Amy Berg succeeds in showing a side of Janis Joplin that the world has never seen before with her biographical documentary “Janis: Little Girl Blue.”
Tarzan. Which one do you think of? For me, it’s the 1999 Disney film, others, the Ron Ely 1966 television series Tarzan, as well as the 1970 film, Tarzan: A Deadly Silence.
And for this generation, it’s going to be the Alexander Skarsgard version, set to release on July 1, 2016. The film, directed by David Yates and written by Stuart Beattie, Craig Brewer, John Colle, and Adam Cozad, will star a number of well known people, including Skarsgard as Tarzan, Margot Robbie as Jane Porter, as well as Christoph Waltz, Samuel L. Jackson, and Djimon Hounsou.
The story’s premise will follow Tarzan a while after he left Africa, to live on a civilized life with his wife Jane, as he lives as John Clayton III, or also called, Lord Greystroke. As he returns to Africa to serve as a trace emissary, he soon gets involved in Belgium Captain Rom’s (Waltz) deadly plot and now he must make amends and stop him before things go terribly wrong. Jackson will play George Washington Williams and Hounsou will play Chief Mbonga.
The film itself is almost twelve years in the making, as John August was asked in 2003 to make a live adaptation of the story in modern day times. The script bounced around a bit, Michael Phelps’ name was even attached to the project, and now it landed safely to premiere on its July date.
Men are From Mars Women are from Venus Live! is not all that it seems to be at the New World Stages Theatre on 340 West and 50th street.
DOC NYC is here!
There’s something funnier about physical gag comedy. Almost all comedies these days are full of conversational humor, full of jokes that characters retort back to one another in an effort to make those comedies all the more hilarious. And then there’s Edgar Wright’s films, like Hot Fuzz, Shaun of the Dead, Scott Pilgrim vs. The World, and more. If there’s only one thing that could be said about those films, it’s that they use physical humor to make you laugh and possibly choke on that popcorn.
That choking is exactly why we’re excited for Baby Driver, a new film he wrote and directed, starring Kevin Spacey, Jon Hamm, Ansel Elgort, and Jamie Foxx. The film revolves around a crime boss who forces a getaway driver to work for him as one of his employees is a trigger-happy cop killer. Spacey will play the crime lord who has worked his way up to earn that name, while Hamm will play the bank robber who kills cops, and Elgort will play the young getaway driver. Lily James will also play a waitress who acts as the love interest for Elgort, all the while Foxx is signed onto the project but his role is unknown at the current moment.
The film is set to come out March 17, 2017, however, so we’ll have a while to wait before it comes out.
Nope, not the two part 1987 film, but a new biopic following the key players of the Ponzi scheme. The Billionaires Boys Club (or shortened to BBC) was an investment club started by Joseph Henry Gamsky, aka, Joe Hunt, in which BBC was originally the restaurant that Hunt dined at, the Bombay Bicycle Club. The club ended up getting the name after Hunt attracted sons from rich families after graduating from the Harvard School for Boys, and it soon turned into a Ponzi scheme where Hunt murdered two people after a con man, Ron Levin, gets involved with the scheme.
Kevin Spacey, Ansel Elgort, Emma Roberts, and Taron Egerton are all set to star in the newest version of Billionaires Boys Club, with Spacey portraying Ron Levin, Elgort playing Joe Hunt, Roberts playing Hunt’s love interest Sydney, and Egerton playing Dean Karny, a tennis professional who was also involved in the entire Ponzi scheme. James Cox, who previously directed Wonderland, is set to direct the script he also co-wrote with Captain Mauzner (who also worked on Wonderland).
The film will be produced by Holly Wiersma, Cassian Elwes, Tim Zajaros, and Chris Lemole, with Lemole and Zajaros acting as executive producers. Also executive producing include Crystal Lourd, Jere Hausfater, and Logan Levy, while the film is being financed by Armory Films.
In September, director of the new Ghostbusters remake Paul Feig tweeted to an annoying heckler of the reboot to “Go f— yourself” in response to his constant bantering on Twitter and remarks against the film. The heckler says it has nothing to do with it being an all female cast, so what is it? What makes this reboot any different than any other unoriginal story that encompasses what Hollywood is made of today? Just for comparison:
- Do comic book lovers cry about the newest sequel or spin off of an established super hero franchise? (ie, Spiderman, Batman, X-Men, The Avengers, Captain America, Superman, etc)
- No, but if Hollywood dare makes Wonder Woman into a movie.
- Do Star Wars and Star Trek nerds cry about reboots and remakes by the same director for both franchises?
- But if they dare even think of stopping Princess Leia slave figures, God help them
Ok, that’s all I can think of at the moment, but seriously, why do we need to be such a sensitive society where all we think about is the wrongs of society with gender, reboots, films, and MPAA warnings? Why can’t we be like good ol’ Europe and worry about violence in films as opposed to petty stuff that just won’t get anyone anywhere?
*Rant over* But, watch some cool Ghostbusters stunt action below, and remember, reboots are the bread of Hollywood today.
On Nov. 11 the Reel Works Gala Benefit 2015 honored Alex Gibney and Gabourey Sidibe.
We got a chance to talk with Josh Mond, Cynthia Nixon, and Christopher Abbott at the Opening Night of MoMA’s Eighth Annual Contenders.
The Knockturnal was on the scene fore the New York premiere of “Shelter” at theWhitney Museum presented by Louis Vuitton.