Miami’s Design District welcomed a bold new culinary chapter as world-renowned Italian chef Massimo Bottura brings his only U.S.-based restaurant, Torno Subito, to The Moore, Miami’s landmark destination for art, design, and culture.
The Latest
‘Marty Supreme’: A Review of Ambition, Ping-Pong, and Dreaming Big
Reader beware, a few spoilers ahead.
Chants across social media scream “’Marty Supreme’ on Christmas Day,” but who exactly is Marty — and what’s his obsession with orange ping pong balls? That was the question I walked in with ahead of A24’s screening at Cinépolis in Inglewood, California, introduced by Hawthorne’s very own Tyler, The Creator.
YVES Doesn’t Fix the Feelings, She Amplifies Them on Soft Error: X [INTERVIEW]
Korean musician YVES has been making music that leads with introspection, restraint, and sincerity, and her most recent release, Soft Error: X, is a prime example of that.
To celebrate Christmas the Italian way, Piccola Cucina Estiatorio is serving its Feast of the Seven Fishes special through the end of December.
Why Marina Fiesta Resort and Spa Is Cabo’s Ultimate All-Inclusive Stay for 2026
As Cabo San Lucas continues to evolve into one of Mexico’s most dynamic travel destinations, Marina Fiesta Resort & Spa is redefining what it means to stay all-inclusive—just in time for what’s shaping up to be an exciting year ahead.
Hooping into the Holidays! ESPN hosted Winter Season’s Swishes Holiday Portrait Studio at Bryant Park Winter Village on Sunday.
Two Female Powerhouses Converge in exhibit ‘Life After’ at Time to Be Happy Gallery
When artist Mari Gior and curator Marina Dojchinov come together, the result is not simply an exhibition; it is a declaration. The Afterlife, debuting December 20 at 219 Bowery in SoHo, marks the unveiling of Gior’s new body of work, The Shadow Dancers. Together, the two women are asserting a form of creative leadership that is intimate, intellectually rigorous, and unmistakably powerful.
At its core, The Afterlife is an exhibition about survival rather than spectacle. Gior’s paintings resist overt dramatization, instead offering ethereal figures suspended between presence and disappearance. Rendered in oil and mixed media, often incorporating deconstructed antique book pages the works feel both archival and immediate, as if memory itself has been pressed into the surface of the canvas.
“I didn’t paint grief,” Gior says. “I painted what survives it. These figures are still moving, still devoted, even when everything else has fallen away.”
A former principal ballet dancer, Gior brings the discipline of choreography into her painting practice. The bodies in The Shadow Dancers are not posed; they are felt. Each canvas captures a moment of transition-movement without destination, reflecting Gior’s belief that the afterlife of love is lived quietly, through continuation rather than closure.
That restraint is precisely what drew curator Marina Dojchinov to the work. Known for crafting exhibitions as immersive narratives rather than static displays, Dojchinov frames The Afterlife as a threshold moment in Gior’s career and in the broader cultural conversation around grief, femininity, and power.
“This show isn’t about loss as an ending,” Dojchinov explains. “It’s about what women build afterward. Mari’s work holds space for tenderness without collapsing into fragility, and that’s where its strength lives.”
Dojchinov’s own trajectory mirrors that ethos. A gallerist and art dealer who opened her first gallery at just 25, she has carved out a reputation for championing emotionally intelligent, narrative-driven work, often by women whose practices defy easy categorization. Her collaboration with Gior follows their earlier success with Down the Rabbit Hole, but The Afterlife signals a deeper, more mature alignment between artist and curator.
“Girl power doesn’t have to be loud,” Dojchinov adds. “Sometimes it’s quiet, precise, and devastating in its beauty. When women lead together, we don’t compete; we amplify.”
Visually, the exhibition unfolds like a whispered confession inside the noise of downtown Manhattan. Blurred figures hover across the gallery walls, layered with fragments of antique texts that read as relics, history colliding with the present tense of paint. A standout work, The Return of the White Rabbit, encapsulates the show’s ethos: romance without nostalgia, devotion without sentimentality.
For Gior, now stepping fully into her voice as a fine artist, The Afterlife represents rebirth. For Dojchinov, it is another example of curatorial authorship that privileges emotional truth over market spectacle. Together, they offer a model of what happens when two female powerhouses meet not to dominate, but to collaborate.
In a city saturated with openings, The Afterlife arrives as something rarer: a sacred pause. A reminder that the most radical power in art often lies not in volume, but in intention.
For Mari Gior, The Afterlife is unmistakably a moment of emergence. Long recognized for her physical intelligence as a dancer and her instinctive visual sensibility as a muse, Gior now claims her place fully as an artist with an independent, emotionally precise voice. The Shadow Dancers are allowed to breathe, hover, and command attention on their own terms, signaling not just a debut, but a declaration of authorship.
Event Details:
Artist: Mari Gior
Exhibition: The Afterlife — Debut of The Shadow Dancers Mari Gior
Curated by: Marina Dojchinov Date: Saturday, December 20, 2025
Location: 219 Bowery, Time to Be Happy Gallery, New York City
Format: RSVP-only
Schedule:
• 5:00–6:00 PM VIP & Press Reception (RSVP required)
•
6:00–9:00 PM – Gallery Viewing (RSVP required)
RSVP: LIFEAFTERSVP@gmail.com
The good times rolled out in Baton Rouge during a stop for Raising Cane’s 6th annual Holiday Bike Giveaway.
Is This Thing On? Starring Will Arnett & Laura Dern Uses Comedy as a Trojan Horse for Emotional Truth
In Is This Thing On?, comedy isn’t just the punchline—it’s the entry point. Beneath the sharp dialogue and laugh out loud moments is a film quietly preoccupied with emotional honesty, miscommunication, and the ways we stall our own growth inside relationships. That tension between humor and heart is exactly what drew Laura Dern and Will Arnett to the project—and what stayed with them long after filming wrapped.
Florida Orange Juice Brings Citrus Wonderland to NYC at Union Square Kitchen
On Wednesday, December 10th, The Knockturnal attended Citrus Wonderland, hosted by Florida Orange Juice, the original wellness drink, at Union Square Kitchen. The immersive culinary experience celebrated food, flavor, and wellness just in time for the holidays. In partnership with celebrity chef and TV personality Jordan Andino, the event invited guests to explore creative ways to incorporate orange juice into seasonal cooking far beyond the breakfast table.