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AutomotiveEventsLifestyleThe Latest

Jaguar Begins a New Era With the Type 01

by Tristen Yang October 9, 2026
written by Tristen Yang

This week, Jaguar introduced the Type 01 at STORIED NYC, unveiling the electric four-door grand tourer that will lead the brand’s new era.

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October 9, 2026 0 comments
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AutomotiveEventsThe Latest

A Weekend of Purpose Defender Service Awards

by Tristen Yang March 30, 2026
written by Tristen Yang

This past weekend, Jaguar Land Rover hosted the fifth annual Defender Service Awards at its headquarters in Mahwah, New Jersey, and in Manchester, Vermont, bringing together six nonprofit organizations from across the U.S. and Canada for a celebration of service, purpose, and the work still ahead.

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March 30, 2026 0 comments
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AutomotiveThe Latest

Off-Roading Through Mount Equinox With Defender

by Tristen Yang March 29, 2026
written by Tristen Yang

Continuing the fifth annual Defender Service Awards weekend, Jaguar Land Rover brought winners, media, and partners to Manchester, Vermont, for a day of off-roading, camaraderie, and hands-on adventure with the Defender.

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March 29, 2026 0 comments
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Automotive

A Winning Weekend at the Miami E-Prix with Jaguar TCS Racing

by Tristen Yang February 3, 2026
written by Tristen Yang

On Saturday, race day at the Miami E-Prix didn’t announce itself with chaos or spectacle in the way motorsport often does. It unfolded slowly, deliberately, demanding viewers’ attention. A soft drizzle lingered over the Miami International Autodrome, the sky an even wash of gray, and the track still damp from overnight rain, intensifying the race to come.

From the race suites, perched above the circuit with a clear sightline across the grandstands and down onto the grid, the atmosphere felt focused. Guests inside moved between conversations, drinks, and decadent bites throughout the day, while large screens tracked the evolving conditions on track. The Jaguar TCS Racing team and spectators gathered with quiet confidence, waiting for Formula E’s return to Miami. From the balcony, the view stretched across the teal stadium seats, dotted with spectators in rain jackets and ponchos, and down to the slick ribbon of asphalt where the GEN3 Evo cars lined up.

The light shower added texture to the scene, softening the edges, muting the colors, amplifying the hum of anticipation. Formula E races are shorter than their F1 counterparts, but they demand a different kind of attention, where energy management replaces brute force and strategy outweighs speed. The cars regenerate energy under braking, drivers constantly balancing performance with conservation, racing not just each other, but the clock, the battery, and the conditions beneath their tires. It became clear how much of Formula E happens invisibly. On the screens, graphics illustrated energy usage and attack modes, while radio chatter filtered through quietly. On track, the cars moved in tight packs, everyone waiting for the right moment.

Before the race began, we were ushered down for the grid walk, one of the most electric moments of the day. A grid walk in motorsport offers rare proximity: cars lined up nose to tail, mechanics making final adjustments, engineers conferring quietly, drivers focused inward, and eyes forward. The drizzle persisted, light but steady, beading on the cars’ bodywork and darkening the tarmac beneath our feet. It heightened everything from the smell of wet asphalt, the whir of cooling fans, to the tension hovering just beneath the surface. This moment bridges the gap between racing and the viewer, as the technology becomes tangible and the people behind the performance become visible. And the stakes, suddenly, feel firsthand and real.

As the race got underway, drivers navigated cautiously in the early laps, aware that pushing too hard too soon could compromise everything later. From the suites, the ebb and flow of the race felt almost choreographed. Energy levels fluctuated, attack modes deployed with intention. Unlike other motorsport series, where dominance can be established early, Formula E keeps the field compressed, the outcome uncertain until the very end.

For Jaguar TCS Racing, this uncertainty wasn’t unfamiliar. Mitch Evans, known for his consistency and race intelligence, remained composed throughout, managing energy with precision as the race evolved. Nothing about the moment suggested inevitability, but there was a sense that the pieces were aligning. What becomes clear when watching Formula E up close is how much the championship mirrors the realities of electric mobility more broadly. Range anxiety, energy recovery, efficiency versus performance, these aren’t abstract concepts here, they are the race itself. This is part of what makes Formula E compelling, particularly for sustainability-curious audiences. It doesn’t pretend electric racing is identical to combustion-era motorsport. It embraces difference, turning constraint into creativity, limitation into strategy. Both Jaguar drivers moved decisively through the field early on, with Mitch Evans and António Félix da Costa running nose-to-tail as they battled Porsche at the front. The momentum briefly fractured when Andretti’s Felipe Drugovich made contact with da Costa in the final corner, sending him wide and ultimately relegating him to an eighth-place finish despite continuing the race.

As the race continued, tension sharpened. The drizzle had eased, but the track remained slick in places, unforgiving of mistakes and positions shifted rapidly. Evans timed his second Attack Mode to near perfection, overtaking race leader Nico Müller on lap 27. And then, almost suddenly, it became clear that Jaguar TCS Racing was in contention for something more. Mitch Evans surged forward with control, navigating traffic cleanly, deploying energy at precisely the right moments. It seemed assured, the kind of driving that looks almost understated until you realize how difficult it is to execute. Evans charged to victory, a win that marked his 15th career Formula E triumph, officially making him the most successful race winner in the championship’s history.

When Evans crossed the line to secure victory, the reaction wasn’t explosive at first. It was a beat of disbelief, then recognition, then celebration. Applause rippled through the suites. Post-race, the mood shifted from focus to release. On the podium, champagne flowed, sprayed skyward in celebration, the rain now replaced by laughter and relief. The imagery felt almost cinematic with the wet track, gleaming cars, champagne mist catching the light. The Jaguar TCS Racing team celebrated together, drivers and engineers, media and brand partners, sharing in the culmination of months of work. Being part of a winning team, even peripherally, carries a distinct energy. No one knew with certainty that Evans would win, but in hindsight, it made sense. His background, his familiarity with the series, his calm under pressure, all of it converged at the right moment.

As the day wound down, it became clear that what set this race apart wasn’t just the result, but the rhythm of the experience itself. Formula E doesn’t overwhelm, it invites and asks you to observe, to listen, to understand the layers beneath the surface. From the race suites to the grid walk, from the drizzle-soaked start to the champagne-splashed finish, the Miami E-Prix was an exciting chapter in Jaguar’s motorsport story. It balanced innovation with heritage, performance with sustainability, competition with community. In a motorsport landscape often defined by excess, Formula E offers a glimpse of what racing could look like in the future and a vision that acknowledges the realities of our time, that treats efficiency as a skill rather than a compromise.

February 3, 2026 0 comments
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AutomotiveUncategorized

Inside Jaguar TCS Racing’s Formula E Mindset Before the Miami E-Prix

by Tristen Yang February 3, 2026
written by Tristen Yang

On Friday morning, ahead of practice sessions and race-day, we sat down with Jaguar TCS Racing drivers António Félix da Costa and Mitch Evans, alongside team principal Ian James, for a roundtable conversation during media day. The discussion offered a moment to understand how the team thinks about performance, energy, and competition before the race.

Miami, despite its reputation, did not feel like a holiday backdrop that morning. The air was unexpectedly cool, more winter than vacation, and the track had yet to assert itself as the dominant presence of the day. For the drivers, location operates less as spectacle and more as a variable. Da Costa, now in his first season with Jaguar, spoke about the ocean as a mental reset rather than an escape. Being near water, he explained, offers a subtle recalibration that sharpens focus.

Outside of racing, both drivers turn to physical movement not as training in the strict sense, but as a way to stay balanced during a season defined by constant travel. For da Costa, surfing and golf occupy the margins of an already crowded calendar. Evans, who grew up in New Zealand, pointed to rugby as a formative influence, less for its tactics than for the rhythm and discipline it instills. Neither framed these activities as escapes, instead, they function as anchors, ways of staying connected to their bodies while living in near-constant motion.

Ritual came up early in the conversation, though not in the way one might expect with no rigid superstitions. Da Costa described a simple pre-race sequence: stretching, skipping rope, twenty minutes of physical readiness before stepping into the car. Evans emphasized visualization over routine, constantly replaying the track in his mind and adapting to schedule changes rather than resisting them.

The ease between da Costa and Evans surfaced repeatedly. Although new to the team, da Costa is not new to Evans. The two have known each other for years, competitors who understand each other’s instincts without needing translation. They mentioned a philosophy of different experiences, different approaches, but a shared willingness to learn with a goal on alignment. This dynamic becomes especially important in Formula E, where races are not won by pushing flat out from start to finish. Da Costa explained it plainly. If drivers were to race at maximum output for the full duration, the battery would not last. The challenge is not speed alone, but energy management. Regeneration, timing, positioning, and restraint all shape the outcome. Drivers cycle between attack and conservation, sometimes literally following one another closely to minimize energy loss, a comparison da Costa likened to the peloton in the Tour de France.

This is where Formula E diverges most sharply from other forms of motorsport, and where it can be hardest to read from the outside. It is engineered because no one runs away with the race early. Strategy unfolds in layers, and the margin between winning and finishing mid-pack can be measured in decisions made minutes, or even seconds, apart. Evans described it as a form of art, a balance between performance and patience that rewards awareness as much as aggression.

For fans accustomed to Formula 1, where dominance can stretch across seasons, Formula E requires a different way of watching. The sport has been around for over a decade now, and its core audience understands the language. What remains is translating that experience to a broader public, particularly as sustainability moves from concept to constraint across motorsport. Da Costa noted that Formula E has effectively been living the future for years. That framing carried into the second half of the roundtable, where team principal Ian James joined the conversation. Where the drivers spoke about flow and instinct, James spoke about systems. Pressure, he explained, exists everywhere in the organization, not just in the cockpit. James has moved fluidly between disciplines. In Formula E, the role is far more active. The team is constantly responding, adjusting, supporting. Influence is not about overriding expertise, but about creating the conditions for it to operate effectively during simulations.

In terms of team culture, James spoke at length about the importance of collaboration, particularly between drivers. Talent alone is not enough. In a championship where the car is constantly evolving, drivers must be able to articulate what they feel, translate instinct into feedback, and work together rather than against each other. When garages split, development suffers. Alignment, even without friendship, is non-negotiable.

Behind the scenes, much of that alignment is built long before race weekend. Simulation plays a central role in preparation, not just for drivers, but for the entire team. Engineers, strategists, and performance staff are brought into the process, rehearsing scenarios, stress-testing decisions, and effectively gamifying strategy. While no simulation can account for every variable, the confidence it builds carries into the race. By the time the cars arrive at the circuit, most of the work has already been done. This is where sustainability becomes less of a talking point and more of a framework. Operating under cost caps has reshaped internal dynamics, bringing finance teams into direct conversation with performance goals. Where spending was once viewed as a limitation, it now becomes a strategic tool. Knowing where to allocate resources, where to extract the most value from each decision, creates competitive advantage.

The conversation eventually widened to Jaguar’s broader motorsport legacy. Drivers and leadership alike referenced Le Mans, the Silk Cut era, and the visual language that once defined Jaguar on the world stage. James recalled an early experience at Jaguar’s headquarters, driving an E-Type from 1960, followed by modern performance vehicles and future concepts. Across generations, he noted, the throughline remained tangible. The cars moved like Jaguars and they felt like Jaguars. That continuity matters as the brand moves deeper into the electric age. The question is no longer whether electric racing can be exciting, but how to carry identity forward within new constraints. Engagement, James suggested, will increasingly depend on how well that story is told, not just on track, but through experiences like this one. As the roundtable wrapped, the schedule pressed on. Formula E, viewed through Jaguar TCS Racing, reveals itself as a sport built on awareness, energy, people, and limits.

February 3, 2026 0 comments
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AutomotiveUncategorized

Inside Miami Formula E’s Pre-Race Day With Jaguar TCS Racing

by Tristen Yang February 3, 2026
written by Tristen Yang

Pre-race day at a Formula E weekend doesn’t begin with speed. It begins with structure, timing, and preparation. In Miami, that rhythm started early. Outside, the air was cooler than expected for Miami, and the city still subdued in the morning light. On Friday morning, the brand and press group gathered in the lobby of the Andaz Miami Beach, moving together into a line of Range Rover Sport models that would carry us across the city toward the Miami International Autodrome track. Media day has its own atmosphere, distinct from race day energy. It’s slower, more conversational, built around access and insight rather than adrenaline.

The first stop was the Jaguar TCS Racing garage: Jaguar’s position within the paddock reflected championship order from the previous season, placing the team in the second garage. Inside the garage, the GEN3 Evo car sat prepared, surrounded by engineers, laptops, and neatly organized equipment, with remarkably little excess. What stood out was how much wasn’t there. As the team walked us through the space, it became clear that what happens in the garage is only the visible layer of a much larger operation. Formula E cars are developed on long cycles, not race by race, but year by year. Jaguar is in the second year of the current homologation period, with major powertrain elements locked in and refined over time. The motor, inverter, gearbox, and suspension are developed within strict regulations, then frozen. Between races, Jaguar’s engineers don’t rebuild the car, but constantly rewrite it. Setup begins virtually, long before the car arrives in Miami. Digital models simulate braking behavior, corner entry, regenerative energy recovery, and how the car responds to the unique demands of each track. These simulations don’t require a driver and they don’t require a physical car. They exist in parallel, running continuously back at Jaguar’s UK headquarters while the race team travels.

Formula E is a data-led championship by necessity. Physical testing is heavily limited and track time is precious. There are only so many days a year when the car can be run in the real world and everything else happens digitally. Engineers work through thousands of scenarios, adjusting parameters virtually, then delivering software updates that are uploaded to the car when it arrives at each race. So what appears trackside is the final expression of weeks, sometimes months, of invisible work. Logistics follow the same logic. Freight doesn’t return to base between races. Instead, it moves continuously from city to city in a global loop, handled by a centralized logistics partner. Once the season begins, teams may not see certain components again unless something goes wrong. Repairs happen within tight windows and updates must be planned long in advance. The moment the cars arrive at the circuit, the scope for change narrows dramatically. Standing inside the garage, watching engineers move with practiced efficiency, the scale of the operation became clearer. Formula E may look quieter than other forms of motorsport, but the intensity is compressed because decisions are made earlier and margins are tighter.

From the garage, the day transitioned into conversation. Roundtables with drivers António Félix da Costa and Mitch Evans, followed by team principal Ian James, added a human layer to what had just been seen. Their discussions about preparation, collaboration, and energy management framed Formula E as a championship where restraint is not a limitation, but a competitive advantage.

Lunch passed quickly, functional and efficient, before attention returned to the garage for rookie practice. Held ahead of traditional sessions, the rookie run exists in a space between opportunity and utility. For young drivers, it’s a rare chance to experience GEN3 Evo machinery. For teams, it’s early access to real-world data from the track. Alessandro Giusti took the wheel for Jaguar TCS Racing during the 40-minute session, finishing sixth with a fastest lap of 56.278. The data on braking zones, regeneration patterns, grip levels, and energy usage fed directly back into Jaguar’s preparation. In Formula E, information gathered on Friday can quietly shape what happens on Sunday. Engineers watched screens more than lap times, tracking variables that would influence strategy later. At the time, there was no visible hint that Mitch Evans would go on to win a rain-affected Miami E-Prix with a composed, assured drive. On Friday, that outcome was still theoretical, but what mattered was readiness.

As afternoon softened into evening, the track receded and the schedule shifted again. Dinner brought the group together away from the circuit, creating space for conversation. Over a relaxed meal, members of Jaguar Land Rover’s media, brand, and motorsport teams spoke openly about travel, pacing, and the realities of sustaining a global season. The tone was warm and unguarded, a reminder that this highly technical sport is still powered by people. By the time pre-race day came to a close, Formula E had revealed itself not as a spectacle waiting to erupt, but as a system already in motion. For Jaguar TC Racing, Friday was not about spectacle, but about ensuring that when conditions changed, whether through weather, strategy, or pressure, the foundation would hold.

February 3, 2026 0 comments
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AutomotiveEventsLifestyleThe Latest

Jaguar and Haute Living Celebrate the Future of Luxury Design at Jaguar North Dade

by Kyle Mattone April 11, 2025
written by Kyle Mattone

Jaguar and Haute Living toasted the future of automotive innovation with an exclusive event at Jaguar North Dade, celebrating the debut of Jaguar’s new design vision, Type 00.

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April 11, 2025 0 comments
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Digital Cover No. 22

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They’re still one and the same… 💖 More than two d They’re still one and the same… 💖

More than two decades after first meeting at a Barney & Friends audition in 2002, the pair who ruled Disney Channel just paid homage to their 2009 #DCOM Princess Protection Program in the sweetest way!

Selena Gomez and Demi Lovato have officially teamed up for Rare Beauty’s latest campaign, “Still Making Each Other Blush,” honoring their iconic “Delena” friendship with a brand-new blush bundle.

BRB, on our way to rewatch Princess Protection Program.🍿👑
Doja Cat is giving fans a whole new point of view Doja Cat is giving fans a whole new point of view of the Ma Vie World Tour, changing the lens on the concert film experience.

The fans were out this weekend in West Hollywood as Ray-Ban Meta and Doja Cat premiered the film, Ma Vie World Tour, at Meta Lab in West Hollywood.

The film, about 12-minutes long, was directed by Quinn Whitney Wilson, and filmed on Ray-Ban Meta glasses. Shot from the perspective of Doja Cat and members of her crew on the current tour, it marks a new kind of docu film.

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Returning to Panem means discovering a different s Returning to Panem means discovering a different side of its most familiar faces…

Across five novels and soon-to-be six films, The Hunger Games franchise has captivated audiences with its unforgettable characters. Now, The Hunger Games: Sunrise on the Reaping invites fans to see some of their favorites in an entirely new light through the 50th Hunger Games.

Among them is a younger Beetee Latier, the District 3 victor originally portrayed by Jeffrey Wright. In the latest installment, Kelvin Harrison Jr. takes on the role of Beetee, who fiercely protects his son, Ampert, played by Percy Daggs IV, as he enters the arena as a tribute.

Harrison Jr. and Daggs IV spoke with The Knockturnal about bringing these  characters to life, along with the excitement of stepping into the ever-expanding world of Panem.

Read more at theknockturnal.com
@82major_official is turning up the heat with thei @82major_official is turning up the heat with their most recent single album ahead of their upcoming USA tour. 

The six-member group has been establishing a global footprint with their music since debuting in 2023, and the release of HEAT marks their newest chapter. 

Just as the album title suggests, the focus track, “Like Fire”, builds on the sizzling, explosive energy 82MAJOR is already well-loved for.  

The group spoke with The Knockturnal about making the single album, shooting the MV for “Like Fire”, what they take away from 2026, and more. 

Read more at theknockturnal.com
From an Empire State of Mind to an NFL state of mi From an Empire State of Mind to an NFL state of mind… 🏈

It’s official: Jay-Z will headline the 2027 Super Bowl Halftime Show, and fans are already “Crazy in Love” with the idea that he might not be doing it alone… 

While Roc Nation’s announcement didn’t confirm any guest performers, it certainly didn’t rule them out, leaving the door open for a potential appearance from his wife, Queen Bey herself, who previously headlined the halftime show in 2013. 

Super Bowl LXI is February 14th at SoFi Stadium in Inglewood, California.
When the sun sets, we come out to play. After all. When the sun sets, we come out to play. After all... we are The Knockturnal!

Here’s your official recap of #Knockturnalween 2026. Thank you for helping us celebrate our new cover star @naomiackie and her new movie @clayfacemovie. In theaters NOW! 

Another special thank you to our partners: @clayfacemovie 
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@titisnyc 

Photos: @classyjorge
Video: @nmahoneyfilms
Event Production: @twelve29group

See you all next year!
The making of a moment: @naomiackie for The Knockt The making of a moment: @naomiackie for The Knockturnal.

Go behind the scenes of our latest cover shoot with Naomi Ackie, and get an exclusive look behind the lens.

Read the full cover story by Sebastian Cintron at theknockturnal.com

Talent: Naomi Ackie @naomiackie
Editor-in-Chief: OJ Williams @ojwilliams4
Photographer: Ty Chen @tychenphotography @tychenofficial
Stylist: Jason Rembert @jasonrembert
Creative Director:  Ben Schmidt @equitiesmanager1
Deputy Editor: Elizabeth Taylor @liztaylorworld
Cover Story By: Sebastian Cintron @sebascintron
Makeup Artist: Daniel Martin @danielmartin
Hair Stylist: Marcia Hamilton @marciahamiltonhair
Videographer: Philíp Alexander @philipalxndr
Photographer’s Asst: Jordan Mitchell-Love @jmitchelllove
Photographer’s Asst: Celine Milien @celinemili 
Styling Asst: Wilton White @ww.ilt
Styling Asst: Jarrett Meilleur @mrjla
Production: Twelve29 Group @twelve29group
Social Media: Jesse Kosierowski @jessekosierowski @jessekmedia
All eyes on @naomiackie , The Knockturnal’s latest All eyes on @naomiackie , The Knockturnal’s latest cover star. 

Read the full cover story by Sebastian Cintron at theknockturnal.com

Talent: Naomi Ackie @naomiackie
Editor-in-Chief: OJ Williams @ojwilliams4
Photographer: Ty Chen @tychenphotography @tychenofficial
Stylist: Jason Rembert @jasonrembert
Creative Director:  Ben Schmidt @equitiesmanager1
Deputy Editor: Elizabeth Taylor @liztaylorworld
Cover Story By: Sebastian Cintron @sebascintron
Makeup Artist: Daniel Martin @danielmartin
Hair Stylist: Marcia Hamilton @marciahamiltonhair
Videographer: Philíp Alexander @philipalxndr
Photographer’s Asst: Jordan Mitchell-Love @jmitchelllove
Photographer’s Asst: Celine Milien @celinemili 
Styling Asst: Wilton White @ww.ilt
Styling Asst: Jarrett Meilleur @mrjla
Production: Twelve29 Group @twelve29group
Social Media: Jesse Kosierowski @jessekosierowski @jessekmedia
A little darkness, a lot of depth. The Knockturn A little darkness, a lot of depth. 

The Knockturnal sat down with our latest cover star, @naomiackie , to discuss her approach to complex characters, her hesitation toward romance, and trusting that the right roles come at the right time.

Read the full cover story by Sebastian Cintron at theknockturnal.com
“I don’t mess with that crap!” Demons, Ouija boar “I don’t mess with that crap!”

Demons, Ouija boards, and cold water? That’s a hard pass for @naomiackie 

The Knockturnal sat down with our latest cover star, Naomi Ackie, to reveal the three things she refuses to mess with.

Read the full cover story by Sebastian Cintron at theknockturnal.com
Sometimes, the setbacks are part of the journey. Sometimes, the setbacks are part of the journey.

The Knockturnal sat down with our latest cover star, @naomiackie , to reflect on career challenges, finding gratitude in the unexpected, and staying grounded.

Read the full cover story by Sebastian Cintron at theknockturnal.com
Finding joy in the craft, even when no one is watc Finding joy in the craft, even when no one is watching. 

The Knockturnal sat down with our latest cover star, @naomiackie , to reflect on her late mother’s influence and the importance of finding joy in the process.

Read the full cover story by Sebastian Cintron at theknockturnal.com
Sometimes, one film can change everything… The Kn Sometimes, one film can change everything…

The Knockturnal sat down with our latest cover star, @naomiackie , to discuss the impact of film and how The Dark Knight Rises inspired her journey as an actor.

Read the full cover story by Sebastian Cintron at theknockturnal.com
A little squirming, a lot of fun. The Knockturnal A little squirming, a lot of fun.

The Knockturnal sat down with our latest cover star, @naomiackie , to discuss Clayface, her love for horror, and the films that sparked it all.

Read the full cover story by Sebastian Cintron at theknockturnal.com
Meet Dr. Caitlyn Corr, Naomi Ackie’s latest transf Meet Dr. Caitlyn Corr, Naomi Ackie’s latest transformation.

The Knockturnal caught up with our latest cover star, @naomiackie, to discuss her role in Clayface and the journey of bringing Dr. Caitlyn Corr to life.

Read the full cover story by Sebastian Cintron at theknockturnal.com
Here’s Naomi! 🔪 For the third and final cover in Here’s Naomi! 🔪 

For the third and final cover in our spooky-season series, Naomi Ackie channels the chilling atmosphere of The Shining for The Knockturnal.

As Clayface brings her into Gotham and a new chapter of her career, Ackie opens up about the roles that scare her, the joy of acting, and trusting the journey. Reflecting on finding the right opportunities, she says, “the right things come to you at the right time when you need them.”

Read the full cover story by Sebastian Cintron at theknockturnal.com

Talent: Naomi Ackie @naomiackie
Editor-in-Chief: OJ Williams @ojwilliams4
Photographer: Ty Chen @tychenphotography @tychenofficial
Stylist: Jason Rembert @jasonrembert
Creative Director:  Ben Schmidt @equitiesmanager1
Deputy Editor: Elizabeth Taylor @liztaylorworld
Cover Story By: Sebastian Cintron @sebascintron
Makeup Artist: Daniel Martin @danielmartin
Hair Stylist: Marcia Hamilton @marciahamiltonhair
Videographer: Philíp Alexander @philipalxndr
Photographer’s Asst: Jordan Mitchell-Love @jmitchelllove
Photographer’s Asst: Celine Milien @celinemili 
Styling Asst: Wilton White @ww.ilt
Styling Asst: Jarrett Meilleur @mrjla
Production: Twelve29 Group @twelve29group
Social Media: Jesse Kosierowski @jessekosierowski @jessekmedia
Spooky season calls for a little darkness. 🖤 Nao Spooky season calls for a little darkness. 🖤 

Naomi Ackie takes center stage on the second of three covers for The Knockturnal, inspired by the dark glamour of Queen of the Damned.

From Star Wars to Mickey17 and now Clayface, Ackie continues to embrace roles that challenge expectations. On her approach to her craft, she shares, “The biggest lesson I’ve learnt is patience is key.”

Discover our exclusive cover story by Sebastian Cintron at theknockturnal.com

Talent: Naomi Ackie @naomiackie
Editor-in-Chief: OJ Williams @ojwilliams4
Photographer: Ty Chen @tychenphotography @tychenofficial
Stylist: Jason Rembert @jasonrembert
Creative Director:  Ben Schmidt @equitiesmanager1
Deputy Editor: Elizabeth Taylor @liztaylorworld
Cover Story By: Sebastian Cintron @sebascintron
Makeup Artist: Daniel Martin @danielmartin
Hair Stylist: Marcia Hamilton @marciahamiltonhair
Videographer: Philíp Alexander @philipalxndr
Photographer’s Asst: Jordan Mitchell-Love @jmitchelllove
Photographer’s Asst: Celine Milien @celinemili 
Styling Asst: Wilton White @ww.ilt
Styling Asst: Jarrett Meilleur @mrjla
Production: Twelve29 Group @twelve29group
Social Media: Jesse Kosierowski @jessekosierowski @jessekmedia
It’s spooky season, and Naomi Ackie is taking over It’s spooky season, and Naomi Ackie is taking over The Knockturnal’s latest cover! 🪓 

Inspired by the iconic psychological horror of American Psycho, our first of three covers puts Naomi in a world where fashion meets fear.

As she steps into the DC Universe in Clayface, Ackie reflects on her unconventional career journey and the lessons that have kept her grounded. As she puts it, “I've learnt since then to hold things lightly.”

Read the cover story by Sebastian Cintron at theknockturnal.com

Talent: Naomi Ackie @naomiackie
Editor-in-Chief: OJ Williams @ojwilliams4
Photographer: Ty Chen @tychenphotography @tychenofficial
Stylist: Jason Rembert @jasonrembert
Creative Director:  Ben Schmidt @equitiesmanager1
Deputy Editor: Elizabeth Taylor @liztaylorworld
Cover Story By: Sebastian Cintron @sebascintron
Makeup Artist: Daniel Martin @danielmartin
Hair Stylist: Marcia Hamilton @marciahamiltonhair
Videographer: Philíp Alexander @philipalxndr
Photographer’s Asst: Jordan Mitchell-Love @jmitchelllove
Photographer’s Asst: Celine Milien @celinemili 
Styling Asst: Wilton White @ww.ilt
Styling Asst: Jarrett Meilleur @mrjla
Production: Twelve29 Group @twelve29group
Social Media: Jesse Kosierowski @jessekosierowski @jessekmedia
@theebillyporter is ready for his Capitol close-up @theebillyporter is ready for his Capitol close-up!

When Billy Porter makes an entrance, the look is never an afterthought, so it is only fitting that, as he steps into the world of The Hunger Games: Sunrise on the Reaping, he takes on the role of a Capitol stylist.

The Knockturnal sat down with Porter who opened up about bringing a little bite to the world of Panem, one snakeskin ensemble at a time.

Read more at theknockturnal.com
It’s time for a Glee boot! 🎤 The New Directions a It’s time for a Glee boot! 🎤

The New Directions are getting an encore! #Glee is officially making its way back to our screens, with Disney+ and Hulu ordering a reboot of the beloved musical comedy.

The revival has been a topic of conversation for months, with co-creator Ryan Murphy repeatedly teasing the possibility of a return. The new series will come from 20th Television, the studio behind the original hit.

The official Glee Instagram account confirmed the news with a post declaring, “It’s official, Glee is returning.”

We’re not Glee-king out, YOU are!
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