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Academy Award
David Borenstein Talks Best Documentary Oscar Nominee ‘Mr. Nobody Against Putin’
The story behind the story of “Mr. Nobody Against Putin” is just as compelling as the Academy Award-nominated documentary itself.
The Knockturnal spoke to the film’s director, David Borenstein, about making the film with the BBC under perilous circumstances, the ongoing precautions taken to protect the filmmakers, the brightening limelight around the film and its subject and the current state of the Russia-Ukraine war.
The film follows Mr. Nobody, Pavel Talankin, a school videographer who secretly documents his school’s government-ordered propaganda campaign. This means young children memorizing state-mandated paeans to the homeland and school assemblies with Wagner Group mercenaries exhorting teenage boys to join the front lines against Ukraine. Talankin surreptitiously transmits the footage to the American director Borenstein. Since Talankin and Borenstein’s counterprogramming to the school propaganda subverts Putin’s war efforts and thus breaks Russian law, the documentary’s filming and production was highly precarious.
Borenstein details the security measures the filmmakers took throughout the entire process, including now, where fear of reprisal is palpable. Borenstein says Putin and his government can no longer ignore the film, especially since it has gained so much traction, garnering rave reviews and earning an Oscar nomination for Best Feature Documentary.
There is a scene in the film where the students watch a video message from Putin. The Russian President thanks first and foremost the teachers for their contributions to the war. He extols them above even soldiers. There is a sense in the film that the education system is a key battleground and Talankin is there as a fly on the wall war correspondent.
Borenstein has seen how the machine to win the hearts and minds of Russians operates after watching hundreds of hours of footage from the school and now wants to show us an inside look. Borenstein urges audiences to remember the war is still ongoing and invites us to witness how propaganda pervades in one of the most foundational parts of a society – a school.
‘Happy Birthday’: Sarah Goher on Mentoring Cairo’s Young Lead, Navigating Class Themes
“When I studied at NYU, when I went to NYU film, the first thing they tell you is the hardest thing in film is animals and children,” director Sarah Goher told the audience at a screening of her debut feature Happy Birthday at the IFC Center.
However, being a mother herself helped her overcome this particular challenge.
“As someone who has two children, I’m very grateful I had those two children before I made this film because it just taught me so much about kids,” she said. “Like, if you really prepare kids and you really earn their trust and you really prepare them for what’s to come, they won’t just give you a hundred percent, they could give you a hundred and fifty percent.”
Happy Birthday, Egypt’s nomination for the 98th Academy Awards in 2026, follows eight-year-old Toha, a child maid for a wealthy Cairo family who forms a special bond with her employer’s daughter, Nelly. Having never celebrated her own birthday, Toha becomes determined to ensure Nelly has a perfect party, secretly hoping to experience the joy she’s never known. As Toha’s relationship with Nelly’s mother, Laila, begins to transcend typical employer-servant boundaries, deep-rooted social hierarchies are threatened, forcing the young girl to confront the realities of class division in modern Egypt.
These realities, however, are communicated in the film through soft whispers.
“At some point, two European sales companies, low-key suggested I add more violence to the film,” Goher explained, “I think they were expecting kind of like Parasite, perhaps I would have something that was much more of a ‘big bang,’ a message about class and about division. And I didn’t for two reasons.”
“I didn’t feel that was true to the reality,” she continued, ”I think there’s a lot more nuance to the reality of these situations. And I feel that at the end of the day, I also want to make a film that I’m not trying to get into a European festival, I’m not trying to sell this to the West.”
“I want a film that when I show this to people in my family, to friends who think that this is okay or who don’t want to acknowledge that there’s something wrong with this kind of situation, the invisibility of certain people in society, that it actually gets to them.”
As it turns out, despite the best efforts of child labor laws, this story resonates with audiences around the world. Happy Birthday is very much a film that pushes back against the notion of giving kids a “better life” via servitude in higher class communities.
“I’ve shown this film to lots of audiences. I get people from India, Honduras, Latin America, Mexico, um, even in Spain, which surprised me. This situation happens,” Goher shared with the audience. “Now, by law, child labor is forbidden in Egypt. But there are kids who exist in this [invisible] limbo under the false pretense of goodwill.”
Still, it was important to Goher that Doha Ramadan (Toha), who the director discovered on the streets of Cairo, didn’t just see her character as a servant.
“The other thing is, when I was directing her, I never told her you’re playing a maid because I didn’t want her to project that,” she explained. “I felt like her prerogative was if I’m this little girl, and this is what I saw with the actual girl who inspired the character, she wants to see herself as a child first.”
“And she would come up with suggestions and be like, ‘Sarah, what if I blah blah blah blah blah,’ or ‘why don’t we blah blah blah blah blah?’ And I would let her do what she felt curious about because I started to find myself like while I was shooting the film, it doesn’t matter what, you know, all the kind of ambitious directing stuff you want to do.”
Since wrapping Happy Birthday, Goher also shared how she stays in touch with Ramadan.
“I didn’t want to be one of those filmmakers who plucks a kid out of obscurity, puts them in front of the camera, and then forgets about them,” Goher shared, “And I’ve seen this happen, and it’s very unfortunate. I’ve been to her school, she does go to a school, it’s not a good school. So I got her a private tutor who, since June of 2024, until now, he teaches her three times a week, and now she can read and write really well.”
“There’s not a lot of outreach for the arts in these communities, so I enrolled her at Cairo Opera House’s Youth Talent Center. So she was doing music, and she hated the singing part, so she’s just doing ballet. So she’s been doing that since June of 2024.”
Happy Birthday, which received several honors at the Tribeca Festival, is Egypt’s submission for the 98th Academy Awards for Best International Feature Film.
‘Welcome to Chechnya’ Roundtable Highlights the Intersection of Hollywood, Politics, and Change
“Welcome to Chechnya” focuses on anti-LGBTQ persecution in the Russian republic of Chechnya. Directed by David France, the documentary is shortlisted for Best Documentary Feature and Best Visual Effects.
Academy Award nominee Sophie Okonedo is back on the small screen once again. While some may hold in recent memory her character in Ratched, she’s taken on something completely new in this series, Flack, which will be streaming soon on Amazon Prime Video.
With the coronavirus forcing us all to stay inside, quarantining ourselves and social-distancing, many local institutions, particularly independent theaters, are at risk.
Film Review: ‘After the Wedding’
After the Wedding (2019), starring Michelle Williams, Billy Crudup, and Julianne Moore, is a remake of the 2006 Danish film by the same name, about a woman who travels from India to New York in search of funds for her orphanage.
Exclusive: Nadine Labaki Speaks On Deprived Children and Oscar Contender Film ‘Capernaum’
Can you picture a little boy suing his parents for giving him life? Well that’s exactly happens in the hard-hitting film “Capernaum” which follows the life of Zain, a street smart 12 year old boy and his journey through hardship.
We attended a party on the big night with a film critics’ panel…
Eddie Redmayne may be coming off one Oscar winning performance, but he has already got his eyes set on another.