Richland has all the trappings of a picturesque American small town.
It has diners, high school football, town parades and a smattering of hometown heroes and their kids and their kids’ kids. All this rests on contaminated land, from improper nuclear waste storage from the power plant that has driven the economy for the past half century. As it happens, the plant supplied plutonium for the atomic bombs dropped on Nagasaki and Hiroshima at the end of the Second World War.
Director Irene Lusztig’s documentary “Richland” takes a look at the legacy of the nuclear history in the eponymous town.
Pierce under the facade of many towns in America and you’ll find a radioactive underbelly. There are unsavory and complex histories to contend with, dominating industries with questionable practices and deep ideological rifts between its denizens. So this isn’t a film just about a nuclear town. It captures a disturbance felt all over the country. Its subject town’s focal point, uranium enrichment, happens to be a great metaphor: it brings energy, death, destruction, longevity, decay, prosperity, blight, advancement, regress. You can use that array of terms for plenty of institutions that backbone the history of many towns in this country.
Richland carries baggage that sounds familiar to many places. Beyond the scope of nuclear debate, there are salient moments to today’s public conversation writ large. For example, high schoolers and their parents debate the appropriateness of having a mushroom cloud mascot for their school team “The Bombers.”
The film captures so well the universal essence of small industry town life. And it gives breath to all its nuances and perspectives by letting its inhabitants speak for themselves. We’re not subjected to lectures from proselytizing pro or anti nuclear talking heads. Instead, we sit down at a diner table or a high school quad or living room and hear what people have to say about Richland, until we get an illuminating mosaic of thoughtful positions and the people behind them.
“Richland” premiered at Tribeca Film Festival June 11.
