In 2017, “Syncing Ink” debuted at The Flea in Tribeca.
Anton Chekhov’s Uncle Vanya has seen numerous adaptations in theaters worldwide. This year, it graces the Vivian Beaumont Theater in Lincoln Center, bearing a fresh adaptation by Heidi Schreck and a star-studded cast. Though the original material was first published in 1897, this new rendition breathes modern life into the dialogue and direction, while retaining its social and cultural relevance.
When thinking of African American led comedies, the name Tyler Perry must come to mind! He’s created one of the most iconic Black film series —”Madea”. But have you heard of Taylor Pherry?
The British composer showcased snippets of his latest album before hosting a short Q&A.
The “Fit For A Queen” show precedes the release of the newest docu-series “QUEENS” on National Geographic, Disney+, and Hulu.
On Wednesday, Interview Magazine celebrated alongside fitness pioneer Equinox with an exclusive party at Casino in Lower Manhattan.
On Wednesday January 31, Prime Video held the premiere of their newest series Mr & Mrs Smith at Brooklyn’s Weylin venue. The premiere saw the screening of the pilot and an additional episode along with an after party.
“Mr. & Mrs. Smith” stars Donald Glover as John and Maya Erskine as Jane. The two give up their average lives to become special agents but under the guise of being a married couple in NYC. The series is a modern adaptation of the famous 2005 film of the same name which originally starred Angelina Jolie and Brad Pitt.
There were a number of actors who appeared in the series present at the screening including Eiza González and Michaela Coel. Billy Campbell, who is best known for his roles on “Dynasty” along with “Once and Again,” has a short stint in episode three.
Campbell spoke with us about his character on the carpet saying, “It’s emotional. I had a very small part, but it’s like an arch. It’s a sweet little arch, but it’s a very emotional arch. And I don’t always have the pleasure of being able to do that.”
The actor additionally raved over the chemistry between the two leads of the series; a sentiment felt by everyone on the carpet. Francesca Sloane, show runner and co-creator of the series, made a point that at the center of “Mr. & Mrs. Smith” is romance between these two leads.
For anyone who is a fan of the original, this chemistry is far different than expected. In fact, the series doesn’t take much for its original material. Sloane said, “We completely started with a fresh canvas. We really first just wanted to make a story that made sense for the kind of creators that Donald and I are to tell a story, and it felt like something very unique.”
Glover serves as co-creator, director, executive producer, and main lead of the project. It’s not surprising as the multifaceted creator often takes on a great deal on his projects such as his shows “Atlanta” and “Swarm.” As an established creative in his field, Glover admits, “Be surrounded by people you actually trust. People who you trust their taste. It’s not all about you being right. It’s about the piece.” Glover also makes reference to working with his creative partner Hiro Murai who has stood by him on multiple projects.
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Following the screening, the after party occurred on the lower level of the venue. The space was decorated to fit the vibe of a series’ tone. With artwork that moved to reveal hidden secrets, and a machine that revealed if one was a low risk or high risk agent. Guests were also invited to indulge in cocktails suited for an spy as well.
We decided to have our martinis shaken, and stirred of course.
The night was truly excellent, and the series is definitely one to watch, not only for nostalgic purposes but for a refreshing take on the thriller genre.
Our review of the first few episodes of “Mr.& Mrs. Smith” is available now. The series is also available to stream on Prime Video.
On Wednesday, YakeeKicks held their highly anticipated flagship store opening in Soho. The brand has been teasing the open of their latest store since early last year. Their products are currently available online and at their Miami location.
“Vital Impetus: Life Signs” is a new art exhibition featured at The Gallery at the UNTITLED at 3 Freeman Alley Hotel. The exhibition, in partnership with Azure Arts, is a collection of mixed media works by NYC-based artists: Alice Garik, Gina Kropf, and jdx.
by Alice Garik
visitant by jdx
Head of Eirene by Gina Kropf
The French philosopher Henri Bergson’s word “élan vital” (vital drive) is the source of the exhibition’s title and subject. Life Signs explores the relationship between the so-called “creative self” and human connection through the lens of black-and-white imagery. In doing so, we truly see self-expression along with how we connect or don’t connect with the world around us.
The exhibition additionally reflects the history of the Bowery which acted as a refuge for artists who were willing to push boundaries in the 70s and 80s, such as Scharf, Haring, and Sherman. Today, the Bowery boasts some of the most refined and vibrant street art in the city. This exhibition truly begins this to the centerfold.
Vital Impetus: Life Signs is Azure Arts first exhibition. Azure Arts is known as a nomadic gallery anchored in supporting emerging and mid-career artists living in New York City. They connect and cultivate a community for creative minds who maintain a genuine curiosity about human nature, the universe, and an appreciation for the practice of making the intangible tangible. Azure Arts host and facilitates artist dinners, gallery talks, studio visits, and many more opportunities for curious collectors to gain insight into any artist’s creative process.
Vital Impetus: Life Signs is on view at UNTITLED now until February 10, 2024.
There have been dozens of parodies of the story of King Arthur. However, “Spamalot” stands as one of the most unique due to its comedic nature and its downright absurdity.
Based on the 1975 film “Monty Python and the Holy Grail,” the musical has been brought to life multiple times over the years since its debut in 2004. Now, after almost twenty years, the musical is back on Broadway with a star studded cast, and an updated script that truly does the original material justice.
Director John Rhodes is truly at the center of this revival. Each staging and performance aspect is a remarkable choice that leverages the entire story in general. From the first moment the curtain opens, the audience is taken into the realm of Camelot through the assistance of the Historian (Ethan Slater). Irony is strong along with a major amount of symbolism and analogies in the plot. One enjoyable aspect of this revival is its nods to current pop culture. The musical tries to stay relevant by referencing some of the biggest headlines, products, and people of 2023 which added greatly to the humor.
“Spamalot” is filled with exceptional performances. Each actor brings their unique comedic timing and talent to the stage, capturing the essence of the beloved King Arthur characters. James Monroe Iglehart is the perfect King Arthur. His portrayal of a “narcissist” king is magnificent. Each scene and song number featuring King Arthur is witty. Leslie Rodriguez Kritzer as The Lady of the Lake is one of the brightest performances of the show. Kritzer uses improv unlike any other cast member in the show. It added an element of spontaneity that resulted in many memorable moments. In all honesty, this production has a solid cast. The entire cast, which includes Taran Killam, Michael Urie, Nik Walker, and Ethan Slater, exudes a spirit of determination that would enable them to effectively create a fantastic production even if there was an absence of a solid script or director. It is evidence of the collective skill of all the entire production.
Overall, the set design was quite enjoyable to view. It bore a campy vibe while emulating 5th century architecture. The costumes are intricately designed, fully bringing life to each character even more. However, the entire show’s musical core occasionally lacked impact. Even if there are several witty numbers and humorous tunes, the overall musicality and choreography missed a sense of allure. Kritzer is possibly the most striking performer. But given that the sarcastic lyrics are supposed to be the main attraction, it’s understandable that the musical quality would be less important than the entire presentation.
The second act was another area where the production fell a bit flat. The tale is set up quite well in the first act, but there is a lack of coherence in the second act when the knights are divided. Although their attempt to reconcile is believable, the second act devolves into unimportant subplots that ultimately added nothing to the production. This small criticism, nonetheless, does not take away from the musical’s overall genius.
There is a noticeable focus on maintaining the essence of the Monty Python classic throughout this entire production. The musical truly lives up to to it’s source material while also making room for modern elements. The cast is strong, while the creative aspects of this production flourish. Though there are moments when the second act lags, overall it’s a wonderful experience fit for a king.
Tickets to “Spamalot” are available now. The play is now running at the St. James Theatre
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