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Nebula, a nightclub in the heart of Times Square, opened this weekend to lines and lines of excited New Yorkers ready to hit the dance floor. We got to stop by on Thursday for an exclusive press preview night, where Nebula dazzled guests with flowing cocktails, scrumptious passed apps, and Ben & Jerry’s ice cream.

Spanning 11,000 square feet and 3 stories, this weekend’s opening was the largest Manhattan has seen in several years. Thursday’s press preview night featured Storm Lever and Daniel Quadrino from Broadway Plus performing “Don’t Rain on my Parade” and “Waving Through a Window,” respectively, to honor the nightclub’s proximity to the theatre district. Nebula celebrates the post-pandemic recovery of New York City nightlife, and by featuring theatre performers, celebrates Broadway’s recent return in tandem: two of the city’s most beloved fixtures.

Richie Romero, former partner at Butter Group of 1OAK and Up&Down fame, along with Yang Gao of MIXX Lifestyle Group, created Nebula to be a “transformative nightlife experience” blending “cutting edge technology and world class hospitality.” With a 5,500 square foot dance floor, multiple private club rooms, and a moveable ceiling draped with lights to mimic a star-studded night sky, it definitely offers a unique and thrilling night out. Nebula’s private rooms can be rented out for all sorts of celebrations, and offers the perfect location for a post-show move.

When we entered the club, we were guided by overhead lights through a curved pathway opening up to the sprawling dance floor, multiple groups of leather sofas for guests to lounge and mingle, and a balcony overhead to watch the dance floor unfold and catch a glimpse of the performances. Drinks of every imaginable creation were served at the bar, as we weaved through people with glasses and glasses of fizzy, sparkling prosecco to see every corner of the venue. Ben & Jerry’s ice cream was served, and so was a delicious cheese platter, as appetizers such as prosciutto crostini, farro salad, and meatballs circled the dance floor to the delight of eager patrons. Nebula’s “interstellar” design vision entranced as we danced the night away, honored to get to be part of nightlife’s reopening in NYC.

Opening weekend also featured DJ Makj headlining on Friday, and DJ Rony Seikaly on Saturday.  The party rolls on next weekend, with Duck Sauce November 12^th and ZEDD on the 13^th queued up on Nebula’s calendar. An epic Thanksgiving dance party is also in the cards and will be highlighted by Luke Alexander, Jesse Rosen, and Sasha Troy spinning – mark your schedules for these events now because they’re guaranteed to be nights to remember!

It’s officially Halloweekend in LA and the locals are gearing up for a party-packed weekend. As influencers and celebrities tease their over the top costumes on Instagram, viewers are antsy to find out what look ‘Kravis’ – the couple name for the iconic reality TV star turned entrepreneur, Kourtney Kardashian, and legendary Blink-182 drummer Travis Barker –will pull next. All eyes are on them as they’ve been dubbed the sexiest punk ‘IT’ couple right next to Machine Gun Kelly (Colson Baker) and Megan Fox.

Kourtney and Travis have been posting Halloween themed activities all month long (including Universal’s Halloween Horror Nights and The LA Haunted Hay Ride.) They even celebrated spooky season early when dropping photos of them dressed up as the Sex Pistols lead bassist Sid Vicious and his girlfriend Nancy Spungen.

We assume the duo are happily in love as they got engaged earlier this month and will be sharing the magical moment on the new reiterated season of Keeping Up With The Kardashians on Hulu.

Travis Barker has been busy not only planning the proposal but also creatively collabing with underground artists. Earlier this month he and Kenny Hoopla (known for merging elements of sleek new wave, R&B with gritty indie rock) partnered together after meeting through a mutual connection and having an instant chemistry.

MARVIN & Porsche Cars North America, Inc. presented Sound and Driven: a new series of short films featuring some of music’s most notable, well-respected artists and producers as they take their records on the legendary car test. The car featured is an all-electric 2021 Porsche Taycan Turbo with a Burmester 3D High-End Surround Sound System, with 1,455 watts and 21 individual controlled loudspeakers. You can imagine how great their songs will sound with this type of technology.

The first 10 minute episode featured Travis Barker and Kenny Hoopla’s SURVIVORS GUILT: THE MIXTAPE. Kenny says a song is never finished unless it passes the car test.

In the short, you can see them experiencing their work for the first time in the Porsche.

In addition to the car test, the episode heavily discussed the mental toll it takes to be an artist in the music industry. Both opened up about their creative process and approach to writing songs.

The short film was shown to an intimate group for its exclusive debut at Larrabee Studios, followed by a small dinner at VERSErestaurant. *Guests enjoyed Cookie Pop popcorn, NEFT Vodka creations, COASTAL Spritz wine spritzers and LOBOS 1707 specialty cocktails.

To watch the full short you can click here.

Marvel’s latest entry has the qualities of good filmmaking but falls victim to uneven pacing.

When it comes to heels, I usually have a beyond difficult time finding the right pair. 

On a warm autumn evening, we ducked into Golden Theatre to catch the new Broadway play by Keenan Scott II, “Thoughts of a Colored Man.” This thought-provoking show offers a glimpse into the lives of several black men living in New York City – their joys, struggles, and particular experiences through various mediums of spoken word. 

The play opens up with seven men lined up across the stage, decked out in various combinations of red and black. Each portrays different vastly different characters, apparent from their clothing and clarified further as we learn their personalities, backgrounds, and values. Luke James’ mesmerizing voice fills the theater to open up the show, and after some dialogue the opening scene leaves the audience with this question: “who is the colored man?” Through 90 minutes of spoken word, slam poetry, rhythm, and humor, Thoughts of a Colored Man addresses this question by diving into the lives of each of these fictional New Yorkers.

In a Brooklyn neighborhood on the cusp of rapid gentrification, six homegrown residents and one recent mover discuss class struggles, intersectionality, and prejudice through conversations and heavy internal monologue. They relate with one another on subjects of love, sex, parenthood, and education, and clash with each other on the very same, while lamenting about gentrification symbols such as the Citibike station and Whole Foods. We learn who they are to the world, and who they are to themselves, with emphasis on the latter. The key title word “thoughts” here demonstrates this, as the audience does not remain on the outside looking in – the struggles felt by each man reverberate through the theater after each monologue.

The characters represent key emotions, we learn towards the end of the show, and are played by Dyllón Burnside (Love), Bryan Terrell Clark (Happiness), Da’Vinchi (Lust), Luke James (Passion), Forrest McClendon (Depression), Esau Pritchett (Wisdom), and Tristan Mack Wilds (Anger). The idea that each of these men can be synonymous with a singular emotion feels uneasy, as the show has just illustrated how nuanced and complex each of them are. This reduction parallels a much more serious problem: how black men are dehumanized by society and the law and seen as one-dimensional despite the truth.

While Thoughts of a Colored Man doesn’t breach uncharted territory, or shock audiences with groundbreaking revelation, it boldly reminds us of what everyone knows yet brushes under the rug in order to function on a daily level. The experience of black men cannot be understood through news headlines, protests, and outrage at inequity. The world must listen to the stories of individuals, because the collective dehumanizes, and the opening question “who is the colored man?” cannot truly be answered.

Smoke Bulga out of Boston, Massachusetts is the newest artist to be signed to Maybach Music Group (MMG). The partnership with MMG has been in the works for over a decade. Bulga made his first appearance among MMG on former protégé Masspike Miles’ song “We Made It” with Rick Ross in 2010. Over the years, a personal relationship was formed and Bulga eventually captured the attention of Ross.

With previous collaborations with Jim Jones, Conway the Machine, and Statik Selektah, Bulga is no stranger to the music industry. He recently revealed his latest single  “Water Whip’N” featuring CEO Rick Ross sampled Black Rob classic “Whoa” that was released in 2000. The video features appearances from Fat Joe, N.O.R.E, and Jonathan “Foodgod” Cheban.

His upcoming debut album “100 Million Ain’t Enough” is set to release this year. Aside from music, Bulga has hopes of becoming more involved in the Hollywood movie scene. Recently, he starred in a movie called “Lethal Procedures” on Netflix.

Not only has Bulga formed a partnership with entrepreneur Rick Ross, but also with hip-hop artist/producer David Banner. Banner introduced Bulga to the entrepreneurial side of the music industry by showing him how to be a man of many hats. This way he will always bring something new to the table. DG Collectives is Bulga’s new clothing line that features jackets, shirts, and various items. This is another way Bulga hopes to become a mogul in the music industry.

Check out our latest interview with Smoke Bulga below.

The Knockturnal: How was it growing up in Boston? How was the music scene like in Boston growing up?

Smoke Bulga: It’s crazy because I had a mixer meeting with some DJs from Boston last night. We were talking about growing up in Boston, there was a lot of crash and burn for me. I had to bump my head to learn right from wrong. In Boston, we don’t have anyone that kind of blaze the trail for us or have a blueprint for us to follow. So we had to learn on our own as we went along.

The Knockturnal: As an artist who has been around the industry for a while before this opportunity with MMG was presented to you, what would you say to an upcoming artist who thinks getting into this industry is an overnight process?

Smoke Bulga: Man, I heard you guys talking about the late great Nip before I logged on. In his words, it’s a marathon. It’s not a hundred-yard dash, you have to have the endurance for the game, and be ready for the long haul. Some people can go viral and it can happen that way, but even some of those guys have been putting in a lot of work over the years, it’s definitely something you have to prepare for. You have to have the mental capability to be able to stand the test of time because it doesn’t happen overnight. A lot of people give up before that time happens and that has a lot to do with having endurance and sticking at it.

The Knockturnal: Not only did you have the opportunity to form a mentorship with Rick Ross but also hip-hop artist/producer David Banner. Talk to me about this mentorship and how this relationship helped you become the artist you are today.

Smoke Bulga: Wow. You know David Banner has been one of my OG’s in the game, definitely taught me a lot. He showed me a lot about work ethic and working hard at your craft. Him being a producer, writer, rapper, and entrepreneur. When I met him at the time, he was at the back of his trunk, he was on the bus, he had his studio on the bus, he was selling his CDs out of the truck. So I learned a lot about entrepreneurship, you have to be a man of many hats. It can’t just be one thing you focus on. You have to have a few different things you bring to the game because it’s always about bringing something to the table.

The Knockturnal: Your sound is very unique and it’s not something we hear everyday. Artists sometimes spend years perfecting their sound. How long did it take you to find this sound? How much has it changed from when you first began your career?

Smoke Bulga: Wow. You know it’s crazy because when I meet people that’s the first thing they reference, it’s my voice. Since a young age, going through puberty and everything, my voice settled in. So it’s always been a part of me and my sound. I take pride in my voice and having a unique voice like you said. Everyone I saw, who had a voice that I had, not the same thing but similar, made an impact on the game. A big impact on the game. I’m hoping to follow some of that success such as DMX, Pop Smoke, Tupac, just following their footsteps and bringing the same greatness to the game.

The Knockturnal: Your latest track “Water Whip’N” featuring Rick Ross was a Black Rob sample from the classic “Whoa” that was released in 2000. Was this track recorded prior to you signing with MMG? Also, did you release this after Black Rob’s death to pay tribute to him?

Smoke Bulga:  I actually had two versions of the song. It was a whole different beat on the song originally. I had sent the song to the producer, we had the video and everything was already done. I just sent it to the producers to get their ear on if they hear different things on my music. I said let me send the Water Whip’N to see if they hear something different on the production side. They called me and said yo, we put the Black Rob sample on there and flipped it and brought it to 2022 even though we were in 2021. He was like yo, I want to sequence in there for a few bars, and I’ll let you hear it. Then when I heard it, I was like yo that’s crazy, we gotta run with that, that’s it right there. Then when Ross heard it, he loved it. After that, the rest was history. RIP to Black Rob. Coming up as a shorty, that was one of my favorite records. So it was an honor to be able to represent black Rob and hold it down for the East Coast as well. So RIP Black Rob, shoutout to Diddy, the whole Bad Boy family, Black Rob family, and his management team. We’re working out everything right now as far as the beats. It looks like they’re going to come through and look out for the kid. So that’s definitely a blessing.

The Knockturnal: As a newly signed artist with MMG, what can we look forward to from you?

Smoke Bulga: We got a lot of great things happening. Being a part of an all-star team a collective like Maybach Music, I can do nothing but bring greatness forward. With guys like Meek Mill, Wale, and Rick Ross, it’s nothing but greatness on the label. I look to add on to the team and put another banner in the back and bring another championship ring to MMG.

The Knockturnal: In one of your interviews, I heard you say you worked on a movie recently. What project was this? Are you trying to get into acting more?

Smoke Bulga: Definitely, Definitely. I was in a movie recently called “Lethal Procedures”. It was on Netflix, you can look it up. I had a nice role in that movie. You know the movie is pretty dope. Acting is a subculture within a culture for me that I’m looking to do my thing in as well. Acting was one of those things as a kid I always wanted to do. So when I gave it a try in the movie, I was getting a lot of great reviews, and everyone was saying I did my thing. I improvised through the whole thing, I had two days to prepare. I think I did a pretty good job, and I loved what I was doing. So I really could see myself doing this in the future.

The Knockturnal: I feel like Boston is very lowkey in the music scene. You had a few artists coming out of there but recently I wouldn’t say people look here for music. How important is it for you to put your city on the map with this opportunity?

Smoke Bulga: That is so important to me because I really feel like I was one of the guys born to bring that respect to Boston. To make people respect Boston. To finally bring us to the plateau. I feel like we need  to be respected alongside the other big cities. I just really feel like this is what God put me on the earth to do, to take Boston to that next level. Musically and culturally, to bring us into the game like never before. I definitely feel like I’m going to be one of those artists. Just like in a race, you have seven or eight  lanes, and as long as I’m in one of those lanes, I’m running the race and I’ll get the baton in the relay. I’m definitely going to finish the race and do what I have to do.

The Knockturnal: Who are some artists we should be on the lookout for in Boston?

Smoke Bulga: We got Milly doing his thing right now, BIA definitely doing her thing right now, Joyner Lucas, Cousin Stizz. We got a line of different artists, there are so many of yall I can’t even name. There are so many artists in Boston that’s doing their thing right now. I feel like right now we have one of the best teams on the court in order to win a championship. I really feel like with the artists we have right now playing on the court, we definitely could win.

The Knockturnal: Where do you see yourself in the next 5-10 years in the music industry? Aside from movies, is there anything else you hope the music industry gives you the opportunity to be a part of?

Smoke Bulga: I see my new LP coming out “100 Million Ain’t Enough”. I see myself having a great coach and playing for a great team like MMG and having a coach like Rick Ross. Ross is definitely one of the goats when it comes to Entrepreneurship. Me learning everything from him, I see myself going on into my ventures and being a mogul within the music business as well as the fashion industry. I have my own clothing line, I do jackets and a little bit of everything. Check out my clothing line DG Collectives, we’re doing big things with that as well. I see myself being in a movie, getting off into Hollywood. Tapping into the fitness world. Just everything I can get my hands on, being an asset to the culture, and bringing something to the game. That’s what I’m here for.

The Knockturnal: What artist are you looking forward to collaborating with the most?

Smoke Bulga: Wow um, right now I would love to collaborate with those guys at CMG. I love what they’re doing, I love how they move as a team. First of all with my MMG counterparts, Wale, Meek Mill. I already have “Water Whip’N” with Ross. That was like a dream come true. I would love to do a song with Drake, I love what Drake is doing right now. It’s so many artists, I would love to work with every artist doing their thing in the game right now.

Last weekend, the Knockturnal sat down with the cast of The Manor to discuss their experience on the upcoming installment in the Welcome to the Blumhouse series.