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On the Scene: At the Pre-Party and Screening of National Geographic’s “The Space Race”

by Julia Mazza August 21, 2023
written by Julia Mazza

The Central Park Conservancy, in partnership with National Geographic, kicked off their 20th Annual Central Park Conservancy Film Festival on Tuesday, August 15th with a screening of National Geographic’s The Space Race.

A pre-screening reception took place across the street at Central Park’s premier restaurant, The Tavern Green, just right across the street where the screening would later take place in Sheep Meadow. Among the guests in attendance were directors Lisa Cortés and Diego Hurtado de Mendoza, along with NASA astronaut Leland Melvin, who not only shared his insights and experiences in the film, but also served as one of the doc’s producers. Enjoying a selection of charcuterie and small bites, along with a pasta bar and a wine bar, guests mingled as a jazz band played in the back.

Attendees were then directed to head over to Sheep Meadow to a private viewing area to watch The Space Race on an inflatable screen. Each guest received a National Geographic swag bag with a waterproof blanket and a selection of sustainable and plant-based snacks to enjoy during the film.

The Space Race, which made its official premiere at the Tribeca Festival back in June, was an eye-opening deep-dive into the history of Black Americans in NASA, and the unjust barriers they had to overcome that, ultimately, prevented some trailblazers, such as Captain Ed Dwight, from taking part in our country’s earliest space missions. Yet, it came with much satisfaction to hear everyone cheer for Nichelle Nichols (who passed away in July of last year) as the film featured a PSA in which the Star Trek star spoke to everyone, including “minorities and women alike,” to apply to NASA. “Now is YOUR time,” she said, giving the brilliant minds she had already inspired as Lt. Nyota Uhura the push they needed to shoot for their dreams.

Thanks to a documentary like The Space Race, every Black astronaut who answered that call, and those who paved the way for them to find their place in NASA, now have their legacy cemented in the stars—where future astronauts can look up to them in awe.

August 21, 2023 0 comments
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EventsThe LatestTV

Prime Video Premieres Harlan Coben’s Shelter in NYC

by Branda Ayo August 19, 2023
written by Branda Ayo

Prime Video has introduced the gripping eight-part TV series adaptation of Harlan Coben’s novel Shelter. Originally published in 2011, this suspenseful thriller was acquired by Amazon Studios in 2021. The show is part of a trilogy featuring the central character Mickey, and it is co-produced by MGM International Television Productions and Amazon Studios. Harlan Coben assumes the role of Executive Producer.

Jaden Michael, who portrayed a young Colin Kaepernick in Netflix’s Colin in Black & White, is joined by an ensemble cast including Abby Corrigan, playing his goth friend Ema; Adrian Greensmith, also known as Spoon; Constance Zimmer as his aunt Shira Bolitar; Tovah Feldshuh portraying Bat Lady; Sage Linder as Rachel Caldwell, the cheer captain; and Brian Altemus as Rachel’s boyfriend Troy Taylor. Samantha Bugliaro, a newcomer in the acting scene, portrays Ashley, a character who goes missing and assumes the role of a potential love interest for Mickey.

Photo: Prime Video

In the series opener, which premiered at a special screening in Nine Orchard’s, we follow Mickey Bolitar’s journey. Played by Jaden Michael, Mickey grapples with the sudden loss of his father in a car accident. He relocates to a quaint town in Kasselton, New Jersey, to live with his aunt Shira. The initial scenes glimpse his father’s death before the tragic incident, including a mysterious phone call to his sister Shira. His chilling reminder to look after Mickey hints at forthcoming events, casting doubt and suspicion on what lies ahead. Throughout the pilot episode, recurring symbols like the butterfly with menacing eyes and the haunting background song create an eerie atmosphere, signaling that things might not be as they appear.

Photo: Prime Video

The darkness looming over the town is mirrored in Mickey’s past, hinting that his father’s untimely death may not have been a coincidence. The presence of the Bat Lady adds to the local lore, her significance woven intricately into the story’s fabric. As Mickey navigates through the twists and turns, the concept of darkness takes on a multi-faceted meaning—both as a physical reality and as a metaphor for the obscured truths that underlie the town’s history. As secrets are revealed and the past is brought to light, Shelter takes viewers on an unforgettable journey into the heart of a community haunted by its own secrets, local legends, and the unknown.

 

Shelter premieres on Prime Video on August 18th, with new episodes every Thursday, with the season finale airing on September 21.

August 19, 2023 0 comments
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AutomotiveEntertainmentEventsFeaturedLifestyleNewsThe LatestUncategorizedVideo

Simu Liu Celebrates The All-New Cadillac Escalade IQ In NYC!

by Nova Bajamonti August 17, 2023
written by Nova Bajamonti

Cadillac is the iconic and elegant car that’s a go-to for celebs and car lovers. Now the notorious brand is making another statement with its new Escalade IQ car!

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August 17, 2023 0 comments
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EventsFashion & BeautyLifestyle

Dermatologist Born Brand NEOSTRATA is all about Acids in Skincare

by Savannah Hanoum August 17, 2023
written by Savannah Hanoum

Get glowing with the “OG of Acids!”

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August 17, 2023 0 comments
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EntertainmentEventsTheater

New World Stages Presented a Production of “The Play That Went Wrong”

by Britt Trachtenberg August 16, 2023
written by Britt Trachtenberg

New World Stages presented a hilarious production of The Play That Goes Wrong. The play-within-a-play contained visual jokes, physical humor, and immense irony. The farce broke the fourth wall many times. Before the production started, the stage crew characters made last-minute fixes. 

Annie duct-taped a broken mantelpiece to the lefthand wall. Then, Trevor duct-taped a leatherbound book to the shelf. Unfortunately, they said that a dog had run off as well. They hoped to find him before the second act. Then, they exited the stage. 

In the play, the fictitious Cornley University performed The Murder at Haversham Manor. The also-fictitious Susie H. K. Brideswell wrote the 1920s murder mystery script. Chris Bean welcomed the audience to the fake play.

The university’s previous plays included Two Sisters, The Lion and the Wardrobe, and Cat. During their production of James and the Peach, the peach rotted. The production became James, Where’s Your Peach? Travis gave a speech as well.

He warned the audience not to use cell phones in the theatre. Then, he quipped, “If anyone finds a Duran Duran CD, that’s a personal item and I want it back.” The addition defined Trevor’s character. The next scene started with immediate hilarity. 

Charles Haversham lay on a couch. Thomas Colleymore knocked on the door and called his name. Downstairs, Charles’ engagement dinner ensued without him. Unfortunately, Thomas could not open the door. He ratted with the doorknob and expressed frustration. Ultimately, he used the set’s side curtain. His butler, Perkins, followed him inside.

Upon seeing Charles, Perkins took his pulse. He placed two fingers on Charles’ forehead and felt no heartbeat. Thomas declared that Charles passed away. The characters glanced at the audience with gaped mouths. Red lights flashed and a dramatic sound effect played. Charles called other characters onstage, one at a time.

Florence dramatically expressed her love for her fiancé, Charles. In a red dress, she seductively posed next to his body. Cecil portrayed his shock with theatrical gestures. The audience laughed and he purposefully broke character. He smiled brightly at the audience. Also, the dramatic effects continued.

When a character said “murdered” or “died,” the red lights flashed and the sound played. Trevor sat in a make-believe AV booth above the audience. He produced the effects. Soon, the characters froze, but the effects did not occur. Florence glanced at the booth in confusion. Trevor scrolled on his phone and laughed. The production’s storyline continued.

Thomas declared that Florence had fits. She dramatically fell onto the couch. He said that she needed her medication. He dropped a pill into her hand and she took it. Then, she sat up with her hand on her forehead. The production progressed to another bit.

Perkins still could not get the door open. Soon, it swung open. The stage crew characters looked at the audience with gaped mouths. The play continued with more jokes.

Perkins said his lines nervously. He glanced at his hands several times on which he wrote his lines. It created hilarious and momentary pauses. Soon after, Florence and Cecil revealed a plot point. The characters called Inspector Carter to solve the case.

The two mentioned an affair behind Charles’ back. Florence declared that they could finally be alone. The secretive coupe mimed several kisses. Each time, a character entered to retrieve a prop or make a comment. 

Thomas came in for the inspector’s notebook but grabbed a vase of flowers. He searched for a pen but obtained keys instead. Soon, the characters stopped entering the stage.

She expressed gratitude that Charles could no longer interfere. She attempted to kiss Cecil for real. In response, he performed exaggerated movements. He bent over backward and leaned over the couch. He smiled at the audience. It prevented Florence from kissing him again. Soon, she kissed him. Quickly, he pulled away. Inspector Carter found out about their affair.

Inspector Clark called for his notepad and pen. Thomas brought him the keyring and vase of flowers. In response, Inspector Clark glared at Thomas. Next, he reluctantly took the objects.

While alone on the stage, he questioned Florence. She posed seductively on the couch. Unfortunately, the characters said each other’s lines. It stopped Inspector Clark from asking Florence about her relationships. Instead, Florence gave details about her love life.

She shrieked that she had an affair with Cecil. Then, the detective thought of a possible scenario. 

Perhaps she murdered Charles to date Cecil. Florence suggestively lay on the couch and denied the allegations. Inspector Clark pretended to take notes. He tapped the keys against the vase. Then, he declared that he wrote enough annotations.

The production included a fifteen-minute intermission. During this time, patrons bought snacks and candy from an attendant. Chris Bean welcomed the audience to Act 2. 

He thanked the viewers because they returned for the second half. He described Act 1’s issues as “one or two minor mishaps.” He declared that many things “did not go as rehearsed.” The audience chuckled at the thought. He mentioned the snack attendant’s items as well.

He advised anyone who “ate the salted nuts to seek immediate medical attention.” Trevor leaned over his pretend AV booth with a trash can. He puked into the trash can, which caused the audience to laugh. Then, Chris exited the stage. The curtain opened to reveal a funny sight.

The stage crew characters and actors cleaned the stage. Annie vacuumed and Thomas placed orange cones down. Perkins held up a can of paint thinner. A lady in a black shirt grabbed a ladder while another woman brought out a replacement window. The curtain closed again and reopened.

The stage crew people disappeared. The characters posed on stage as though nothing went wrong. In Act 2, the play displayed growth in Annie’s character.

A door knocked Florence in the head. Afterward, Annie wore the iconic red dress over her stained overalls. She read Florence’s lines from a binder. At first, she unenthusiastically read the words. The audience applauded her effort, which caused Annie to smile. She performed with more confidence.

She had a fit during which she danced around the stage. Also, she posed cutely at random moments. Both served as a call back to initial Florence’s traits. Soon, Annie smacked her head and fell. Trevor briefly played the role of Florence.

He read the character’s lines with no emotion. Soon, he said the line which contained Cecil’s cue. Trevor dropped the binder and refused to kiss Cecil. At this moment, Cecil’s Cornely University actor explored his sexuality.

Cecil’s actor, Max, passionately kissed Trevor. In response, Trevor pulled away with alarm. It contrasted with Max’s earlier behavior with Florence’s feminine actor. Max smiled at the audience with glee. Thomas entered the stage and gasped at the sight. It served as a callback to his earlier observations. 

A character banged into a wood beam, which caused the collapse of the upstairs study. The second floor fell on Trevor. On the floor, he bled and clutched his head. Fortunately, Florence’s initial actor stumbled back on stage.

She wore a pink tank top and polka-dot underwear. Thomas declared that she did not wear clothes and smiled confidently at the audience. Unfortunately, Annie still wore the dress and wanted to play the character.

The two women upstaged each other and said their lines in unison. Soon, they tackled and flung each other out the window. Annie duct-taped the other woman’s mouth shut. Then, she taped the woman’s arms together. Annie continued to read Florence’s lines. The production progressed to another plot point.

The characters grew suspicious of Inspector Carter. They searched his briefcase and found evidence. Thomas found the Duran Duran CD in the bag as well. In his AV booth, he slumped in his chair. He raised his arm and mumbled that he owed the prop.

The playbill included information about the fake Murder at Haversham Manor play. President of the Cornley University Drama Society Chris Bean wrote a letter to the audience. He wrote it in a funny typewriter font. The playbill contained a fictitious cast list as well.

Chris Bean played Inspector Carter. Also, he directed, produced, and designed the props for the play. His other fake credits included costume designer, vocal coach, and box office manager. 

Jonathan Harris played Charles Haversham. Robert Grove portrayed Thomas Colleymore. Dennis Tyde played Perkins, while Sandra Wilkinson acted as Florence Colleymore. Max Bennett took on the roles of Cecil Haversham and the gardener. Trevor Watson operated the light and sound. Annie Twilloli stage-managed the show. The playbill contained a real cast list as well.

The list identified the actors by their character names. Brandon J. Ellis played Trevor, while Ashley N. Hildreth excelled in the role of Annie. Chris Lanceley shined in the role of Chris. Clyde Voce portrayed Jonathan. Brent Bateman performed as Robert. Trevor Braun acted as Dennis. Caroline Chu played Sandra. Adam Petheridge played Max. The production stuck with the Duran Duran motif, even after its conclusion.

The house lights went up. “Girls on Film” by Duran Duran played in the theatre.

August 16, 2023 0 comments
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EventsEventsFeaturedLifestyleNewsNewsThe LatestUncategorized

Slate’s NY Bar Debuts It’s Al Fresco Outside Dining Area

by Nova Bajamonti August 16, 2023
written by Nova Bajamonti

Slate’s new go-to outside spot features many table games such as Uno and Jengo to bring the fun to your next summer outing as well as celebratory drinks to kick off the good vibes!

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August 16, 2023 0 comments
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EventsLifestyle

A Luxurious Rejuvenation with Lincoln

by ElizaBeth Taylor August 16, 2023
written by ElizaBeth Taylor

On August 15, Lincoln reminded us of the importance of finding the time to unwind and recharge your batteries.

A luxurious day was spent at the New York City chic landmark, Casa Cipriani. The hosted day was about discovering a grounded moment full of reflection, delicious food and drink, and community values that are synonymous with the tantamount qualities of one of the world’s most spectacular vehicles.

Grounding life and finding the beauty of the day was a theme expressed at the splendid soiree that began with yoga followed by a delectable meal. Overseeing the grand view of the Brooklyn Bridge and Statue of liberty, invited guests enjoyed the curated offerings that were showcased in tribute to Lincoln’s new partnership with the hotel and private members club. Bringing together an eclectic sense of community values was a divine way to share life’s simple pleasures.

La Dolce Vita was a perfect vibe for the simply lovely way Lincoln makes you feel euphoric every moment of the day. Beyond just a national holiday, the company passionately curates blissful joy for the consumer. Whether they are taking advantage of an in-house program of driver experiences while visiting New York City and staying at Casa Cipriani or they are making the most of life from home, there is truly nothing better on the market than the highlights of the Lincoln portfolio. This is about creating a perfect sanctuary for the vehicle owner. Life in the fast lane can also be a pleasant journey.

Wellbeing and happiness are the core of the Lincoln brand philosophy. As expressed through its products and experiences, they deeply are committed to making consumers love their environment. Lincoln designers and engineers have worked with diligence to craft vehicles that can positively contribute to overall comfort.

“The space that surrounds you has an immense effect on your overall mood, temperament and how you feel,” said Kemal Curic, global design director, Lincoln. “Crafting a space that goes beyond traditional – one that is a serene sanctuary, elevates the senses and impacts the client’s mood daily – shows our job as designers is much more powerful than just designing cars.”

A century of innovation has led to innovative technologies and signature features like 30-Way Perfect Position Seats and Lincoln BlueCruise advanced hands-free driver assist system, and future-forward offerings like Digital Scenting and Lincoln Rejuvenate.

Things that are expected to attract consumer interest include the all-new 2024 Lincoln Nautilus. It is the very first vehicle in the Lincoln lineup that was truly designed from the inside out. From a “me” space to a “we” space, the Nautilus interior offers a flowing space that’s maximized for the ultimate comfort of occupants in every row and enhanced with cutting-edge technology.

Also notable is the Available Auto Air Refresh is a holistic air filtration and active air monitoring system. Using Corsair and Aviator’s cabin particulate and odor filter, Auto Air Refresh helps clean the cabin air by filtering out particles caused by atmospheric dust, tobacco smoke, smog, and some allergens, including pollen. The system can be accessed in the center stack screen, where the particulate matter count inside the cabin can also be viewed. From there, the vehicle will purge the air inside as needed and then filter fresh air in.

And, of course, there is the incredible Lincoln BlueCruise technology adds hands-free highway driving to the portfolio, and is available on the Navigator, Corsair and soon, the all-new Nautilus. In the Corsair, Lincoln BlueCruise 1.2 offers lane-changing, in-lane positioning and predictive speed assist. The new 2023 Corsair is the first vehicle in its segment to offer advanced, hands-free advanced driver assist systems for highway driving allowing drivers to safely take their hands off the wheel while keeping their eyes on the road.

Exciting news down the road is Lincoln Rejuvenate. Revealed in April of this year, and hitting markets in early 2024, the all-new Nautilus introduces Lincoln Rejuvenate. The stationary experience orchestrates specially curated sensory experiences tied to lighting, screen visuals, personal preferences such as seating position and massage options. Lincoln Rejuvenate allows clients to recharge. A symphonic orchestration with crisp, high-resolution animations on the displays creates an immersive digital sanctuary based on different moods and truly brings to life the idea of “vehicle as a third space.”

Here is to creating your own luxurious wellness with Lincoln in your own way. Let the journey begin. For more information, please visit here.

August 16, 2023 0 comments
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EventsUncategorized

Celebrating Indian Independence Day Right In The Heart Of Wynwood With Rishtedar 

by Elizabeth Fridman August 16, 2023
written by Elizabeth Fridman

It was an evening filled with vibrant colors, culture, and delicious flavors as Rishtedar celebrated India’s Independence Day on Tuesday, August 15. 

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August 16, 2023 0 comments
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EntertainmentEventsThe LatestTheater

Review: A Tailor Near Me at The New Jersey Repertory Company

by Sydney Hargrove August 16, 2023
written by Sydney Hargrove

If you find yourself inside of Long Branch’s famous New Jersey Repertory Company this summer, you might just leave wondering whether knowing someone’s stance on the existence of the soul would render them your friend or not, thanks to the vivid imagination of playwright Michael Tucker.

The play, directed by the talented James Glossman, features a stellar cast including the accomplished actors Richard Kind and James Pickens Jr. The narrative unfolds around a relatable scenario—an individual visits a tailor to address the snug fit of his suit pants due to recent weight gain. Yet, what seems like a straightforward situation quickly transforms into a negotiation, leading to the creation of a bespoke suit and an unexpected journey of personal transformations.

In John Mulaney’s infamous for kids, by adults musical Netflix special John Mulaney and The Sack Lunch Bunch, we see Richard Kind sitting in a far too small chair at a campsite providing “girl talk” to some of the special’s young women. The 70-minute sack (no pun intended) of absurdity opens with the kids stating that they have so many guest stars, but then actually remembering that they only have one, which turns out to be the aforementioned star of Mad About You. The kids exclaim that the audience is about to see what’s on kid’s minds, since the guest star’s name is Richard Kind, thus leading into the hilarious Girl Talk with Richard Kind segment. 

The image of Kind giving girl-talk to the Sack Lunch Bunch kids (in which he ended most sentences with the phrase itself) combined with his laugh-out-loud roles on Big Mouth and American Dad are a stark contrast to his current role as Sam in Michael Tucker’s A Tailor Near Me, currently playing at the New Jersey Repertory Company in Long Branch. Though Kind’s iconic, booming voice would be recognized anywhere, the story he is telling on the Long Branch stage is a rather somber one.

Prior to first coming into contact with Kind’s Sam, James Picken’s JR. (Grey’s Anatomy’s Dr. Richard Webber) taps into the role of the rather complex Alfredo, inside of a basement tailor shop in New York City. When we meet the two men, Sam struggles behind the curtain of Alfredo’s fitting room, as he has been brought to the tailor shop due to outgrowing a suit. You know when you go to the doctor because you have a pain and when you get there the pain is gone?” He asks. “This is not going to be one of those times.”

It is soon revealed that Sam is going to a funeral for his closest friend, Robert. When Alfredo asks when the funeral is, he grimly replies that he isn’t sure, but it won’t be long now. The two men fall easily into a banter, especially when Sam is surprised to learn that Alfredo, who is from Argentina, is Jewish. This poses the question for both men, but mostly for Sam: what does being Jewish look like?

Alfredo comments that Sam himself does not look Jewish to him. “You’re too white,” he says. “My ancestors came over with Christopher Columbus -–the same year Queen Isabella threw all the Jews out of Spain.”

The play occurs in three parts, early Spring, three weeks later, and then two weeks after that. The men learn the in and outs of each other, with the conversation often shifting from a sharp, back-and-forth banter to a story told by one man while the other intently listens. The men quickly learn that they are more alike than different, possibly to their surprise.

Eventually, the conversation shifts to Robert, with Sam reveling in a grandiose story about the time that the pair skipped their college graduation to drive across the country to Los Angeles, in which they discussed cunning topics such as large breasts versus small breasts and the existence of the soul. In between the recollection of the trip and a rather long joke from Sam about a Jewish tailor, Sam reveals to Alfredo that he plans to spend two thousand dollars in Italy for a custom suit. Alfredo challenges that he can do it better, and for much cheaper, thus marking this visit the first of three that Sam would make to the tailor shop. 

The first visit ends on a rather heated note, with the pair arguing over Sam’s dismay for Alfredo’s unwillingness to tell jokes about his wife Couma. Sam grows agitated with Alfredo “putting his wife on a pedestal,” and Alfredo shuts the conversation down by telling Sam that it simply “isn’t for him.”

As the two men build a suit, and in turn a relationship, we begin to learn more about them, and we begin to see some of the prior stories unravel. On the third visit, after Robert has passed, an exasperated Sam reveals to Alfredo that he doesn’t seem to understand the nature of the relationship that the two of them had.

“I know that we were never easy with each other,” he says. “It was more like we wished we could be easy with each other. But we would never just hang out, you know? Sit around, shoot the shit. Unless I was asking him for advice or he was mentoring me in some way we never really had all that much to say to each other. Unless it was to proclaim to the world what old and great friends we were. We drove across the country in that Mustang fifty years ago to begin our lives as men. How many fucking times did we have to tell people that fucking story? Friends don’t have to do that.”

The revelation, while not entirely shocking, is a left turn as to the story that Sam had been previously establishing. As the play goes on, we see him try and pick up the pieces of what he knows about relationships, and in turn, asks Alfredo and Couma to have dinner with him and his wife Janet, but he vehemently declines. 

Kind and Pickens JR. deliver stunning performances and director James Glossman creates an environment that will make any viewer feel as if they are in the tailor shop, watching from a nearby chair. 

Tucker, not only a playwright but also an actor and author, is no stranger to the stage. Having debuted his first play, “The M Spot,” at NJ Rep, followed by “Fern Hill,” Tucker has now returned to present “A Tailor Near Me.” His extensive experience in the arts, spanning over five decades, has provided him with a deep understanding of the nuances of storytelling and character development.

In a recent interview with BroadwayWorld, Tucker opened up about his journey and the inspiration behind his latest work. He emphasized the significance of self-belief and the power of talent in navigating the challenges of an artistic career. Tucker’s insights resonate with aspiring artists and creatives, reminding them that confidence in their abilities is the cornerstone of success in the demanding world of the arts.

A Tailor Near Me finds its home at NJ Rep, a company dedicated to producing new plays for more than a quarter-century. Tucker’s affiliation with NJ Rep goes beyond a professional relationship; it’s a creative haven that has nurtured his work and allowed him to bring thought-provoking narratives to life. His admiration for the theater company is evident, praising its audience for their open-mindedness and the company itself as the “Little Engine That Could.”

A Tailor Near Me is playing at The New Jersey Repertory Company until August 27th. Purchase tickets here!

August 16, 2023 0 comments
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EntertainmentEvents

Great Jones Distilling Co. Launches Their New Campaign With The Basquiat Estate

by Vinesh Vora August 9, 2023
written by Vinesh Vora
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August 9, 2023 0 comments
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