Slate NY showcased its newly refreshed 16,000-square-foot venue with interactive games, alongside cocktails and passed bites. The new social lounge setting for daytime parties and corporate events breathes life into the tried and true space, with more opportunities to enjoy the classic NYC experience.
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Fashion content creator Hannah Krohne, known online as Hannah Lizzy, partnered with social impact agency Influencer Social Responsibility (ISR)™, founded by Alexandra Bushman, to host a fashion show celebrating confidence and self-expression for girls from non-profit organization Girls Inc. of NYC in honor of Women’s History Month Wednesday evening.
Hosted at the Indego Africa in Residence gallery in Midtown, the penthouse space overlooking Manhattan was decorated with elegant pink florals, light bites, and complimentary goodie bags as around 20 models prepared to walk the runway.
Ahead of the show, Krohne took the mic to introduce the event and reflect on her own journey with confidence.
“Like many teenagers do, I struggled with my confidence throughout middle and high school,” Krohne said. “It took me years to understand that confidence is so much more than liking the way you look. It’s about liking the way you speak; the way you speak to yourself, the way you speak to others. It’s about believing that you bring value into every single room you walk into.”

At the midway point, one of the models stepped out to address the crowd, reinforcing the show’s message of boldly being yourself.
“A lot of things are happening and changing in this world and the one thing that we must keep is the freedom of expression,” she said in her speech. “What better way to do that than with clothes?”
During the second half of the show, the girls modeled chic business casual looks and comfortable pastel two-piece sets. Each model’s walk was unique, with some slowly strutting down the runway while others joyfully bounced and waved to the crowd.
Unlike a typical fashion show, where audiences are often reserved, the room erupted in applause. Notable attendees were fashion and lifestyle influencers Miranda McKeon, Maddie Schrader and Frances Bailey, who loudly cheered the girls on and treated them like professional models.
For the Girls Inc. participants, the opportunity to walk the runway was more than just a fashion moment — it was a chance to embody the values that the organization cultivates.
“It’s just been a jaw-dropping kind of day,” Girls Inc. Team Leadership Circles program manager Adjua Thomas said. “Our students are incredible role models to their social community, so it’s really exciting to get to see them be pro-models today.”
Photos courtesy of Sidney Mazza and Alison Su.
The Edison ballroom hosted one of our favorite Fashion Week events of the season: HiTechModa’s biannual runway shows. We stopped by for Friday night’s Premier Designers showcase, featuring collections ffrom Alonso Maximo Design, Victoria Amerson, Marc Defang, Suave Suits by Wajahat Mirza, Karen Gold, Paaie, and Jus10n by Justin Hayes.
Known for reimagining fashion production through diversity, sustainability, and innovation, hiTechMODA delivered an energetic, tightly produced program. Designers from across the globe – emerging voices alongside established names -brought distinct points of view rooted in culture, craft, and modern luxury. As founder and executive producer Pamela Privette articulated, hiTechModa’s mission is “to open doors and expand the definition of who belongs on the runway,” and to “bring together designers whose work reflects innovation, culture, and the future of fashion.” That’s an objective we can unequivocally applaud.

NEW YORK, NEW YORK – FEBRUARY 13: Models walk the runway wearing Alonso Maximo Design during the HITECHMODA New York Fashion Week Season 15 production at Edison Ballroom on February 13, 2026 in New York City. (Photo by Slaven Vlasic/Getty Images for hiTechMODA)
The depth and variety of design perspectives embodied that mission. From Victoria Amerson’s 1950s-inspired silhouettes and playful prints to Paaie’s modern South Asian glamour, the lineup on the runway felt like a true crossroads: different aesthetics, inspirations, and communities, but united by the belief that fashion is a global language.

NEW YORK, NEW YORK – FEBRUARY 13: A model walks the runway wearing Paaie during the HITECHMODA New York Fashion Week Season 15 production at Edison Ballroom on February 13, 2026 in New York City. (Photo by Slaven Vlasic/Getty Images for hiTechMODA)
Now, the show itself.
Alonso Maximo Design opened up the night with bold, formal attire featuring dramatic silhouettes such as bright red, ruffled sleeves, and low cut men’s shirting with midnight blue sequins.
Victoria Amerson followed with a soft, romantic nod to a bygone era: dainty blues, florals, bows, and long A-line skirts. One standout look paired a Tiffany-blue suit with an undone, berry-toned floral tie draped down the sides, plus a black button-down peeking through: elegant with an added flair.
Then Marc Defang reinvigorated the room: models ballet dancing up and down the runway in feathered white leotards to “Girls Just Wanna Have Fun.” It pushed the boundaries of what we expect from a typical Fashion Week presentation, staying true to hiTechMODA’s spirit.
Suave Suits reimagined the suit through varied cuts, colors, and occasions, stretching the category far beyond the traditional definition.
Karen Gold brought bespoke formalwear with a contemporary edge. Unexpected waistlines, sculptural shoulder construction, and the rare combination of pieces that feel truly fresh and genuinely wearable.
Paaie, a contemporary South Asian occasionwear designer, brought out some of the most stunning, refreshing takes on lehengas, saris, and suits – their gilded pieces absolutely lit up the room. Glamorous without being

NEW YORK, NEW YORK – FEBRUARY 13: Models walk the runway wearing JUS10H by Justin Haynes during the HITECHMODA New York Fashion Week Season 15 production at Edison Ballroom on February 13, 2026 in New York City. (Photo by Slaven Vlasic/Getty Images for hiTechMODA)
overdone, modern while honoring heritage.
And finally, the featured guest designer Jus10n by Justin Haynes blew the crowd away with patchwork suiting, streetwear, and outerwear that highlighted creativity at its best. The energy was undeniable, each designer brought a distinct point of view, and the crowd stayed locked in from start to finish.
hiTechMODA’s New York shows also continue a bigger run of international momentum for the program, following showcases in Paris, Milan, Tokyo, and Cannes, while still keeping New York as its creative home base. NYFW is supposed to be the world meeting in one city, and hiTechMODA delivers on that feeling.
From Feb. 12 to Feb. 14, FX hosted a series of pop-ups around New York City in honor of its newest release, “Love Story: John F. Kennedy Jr. & Carolyn Bessette.”
Salumeria Rosi: Restaurant Review
Salumeria Rosi bursts onto the scene in East Village, offering a lively scene to brighten up the avenues. As the second location of this beloved UWS staple, they’re debuting some exclusive offerings such as the café menu and extended bar hours as the warmer months take over.
“A jack of all trades is a master of none, but oftentimes better than a master of one”. It’s a quote whose second half is often cut in order to present a specific view of the world that is contrary to reality but easier to digest. If that wasn’t the case, society wouldn’t type cast people into one defining role with rather unsung nuance, save for the most complex of cases. Restaurants are often no different. When you recommend a place, you’ll quickly define it by its genre in order to convey what it is quickly. I’m guilty of this as well. However, with Blu Ember, describing them is difficult to sublime into a single statement and if I had to be reductive, it’d be this: It’s really good food.
Blu Ember, nestled in the ground floor of The Westin in Flushing, is the newest culinary concept from Balance Hospitality Group (MOLI, HINOKI, MIKU Sushi). The team here has truly created something that defies easy categorization. It’s not quite a steakhouse, though the meat program rivals many. It’s not just a sushi spot, though the toro alone could argue otherwise. And despite a menu sprawling with East Asian influences—Korean tartare, Thai-inflected pork cheek, Japanese binchotan grilling—it’s not a fusion free-for-all. Instead, it’s a restaurant that seems most at ease when it’s drawing no boundaries at all.
Before the meal started, I was genuinely taken aback by the ambience. I’m not one to award points for a nice interior, however, the elegant and incredibly polished conditions highlight the experience and dedication to quality that the team behind this have for the work they do. Stepping in Blu Ember is truly like walking into a Michelin-starred restaurant.
We began with the pork jowl, sweet and salty in a way that felt old-fashioned and familiar—like something you’d be served by an uncle who’s been braising pork for decades. Then came the Korean steak tartare, which arrived with slices of hearty, expertly buttered toast. It’s easy to mishandle raw beef—either under-seasoning or overwhelming it—but here, the dish struck a balance that felt genuinely refreshing. It even flirted with illusion: the beef, somehow, carried the clean, saline brightness of good tuna, leaving a refreshing taste on the palate. A rare sleight of hand.
Speaking of tuna, the toro here is wonderfully indulgent, just the way I like it. Served over crisp nori, the fatty richness of the fish is left mostly alone, needing no dressing up. The seaweed supports rather than competes, like a stage hand keeping the spotlight fixed on the star. This should come as no shock, especially considering they offer an Omakase tasting menu which I’ll need to come back to try at some point.
And then there’s the burger. Two smash patties, thoughtfully composed, somehow managing to be all flavor with none of the greasy aftermath. It’s the kind of dish that could have easily been a throwaway menu filler but instead feels like a sleeper hit. You could build a whole lunch menu around it and is the dish that will keep you coming back on a weekly basis.
Blu Ember’s ambition lies not just in what’s on the plate, but in how much ground it tries to cover. A sushi bar tucked into a serene alcove offers omakase with fish flown in from Toyosu. The open kitchen sends out charcoal-seared wagyu and octopus. There’s a seafood pasta, there’s a Thai-style sea bass, there’s a steakhouse menu complete with chimichurri and foie gras sauce. It’s a place where you could go with a table of six and all order something vastly different—and it would all somehow make sense.
What impressed me most, though, wasn’t any one dish. It was the cohesion amid the mix and the ease with which Blu Ember moves between culinary traditions without diluting any of them. For a group of friends with wide-ranging tastes or simply those prone to indecision, this might be the perfect table to gather around. Flushing is not short on restaurants worth visiting, but Blu Ember distinguishes itself by daring to be everything, and remarkably, pulling it off.



Hooping into the Holidays! ESPN hosted Winter Season’s Swishes Holiday Portrait Studio at Bryant Park Winter Village on Sunday.
This year’s Skrewball Thanksgiving event at Ainslie Brooklyn exceeded expectations with its immersive atmosphere, inventive peanut-butter-whiskey cocktails, and uniquely crafted Thanksgiving-themed pies from Chain. Packed with lively music, playful activities, and countless thoughtful details, it turned a typically mundane holiday into a standout, joy-filled celebration.
Serenity Meets Streetwear: Alchemai Debuts Bonsai Collection at Shopify SoHo
Melissa Joan Hart talks Netflix’s ‘A Merry Little Ex-mas’, celebrates with Ancestry
Melissa Joan Hart ushered in the holiday season with Ancestry at the Ancestry Holiday Home event in New York City on November 18, hosting a celebration that blended family lore and a renewed appreciation for tradition.


