Is it real? Is it not real? Who cares when it’s this funny.
In a minimalist wooden space that looks like a cross between a zen buddhist temple and a community center, a priest asks a diverse assortment of Japanese men and women to simulate death.
We chat with Director Barry Avrich about his film Blurred Lines: Inside The Art World, discussing art school, Jenny Saville, and whether it’s a serious issue at The Tribeca Film Festival.
For Ahkeem is directed by Jeremy S. Levine and Landon Van Soest.
The Knockturnal was on the red carpet for the Tribeca Film Festival premiere of “Buster’s Mal Heart” at SVA.
Visual artist Laurie Simmons is a seasoned storyteller in her own right who makes a promising but flat attempt at a narrative film with “My Art.”
Despite some strong performances, The Exception is hampered by a nagging sense we’ve it all before.
There’s that underlining feeling of painful awkwardness that you feel when you’re watching someone trying to be cool but failing miserably at it all throughout Flower.
Directorial debuts are always an interesting thing to witness.
We enjoyed a three-course meal featuring dishes by Chef Maria Sinskey in Eleanor Coppola’s new film, Paris Can Wait during the Tribeca Film Festival.