This past Sunday marked the commencement of New York City’s Anti-Social Camp organized by the Anti-Social Producer’s Club. More than 150 artists, producers, and songwriters have gathered to use their combined and creative forces to craft music.
COVID-19
Tackling present day topics in media is an often used method to break down and understand perspective in a better manner, however it’s easy to get the message lost in insincerity. Many have attempted to tackle the Covid pandemic in recent media and often are met with lukewarm feelings. It always boils down to sincerity and a feeling of genuineness. Especially with a topic that the world is actively facing still. Offside Productions is the recent contender to the challenge, with the upcoming anthology series Normal Ain’t Normal, co-produced by BuzzFeed and activist & actress Rosario Dawson. The series presents the realities of social injustice and economic disparity in America that became more prevalent during the height of the early stages of the pandemic.
Helmed by director Yvan Iturriaga and co-writers Josh Healey, Reem Assil, Tommy Orange, and Reyna Amaya, the 4 episode series will be available to stream on BuzzFeedVideo on YouTube and Facebook starting September 27th, 2022. The digital short series tackles our current pandemic landscape in a fresh manner by realistically pulling in raw humor and diverse storytelling to reflect the local community’s experience. Who better to share the realities the Bay Area, specifically Oakland, faced during the pandemic than an Oakland creative team. Each episode involved different members of the team and pulled from personal experiences from their professional, health, and racial experiences during the pandemic and it’s immediate aftermath. With mixes of fantasy, emotional monologues, and humor, each episode of Normal Ain’t Normal reminds the audience of what’s truly important: community and our fellow humankind.
Featured cast included actors and debut acting from Reem Assil, D’Pharaoh Woon-A-Tai, Martin Sensmeier, Tristan Cunningham, Sal Lopez, and Rosario Dawson. The Knockturnal had the opportunity to speak with Director and co-creator Yvan Iturriaga and writer/actor Reem Assil about their experiences with the series.
How do you go about telling a story on a topic that is still actively going on right now? Film is typically an escape, so how do you tackle keeping it fresh and pull viewers in?
Iturriaga: “It is our intention, me and Josh (Healey), and our passion to work on films that is very relevant to our lives. Sadly the pandemic is still relevant these years later, however the story really focuses on the working class community. We knew the impact of the pandemic, even after the vaccine would carry on for a long time. The pandemic made a lot of people realize, things are going to change. What was “normal” wasn’t okay, and things that were taken for granted needed to shift. We live in a society that doesn’t value workers and their stories need to be heard the loudest.”
As a director, did you come across any areas of opposing vision while working with the writers for each episode?
Iturriaga: We didn’t have any conflicts. There’s a lot of trust, we often shared guides and drafts to each other to ensure strong collaboration amongst us. My job as a director and directing what others wrote, is to actually trust the writers. I always went back to them, especially with Tommy (Orange) as there’s a story very specific to him, and who am I to tell a Native American story. I need his validation and guidance to tell it right. For us, writers are very key and we need to follow them.
Reem Assil, Oakland based chef and writer shared similar sentiments in her journey in writing out an episode for the series.
Assil: “For me, the most healing thing is to take people on my journey with me. Makes you more vulnerable which has its drawbacks and I certainly grapple with that in my episode. But at the end of the day, it allows others to not see you as this two dimensional person. My identity is inter-sectional, I’m a Palestinian woman but I’m also a restaurateur and a worker. All of these identities play into how I see the world. The pandemic made that perspective for me much clearer, and in the series we really zoned in on that experience. What I want is justice, I don’t want to be a cog stuck in the wheel or be a token for the outside world to create their own story.”
Assil had opened her restaurant mere days before the California lock-down, and grappled with the realities of taking care of her employees and livelihood during an unknown time. The crucial value that helped everyone carry forward strongly through the pandemic was always community and caring for each other. Assil often mentioned that the label of chef is not for her, as it has a connotation of a “one man show” but behind every success is the hard work of an entire staff and team. These feelings of vulnerability, community, and facing the unknown are prevalent throughout the writing of the series, allowing viewers to remind themselves of the raw emotions that many people faced in the height of the pandemic. But the series educates viewers through four characters perspectives stemming from diverse backgrounds to highlight the diversity of Oakland’s community is a strong point and should not be forgotten. The cinematography tactics used weaved elements of spoken poetry and speeches to add emotion through the camera, making the acting extremely human. Iturriaga’s direction and art style behind the camera really highlighted each actors strong suits, whether that be facial expression, body language, stunts, or more. His direction really pulled together the synergy of each script to relay messages in a succinct and impactful manner.
The select audience that night were privy to a full screening of all four episodes of the digital series, and a panel discussion touching on all the sociopolitical topics highlighted within the series. Oakland gentrification, tech boom, Covid medical bills, the fluctuating financial landscape, these are some of the ongoing realities for many in the Bay and the pandemic was quite isolating. The team aimed and succeeded in bringing to light those realities and using storytelling as a tool to remind others, you are not alone. In the words of co-creator and writer Josh Healey, “Normal is what got us into this sh*t in the first place”, so it’s beyond time for us to re-define our “normal”. Society is always stronger together, and change can only come from community care and action. The premiere was held at the Oakland Museum of California, and the theater was filled with laughter, acknowledgement, and a silent reminiscence as we were taken through a journey of emotions many of us have reflected on privately in the last few years.
Co-creators Iturriaga and Josh Healey have worked with Offside Productions before, as well as co-producer Rosario Dawson, and the production house focuses on digital projects to amplify grassroots’ movements. A goal held dear to the cast and crew for Normal Ain’t Normal, and a message ringing clear to all who watch; communities hurting to live is not a normal meant to be upheld. The partnership between Offside, Iturriaga and Healey remains dynamic and robust. With the inclusion of Dawson, the powerhouse team brings to life a poignant commentary on the pandemic, without being insensitive to those of us still processing the trauma of a worldwide event. A quick to consume series that all should see, with beautiful direction, powerful acting, and genuine writing allowing the heart of the series to resonate in viewers’ for time to come.
Joel Michaely is an actor and producer who has played a role in many films and television projects.
Quarantine Thriller, Safer At Home, is a film starring Dan. J Johnson from Starz hit show, P-Valley. The film Safer At Home takes place in 2022 with a group of friends on a Zoom call whose night goes haywire. The Knockturnal spoke with Dan about the film, COVID-19 and the protest footage.
On Tuesday, February 2nd The Critics Choice Association hosted the 3rd Annual Celebration of Black Cinema, via a virtual ceremony, to honor 10 visionary films and 15 actors, producers, and directors of the season.
Get ready ladies and gents, because Disney just made this Christmas a whooole lot more magical! The original cast members of the Mickey Mouse Club have teamed up to create a new reunion Christmas album, Why? Because It’s Christmas. Not only are the cast members spreading Christmas cheer, the proceeds will be going to MusiCares, The Brave of Heart Fund on Music for COVID-19 relief, and the Cast Member Pantry.
The Cast Member Pantry provides grocery items to Disney employees who were furloughed and laid off due to COVID-19.
The new album let’s us take a trip down memory lane featuring holiday classics from 17 original Mouseketeers, including En Vogue’s Rhona Bennett, The Voice’s Tony Lucca, and MTV’s Awkward, Nikki DeLoach among others.
We spoke to En Vogue’s Rhona Bennett to hear her thoughts on the new album, reminisce about her days filming on set at “the most magical place on Earth” and how she got to spend every day at Hollywood Studios. Casual. Check out the full interview with Rhona Bennett below.
The Knockturnal: What are you most excited about with the new reunion Christmas album?
Rhona Bennett: I might be most excited about the fact that people I have a beautiful bond with have come together, once again, to share something that we all love…music. It warms my heart to be working with them. And, I have thoroughly enjoyed discovering the magic and individuality everybody brought to their songs on the record.
The Knockturnal: How did this reunion album come about? How did you feel when you were asked to participate? What was your first reaction?
Rhona Bennett: I actually thought it was a great idea. I thought it was so cute and ingenious; all of the components that come together to make up the inspiration behind this creation, as well as the charities that it’s supporting, and the beautiful gift we get to give to loyal fans… I thought it was an awesome idea. I didn’t hesitate to be a part of it.
The Knockturnal: Tell us about Cast Member Pantry. How does it make you feel that by participating in the album you are helping so many Cast Members in need?
Rhona Bennett: It makes me feel like we are right in step with the example that was set for us so many years ago… to give back. To always be vigilant and ready to be of service to people who could be in need, and also to recognize people who are doing great deeds.
The Knockturnal: What is one of your favorite holiday traditions with friends or family?
Rhona Bennett: One of my favorite holiday traditions is simply coming together. I enjoy time with my family and friends. It is the one thing that I truly look forward to, beyond the gift giving.
The Knockturnal: What is one of your favorite memories from the set of Mickey Mouse Club?
Rhona Bennett: That’s a tough question because there are several memories that I am fond of. I did enjoy interviewing Jesse Jackson for Hall of Fame day. The All New Mickey Mouse Club seemed to be on the cutting edge of bringing attention to racial inequality at such a young age on a progressive show.
The Knockturnal: Since Mickey Mouse Club was taken at Hollywood Studios, what was it like being at Disney World everyday?
Rhona Bennett: It was pretty cool. I don’t know that I was fully aware of how special what I was experiencing was at the time. We did get to visit what they call “the happiest place on Earth”, regularly. I can say that I am glad it is a part of my story, and linked to people I love.
The Knockturnal: Recently your song “Free Your Mind” made it to the R&B Top 10 list on iTunes, (congrats!) so what does the future hold for En Vogue? Can fans expect any new releases coming soon?
Rhona Bennett: We are hoping to release music as soon as we can. We did have intentions on releasing a couple singles this year in 2020, however, Covid altered a lot of plans, as you know. We are definitely looking forward to getting back in the studio, and sharing more music.
The Knockturnal: Recently you have been performing live-streams for fans and even a drive-in concert in LA. What has this been like? Do you enjoy the live streams? How are the live streams/drive-in concerts different than performing during pre-covid times?
Rhona Bennett: Different indeed. I will say that the drive-in concert was special because for me it was truly a marker of the times we’re in. Cars were socially distanced across the expanse of a University parking lot. Because of the chillier temperatures in California before show time, people were still sitting in their vehicles warming up while music was wafting amidst the night air. Sounds like I’m writing a book right now.
In all seriousness though, it was interesting to witness the music industry doing its best to be resilient. I feel like we are one of the hardest hit from the backlash of Covid. So it was rewarding to have the opportunity to perform again. For those who were more daring to enjoy the night chill, they were outside of their cars dancing and partying with us. Others decided to stay inside and honk their horns. It is an experience I won’t forget.
Live streaming was also very interesting in that there was no audience for the concert. So, the space in between songs was quite a different feeling. Regardless of those things, any opportunity we have to share the gift of music is welcomed by me. I’m sure we will find our new and working normal soon. Shout out to all the music industry and music lovers who are doing their best at this time.
Want to hear the new Christmas album? Well, of course you do. Check out the Mickey Mouse Club reunion CD here.
Nastasha B., a soulstress-songwriter and New York native, is releasing her follow-up single “The Interlude” on Oct. 29.
Everyone needs a little pick-me-up these days. Whether it’s a best friend across the country or your loved one just a few miles away, it’s difficult connecting with anyone during the quarantine. So what better way to show you’re thinking of them than sending a little something special?
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