You know what?! We (didn’t) invent Post-Its!
The iconic champagne Maison is back again, bringing art and opulence to downtown Manhattan in collaboration with Japanese artist Takashi Murami.
With her directorial debut, Where The Children Go To Play, filmmaker Jada George invites audiences into a dystopian world where artificial intelligence decides who is worthy of survival.
Joachim Trier’s Sentimental Value is a beautifully crafted exploration of family, memory, and the fragile artistry that binds generations. It is one of the best films of this decade, if not ever.
Stepping into the premiere of Luca Guadagnino’s After the Hunt, my expectations were high. I’ve seen and adored so much of his oeuvre, and Julia Roberts never misses, so I expected a knockout.
And knocked out I was.
In an unassuming gallery in Manhattan, Sichel has laid out a challenge: What, precisely, is “pop culture” now?
PASSÉ, Brad Walls’ latest work, arrived with the promise of “a three-year process culminating in a striking immersive exhibition featuring imagery from one of the largest choreographed ballet photoshoots ever staged.”
There’s nothing wispy about these Willows.
It didn’t take much to get my ass in the seat for this one. Jordan Peele is the preeminent horror director of our time, and even without that caveat, he’s in the upper echelon of Hollywood filmmaking talent, so him producing this film made it frankly unmissable.
On September 6th, Lenovo unveiled twentynine, curated by HypeArt at the Fridman Gallery in New York City, a striking new commission by artist Maya Man and designer Isabella Lalonde. Presented in partnership with Intel through Lenovo’s Make Space program, the reception brought together art, technology, and culture under one roof.
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