The Knockturnal
  • Home
  • Entertainment
    • Events Film The Kontenders Theater TV All
      Entertainment

      Remember This: A one man film telling a story of humanity’s greatest crimes

      January 28, 2023

      Entertainment

      Red Carpet Premiere of Paramount+’s ‘Wolf Pack’

      January 23, 2023

      Entertainment

      Cast Talks ‘Missing’ at the Los Angeles Premiere

      January 23, 2023

      Events

      On The Scene: Dolphland Pop-Up Museum Cocktail Reception

      January 22, 2023

      Film

      Remember This: A one man film telling a story of humanity’s greatest crimes

      January 28, 2023

      Film

      The New York Jewish Film Festival 2023 Feature Showcase

      January 25, 2023

      Film

      Actor Mo McRae To Release Directorial Debut ‘A Lot of Nothing’

      January 24, 2023

      Film

      Cast Talks ‘Missing’ at the Los Angeles Premiere

      January 23, 2023

      The Kontenders

      KnockturnaLIST: Top 20 Favorite Films of 2022

      December 30, 2022

      The Kontenders

      BHFF Review: ‘Harbinger’ COVID Horror At Its Most Chilling

      November 9, 2022

      The Kontenders

      NYFF 2022: Aftersun

      October 7, 2022

      The Kontenders

      NYFF 2022 Opening Night: White Noise

      October 7, 2022

      Theater

      Remember This: A one man film telling a story of humanity’s greatest crimes

      January 28, 2023

      Theater

      Theater Review: Death of a Salesmen

      December 27, 2022

      Theater

      Review: Life Imitates Art in “The Collaboration”

      December 22, 2022

      Theater

      Review: “Some Like it Hot” is Blazing on Broadway

      December 19, 2022

      TV

      Exclusive: Demetrius Fleneroy Jr. Talks BMF’s Second Season

      January 27, 2023

      TV

      Actor Mo McRae To Release Directorial Debut ‘A Lot of Nothing’

      January 24, 2023

      TV

      ‘The Last of Us’ Season 1, Episode 2 Review

      January 23, 2023

      TV

      Netflix and Michael Kors Host Red Carpet Celebration For Launch of ‘Bling Empire…

      January 20, 2023

      Entertainment

      Remember This: A one man film telling a story of humanity’s greatest crimes

      January 28, 2023

      Entertainment

      Exclusive: Demetrius Fleneroy Jr. Talks BMF’s Second Season

      January 27, 2023

      Entertainment

      The New York Jewish Film Festival 2023 Feature Showcase

      January 25, 2023

      Entertainment

      Swingers NoMad Brings A New Type Of Mini Golf To NYC

      January 24, 2023

  • Music
    • Koncerts News All
      Koncerts

      This Weekend: Nina Kraviz, Magdalena, Kevin de Vries and KAS:ST Launch Teksupport and…

      January 19, 2023

      Art

      LA3C WRAPS INAUGURAL TWO DAY FESTIVAL

      December 20, 2022

      Events

      Carnegie Hall Presents A Night of Inspiration

      December 19, 2022

      Entertainment

      City Girls and Flo Milli Perform at Billboard Live: R&B/Hip-Hop to Celebrate the…

      November 19, 2022

      News

      Exclusive: Demetrius Fleneroy Jr. Talks BMF’s Second Season

      January 27, 2023

      News

      Interview With Musician Meg Baird

      January 25, 2023

      News

      Wine And Spirites Tasting and Interview With Owner Debbie Ellen Jones, Of Ellen’s…

      December 28, 2022

      News

      Interview With Chef, Matt Abdoo, at Zippo’s Brand Dinner in NYC!

      December 13, 2022

      Music

      Exclusive: Demetrius Fleneroy Jr. Talks BMF’s Second Season

      January 27, 2023

      Music

      Music with a Message – White Dove

      January 26, 2023

      Music

      80purppp Performs Latest Single “Uni” in New York City

      January 25, 2023

      Music

      On The Scene: Drake Live At The Apollo Sunday Night

      January 25, 2023

  • Lifestyle
    • Art Events Fashion & Beauty Sports All
      Art

      The New York EDITION Unveils 2022 Christmas Tree From Sarah Coleman

      December 20, 2022

      Art

      LA3C WRAPS INAUGURAL TWO DAY FESTIVAL

      December 20, 2022

      Art

      Art Review: Jennifer Elster Taps Into Visceral Memory With New Show at The…

      December 13, 2022

      Art

      Anna Delvey Hosts Intimate Art Showcase During Miami Art Basel

      December 12, 2022

      Events

      On The Scene: Drake Live At The Apollo Sunday Night

      January 25, 2023

      Events

      The New York Jewish Film Festival 2023 Feature Showcase

      January 25, 2023

      Events

      MISTER PARADISE ANNOUNCES EXTENSIVE NEW MENU WITH SOPHISTICATED, CULINARY-INSPIRED COCKTAILS

      January 24, 2023

      Events

      A Night With Cuba’s First Private Fashion Brand, Clandestina

      January 17, 2023

      Fashion & Beauty

      Exclusive Interview with Jason Rembert

      January 19, 2023

      Fashion & Beauty

      A Night With Cuba’s First Private Fashion Brand, Clandestina

      January 17, 2023

      Fashion & Beauty

      A Valentine’s Tale Told Through Jewelry

      January 13, 2023

      Fashion & Beauty

      Celebrating a Low Waste, High Impact Holiday With Women & Climate and The…

      December 20, 2022

      Sports

      The American Express x NBA 2K23 Lab: Day 3

      December 19, 2022

      Sports

      ON THE SCENE: DRY CHALLENGE AT SLT TREAD

      December 11, 2022

      Sports

      Chief Brand Officer Rich Orosco Talks All Things LAFC & MLS.

      December 6, 2022

      Sports

      We Chat W/ MLS EVP, Commissioner’s Office & Chief Diversity, Equity & Inclusion…

      November 22, 2022

      Lifestyle

      Unifying the World with ‘Lest People Forget’

      January 26, 2023

      Lifestyle

      Inside a Travel Workout Day at EVEN Hotel

      January 25, 2023

      Lifestyle

      On The Scene: Drake Live At The Apollo Sunday Night

      January 25, 2023

      Lifestyle

      The New York Jewish Film Festival 2023 Feature Showcase

      January 25, 2023

  • News
  • Videos
  • Covers
  • Merch
Author

Melissa Edelblum

Melissa Edelblum

Uncategorized

Some Like It Hot! A Sit Down Chat with J. Harrison Ghee

by Melissa Edelblum January 9, 2023
written by Melissa Edelblum

Curtain up on Some Like It Hot, one of the hottest shows on Broadway this season. This fresh and exciting stage adaptation of the classic 1959 film is full of comedic perfection and strikes the right balance of pulling at the heartstrings.

With a book by Matthew López and Amber Ruffin, music by Marc Shaiman and lyrics by Scott Wittman and Marc Shaiman, and direction and choreography by thee Casey Nicholaw, it’s no wonder this show is as fun and sentimental, as it is layered and dynamic.

Set in Chicago during the prohibition era, Some Like It Hot is a high-energy story of two musicians on the run after witnessing a mob hit. When we meet Joe (Christian Borle) and Jerry (J. Harrison Ghee), they’re looking for a way to disguise themselves and in the process, they join one of the best all-female swing bands in America – but as Josephine (Christian Borle) and Daphne (J. Harrison Ghee) – identities they created for themselves.

The major differences in this adaptation are seen in the change of perspectives and the depth of character development. This production shares stories of self discovery, race, and relationship dynamics as opposed to the archetype of straight men using any disguise to flee a bad situation for comedic gain. To start the all-female band lead (NaTasha Yvette Williams) and lead singer, Sugar Cane (Adrianna Hicks) are both Black women (who give remarkable performances, which are rooted in truth and are equally dazzling) and their band is fully integrated – a concept that would have been (sadly) controversial when the story takes place. A key storyline is the transformation and journey of self discovery for the character of Jerry/Daphne (portrayed by the wonderful J. Harrison Ghee), who explores a complex and beautiful journey – one of both gender and sexual identity and most importantly, authenticity. We had the privilege of sitting down with J. to chat about this sizzling production!

Congrats on the show! Some Like It Hot is the hottest (pun intended) show on Broadway right now! How does this moment feel for you? Both career wise and personally.

It feels amazing to be a part of something so fun and fabulous, and that audiences are responding so beautifully to. It’s been a long time coming and our show has grown in such an incubator that it has been fulfilling to bring it to life and show audiences what we’ve been cooking up. I love that I’ve been able to use my voice in the work, and the collaborative efforts of everyone have paid off.

The cast is PHENOMENAL. And the creative team, my gosh. Casey Nicholaw. Amber Ruffin. Matthew López. Marc Shaiman. Scott Whitman. Can you tell us what it’s been like to bring this story to life with these Broadway superstars attached? It just looks like you’re all loving your lives on stage. 

We are having a blast in this show, and getting to honor of working with such heavy hitters is not something I take lightly. Everyone has really worked together in such a beautiful way to make sure that the product we presented to the world is authentic and top notch. We built some incredible trust throughout the process, and everyone remained open to change, no one was so precious about an idea that we couldn’t discuss it and make necessary changes to make our show its best.

Your chemistry with Christian Borle. Enough said – the comic timing, the dancing, the banter. What’s it like working with him every night? I can see the inherent trust and it also feels like there’s a healthy level of boundary pushing as well, which must be exciting for an actor. 

Christian Borle is a giving and gracious partner to work with. It was so fun getting to know him and learn how he operates. I definitely trust him, and we find ways to keep pushing each other daily. It really has been like building a relationship with a sibling, much like our characters, and that helps us make the magic we share on stage.

Biggest prankster in the cast? / Who laughs the most in the rehearsal room?

It’s hard to pin point one culprit because there are laughs and shenanigans all around. We really have bonded as a fun-filled cast of characters that gets to play every day, and not just on stage!

How do you feel the show honors the classic film, how is it most different? What can audiences expect?

The show has maintained the feel of the film’s era with the work of Casey’s big MGM dance and direction, Scott Pask’s beautiful Art Deco set, lit by the incredible Natasha Katz, and the luscious Gregg Barnes costumes. It differs in the way we have removed the 1930s lens we would normally see of the times, and just allows these people to be grounded in truth. We aren’t using the tropes of men in dresses to be the humor, rather allowing the entertainment and comedy to come from circumstance.

Jerry / Daphne is such a dynamic role. What most excited you about the part? 

What excited me most was the journey that happens throughout the show, and the possibility of sharing that journey with audiences. A mantra I have lived by for the past few years has been “Free yourself, to see yourself”; meaning, you’ve got to give yourself the permission you so desperately seek from others to just be you. Do the things that make you happy and live out loud.

How did you prepare for the role of Jerry / Daphne? Can you tell us a bit about your process and journey for bringing this character to life on stage?

When doing projects, I seek to learn from a character and let that infuse my real life, and Jerry/Daphne has really helped me step into a fuller version of myself. I don’t hesitate to make bolder choices in life and I take very opportunity to be free. I also try my best to trust my instincts and not over think choices when preparing for a role. It also helps to be creating this character opposite some incredible humans, and that really helps flesh out the character for me.

Is there anything portraying Jerry/Daphne that has taught you anything about yourself?

I have learned I am capable of so much more than I give myself credit for. I’ve also learned to walk more confidently in my authenticity as a non-binary person, I find so much joy in the fluidity of who I am and the power I possess. It has been empowering to inspire others to tap into the same for themselves.

What is the number one thing you hope audiences take away from seeing Some Like It Hot?

I hope that audiences walk away with joy and confidence, joy in the love and little things in life and the confidence to be free beyond societies labels and limits; whatever that may mean for your life. It’s amazing what we can find in ourselves when circumstances present us with opportunities to explore and think differently.

That’s all the evidence you need – run, don’t walk to the Shubert Theatre and to get tickets to this scorching hot production! For more information, visit: https://somelikeithotmusical.com/

January 9, 2023 0 comment
0 FacebookTwitterPinterestEmail
EntertainmentThe LatestTheater

A Revolutionary Revolution: A Chat with 1776’s Kristolyn Lloyd

by Melissa Edelblum December 7, 2022
written by Melissa Edelblum

It’s about damn time (s/o Lizzo and her magical James Madison flute playing ways) for a revolution, don’t you think? When the original Broadway production of 1776 premiered in 1969 and its source material – the signing of the Declaration of Independence – depict times in United States history, in which white males dominated politics, entertainment, basically everything else. Though revolutionary and dramatic for the time, the concept a revolution has certainly evolved throughout history.

Flash forward to 2022. We (the People), as a society are more secular, aware, and politically charged than ever. And though the story of the Founding Fathers and creation of America is incredibly vital in our foundation (and arguably “revolutionary” at the time) – it was long overdue for a modern day transformation.

Early on into the production, directed by Jeffrey L. Page and Diane Paulus, we get our first taste at that satisfying and edging transformation. The stage is set and the audience first meets our Founding Fathers, but this time around – the performers are of different races and identify as female, transgender, or non-binary people. Every single actor on that stage hikes up their tights and old-school white socks and that’s where the revolution begins.

With that, we were lucky enough to connect with Kristolyn Lloyd, who is currently playing John Adams in the Roundabout produced revival of 1776.

John Adams, it’s a powerhouse of a role in this show and takes on even more meaning in this production. Kicking this off with kind of an open-ended question, but how did stepping into the role feel for you!

It was a challenge! I’ve never been given the opportunity to play something of this magnitude, but I was really ready. So, it felt empowering and affirming of what I’ve experienced so far in my career. John was never a role I thought I’d play and to be honest, I didn’t know it existed, so it felt badass to just jump in a say ‘okay.’

This production is one of the most badass nights of theatre I’ve had in a long time. Can you tell us about the journey? Learning about the production, landing the role, the rehearsal process and what it’s like behind the wings every night? I’d imagine it’s electric.

I was finishing a session with my therapist where we talked about my career and me wanting a challenge and a vehicle to push me further when I saw I’d missed a call from my agent. So, I knew I had booked something because the “team” called me, and it was a straight offer for the role of John Adams on Broadway. I was stunned. When I heard the deal that came with the offer, I was even more stunned. “It operates under a LORT A contract (so, my salary would be way under commercial Broadway minimum) and you’ll be replacing the role two weeks after the show opens (something I’d never heard of) so you won’t originate.” That comes with a litany of losses for an actor. So, I knew it could be a risk career-wise to say yes to this and no to other jobs, but I really can’t stress how much I wanted the challenge. They were only asking for 3-4 months of my time and the cast looked dope, so I figured – why not! You’ve never done anything like this before, Kristolyn, and you don’t have to wear a dress or a corset.

It was a fast process because I only had three weeks to figure him and the show out. It felt a little daunting at first but, being a Capricorn, that didn’t last long. I came up with a personal plan and a set of goals for myself with the show and the role. Mostly in a rehearsal studio in Ripley with our Associate MD and Associate Director. I got a couple days here and there with Diane and Jeffrey and some with understudies and standbys. I tend to take my time developing a character even well into previews, but that was not an option here. A lot of the work was up to me. I pushed myself like I do as an athlete and had no social life. I wake up six days a week terrified and excited for the job I get to do in this show. Electric doesn’t begin to describe it.

1776. It’s not a show that’s frequently revived, but I would argue that this is the most revolutionary of productions and had many a point to prove. What do you personally think is the most revolutionary aspect of this production?

The casting. The cast is incredible on and off-stage. Truly. A remarkable group of humans who infuse me every time we are together. That’s probably why the show feels badass! I suck up their energy like a sponge and it fuels me. Their POV and lived experiences are strong and the audience can see that. We are not precious with this play/musical. We have no reason to be and therefore you are getting an unbiased performance of somewhat problematic men through the lens of some brave and wise storytellers

This show features a company entirely of women, non-binary, and trans actors. When this show took place and when it was written (unfortunately) there was virtually no representation from those communities and perspectives. How does that influence your process when performing John Adams?

Knowing he didn’t own slaves historically makes it easier to stand in his shoes, but this role is antagonistic to my soul and my ancestors.  I don’t instinctively WANT to use my Black body and Black mind to tell white colonizer stories with their accents and words, but that to me is a layer of CRT (critical race theory) in and of itself that is transparently laid on top of this relic. Diane and Jeffrey were smart to keep it in the world of players stepping into these roles. It actually allows me to keep my sense of self present in the production and not feel like I have to protect John’s image. He is who he was and I’m under no obligation to make you like him. In fact, because we get to keep ourselves intact playing these roles, what you will walk away liking (selfishly) is me! Or Patrena (Murray), Liz (Mikel), Allyson (Kaye Daniel), or Sushma (Saha)… the audience walks away being moved by the performers and our interpretation. I don’t think a lot of people want to see the show any other way after seeing our production. This cast is really fucking thrilling to watch, even if you have issues with the show.

What does the word revolution mean to you in the year 2022?

This job is teaching me a lot about revolutions. I think for me in 2022 it means taking a risk while telling the truth but with grace and wisdom because the truth can be venomous enough. I take my mantle in life and art as a disrupter and truth teller very seriously. Every job I take is another addition to my lexicon of work that could be looked back on someday. So, what does it look like be the revolutionist laborer who says yes to doing a potentially problematic show, joining it in an unconventional way, on a very controversial, non-commercial contract?? Well, if I’m gonna do it, then I’m gonna do it in a way that compliments the revolution I’ve signed on to as an artist. With honesty on stage by giving a high-priced performance each night, despite my pay, while making myself available off-stage to our union to change these exploitative policies, and while still talking openly about it in order to gain/give more perspective. I always wanna lead with truth and grace because revolutions are long, and messy, and require a lot of compromise as we see in the show. It’s not any different outside of it and they hired a lot of revolutionaries in this cast! It was a risk to give us a platform, but it was a compromise for us to say yes. As Ben Franklin says in our show: “Revolutions, Mr. Dickinson, come into this world like bastard children – half improvised and half compromised.”

Is there anything that surprised you when preparing for this role and this show? Could be about anything – yourself, historical events, past productions of 1776?

Fun fact: John Adams and Thomas Jefferson were pals. Like genuine friends and eventually died on the same day in the same year forty minutes apart. I didn’t know that but have made it a point to highlight their budding friendship with the help of the stunning Elizabeth A. Davis. She was the one who told me this and, yes, she is indeed ACTUALLY pregnant. Some people think it’s a choice the show made but it wasn’t and it’s really a challenge for me not to touch her beautiful belly on stage as John Adams…ok I might’ve accidentally done it once or twice!

If you could play any other role in 1776, who would it be and why?

Rutledge. Hands down. I’m a recovering people pleaser and as such am at a point in my journey where playing the antagonist is looking like more and more fun. I would ultimately miss carrying the show though because I really do enjoy playing John Adams across from Mehry, Sara, and/or Lulu some nights. I’ve done it with three different actors in the role of Rutledge because of Covid and injuries and it’s been wildly fun! “Never a dull day over here at 1776!” has become our slogan. So, if for some reason they needed me to play another role, I would want it to be Rutledge.

 

The only way to do this production of 1776 “justice” is to join the revolution and check it out at the American Airlines Theatre before it closes on January 8, 2023. For more information, visit https://www.roundabouttheatre.org/get-tickets/2022-2023-season/1776/.

December 7, 2022 0 comment
0 FacebookTwitterPinterestEmail
EntertainmentThe LatestTheater

A Juicy Chat with Marcel Spears About Fat Ham

by Melissa Edelblum July 27, 2022
written by Melissa Edelblum

 

To start this article with the soliloquy reference, or not to start this article with the soliloquy reference, that is the question.

And because I lack total self control, I just did. But I urge you to think about what comes to mind when you think of Shakespeare’s Hamlet. For starers, THEE aforementioned soliloquy. The ghost, the haunting familial betrayal. No matter how “different” the thousands of productions of Hamlet may seem, we have yet to see a production that truly is different – in feel, tone, structure, the list goes on…until James Ijames’ Fat Ham.

Fat Ham (which won the Pulitzer Prize in drama this year) completely reimagines a Hamlet, without putting the play or complex characters in a box. The writing is ever so poignant and approach to adaptation is modern, fresh, queer, and Black and almost Freudian in certain ways – as the show feels so familiar, but so eerily and distinctly different from the original text material from centuries ago.  One of the themes that becomes clear throughout the 95 minute show is that nothing is concrete and everything “kind of” still a work in progress – and that’s totally okay! 

Set at a summer barbecue in current day, this co-production between The Public Theatre and the National Black Theatre (Directed by Saheem Ali, of Merry Wives) goes here, there, and everywhere while exploring themes of queerness, bravery, and questioning societal expectations. We were lucky enough to have the opportunity to chat with Marcel Spears, who plays “Juicy”, our Hamlet-esque character.  

TK: We have seen so many productions attempt a “new and fresh” approach to contemporary Shakespeare, but Fat Ham feels SO different for a multitude of reasons – off the top of my head, the Black and queer stories, the layered motifs and themes, but also as different as James Ijames Pulitzer Prize winning work may be, it feels true to Shakespeare’s original work and that’s remarkable. Can you tell us a bit about your approach for mastering that fine line?


MS: I have always had a unique relationship and approach to Shakespeare mostly because when I was first introduced to the work I felt so outside of it; As a young Black actor I always felt like Shakespeare was so inaccessible, I didn’t see very many actors that looked like me doing the work locally, it wasn’t until I started formal acting training that I was able to realize that Shakespeare is full of big messy emotions, and dirty jokes, it’s just as raw and ugly and wonderfully relatable as the world we live in today. It’s for everybody. I respect the structure of the language, but I dive into the work like I do anything else; with and abundance of curiosity and empathy.


TK: Juicy is such a complex, yet relatable character. I was rooting for Juicy throughout the play, even when the unthinkable happens – my heart sank, but I still was on Juicy’s journey and that could not have happened without your remarkable ability to breathe life into the character, flaws and all. Do you feel that you are similar and/or different to Juicy in certain ways – if so, how?

MS: I always put a little of myself into the characters I play, I try to find some common threads to ground the performance. Juicy loves his mom, he’s a southern boy etc. The work of an actor early in the process is to find your characters “why” and I think that was the trickiest part for me. Juicy in someways is absolutely fearless, but in the play he kept making choices that were so different from what Marcel would do. Finding JUICY’S “why” was a lot of fun for me.

TK: And a follow up to that, what is one major takeaway that you have learned about yourself from playing Juicy? Juicy has softened me up a little.

MS: I grew up in New Orleans, it’s a beautiful city, but it’s a tough city. I was always encouraged as a young man to be strong. Because I’m Black, because I’m poor, because I am me; I was to expect the world will treat me coldly and to meet that reality with unwavering force. As much as I have matured I still held on to pieces of that upbringing. Juicy helped to shatter most of that and caused me to reflect and redefine, what can be considered strength.
TK: What was your first reaction to reading the play for the first time? Specifically the scene between Juicy & Larry. (I don’t want to spoil so I’m not getting into great detail)

MS: When I first read this play I just knew I wanted to be apart of it. I hadn’t seen anything like it, I knew it was special. Specifically that scene between Juicy and Larry which is the scene I auditioned with is one of my favorite scenes I’ve ever seen or read in all of tv/film/ and theater. I think that’s all I can say without giving it away but it’s beautiful.

TK: You all look like you’re having a BLAST on that stage, but you really trust each other to go there with these characters – can you tell me a bit about your dynamic with your castmates? Also, how do you not crack up during the karaoke scenes or Tio’s gingerbread man monologue at the end?

MS: This cast has gotten very close very quickly, in theater actors learn to make fast friends, to build chemistry as a company for the purpose of telling a story, but I think early on our director Saheem Ali was so adamant about creating a space for deep and vulnerable work it also created a very tight bond. We genuinely enjoy each others company, and we have fun together, you can see that on stage. And the truth is Chris’ as Tio isn’t the scene that is most likely to crack everyone up, that charge goes to Benja playing Rabby, she breaks everyone, I think she enjoys it.

TK: What is the main thing you would like audiences to take away from Fat Ham?

MS: I think the thing I want audiences to walk away from this play with is a sense that Joy is contagious, even in the most difficult circumstances joy is a a radical act of love and kindness. Joy is revolutionary, it is a gift, and it can change your life and the lives of people around you, like it literally changes the world of this play.

We loved sitting down with Marcel as much as we loved watching Marcel light up the stage. With brilliant performances from Nikki Crawford, Chris Herbie Holland, Billy Eugene Jones, Calvin Leon Smith, Adriana Michell, and Benja Kay Thomas – run, don’t walk to catch this hysterical and relatable show. 

P.S. – trust me, you will not be disappointed with the musical performances, but let those be a surprise. 

Fat Ham is playing at The Public Theatre through July 31, 2022. Learn more about the full cast, creative team, and tickets by visiting https://publictheater.org/productions/season/2122/fat-ham/

July 27, 2022 0 comment
0 FacebookTwitterPinterestEmail
EntertainmentThe LatestTheater

Birthday Candles: A Play for All Ages

by Melissa Edelblum May 5, 2022
written by Melissa Edelblum

Are ya 1? Are ya 2? Are ya 3?…and the extension of the “Happy Birthday” song continues, much to the dismay of those dreading adding another year to their tally. Noah Haidle’s latest play (and Broadway debut), Birthday Candles challenges the negative connotations of the passage of time and ideas associated with getting older, as it focuses on aging as the concept of adding tools to life’s toolkit and wisdom to one’s rhetorical autobiography (and on the amount of goldfish and buttery, vanilla cake one can consume).

But truly, what’s in a lifetime? Time doesn’t end when you go to college. Time doesn’t end when you find love. Time doesn’t end if/when you get married. Time doesn’t end when you have kids, grandkids, and then on. Hell, time doesn’t end if you end a first marriage and pivot the direction of your career at age 48. If anything, time moves on and new opportunities are presented to you. The good, the bad, the beautiful, the ugly, and everything in between. Birthday Candles touches a bunch of extremely relatable themes such as mental health, questioning one’s self identity, priorities, boundaries, but most importantly (in my opinion) is that it’s never too late.

We had the remarkable opportunity to sit down with Noah and connect on Birthday Candles.

TK: Firstly, what a BRILLIANT piece of work. Congratulations! Poignant, sophisticated, yet casual, relatable, funny yet emotional. How did you go about approaching a piece that could tap into all of those emotions and more?
NH: I knew if I got this one right it could be a very effective play (as opposed to some of the plays I’ve written which have been complete shit), so I tried to approach it with great caution.
TK: Process wise, how long did this take you to write?
NH: Six years. The first word I wrote for this play was in April of 2016 and the last was a week before opening in April of 2022. With a total of just over 15,000 words, that’s like 6.8 words a day, which is pretty much as many as the list of ingredients of mayonnaise. Pretty slow.
TK: One of the things I love most about Birthday Candles is that it shows that life is not perfect, but it happens. People make mistakes. Sometimes huge mistakes, but it’s never too late to change your mind and revisit prior thoughts. Was this theme based on any event(s) in particular for you?
NH: Yes. More than I would prefer.
TK: Debra Messing. That’s it. The way she portrays Ernestine at every stage, it’s remarkable. Do you have a favorite aged Ernestine of hers?
NH: My favorite is her hunched and surly 107 year old. I don’t know if I’ll be so lucky to make it that long, but if I do, I want to be exactly like Debra’s rambunctious yet open hearted 107, including, of course Debra’s otherworldly sense of comedic timing.
TK: Bravo to you for tackling mental health, aging, divorce, illness in relatable and practical ways – what is one key takeaway you wish for audience members to take away from seeing Birthday Candles? (it can be more than one)
NH: That life is a miracle. (Might as well go big, right?)
TK: How many goldfish have you owned in your life?
NH: One. As a kid. Spot. The idea for the play began when I was telling my wife about Spot and she misinterpreted my reminiscences as an expression of deep longing to own another goldfish and surprised me with a new, unwanted goldfish for my birthday. (If you haven’t seen the play, this anecdote will mean nothing, if you haven’t seen the play, you totally should).

We loved chatting with Noah as much as we loved watching his writing play out on stage. With brilliant direction by Vivienne Benesch, this play is funny, heart-wrenching, emotional at its core – a work for all ages.

P.S. – Debra Messing is truly outstanding in this work! What she is able to accomplish in those 100 minutes is beyond impressive and worthy of a visit to the American Airlines Theatre alone.

Birthday Candles is a Roundabout Theatre Company production and runs thru May 29. You can learn more about the show and ticket information by visiting: https://www.roundabouttheatre.org/

May 5, 2022 0 comment
0 FacebookTwitterPinterestEmail
EntertainmentThe LatestTheater

Pass Over: Theatre Review

by Melissa Edelblum September 27, 2021
written by Melissa Edelblum

What is in a name? What does one’s name symbolize? What does one’s name mean in the context of society and our history? As Antoinette Chinonye Nwandu’s new play Pass Over so brilliantly and clearly points out, it’s a lot more than just how we address each other.

Continue Reading
September 27, 2021 0 comment
0 FacebookTwitterPinterestEmail
EntertainmentThe LatestTheater

Top 5 Reasons to Go See Merry Wives

by Melissa Edelblum August 14, 2021
written by Melissa Edelblum

After the year and a half+ we all had, we could use a little bit of merriment in our lives. So, without further (much) ado (about nothing) – here are your top 5 reasons to run to see the current production of Merry Wives – this summer’s featured Free Shakespeare in The Park show presented by The Public Theatre.

1.) The diverse and unique perspectives brought to a classic work. Upon being seated, audiences are fully welcomed into the production via a drummer on stage who invites audience members to participate in a series of call and response greetings that are native to various African nations, including Kenya, Nigeria, and South Africa, among several others.  This warm welcome brings us into the world of modern day South Harlem and sets up the stage perfectly for this witty and fun production of Merry Wives, which is a spin on Shakespeare’s The Merry Wives of Windsor adapted by Jocelyn Bioh and directed by Associate Art Director/Resident Director Saheem Ali. The choices made regarding this production make it clear that this is more than just your average Shakespeare in the park show – this summer’s production is here to honor Black joy, queerness, differences, similarities, heritages of all sorts, and the city itself.

2.) Physical comedy. Mark my words, there is no greater joy than seeing excellent physical comedy in a Shakespeare production. A good physical performance can take the antiquated words from the page and transport them centuries into the future. Overall, the performances were very strong – it was clear that the cast trusted each other and celebrated heritage, the Bard, and each other on that stage. I would be remiss if I didn’t shout out Jacob Ming-Trent, who portrays Falstaff in one of the most innovative and dynamic ways I’ve ever seen – perfectly adapted for a modern audience, but remaining true to iconic joker himself. Comedy gold was shining thru when Madam Nkechi Ford (Emmy nominee, Susan Kelechi Watson) and Madame Ekua Page (Tony nominee, Pascale Armand) play Falstaff’s game and meet him with shenanigans of their own in their element, heightening the confusion and making the encounter all the more enjoyable for the audience.

3.) Lights! Sets! Choreography! Costumes! Where to start. The craftsmanship of Merry Wives was all around outstanding. As mentioned earlier, from the get go, the audience is fully immersed in the world of this contemporary story. The scenic design by Beowulf Boritt and costume design by Dede Ayite focus on the small, but necessary details that make this production realistic and relatable such as Black Lives Matter signage all around the neighborhood and decorated iPhone cases that were used by characters to capture hysterical moments. At the end of the show there, we are transported into a “dream-like” sequence, which utilizes costumes and design in an extremely dynamic way that derives elements from various African cultures, making the scene impactful and emotional not only for Falstaff, but also for the entire theatre. Speaking of the “dream-like” scene, the choreography (by Darrell Grand Moultrie) and fight direction (by Rocío Mendez) were powerful vehicles for physical storytelling throughout the duration of the 110 minute show. The use of movement truly propelled the story in ways that just dialogue did not, we felt more connected to the characters and the emotional journeys they were going on.

4.) Theatre, but make it socially distanced (and vaccinated). Re-acclimating to “normal” life is a challenge in its own right. In addition to being an outdoor production (which is a staple of Shakespeare in the Park whether during a pandemic or not), The Public is requiring proof of vaccination for full capacity seating areas. Upon walking into the Delacorte Theatre, you must wear a mask until you get to your seat and those in physically distanced seating areas do not need to provide proof of negative testing, but those non-vaccinated guests must remain masked at all times. I’ve seen a few productions back at this point and this was by far among the safest I felt. A huge thank you to The Public for taking the initiative to put the safety of so many New Yorkers first.

5.) Merry Wives highlights the beauty of New York City in all its glory! Free Shakespeare in the Park has been a New York City tradition since 1954 and it’s one of the few that continues to strive to make professional theatre relevant to new generations and widely available to diverse audiences. This production is a love letter to New York and shows the world that we’re back and merry, baby!

Free Shakespeare in the Park’s production of Merry Wives as presented by The Public Theatre, is playing at the Delacorte Theatre (81 Central Park West) through September 18th, 2021. For more information, please visit: https://publictheater.org/productions/season/2021/sitp/merry-wives/

August 14, 2021 0 comment
0 FacebookTwitterPinterestEmail
EntertainmentFilmThe Latest

In The Heights: Reaching New Heights for Movie Musicals Through Fashion

by Melissa Edelblum June 13, 2021
written by Melissa Edelblum

In an effort to be one of the few articles about In The Heights that doesn’t start with “Light’s up on Washington Heights”, I’m going to start this article with a personal anecdote about this very important work.

Continue Reading
June 13, 2021 0 comment
0 FacebookTwitterPinterestEmail
EntertainmentThe LatestTheater

Theatre Review: ‘Blindness’ Some Light in the Darkness

by Melissa Edelblum May 10, 2021
written by Melissa Edelblum

If you asked me 18 months ago if I wanted to spend an evening in a dark theatre downtown “experiencing” an audio-based science-fiction theatrical event, telling the tale of an epidemic that seemed (at the time) truly unbelievable, I probably would have opted out of the opportunity. Quite frankly, I probably wouldn’t have been able to connect to work. At the time, it likely seemed so far-fetched.

Continue Reading
May 10, 2021 0 comment
0 FacebookTwitterPinterestEmail
EntertainmentThe LatestTheater

Sing Your Hallelujah: Review

by Melissa Edelblum December 15, 2020
written by Melissa Edelblum

What a year. What a year for the arts x 100.

Continue Reading
December 15, 2020 0 comment
0 FacebookTwitterPinterestEmail
EntertainmentThe LatestTheater

Theatre Review – The Sentinels

by Melissa Edelblum June 1, 2020
written by Melissa Edelblum

What a time to be putting out new work.

Continue Reading
June 1, 2020 0 comment
0 FacebookTwitterPinterestEmail
Newer Posts
Older Posts

Digital Cover No. 16

The Knockturnal Merch

Follow Us On The Gram

Thank you for having us tonight @siriusxm! @champ Thank you for having us tonight @siriusxm!

@champagnepapi live at #TheApollo along with #LilUzi, @21savage #Dipset 

Covered by @bolly.hood
Writer / director / producer @kenyabarris talks ne Writer / director / producer @kenyabarris talks new @netflix film “You People” at a special screening @paristheaternyc
We spoke with @sarahmgellar at the premiere of @wo We spoke with @sarahmgellar at the premiere of @wolfpackonpplus last night! 🐺
We spoke with @chloeroserobertson at the premiere We spoke with @chloeroserobertson at the premiere of @wolfpackonpplus last night! 🐺
We spoke with @armanijackson at the premiere of @w We spoke with @armanijackson at the premiere of @wolfpackonpplus last night! 🐺
We spoke with @tylerlawrencegray at the premiere o We spoke with @tylerlawrencegray at the premiere of @wolfpackonpplus last night! 🐺
Follow on Instagram

About The Site

We are a collective of creative tastemakers made up of fashion, music and entertainment industry insiders. It’s all about access. You want it. We have it.

Terms Of Use

Privacy Policy

Meet The Team

CONTACT US

For general inquiries and more info on The Knockturnal, please contact our staff at:
info@theknockturnal.com
fashion@theknockturnal.com
advertising@theknockturnal.com
editorial@theknockturnal.com
beauty@theknockturnal.com

  • Facebook
  • Twitter
  • Instagram
  • Linkedin
  • Youtube

© Copyright - The Knockturnal | Developed by CI Design + Media

The Knockturnal
  • Home
  • Entertainment
    • Events Film The Kontenders Theater TV All
      Entertainment

      Remember This: A one man film telling a story of humanity’s greatest crimes

      January 28, 2023

      Entertainment

      Red Carpet Premiere of Paramount+’s ‘Wolf Pack’

      January 23, 2023

      Entertainment

      Cast Talks ‘Missing’ at the Los Angeles Premiere

      January 23, 2023

      Events

      On The Scene: Dolphland Pop-Up Museum Cocktail Reception

      January 22, 2023

      Film

      Remember This: A one man film telling a story of humanity’s greatest crimes

      January 28, 2023

      Film

      The New York Jewish Film Festival 2023 Feature Showcase

      January 25, 2023

      Film

      Actor Mo McRae To Release Directorial Debut ‘A Lot of Nothing’

      January 24, 2023

      Film

      Cast Talks ‘Missing’ at the Los Angeles Premiere

      January 23, 2023

      The Kontenders

      KnockturnaLIST: Top 20 Favorite Films of 2022

      December 30, 2022

      The Kontenders

      BHFF Review: ‘Harbinger’ COVID Horror At Its Most Chilling

      November 9, 2022

      The Kontenders

      NYFF 2022: Aftersun

      October 7, 2022

      The Kontenders

      NYFF 2022 Opening Night: White Noise

      October 7, 2022

      Theater

      Remember This: A one man film telling a story of humanity’s greatest crimes

      January 28, 2023

      Theater

      Theater Review: Death of a Salesmen

      December 27, 2022

      Theater

      Review: Life Imitates Art in “The Collaboration”

      December 22, 2022

      Theater

      Review: “Some Like it Hot” is Blazing on Broadway

      December 19, 2022

      TV

      Exclusive: Demetrius Fleneroy Jr. Talks BMF’s Second Season

      January 27, 2023

      TV

      Actor Mo McRae To Release Directorial Debut ‘A Lot of Nothing’

      January 24, 2023

      TV

      ‘The Last of Us’ Season 1, Episode 2 Review

      January 23, 2023

      TV

      Netflix and Michael Kors Host Red Carpet Celebration For Launch of ‘Bling Empire…

      January 20, 2023

      Entertainment

      Remember This: A one man film telling a story of humanity’s greatest crimes

      January 28, 2023

      Entertainment

      Exclusive: Demetrius Fleneroy Jr. Talks BMF’s Second Season

      January 27, 2023

      Entertainment

      The New York Jewish Film Festival 2023 Feature Showcase

      January 25, 2023

      Entertainment

      Swingers NoMad Brings A New Type Of Mini Golf To NYC

      January 24, 2023

  • Music
    • Koncerts News All
      Koncerts

      This Weekend: Nina Kraviz, Magdalena, Kevin de Vries and KAS:ST Launch Teksupport and…

      January 19, 2023

      Art

      LA3C WRAPS INAUGURAL TWO DAY FESTIVAL

      December 20, 2022

      Events

      Carnegie Hall Presents A Night of Inspiration

      December 19, 2022

      Entertainment

      City Girls and Flo Milli Perform at Billboard Live: R&B/Hip-Hop to Celebrate the…

      November 19, 2022

      News

      Exclusive: Demetrius Fleneroy Jr. Talks BMF’s Second Season

      January 27, 2023

      News

      Interview With Musician Meg Baird

      January 25, 2023

      News

      Wine And Spirites Tasting and Interview With Owner Debbie Ellen Jones, Of Ellen’s…

      December 28, 2022

      News

      Interview With Chef, Matt Abdoo, at Zippo’s Brand Dinner in NYC!

      December 13, 2022

      Music

      Exclusive: Demetrius Fleneroy Jr. Talks BMF’s Second Season

      January 27, 2023

      Music

      Music with a Message – White Dove

      January 26, 2023

      Music

      80purppp Performs Latest Single “Uni” in New York City

      January 25, 2023

      Music

      On The Scene: Drake Live At The Apollo Sunday Night

      January 25, 2023

  • Lifestyle
    • Art Events Fashion & Beauty Sports All
      Art

      The New York EDITION Unveils 2022 Christmas Tree From Sarah Coleman

      December 20, 2022

      Art

      LA3C WRAPS INAUGURAL TWO DAY FESTIVAL

      December 20, 2022

      Art

      Art Review: Jennifer Elster Taps Into Visceral Memory With New Show at The…

      December 13, 2022

      Art

      Anna Delvey Hosts Intimate Art Showcase During Miami Art Basel

      December 12, 2022

      Events

      On The Scene: Drake Live At The Apollo Sunday Night

      January 25, 2023

      Events

      The New York Jewish Film Festival 2023 Feature Showcase

      January 25, 2023

      Events

      MISTER PARADISE ANNOUNCES EXTENSIVE NEW MENU WITH SOPHISTICATED, CULINARY-INSPIRED COCKTAILS

      January 24, 2023

      Events

      A Night With Cuba’s First Private Fashion Brand, Clandestina

      January 17, 2023

      Fashion & Beauty

      Exclusive Interview with Jason Rembert

      January 19, 2023

      Fashion & Beauty

      A Night With Cuba’s First Private Fashion Brand, Clandestina

      January 17, 2023

      Fashion & Beauty

      A Valentine’s Tale Told Through Jewelry

      January 13, 2023

      Fashion & Beauty

      Celebrating a Low Waste, High Impact Holiday With Women & Climate and The…

      December 20, 2022

      Sports

      The American Express x NBA 2K23 Lab: Day 3

      December 19, 2022

      Sports

      ON THE SCENE: DRY CHALLENGE AT SLT TREAD

      December 11, 2022

      Sports

      Chief Brand Officer Rich Orosco Talks All Things LAFC & MLS.

      December 6, 2022

      Sports

      We Chat W/ MLS EVP, Commissioner’s Office & Chief Diversity, Equity & Inclusion…

      November 22, 2022

      Lifestyle

      Unifying the World with ‘Lest People Forget’

      January 26, 2023

      Lifestyle

      Inside a Travel Workout Day at EVEN Hotel

      January 25, 2023

      Lifestyle

      On The Scene: Drake Live At The Apollo Sunday Night

      January 25, 2023

      Lifestyle

      The New York Jewish Film Festival 2023 Feature Showcase

      January 25, 2023

  • News
  • Videos
  • Covers
  • Merch