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FeaturedMusicNews

Nick Grant Releases his new album SUNDAY DINNER

by Danielle Niecey September 23, 2023
written by Danielle Niecey

September 23, 2023. Atlanta, Georgia –Epic Records recording artist, Nick Grant, releases a new album, his most personal, Sunday Dinner. The South Carolina native, now based in Atlanta Georgia, is a new “tour de force” in Hip Hop and this body of work confirms it, hands down. For those that are new to the artist, Sunday Dinner (released, September 22, 2023) is  Nick Grant’s 8th project and 5th official album, following the releases of: 88 (2016), A Seat At The Table +1 (2016), The Return Of The Cool (2017, official album), Dreamin’ Out Loud (2018, official album), God Bless The Child (2020, official album), Carolina Diaries (2021), and Welcome to Loveland (2022, official album).  Nick credits production lead on Sunday Dinner to Donte “Tae Beast” Perkins and Amarah Session.

Raised by his God fearing grandmother, one of her household requirements for the members of her home was regular attendance to church on Sunday; and after, the entire family met for Sunday dinner in their home. In the environment where Nick Grant was raised, his exposure to different figures in the community and the members of his family, gave him different perspectives that impacted his outlook on life and the person he would eventually become. These influences weren’t always positive; from cousins with different temperaments, some of which graduated from college and others who chose a less affluent path; to a drug addicted mother and an absentee father, now deceased; it is clear in this album, Sunday Dinner, that what Nick Grant witnessed and experienced, should have never been his portion in life, but like a good Sunday dinner, Nick wastes none of what was dished on his plate, “I was long overdue to tell my story.” he expressed when asked in his interview with Danielle Niecey of The Knockturnal about what inspired this project,

“I wanted to be vulnerable and personal with this album. It [the album] reflects, in a way, being vulnerable and not caring about being judged.”

Which one can only imagine, being raised in a christian household with his grandparents in a tough community, likely came with tight guidelines, restrictions, and judgements that kept him, “in-check” and “safe”.

Upon hitting play on the first song, “Worryin’ Bout A Classic,” there’s an echo of the influence from two legendary hip hop artists Andre 3000 and Nas, who co-signed Nick Grant’s artistic genius.“My grandma was a big inspiration for me to pursue music,” Nick shares of his biggest musical influences,“My granddad as well; Jay-z, Nas, Biggie, Tupac, Stevie Wonder, Michael Jackson and [singer] Brandy Norwood. I’ve been inspired by hardworking people that I saw growing up.”  Out of respect for his individual artistic expression, it’s important that I emphasize that Nick Grant embodies his own prolific styling in lyricism and wordplay and that his level of talent is reminiscent of Andre 3000 of Outkast, not a comparison I can ever say I’ve come across worthy to make of an emerging artist; and his gifted ability to pen and articulate a story on record, while delivering it all with such a cool, collected demeanor, brings you to mind of Nasir Jones, one of Nick’s creative influences. What gives Nick Grant distinction, however,  is found in his vocal presence, performance and the way he writes. He has an unsuspecting way of delivering punch lines; his word placement and phrasing deserves applause; as well as his surety of confidence and undertones that commands the audience to listen to him. He has forged his own lane, his own original style and his own vibe. 

The full length album is an introspective collection of Nick’s life events that led him to where he is today as a songwriter-recording artist. It wouldn’t be far-fetched if many classified him as a “hometown hero”, touring with big name acts such as Nas, Dave East, Ab-Soul, Ms. Lauryn Hill and Chronixx; but as you listen closely to Sunday Dinner, you hear a man that has exceeded the limitations placed over his life, and that he still aches to bring structure in his life and in the lives of the people that he loves, the community, the city that raised him.

 

“I moved to Atlanta with hopes of being able to go back to Carolina and put other people on,” Nick confesses, “I’m still in the process of that. South Carolina is a beautiful place with a diverse rap scene. [There’s] a lot of people doing their thing and I think if we [can] start being consistent in that, we can grab the attention of the masses.”

With the microphone and pen as interchangeable batons, Nick is running his race and writing his way to his wins through consistency in action, his hand to the plow and money where his mouth is. Sunday Dinner is packed with substance. It is a full serving and offering with much to unpack and with every replay there is something more to digest. Although the album is reflective and at times bears within it a solemn depth, there is an air of realistic optimism and playfulness in its composition. The themes that echo through the album are reminiscent of the films, Friday, as it holds a comedic flair and in other moments in his expression, when he shares the heaviness of what caused his life great suffering and pain, Boyz N’ The Hood.  At times it is as if we, the listeners, sit on a front porch with Nick in chill-mode, and on impulse, jump in the, “Cutlass, Regal, Impala or Bentley” pimpin’ and cruising the neighborhood in his whip for a ride-along through his ink. Sunday Dinner is reflective yet present, and Nick sets the stage in the phrase, “Ain’t got no white neighbors/still I’m moving the waviest [explicit]/ Riding round with a banger like a radio hit…/…wait for the click“ .

Interwoven in the songs, you sense him interacting with life within, life without and all around him, living day to day and sharing with us the layers and complexity that simply exists in his life; a discomfort he’s learned to maneuver, because he knows no other way. Nick’s intention is clear, he wants his expression to land differently, with hopes that sharing his story, moves his fans,“I hope that these stories resonate with the fans. If somebody shares these experiences I hope that they know they’re not the only ones going through these things.” The artist skillfully illustrates turning points of his self awareness and subtly presents that in his verses. As the events unfold in his past and present waking life, Nick gives breath to the community around him, weaving in dialogue in excerpts, and song transitions on “Know Your Worth/Grandma Said,” these excerpts carefully placed in transition, show that he’s never set aside or moved too far away from the age old wisdom instilled from his childhood from his grandmother.

Nick Grant is notably skilled at affirming the listeners that he catches all of the lessons life has thrown at him, and he is solid enough in himself to manage the pain that proceeds personal triumphs. On the song, “Catch This Fade,” Nick makes it clear that he holds no fear squaring up to the challenges life throws at him in the form of rivals, person, place or thing, “When you got heart that’s hard to beat/ Young [explicit] growing up awkwardly/ Yeah I’m from the Southside – If I lose once gotta fight til I win/ yeah my brother like a bout time / Whoop a [explicit] ass still walked in the house crying/ My dad like how, why knowing damn well I got it from him/ Swing on any [explicit] with a foul vibe…”  The artist notes that the song, “ ‘Last jam,’ is a very personal record,” as he speaks on maneuvering the industry and staying grounded in himself, never losing ties to his roots, “it [takes] a unique approach that you don’t hear a lot of rappers talk about,” he adds.

Nick Grant further solidifies himself as a lyrical dynamo, carrying the weight of the project on his back and lightly accenting the album with all in two features from famed lyricist, Ransom, on “Art Dealer” while still dominating in his presence, punchline after punchline; and the two collaborate masterfully. The artists mentioned,  “Ransom is a legend. I thought he fit my story so I just wanted his perspective and he executed perfectly.” Another refreshing feature on the album includes the Southern hummingbird herself, Tweet, on “Heaven”. Nick shared that he reached out the award winning songwriter on Twitter for a feature and the collaboration took off from there, “Tweet is one of the sweetest people I’ve ever met. I’m such a big fan of Tweet and took a shot and just messaged her on Instagram. She’s one of the best vocalists ever.” Without fail, Tweet melodically wisps her haunting vocals the hook, “I’m gon’ take you to heaven/Make you feel like I do,” and Grant showcases the versatility in his range, rolling out his smoother textures of sound that compliment Tweet’s honey ladened vocals.

“[Sunday Dinner is] my most personal album to date, [its] my best body of work.” Nick says towards  the closing of his interview with The Knockturnal, “I want my fans to hear and know that I wasn’t scared to do what I loved. I didn’t care about judgment. That I was being my true authentic self while chasing my dream.” To his credit, there lies in the musicality of this project a “down to earth” and “at home feel” in its sound and presentation and when asked, the artist states that the most important part about self-expression as an artist is, “…being truthful.”  and he does just that in scenes that are vivid and with wordplay that is highly engaging. Sunday Dinner effortlessly balances out the more prominent sounds in the Rap and Hip Hop scope today. The precision and thoughtfulness he places in compiling this project makes it authentic, nostalgic and heartfelt; and these true elements of classic hip hop are not readily found in this era of the genre today. There are no skips in this body of work and it commands the respect of several thorough listens. Nick Grant’s talent, tenacity, passion and focus is undeniable.

Sunday Dinner is available on all major music streaming platforms, Tidal, Apple Music, Spotify, Pandora, Amazon Music and many more outlets for listening enjoyment.

September 23, 2023 0 comment
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The Powerhouse Behind Law Roach, Zerina Akers, Kollin Carter and More, Tamara Taylor Celebrates 10 Years of Mastermind MGMT

by Parris Rose September 6, 2023
written by Parris Rose

Tamara Taylor, the young and innovative CEO behind Mastermind MGMT, marked an illustrious 10-year journey at the opulent Valley Villa in Los Angeles, surrounded by the luminaries of the entertainment and fashion worlds.

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September 6, 2023 0 comment
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INTERVIEW: Jérôme LaMaar Talks Beyoncé, Collaborating with DIAGEO, and What’s Next in Creativity

by Benjamin Schmidt March 1, 2023
written by Benjamin Schmidt

Read the intimate interview and learn more about the multi-hyphenate creative who has been collaborating with beverage brand DIAGEO and celebrating creativity.

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March 1, 2023 0 comment
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EventsMusic

On The Scene: UnitedMasters A Celebration of Independence

by Nishat Baig February 23, 2023
written by Nishat Baig

During Grammy weekend, UnitedMasters hosted a Celebration of Independence concert featuring performances by Russ, Grammy nominated Tobe Nwigwe and Brent Faiyaz. Steve Stoute’s UnitedMasters partook in Grammy weekend festivities by celebrating the power of independent music and the innovative artists who are pushing culture forward. UnitedMasters and its guests completely packed out the Hollywood Palladium. Notable guests in attendance included Steve Stoute (UnitedMasters Founder and CEO) as well as Jay-Z and Beyoncé, Nas, DJ Khaled, Wiz Khalifa, Future, Daniel Kaluuya, Damson Idris, Gayle King, Jermaine Dupri, Doug E. Fresh, Koffee, Eric Nam, Soo Joo Park, Lauren Juargegi, DDG, JELEEL, Grandmaster Flash, Jabari Banks, and many more.

The arena was divided into GA, lounge and VIP sections as the guests started arriving. The lounge & VIP areas for special guests featured an open bar with complimentary cocktails and prime viewing from the second floor. Guests were filled with excitement and anticipation as Tobe Nwigwe took the stage followed by Russ. The audience began moving closer to the stage as the final performer for the evening took the stage. The night ended with a performance by Brent Faiyaz that had the entire crowd in their feelings, singing along and truly celebrating independent music.

February 23, 2023 0 comment
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#DISCOJEROME: Jérôme LaMaar Kicks Off NYFW with Talk at Virgin Hotels; Afterparty DJ Set by Kevin Aviance

by Benjamin Schmidt February 14, 2023
written by Benjamin Schmidt

We had the chance hear Jérôme LaMaar talk about his experiences in the world of sustainability, work with DIAGEO as part of the brand’s Society 2030 initiative, as well as dance to the grooves of queer icon Kevin Aviance.

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February 14, 2023 1 comment
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DIXSON Is Making His Solo Debut at Made In America Festival

by Chantell Hayden September 3, 2022
written by Chantell Hayden

The annual Made In America Festival is taking place in Philadelphia this weekend and the lineup is jam packed. Bad Bunny, Tyler The Creator, Burna Boy, Snoh Aalegra, Jazmine Sullivan and more are set to take the stage at the Roc Nation led music festival during Labor Day weekend.

The name DIXSON may be unfamiliar to some, but his work in the music industry precedes him. He’s worked with some of your favorites including Beyonce, Chance the Rapper and Yebba. His most notable work is his collaboration with the Queen Bey herself for her song “Be Alive,” written specially for the Venus and Serena Williams biopic King Richard which follows their journey to success with the help of their father and coach Richard Williams.

The song also earned him his first Oscar and Golden Globe nomination this year for Best Original Song. While receiving these accolades so early in his career is the ultimate goal for artists everywhere, DIXSON doesn’t shy away from being transparent about his journey to get to where he is now.

“If I were doing this for just the press or the look, it would invalidate the art in a way. It’s really important to fight for your visions, fight for your goals, fight for having the right team around you. That’s super vital,” says the R&B artist.

We spoke with the singer-songwriter 48 hours before making his solo debut at Made In America and he spilled on working with Beyoncé and Chance The Rapper, his desire to get back in to acting and how artists should strive to create regardless of life’s obstacles.

I believe this is your first Made in America, how are you feeling about it?

It’s my first time performing as a solo artist. I performed in 2017 as a background artist. I feel good. I think I’ve been silently praying for this opportunity, to get in front of an audience. This is my first outdoor festival.

Spending years as a background singer, I played a bunch off festivals and I imagined being able to take one of the larger stages and this is really exciting for me at this point in my career.

One thing that really stuck out to me about you is that you play 11 different instruments. How did that journey start?

My parents made a conscious effort to let me explore the things I was interested in. So, my first instrument that I started playing was the drums and then I picked up the piano pretty quickly because my father was a pastor and he needed musicians. I learned how to play everything by ear, and as I got older my parents let me explore everything I was interested in. We always had instruments around the house.

So, it really just started with a home environment. When I was doing other things, I had an instrument in my hand. It was a desire. I really just wanted to know how these instruments works and how I can make them sound how I wanted them to sound.

Which instrument is your favorite to incorporate in music?

Lately my favorite is playing bass. It varies, it depends what I’m working on. But, right not I’m excited to get really good at playing the bass and I’m playing a lot of it on this upcoming project too.

DIXSON is set to release not one but two new albums this year. The first of the two-part project is 004DAISY and is dropping on September 16. His recent single “Cherry Sorbet” featuring Sevyn Streeter is a part of it and features a Beatles sample. The project also features appearances from Tinashe, Vic Mensa and LA-based band frontman Stolen Nova.

In the 70’s inspired music video, DIXSON and Sevyn are seen flirtatiously playing the cat and mouse game while singing about wanting to give in to their sexual chemistry.

DIXSON and Sevyn Streeter in “Cherry Sorbet”.

As a songwriter, you’ve written for films, like King Richard and albums like Chance The Rapper’s The Big Day and Beyoncé’s Renaissance. Is there a difference in the writing process when working on a song for a film versus an album? Is it easier to convey a message due to the visuals already existing, versus a song where you have to paint a visual with lyrics and your voice?

I don’t make one more difficult than the other. I try to approach every project with the same energy and passion. For King Richard, There’s not only visuals for the film but there’s also a mental picture. You go back and think of times you’ve seen Serena or Venus play on TV, or watch that many accomplishments happen in real time and you link those stories back to your own life and experiences, the experience of the artist that’s going to be delivering the song. There’s a lot of representation there.

Chance is an extremely visual person. So, as we work on songs he’s painting a picture for us as well. He’s telling us what he’s thinking, what he’s looking for. He is giving us his potential visual ideas so we had a lot to play with. I’ve been very fortunate to work with artists who have incredible visual sensibilities. I do too, I’m the same way. So, it works well for me that the people I collaborate with are also very visual thinkers, too.

When you’re writing for an artist other than yourself, how do you balance how much of yourself and your experiences to incorporate without going overboard?  

I don’t limit myself in that way. At the end of the day it doesn’t matter who you’re working with, whether it’s Bey or another artist I’m realizing more and more that the human experience is the collective experience. Obviously, there are variables. There are very wealthy humans, and very sad humans, very happy humans but it’s all a human experience. I don’t try to limit what I write based on who I’m with.

On your social media, you’re always talking about the importance of versatility. Are there any other creative ventures you’d like to engage in? You were a theater kid growing up and we see musical artists transition from the studio to a movie or TV set in their careers a lot. Are there any other creative ventures you would like to branch out to? Would you consider acting? 

I just auditioned for a role not too long ago for a TV show. So, I’m getting back in to it and just trying to make a soft re-entry back in to it. I haven’t been on a stage in a theater as an actor in a while. I have so much respect for actors and also just the workers in theater, television and film that I want to make sure that return in to that space is welcomed and not forced just because I’m having a rise on the music side of things. I respect all of these art forms deeply.

What advice would you give to independent music artists who are struggling with life’s limitations but are still passionate about creating?

One, you have to change how you speak about your work. Secondly, change your view of your experience as an artist. We could be struggling to pay pills, we could be struggling to manage family expectations, but if you have a gift and art that you’re making, as long as you’re not struggling to get those ideas out of your head and on paper, or whatever you record on.

It took me a long time to be interviewed let alone perform at Made In America. It took a lot of financial struggles and hardships to get to this space but you must stay in it. You have to stay in it because to not honor your gift is to not honor the giver and I think that’s the biggest mistake you can make as an artist.

If you stay in it, it’s bound to work. Your work will only get better and your audience will only get bigger.

September 3, 2022 0 comment
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MusicThe Latest

Roc Nation Brunch Grammy 2020

by Tammy B January 29, 2020
written by Tammy B

The 62nd Annual Grammy Awards were held this past Sunday, in Los Angeles.  

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January 29, 2020 0 comment
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KoncertsMusicThe Latest

A Cinderella Story: Gims Superstar at the Stade de France

by Andréa Etondè October 6, 2019
written by Andréa Etondè

Over the last weekend of september 2019, French Congolese artist, Gims ended up his Fuego Tour at the Stade de France. The biggest French stadium in the City of Love. Alongside with family and fellow Hip Hop artists, the #GimsAuStadeDeFrance is definitely trending now, since he lit up the national venue on fire with unexpected performances.

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October 6, 2019 0 comment
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EntertainmentFilmThe Latest

Film Review: ‘The Lion King’

by Jake King July 12, 2019
written by Jake King

I would tell you to “be prepared,” but you already are!

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July 12, 2019 0 comment
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EntertainmentFilmThe Latest

Up Close & Personal with the Cast of Disney’s ‘The Lion King’

by Parris Rose July 12, 2019
written by Parris Rose

Director, Jon Favreau has done it again with the recreation of one of Disney’s most iconic films to date, The Lion King.

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July 12, 2019 0 comment
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      Theater

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      Review: ‘The Shark is Broken’ on Broadway Gets Five Fins Up

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      Theater

      New World Stages Presented a Production of “The Play That Went Wrong”

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      TV

      Power Book IV: Force Season 2, Episode 5 Review

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      Power Book IV: Force Season 2, Episode 4 Review

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      Danny DeVito Takes The Stage in “I Need That”

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      Entertainment

      Be Your Own John Wick at The Continental’s Pop-Up Bar in NYC

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      Entertainment

      PAW Patrol: The Mighty Movie

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      Entertainment

      Power Book IV: Force Season 2, Episode 5 Review

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      Entertainment

      An Account of Blood Manor

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  • Music
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      News

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      Nick Grant Releases his new album SUNDAY DINNER

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      New Music Roundup: Releases You May Have Missed

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      Music

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      Music

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      Music

      The R&B Club Teams Up With Spotify and Lloyd To Celebrate The Perfect…

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      Music

      Victoria Monet Brings ’Jaguar II’ To Atlanta

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  • Lifestyle
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      Art

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      Art

      On the Scene: Delphine Diallo presents exhibition “Rhythm and Flow: Celebrating the Fluidity of Femineity”

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      Automotive

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      Automotive

      Stepping Through Lotus’ Past Makes Its Future That Much More Intriguing

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      Automotive

      Drive Your Cravings to the MAX at the Meyers Manx Cafe

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      Automotive

      I Spent a Weekend with Ford’s Largest and Most Unruly

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      Events

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      Events

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      Events

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      Events

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      Fashion & Beauty

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      On The Scene: NYFW Dennis Basso SS24 Show

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      Sports

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      Sports

      An Evening at the US Open with Dobel Tequila

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      Sports

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      Sports

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      Lifestyle

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