photographer Bryce Thompson also spoke during the evening, reflecting on the years he spent working on the project. Though he is not Jewish, he described feeling a deep responsibility to help preserve and share these stories, many of which had never been told publicly before.

Quotes from survivors lined the gallery walls:

“If you don’t tell your story, people won’t know.” — Gabriella Karin
“When someone puts out their hand, you never let it go empty.” — Yetta Kane
“My grandchildren are my revenge.” — Elizabeth Wilf

With fewer Holocaust survivors alive each year, the urgency of preserving these stories — in their own words — felt especially present.

One of the most moving moments of the evening came when 108-year-old survivor Risa Igelfeld stood up and signed her name on the back of her portrait.  She beamed as she did it.  As Jenna Dewan, who was paired up with her, reflected, ” I left with a really life-changing moment. It blew me away that somebody that I was dancing with survived the unimaginable and has such positivity and light and life force to her still at 108. And it just changed the way I see life and I hear life, my perspective.’

The photo exhibition runs until March 1 at Hancock Park.

Risa Igelfeld, Jenna Dewan

 

February 7, 2026 0 comments
0 FacebookTwitterPinterestEmail
Uncategorized

Wonder of the Seas is Winter Wonderland

by ElizaBeth Taylor February 5, 2026
written by ElizaBeth Taylor

Melt away all your worries with the trip of a lifetime this season on Wonder of the Seas.

Continue Reading
February 5, 2026 0 comments
0 FacebookTwitterPinterestEmail
FeaturedLifestyleUncategorized

Best Fragrances for the Month of Love — and Where to Wear Them in NYC

by Lauren Wire February 4, 2026
written by Lauren Wire

Whether solo, with friends, or on a romantic date, February in New York is filled with moments worth savoring. The city’s chilly air, cozy interiors, and candlelit tables make every outing feel special — and you want to smell as good as what’s in your glass and on your plate. This month of love is the perfect excuse to match your fragrance to the vibe of the restaurant you’re dining in — because scent sets the tone before the first sip, lingering in memory long after the last bite.

Continue Reading
February 4, 2026 0 comments
0 FacebookTwitterPinterestEmail
EntertainmentThe LatestTVUncategorized

‘The Oligarch and the Art Dealer’ Review

by Dano Nissen February 3, 2026
written by Dano Nissen

Van Gogh sitting in a free port is the new moonshine.

Continue Reading
February 3, 2026 0 comments
0 FacebookTwitterPinterestEmail
Uncategorized

The Hottest After-Party: UMG’s 2026 GRAMMY After Party Caps Off Music’s Biggest Night

by Emma Salehi February 3, 2026
written by Emma Salehi

One of music’s hottest nights of the year just wrapped up with one of music’s hottest after-parties of the year: UMG’s (Universal Music Group) 2026 After Party, presented by The Coca-Cola Company, with additional partners Johnnie Walker and Hydro Flask.

Continue Reading
February 3, 2026 0 comments
0 FacebookTwitterPinterestEmail
AutomotiveUncategorized

Inside Jaguar TCS Racing’s Formula E Mindset Before the Miami E-Prix

by Tristen Yang February 3, 2026
written by Tristen Yang

On Friday morning, ahead of practice sessions and race-day, we sat down with Jaguar TCS Racing drivers António Félix da Costa and Mitch Evans, alongside team principal Ian James, for a roundtable conversation during media day. The discussion offered a moment to understand how the team thinks about performance, energy, and competition before the race.

Miami, despite its reputation, did not feel like a holiday backdrop that morning. The air was unexpectedly cool, more winter than vacation, and the track had yet to assert itself as the dominant presence of the day. For the drivers, location operates less as spectacle and more as a variable. Da Costa, now in his first season with Jaguar, spoke about the ocean as a mental reset rather than an escape. Being near water, he explained, offers a subtle recalibration that sharpens focus.

Outside of racing, both drivers turn to physical movement not as training in the strict sense, but as a way to stay balanced during a season defined by constant travel. For da Costa, surfing and golf occupy the margins of an already crowded calendar. Evans, who grew up in New Zealand, pointed to rugby as a formative influence, less for its tactics than for the rhythm and discipline it instills. Neither framed these activities as escapes, instead, they function as anchors, ways of staying connected to their bodies while living in near-constant motion.

Ritual came up early in the conversation, though not in the way one might expect with no rigid superstitions. Da Costa described a simple pre-race sequence: stretching, skipping rope, twenty minutes of physical readiness before stepping into the car. Evans emphasized visualization over routine, constantly replaying the track in his mind and adapting to schedule changes rather than resisting them.

The ease between da Costa and Evans surfaced repeatedly. Although new to the team, da Costa is not new to Evans. The two have known each other for years, competitors who understand each other’s instincts without needing translation. They mentioned a philosophy of different experiences, different approaches, but a shared willingness to learn with a goal on alignment. This dynamic becomes especially important in Formula E, where races are not won by pushing flat out from start to finish. Da Costa explained it plainly. If drivers were to race at maximum output for the full duration, the battery would not last. The challenge is not speed alone, but energy management. Regeneration, timing, positioning, and restraint all shape the outcome. Drivers cycle between attack and conservation, sometimes literally following one another closely to minimize energy loss, a comparison da Costa likened to the peloton in the Tour de France.

This is where Formula E diverges most sharply from other forms of motorsport, and where it can be hardest to read from the outside. It is engineered because no one runs away with the race early. Strategy unfolds in layers, and the margin between winning and finishing mid-pack can be measured in decisions made minutes, or even seconds, apart. Evans described it as a form of art, a balance between performance and patience that rewards awareness as much as aggression.

For fans accustomed to Formula 1, where dominance can stretch across seasons, Formula E requires a different way of watching. The sport has been around for over a decade now, and its core audience understands the language. What remains is translating that experience to a broader public, particularly as sustainability moves from concept to constraint across motorsport. Da Costa noted that Formula E has effectively been living the future for years. That framing carried into the second half of the roundtable, where team principal Ian James joined the conversation. Where the drivers spoke about flow and instinct, James spoke about systems. Pressure, he explained, exists everywhere in the organization, not just in the cockpit. James has moved fluidly between disciplines. In Formula E, the role is far more active. The team is constantly responding, adjusting, supporting. Influence is not about overriding expertise, but about creating the conditions for it to operate effectively during simulations.

In terms of team culture, James spoke at length about the importance of collaboration, particularly between drivers. Talent alone is not enough. In a championship where the car is constantly evolving, drivers must be able to articulate what they feel, translate instinct into feedback, and work together rather than against each other. When garages split, development suffers. Alignment, even without friendship, is non-negotiable.

Behind the scenes, much of that alignment is built long before race weekend. Simulation plays a central role in preparation, not just for drivers, but for the entire team. Engineers, strategists, and performance staff are brought into the process, rehearsing scenarios, stress-testing decisions, and effectively gamifying strategy. While no simulation can account for every variable, the confidence it builds carries into the race. By the time the cars arrive at the circuit, most of the work has already been done. This is where sustainability becomes less of a talking point and more of a framework. Operating under cost caps has reshaped internal dynamics, bringing finance teams into direct conversation with performance goals. Where spending was once viewed as a limitation, it now becomes a strategic tool. Knowing where to allocate resources, where to extract the most value from each decision, creates competitive advantage.

The conversation eventually widened to Jaguar’s broader motorsport legacy. Drivers and leadership alike referenced Le Mans, the Silk Cut era, and the visual language that once defined Jaguar on the world stage. James recalled an early experience at Jaguar’s headquarters, driving an E-Type from 1960, followed by modern performance vehicles and future concepts. Across generations, he noted, the throughline remained tangible. The cars moved like Jaguars and they felt like Jaguars. That continuity matters as the brand moves deeper into the electric age. The question is no longer whether electric racing can be exciting, but how to carry identity forward within new constraints. Engagement, James suggested, will increasingly depend on how well that story is told, not just on track, but through experiences like this one. As the roundtable wrapped, the schedule pressed on. Formula E, viewed through Jaguar TCS Racing, reveals itself as a sport built on awareness, energy, people, and limits.

February 3, 2026 0 comments
0 FacebookTwitterPinterestEmail
AutomotiveUncategorized

Inside Miami Formula E’s Pre-Race Day With Jaguar TCS Racing

by Tristen Yang February 3, 2026
written by Tristen Yang

Pre-race day at a Formula E weekend doesn’t begin with speed. It begins with structure, timing, and preparation. In Miami, that rhythm started early. Outside, the air was cooler than expected for Miami, and the city still subdued in the morning light. On Friday morning, the brand and press group gathered in the lobby of the Andaz Miami Beach, moving together into a line of Range Rover Sport models that would carry us across the city toward the Miami International Autodrome track. Media day has its own atmosphere, distinct from race day energy. It’s slower, more conversational, built around access and insight rather than adrenaline.

The first stop was the Jaguar TCS Racing garage: Jaguar’s position within the paddock reflected championship order from the previous season, placing the team in the second garage. Inside the garage, the GEN3 Evo car sat prepared, surrounded by engineers, laptops, and neatly organized equipment, with remarkably little excess. What stood out was how much wasn’t there. As the team walked us through the space, it became clear that what happens in the garage is only the visible layer of a much larger operation. Formula E cars are developed on long cycles, not race by race, but year by year. Jaguar is in the second year of the current homologation period, with major powertrain elements locked in and refined over time. The motor, inverter, gearbox, and suspension are developed within strict regulations, then frozen. Between races, Jaguar’s engineers don’t rebuild the car, but constantly rewrite it. Setup begins virtually, long before the car arrives in Miami. Digital models simulate braking behavior, corner entry, regenerative energy recovery, and how the car responds to the unique demands of each track. These simulations don’t require a driver and they don’t require a physical car. They exist in parallel, running continuously back at Jaguar’s UK headquarters while the race team travels.

Formula E is a data-led championship by necessity. Physical testing is heavily limited and track time is precious. There are only so many days a year when the car can be run in the real world and everything else happens digitally. Engineers work through thousands of scenarios, adjusting parameters virtually, then delivering software updates that are uploaded to the car when it arrives at each race. So what appears trackside is the final expression of weeks, sometimes months, of invisible work. Logistics follow the same logic. Freight doesn’t return to base between races. Instead, it moves continuously from city to city in a global loop, handled by a centralized logistics partner. Once the season begins, teams may not see certain components again unless something goes wrong. Repairs happen within tight windows and updates must be planned long in advance. The moment the cars arrive at the circuit, the scope for change narrows dramatically. Standing inside the garage, watching engineers move with practiced efficiency, the scale of the operation became clearer. Formula E may look quieter than other forms of motorsport, but the intensity is compressed because decisions are made earlier and margins are tighter.

From the garage, the day transitioned into conversation. Roundtables with drivers António Félix da Costa and Mitch Evans, followed by team principal Ian James, added a human layer to what had just been seen. Their discussions about preparation, collaboration, and energy management framed Formula E as a championship where restraint is not a limitation, but a competitive advantage.

Lunch passed quickly, functional and efficient, before attention returned to the garage for rookie practice. Held ahead of traditional sessions, the rookie run exists in a space between opportunity and utility. For young drivers, it’s a rare chance to experience GEN3 Evo machinery. For teams, it’s early access to real-world data from the track. Alessandro Giusti took the wheel for Jaguar TCS Racing during the 40-minute session, finishing sixth with a fastest lap of 56.278. The data on braking zones, regeneration patterns, grip levels, and energy usage fed directly back into Jaguar’s preparation. In Formula E, information gathered on Friday can quietly shape what happens on Sunday. Engineers watched screens more than lap times, tracking variables that would influence strategy later. At the time, there was no visible hint that Mitch Evans would go on to win a rain-affected Miami E-Prix with a composed, assured drive. On Friday, that outcome was still theoretical, but what mattered was readiness.

As afternoon softened into evening, the track receded and the schedule shifted again. Dinner brought the group together away from the circuit, creating space for conversation. Over a relaxed meal, members of Jaguar Land Rover’s media, brand, and motorsport teams spoke openly about travel, pacing, and the realities of sustaining a global season. The tone was warm and unguarded, a reminder that this highly technical sport is still powered by people. By the time pre-race day came to a close, Formula E had revealed itself not as a spectacle waiting to erupt, but as a system already in motion. For Jaguar TC Racing, Friday was not about spectacle, but about ensuring that when conditions changed, whether through weather, strategy, or pressure, the foundation would hold.

February 3, 2026 0 comments
0 FacebookTwitterPinterestEmail
EntertainmentKoncertsMusicUncategorized

BigXthaPlug and Clipse Unite Generations of Hip Hop at the Hollywood Palladium

by Sharafa Odusanya February 2, 2026
written by Sharafa Odusanya

The sold out night at the Hollywood Palladium felt rooted in both legacy and momentum. Co-headlined by BigXthaPlug and Clipse, the show brought multiple generations of hip hop together in one room, with Armanii setting the tone as the opener.

Armanii kicked things off with confidence, warming up the crowd with a focused, high energy set that immediately pulled the room in. By the time BigXthaPlug hit the stage, the Palladium was already buzzing. The Texas rapper delivered a commanding performance, blending grit with crowd control while running through his standout records.

Photo Credit: Respective Collective

Photo Credit: Respective Collective

Mid set, BigX was surprised on stage by Steve Stoute of UnitedMasters, who presented him with six plaques in front of the packed venue. The honors included RIAA 2x platinum for “Take Care,” RIAA 2x platinum for “All The Way” featuring Bailey Zimmerman, a YouTube plaque for one million subscribers, an overall streaming plaque for I Hope You’re Happy celebrating one billion streams, and a Spotify plaque for “Mmhmm” recognizing 500 million streams. The moment was earned. In September 2025, BigXthaPlug earned his first No. 1 on Billboard’s Hot Rap Songs chart with “All the Way,” while I Hope You’re Happy debuted in the top two on both Top Rap Albums and Top Country Albums. Watching him receive that recognition live added another layer to an already powerful set, marking a clear milestone in his rise.

Photo Credit: Respective Collective

Clipse followed with a performance that leaned into their catalog with precision and intensity. Pusha T and Malice opened with “Virginia” and “Keys Open Doors,” then moved through fan favorites like “Mr. Me Too,” “Ride Around Shining,” and “Wamp Wamp (What It Do).” One of the biggest moments of the night came when Pharrell Williams joined them on stage for “What Happened to That Boy,” sending the crowd into a full eruption as soon as he appeared. The energy only continued to build from there, peaking during “Grindin’,” before the duo closed with “Hot Damn” and “When the Last Time,” leaving the Palladium buzzing long after the final track.

Photo Credit: Respective Collective

Photo Credit: Respective Collective

From my perspective, the night worked because it balanced nostalgia with present day relevance. BigXthaPlug represented where hip hop is headed, while Clipse reminded everyone why their music still holds weight. Seeing both artists share headlining space highlighted how the culture continues to evolve while honoring its foundation. Beyond the performances, the event tied into UnitedMasters’ ongoing celebration of independent music leading into GRAMMY weekend. The platform continues to create space for independent artists who are shaping what’s next, and this night reflected that mission by spotlighting both established voices and rising stars.

Photo Credit: Respective Collective

Ultimately, the Palladium stop felt less like a standard concert and more like a convergence of generations. From BigXthaPlug’s milestone moment to Clipse’s razor sharp delivery, the evening highlighted how independent artists can lead culture while staying rooted in authenticity. It was a reminder that hip hop continues to grow, but its foundation remains built on real stories, real progress, and real connection with the crowd.

February 2, 2026 0 comments
0 FacebookTwitterPinterestEmail
EntertainmentEventsEventsFashion & BeautyFeaturedMusicNewsThe LatestTVUncategorized

All the Right Notes: Inside the 68th Annual Grammy Awards

by Jesse K February 2, 2026
written by Jesse K

It was music’s biggest night—a cultural coronation draped in couture and soundtracked by the industry’s most daring icons. Whether you’re here for the fashion highlights or the show-stopping medleys, we’re keeping score on the moments that truly hit all the right notes.

Continue Reading
February 2, 2026 0 comments
0 FacebookTwitterPinterestEmail
KoncertsMusicUncategorized

Room 112 Tour Brings R&B Nostalgia to Life at YouTube Theater

by Sharafa Odusanya January 28, 2026
written by Sharafa Odusanya

The Room 112 Tour stop at YouTube Theater on January 23 felt like a reunion rooted in nostalgia, legacy, and connection. R&B staples 112 were joined by special guests Total and Case for a night that celebrated timeless records while honoring the artists and eras that shaped the culture.

From the moment doors opened, the crowd felt intentional. Fans arrived ready to sing, reminisce, and relive memories tied to songs that have lived in playlists for decades. Case warmed up the room with smooth vocals and an intimate stage presence that immediately set the tone. His set included standout performances of “Touch Me, Tease Me,” “Missing You,” and “Happily Ever After,” each met with loud singalongs from the crowd. “Touch Me, Tease Me” brought out the flirtier side of the audience, while “Missing You” created one of the night’s more emotional moments, with phones raised and voices filling the theater. He closed strong with “Happily Ever After,” reminding everyone why his ballads still resonate years later.

Photo credit: Noel Vasquez/YouTube Theater

Total followed, bringing high energy despite performing without Pamela Long. Even with one member absent, the group delivered with confidence and cohesion. They performed fan favorites including “Kissing You,” “What About Us,” and “Can’t You See,” with each song receiving its own wave of nostalgia from the crowd. “Kissing You” felt especially powerful live, with layered harmonies echoing through the venue, while “What About Us” had fans dancing in their seats. One of the most meaningful moments of their set came during “Can’t You See,” when visuals of The Notorious B.I.G appeared on screen rapping his verse, allowing his presence to live on while the audience sang every word.

Photo credit: Noel Vasquez/YouTube Theater

112 took the stage next, performing as a duo with Slim and Mike holding it down for the group. They opened their set with “It’s Over Now,” setting an emotional tone right from the start. Despite being down two members, Slim and Mike carried the performance with ease, blending polished vocals with genuine engagement that kept the audience locked in throughout.

Their set moved seamlessly between slow jams and crowd favorites, but the emotional high points came during their tributes to hip hop royalty. The group paid homage to both Biggie and Tupac, taking a moment to honor their influence and impact. Biggie appeared on screen once again during their performance of “Only You (Remix),” creating another powerful singalong moment that connected generations in real time. The show closed on a high note with “Peaches & Cream,” sending the crowd home on pure nostalgia and joy. It was the kind of ending that reminded everyone why these records still matter.

From my perspective, the night worked because it balanced reverence for the past with present-day appreciation. Even with altered lineups, both Total and 112 delivered performances rooted in authenticity and love for the music. Seeing Slim and Mike lead 112 with confidence, and watching Total command the stage without Pam, spoke to the longevity and resilience of artists who continue to show up for their fans.

Ultimately, the Room 112 Tour stop in Los Angeles felt less like a concert and more like a shared experience. It was a reminder that R&B lives in memory, emotion, and community. These songs are woven into people’s stories, and on this night, YouTube Theater became a space where generations came together to celebrate that legacy.

Photo credit: Noel Vasquez/YouTube Theater

Photo credit: Noel Vasquez/YouTube Theater

January 28, 2026 0 comments
0 FacebookTwitterPinterestEmail
Newer Posts
Older Posts

Digital Cover No. 19

The Knockturnal Merch

Follow Us On The Gram

Follow on Instagram

About The Site

We are a collective of creative tastemakers made up of fashion, music and entertainment industry insiders. It’s all about access. You want it. We have it.

Terms Of Use

Privacy Policy

Meet The Team

CONTACT US

For general inquiries and more info on The Knockturnal, please contact our staff at:
info@theknockturnal.com
fashion@theknockturnal.com
advertising@theknockturnal.com
editorial@theknockturnal.com
beauty@theknockturnal.com

  • Facebook
  • Twitter
  • Instagram
  • Linkedin
  • Youtube

© Copyright - The Knockturnal | Developed by CI Design + Media

The Knockturnal
  • Home
  • Entertainment
  • Music
  • Lifestyle
  • News
  • Videos
  • Covers
  • Merch