In true Dan Levy fashion, the New York premiere of his directorial debut, Good Grief, wasn’t just an event. The celebration, much like the film itself, was an emotional journey through the corridors of grief, love, and, most importantly, the unwavering bonds of friendship.
For many, Levy is a household name. First capturing global acclaim in his role as David Rose in the critically acclaimed series Schitt’s Creek, his portrayal of the quick-witted and lovably sarcastic character garnered him widespread adoration. Beyond that, he earned Emmy Awards for writing, directing, and acting. His magnetic presence on-screen, coupled with his ability to infuse depth into his characters, established Levy as a beacon of authenticity.
The premiere also served as a celebration of a brand new endeavor for Levy, as he stepped behind the camera to direct the film, which delves into the emotions and complex dynamics of relationships after the sudden loss of a loved one. The story follows Marc (played by Levy), whose world shatters when his husband, Oliver (Luke Evans), tragically passes away. The aftermath of this loss propels Marc and his closest friends, Sophie (Ruth Negga) and Thomas (Himesh Patel), on a transformative journey to Paris. Amidst their shared grief and personal revelations, they navigate love, friendship, and the intricate layers of human connection.
The film’s narrative is a beautiful balance between heartache and hope, as it explores the complex web of emotions that individuals face when coping with loss. Levy’s storytelling intertwines humor, tenderness, and introspection, offering audiences a raw portrayal of the multifaceted nature of grief.
On Friday, Netflix hosted a Tastemaker Screening Event of the film at Crosby Street Hotel in New York City. Cast members in attendance included Levy, Ruth Negga and Himesh Patel. Following the screening, journalist and podcaster Evan Ross Katz moderated a lively Q&A.
“My friends have always been the great loves of my life, and this film is a love letter to the importance and complexity of adult friendship,” said Levy. “It’s an exploration of how relationships evolve as our lives expand; as our hearts swell, break, and repair. The premise first came to me in the middle of the pandemic. More specifically, it was the Christmas after my grandmother passed away. The suddenness of her death came as a shock to us all, but it wasn’t until a few months had passed that I really began to feel the void of her absence. I wondered why it took so long to hit me. Was there some physiological explanation? Or was it something else? Was it because I had lost her along with the pre-Covid life I used to know—with its freedom I had taken for granted—and I was in shock already from the headlines that I was confronted with daily? Did it take me longer to process because I’d actually been in a state of grief long before she got sick? Or maybe I was stalling, selfishly, because I didn’t want to feel worse than I already did.”
Levy also emphasized how there is a “beauty in loss,” and how that can inspire. Good Grief is a wonderful example of this. With its heartfelt storytelling and standout performances, the film stands as a testament to Levy’s creativity and his ability to craft a compelling narrative that touches the heart.