Sho Miyake’s manga-inspired diptych is a visual exercise in precision and tranquility.
Clemente Castor’s ND/NF debut is a roaming, hazy work of cinematic transmutation.
A meta-documentary on the poetics of cyclical destruction comes to the screen.
Joachim Trier stakes his claim as a master of modern social cinema.
A fine line between heaven and hell in Spain’s latest submission for Best International Feature at the Academy Awards.
A familiar map on foreign territory in Claire Denis’ The Fence.
Non-spaces and the liminal at the fore of Zhengfan Yang’s Stranger.
A cinematic referendum on the soul of a nation.
Lorena Alvarado’s textured debut threads fiction through fact in an ode to a Venezuela lost.
A deeply tender narrative finds illumination in stillness.
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