David Cronenberg is the undisputed king of body horror, though this title doesn’t accurately prepare you for the emotional core that beats beneath The Shrouds.
When thinking of African American led comedies, the name Tyler Perry must come to mind! He’s created one of the most iconic Black film series —”Madea”. But have you heard of Taylor Pherry?
On Monday, April 17, we were invited to join in on the festivities at the New York City premiere of The Ministry of Ungentlemanly Warfare, directed by Guy Ritchie and produced by Jerry Bruckheimer—and were encouraged to indulge in concoctions provided by Johnnie Walker.
Our evening of merrymaking started at the AMC Lincoln Square, where we were greeted with free popcorn and a soft drink—but that was only the first surprise of the evening. Cheers began to fill the room as Jerry Bruckheimer, Henry Cavill, Eiza González, and Hero Fiennes Tiffin walked down the theater aisles to introduce the film.
“As much as this movie is a lot of fun,” Cavill tells the audience, “it also highlights the importance of what these warriors did.”
The Ministry of Ungentlemanly Warfare is fictionalized account—with many creative liberties—of Operation Postmaster during World War II. With tactics deemed “ungentlemanly” by Winston Churchill, a team of operatives embarked on a dangerous mission—and contributed to changing the course of the war.
“These types of female characters are inspiring, are what I think what embodies the 21st century woman,” Eiza González shared into the microphone, “I felt honored myself to be Marjorie Stewart.”
After the screening, guests were invited to attend the premiere after-party at the Ascent Lounge in Columbus Circle—presented by Johnnie Walker.
Jerry Bruckheimer joined the cast of the film for the festivities as a DJ spun tracks to set the vibe. Bartenders made splendid use of Johnnie Walker Blue Label with movie-inspired cocktails including The Strategist (the brand’s take on the trendy Espresso Martini) and The Saboteur (a twist on an Old Fashioned.)
Henry Cavill, Babs Olusanmokun, and Cary Elwes also mingled with guests and posed for selfies. Henry Golding even stopped by the bar to enjoy The Saboteur for himself.
How ungentlemanly indeed.
“The Ministry of Ungentlemanly Warfare,” directed by Guy Ritchie and featuring an all-star cast, sweeps into theaters on Friday, April 19.
Take the film ‘Jaws’, combine it with the ‘The Lion King‘, add a stellar cast starring the amazing Idris Elba, and you’ve got one ‘Beast’ of a movie!
https://youtu.be/TWkzXx8ghb8
“Hellur”! Madea, the southern pistol-packing matriarch is back at it for Tyler Perry’s latest film, “A Madea: Homecoming.”
While most of us in quarantine are stuck dreaming about a picturesque Italian vacation, IFC Films’ latest charming tale Made In Italy fulfills any itch for a glimmer of the Tuscan sun.
The critically-acclaimed Marriage Story premiered in NYC on Sunday evening at the newly-reopened historic Paris Theatre. The movie previously debuted at the 57th Annual New York Film Festival last month, and opened in select theaters Nov. 6.
Festival favorite The Song of Names premiered at the Hamptons International Film Festival (HIFF) last week, following its debut earlier this season at the Toronto International Film Festival (TIFF).
Based on a novel, The Song of Names beautifully weaves the story of a lifelong friendship between two boys during World War II as they connect through classical music. The disappearance of one of the boys, however, prompts a decades-long search by the other; as adults, portrayed by Tim Roth and Clive Owen, respectively, the characters reconcile their past and cope with the atrocities of the war.
The film was acquired by Sony Pictures Classics after viewing just 15 minutes of footage, according to The Song of Names producer Robert Lantos.
The Sony Pictures Classics distribution company is leading the festival circuit with Song of Names prior to its Christmas Day release date, generating awards season buzz. “We are so fortunate to have Sony on board. They are the best distributors for a movie like this,” The Song of Names director François Girard said.
Director François Girard on set
Montreal-based Girard’s last six previous films each opened at TIFF, yet the weekend marked his first venture to the Hamptons International Film Festival. “It’s always interesting to compare the reactions, and we had a really warm ovation [at TIFF],” Girard explained. “The film was well-received and then to come and bring it here, it’s very exciting.”
Producer Robert Lantos similarly echoed the sentiment while also applauding The Song of Names novelist Norman Lebrecht for his involvement during the festival season. “It’s a source of satisfaction to us both,” Lantos said. “You rarely see a novelist so eager to promote the film.”
As The Song of Names continues with its festival screenings, the critical acclaim grows too. The Hamptons International Film Festival only solidified the film’s resonance with audiences and the powerful story it tells.
“The Song of Names” opens Christmas Day, December 25th, in select theaters.
Where exactly lies the origin of “fake news”?
Netflix’s The King receives the royal treatment at a star-studded screening.
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