Producer of Grammy-nominated tracks, hit radio records, award-winning beats, and the creator of modern-day classics- Drumma Boy has been the world’s super producer for 16 years and counting.
Her highly-anticipated third album Dirty Computer will be released this Friday, April 27th and is available for pre-order now.
GRAMMY®-nominated singer-songwriter, producer, actress, and activist Janelle Monáe has announced her return to touring with her upcoming North American Dirty Computer Tour. Fellow Wondaland artists Alexe Belle and Isis Valentino, known together as the soulful duo St. Beauty, will join the tour as a special guest. Monáe made a big splash with the recent announcement of her upcoming Dirty Computer album, releasing buzzworthy visuals for hot singles “Make Me Feel,” “Django Jane” and “PYNK,” giving fans an exciting peek in to the creative vision for her new music. The 27-city tour produced by Live Nation will kick off June 11 in Seattle, WA and make stops across famous amphitheaters and theaters in Los Angeles, Detroit, Nashville, New York, Atlanta, Miami and more before wrapping August 4 in Atlanta, GA. Tickets will go on sale to the general public beginning Wednesday, May 2 at LiveNation.com.
As an extension of their two year partnership, Monáe and Belvedere Vodka will co-create signature experiences along the tour, including music-inspired cocktails and VIP activations at major tour stops.
Monáe also released a brand new music video today for her previously released single “I Like That.
The film will be released May 11, 2018.
It’s rare that you find an artist who does fluidity so well but KaMillion, living up to her name, excels at almost every aspect of the music industry.
The black woman’s body has been viewed under a duo racist and sexist gaze since the founding of our country. Dating as far back to when the first black woman stepped onto U.S soil, blackness had always been ‘othered’: made to seem inferior or exotic in nature. So, it came as no surprise when the black woman’s body became a commodity to U.S slave masters and government officials like Thomas Jefferson. For too long the sexualizing and dehumanizing of black women had been swept under the rug as apart of everyday life, however the 2017 release of the film ‘The Rape of Recy Taylor’ rejects this silence and uses the theatre as a space to hold a mirror up to the face of United States history.
‘The Rape of Recy Taylor’ in title alone, is powerful: forcing you to say her name, and acknowledge what was done that night in 1944. The film is not for the faint of heart, as it deals with heavy realities and tells the story of Recy Taylor, the black woman who was gang raped by 6 white men who were never brought to justice.
Throughout the film, we follow the story of Recy as told by her brother, Robert, and Alabama historians. Director, Nancy Buirski, does a wonderful job of visually mapping and connecting Recy’s case with the heavy involvement women of color have had in pushing the civil rights movement forward. We are given a new understanding of civil rights leaders, like Rosa Parks, who dedicated much of her time post-Montgomery bus boycott to cases of sexual assault against black women.
Buirski does a great job of connecting all of the historical dots. We see how past racial positioning have shaped our current day social standings. No stone goes unturned as, Buirski even examines how the treatment of women of color has its lineage in shaping the way black family roles are set up.
Upon thinking about it, I can not name a film more important in 2017. In the wake of the Charlottesville riots, the film mixes past outrage with a present day viewpoint. The film is so powerful and emotionally charged it will leave viewers wanting to leave the theater to go out and protest more than 70 years later.
We screened the film at the 2017 New York Film Festival.
Kota the friend is the number one artist to watch out for in 2017.
“That Justice is a blind goddess. Is a thing to which we black are wise. Her bandage hides two festering sores. That once perhaps were eyes…”
“Whose Streets”, follows the gripping tale of Ferguson residents following the tragic shooting of Mike brown. Following a well-received early screening of the film, Directors Sabaah Folayan and Damon Davis sat down with a small select crowd at the Tumblr Headquarters to share what went into the creative-behind-the scenes- process of making a groundbreaking documentary. Catch the sit down below:
“I know you all have been waiting for new music. But it takes time because I have to live it first…it has to be authentic. Girl Disrupted, disrupted me, and that’s why I’m comfortable in my chocolate skin.”
Highly charting singles on iTunes, hit songs on the radio, and profiled by publications like The Guardian, Dazed & Confused and Wonderland, all at the age of 22. For Ray Blk this is reality.