Reader beware, a few spoilers ahead.
Chants across social media scream “’Marty Supreme’ on Christmas Day,” but who exactly is Marty — and what’s his obsession with orange ping pong balls? That was the question I walked in with ahead of A24’s screening at Cinépolis in Inglewood, California, introduced by Hawthorne’s very own Tyler, The Creator.
Five Nights at Freddy’s 2 expands the story of the first film with even more emotional depth, impressive animatronics, and thrilling scares that stay true to the spirit of the games. It’s a heartfelt, exciting sequel that fans and newcomers alike should definitely see in theaters.
An intimate screening of the film MONEY TALK$, written and directed by Tony Mucci, was held at the Core Club in New York City, attended by no more than 50 people, including members of the cast, producers, and Mucci himself. The screening was followed by a Q&A moderated by Liam Crowley, joined by Mucci, producer Bryan Schmier, and actors Zolee Griggs and Tyler “Hook” Senerchia.
In addition to her next film, Mayim Bialik has a new collaboration in a field she is truly passionate about. Many may know Bialik from the popular sitcom The Big Bang Theory, portraying a neuroscientist, but she not only played one, she is one!
You know what?! We (didn’t) invent Post-Its!
Last week, the Animation Is Film Festival (AIF) returned to Hollywood’s TCL Chinese 6 Theatre, opening with Scarlet, the latest feature from Academy Award®-nominated director Mamoru Hosoda (Mirai).
Park Chan-wook’s No Other Choice is a darkly comic and visually stunning thriller about a laid-off paper factory worker whose desperate fight to preserve his identity spirals into absurd violence and moral collapse. By far my favorite film at NYFF 2025, it cements the South Korean film industry as a new behemoth not only in commercial success, but critical as well.
Roofman has hit the big screen, retelling the almost surreal true story of Jeffrey Manchester, an Army veteran and father whose life took a dramatic turn into the criminal underground in early-2000s North Carolina.
The room went silent as soon as the lights dimmed. That’s the thing about a Kathryn Bigelow film — you feel it coming before you even see it.
Raw Footage and the Fatal Cost of Neighborhood Feuds.