new york

Are ya 1? Are ya 2? Are ya 3?…and the extension of the “Happy Birthday” song continues, much to the dismay of those dreading adding another year to their tally. Noah Haidle’s latest play (and Broadway debut), Birthday Candles challenges the negative connotations of the passage of time and ideas associated with getting older, as it focuses on aging as the concept of adding tools to life’s toolkit and wisdom to one’s rhetorical autobiography (and on the amount of goldfish and buttery, vanilla cake one can consume).

But truly, what’s in a lifetime? Time doesn’t end when you go to college. Time doesn’t end when you find love. Time doesn’t end if/when you get married. Time doesn’t end when you have kids, grandkids, and then on. Hell, time doesn’t end if you end a first marriage and pivot the direction of your career at age 48. If anything, time moves on and new opportunities are presented to you. The good, the bad, the beautiful, the ugly, and everything in between. Birthday Candles touches a bunch of extremely relatable themes such as mental health, questioning one’s self identity, priorities, boundaries, but most importantly (in my opinion) is that it’s never too late.

We had the remarkable opportunity to sit down with Noah and connect on Birthday Candles.

TK: Firstly, what a BRILLIANT piece of work. Congratulations! Poignant, sophisticated, yet casual, relatable, funny yet emotional. How did you go about approaching a piece that could tap into all of those emotions and more?
NH: I knew if I got this one right it could be a very effective play (as opposed to some of the plays I’ve written which have been complete shit), so I tried to approach it with great caution.
TK: Process wise, how long did this take you to write?
NH: Six years. The first word I wrote for this play was in April of 2016 and the last was a week before opening in April of 2022. With a total of just over 15,000 words, that’s like 6.8 words a day, which is pretty much as many as the list of ingredients of mayonnaise. Pretty slow.
TK: One of the things I love most about Birthday Candles is that it shows that life is not perfect, but it happens. People make mistakes. Sometimes huge mistakes, but it’s never too late to change your mind and revisit prior thoughts. Was this theme based on any event(s) in particular for you?
NH: Yes. More than I would prefer.
TK: Debra Messing. That’s it. The way she portrays Ernestine at every stage, it’s remarkable. Do you have a favorite aged Ernestine of hers?
NH: My favorite is her hunched and surly 107 year old. I don’t know if I’ll be so lucky to make it that long, but if I do, I want to be exactly like Debra’s rambunctious yet open hearted 107, including, of course Debra’s otherworldly sense of comedic timing.
TK: Bravo to you for tackling mental health, aging, divorce, illness in relatable and practical ways – what is one key takeaway you wish for audience members to take away from seeing Birthday Candles? (it can be more than one)
NH: That life is a miracle. (Might as well go big, right?)
TK: How many goldfish have you owned in your life?
NH: One. As a kid. Spot. The idea for the play began when I was telling my wife about Spot and she misinterpreted my reminiscences as an expression of deep longing to own another goldfish and surprised me with a new, unwanted goldfish for my birthday. (If you haven’t seen the play, this anecdote will mean nothing, if you haven’t seen the play, you totally should).

We loved chatting with Noah as much as we loved watching his writing play out on stage. With brilliant direction by Vivienne Benesch, this play is funny, heart-wrenching, emotional at its core – a work for all ages.

P.S. – Debra Messing is truly outstanding in this work! What she is able to accomplish in those 100 minutes is beyond impressive and worthy of a visit to the American Airlines Theatre alone.

Birthday Candles is a Roundabout Theatre Company production and runs thru May 29. You can learn more about the show and ticket information by visiting: https://www.roundabouttheatre.org/