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independent film

EntertainmentEventsFilmThe KontendersThe Latest

Red Rocket: NYFF Review

by Chandler Wickers October 4, 2021
written by Chandler Wickers

Sean Baker’s latest feature film reveals the grating reality of a decadent West.

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October 4, 2021 0 comment
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EntertainmentFilmThe Latest

Exclusive: ‘Searching For Mr. Rugoff’ Director-Producer Ira Deutchman Pulls Back the Curtain On the Infamous Cinema 5 Founder

by Samantha Bergeson August 18, 2021
written by Samantha Bergeson

The film is a very personal medium, and to have an intimate connection with an independent cinema great is the stuff of legends. Or, at least the subject of an award-winning documentary. 

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August 18, 2021 0 comment
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EntertainmentEventsFilmThe Latest

Review: ‘Moon, 66 Questions’ at New Directors/New Films 2021

by Chandler Wickers May 24, 2021
written by Chandler Wickers

Greek filmmaker Jacqueline Lentzou’s feature debut explores the boundaries of familial love through a woman’s journey caring for her ailing father.

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May 24, 2021 0 comment
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EntertainmentFilmThe KontendersThe Latest

Film Review: ‘The World To Come’ Is A Romantic Period Piece

by Chloe Smallwood February 11, 2021
written by Chloe Smallwood

There were quite a few times that lesbian romances were highlighted in films recently (Portrait of a Lady on Fire, and Ammonite are some that come to mind). A commonality is that many are also period pieces.

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February 11, 2021 0 comment
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EntertainmentEventsFilmThe Latest

The Art of Brooklyn Film Festival goes digital!

by Jake King May 30, 2020
written by Jake King

The show must go on!

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May 30, 2020 0 comment
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‘I AM YOU’ Special Screening: An intimate portrayal of Afghanistan’s refugee crisis

by Chandler Wickers February 21, 2020
written by Chandler Wickers

Celebrities and friends gathered at Chelsea’s Pier59 Studios for a special screening of filmmaker Sonia Nassery Cole’s “I AM YOU,” a movie about the Afghanistan refugee crisis.

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February 21, 2020 0 comment
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EntertainmentEventsFilmThe Latest

The Cast of ‘Permission’ Gets Personal At NY Premiere

by Olivia Blue January 28, 2018
written by Olivia Blue

At the premiere on January 24th, the cast “spilled the beans” on this juicy romantic drama.

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January 28, 2018 0 comment
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EntertainmentFilmThe Latest

Exclusive: Michael Dowling, Evan Jonigkeit, Bill Coelius, and Kelly Winrich Talk ‘Brave New Jersey’

by Ethan Singh August 14, 2017
written by Ethan Singh

This amazing cast brings to life one of the craziest stories of the 20th century in a sincere way. Get to know the men behind the magic. 

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August 14, 2017 0 comment
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Film Review: ‘The Fencer’

by Nico Chapin July 17, 2017
written by Nico Chapin

Finally we get another good sports film.

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July 17, 2017 0 comment
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EntertainmentFilmThe Latest

BAMcinemaFest 2017 Review: ‘En El Séptimo Día’

by Nico Chapin June 19, 2017
written by Nico Chapin

Jim McKay’s En El Séptimo Día (On the Seventh Day) is a triumph, a compassionate, warm, and deeply humane tribute to the everyday existence of undocumented workers who like so many other people, are committed to simply waking up and going to work.

Except of course for the men McKay’s film focuses on, all of whom are undocumented themselves and non-professional actors, that simple task is fraught with danger. We see the daily humiliations of working low wage jobs for bad bosses, against whom these men have no recourse. We see them crammed together in one apartment, spread across mattresses and couches, sleeping wherever they can find room.

And yet McKay avoids the obvious pitfalls inherent to this genre. There’s no overt exoticising, no liberal pitying, no moral high ground. From the very first scene, in which we see their soccer team, Puebla F.C. (named after their hometown team in Mexico) win the semi-finals match in their recreational league, its clear that McKay sees these men as human beings. The main character, Jose, who is so charismatic and so full of pathos that you forget it’s probably his first time in front of a camera, is also deeply flawed. When his boss at the restaurant where he works as a delivery guy won’t give him the following Sunday off, he hides the information from his teammates as long as he can, too afraid to challenge his boss and too ashamed to admit he won’t be able to play in the finals.

That, by and large, is the whole plot. The film is broken up by each day in the week, each sequence following Jose as tries to balance his job, staying in contact with his pregnant wife in Mexico, helping out his teammates, and worrying about whether they’ll win the big game. It’s a simple story, simply told, and the result is a film defined by quiet moments, drawing out drama and comedy from the mundanity of every day life. Waking up for work, going to soccer practice, cooking dinner together as a makeshift family. There are no grand revelations to be found, its most dramatic implications left onscreen. In their place, the non-professional actors and neorealist style work to implicate you in a world that is both completely foreign (at least for those of us who are not either undocumented immigrants or related to one), and yet deeply familiar.

The Brooklyn brownstones, situated amongst leafy streets and interrupted by more bodegas and churches than make sense, are instantly recognizable. McKay’s camera catches everything. The Chinese laundromats, the Yemeni store owners, the English pubs and German soccer teams— while the last year has often felt like a battle for the soul of America, here we the foundational myth put to the test. The United States of America is a nation of immigrants, we are constantly told from the moment we are born, and yet in En El Séptimo Día we see exactly what that means. It’s people working side by side, in solidarity with each other based on their shared experiences and shared struggle— to be recognized, to put food on the table, to get to work. When a fellow delivery man is hit by a car, we understand that it could have been Jose, or any of his teammates, and it is by pure luck that he can continue to get his bike from his restaurant to whoever orders from it, and hopefully get a tip at the end.

For some the soccer game Puebla play at the end might just be a game, and yet what McKay succeeds at is that without a character ever having to say it out loud, we completely understand why something as simple as a recreational game can mean so much more for the people who struggle day in and day out merely to survive. Like Happy Go Lucky or last year’s Patterson, En El Séptimo Día is ultimately a testament to the inherent bravery of waking up, putting on your shoes, getting out the door, and getting on with the business of one’s life. It’s simply perfect.

 En El Séptimo Día plays as part of BAMcinemaFest, June 17th. 

June 19, 2017 0 comment
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      Exclusive: Ṣọpẹ́ Dìrísù and Freida Pinto Talk New Film ‘Mr. Malcolm’s List’ [Video]

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      Exclusive: Chris Pratt, Constance Wu, Jeanne Tripplehorn, and More Discuss New Show ‘The…

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