Stepping into the premiere of Luca Guadagnino’s After the Hunt, my expectations were high. I’ve seen and adored so much of his oeuvre, and Julia Roberts never misses, so I expected a knockout.
And knocked out I was.
“How many people are in therapy?” Rebecca Zlotowski asked the audience, following the premiere of “A Private Life,” prompting hand raises and knowing laughter.
“The first thing I thought was, it would be cool to make a film with Tom Waits as Adam Driver’s father.”
Naturally, the audience was cued to laugh, as Jim Jarmusch explained his writing process.
“I always have a kind of haphazard way of writing where I’m gathering small ideas that I don’t quite know the overall structure or picture yet,” he explained a moment earlier “And I write thinking of actors I would like to collaborate with on these characters.”
After winning the Golden Lion at the Venice Film Festival, the film was screened at the New York Film Festival as the centerpiece film of the festival. The film, directed by Jim Jarmusch features a triptych focusing on the relationships between adult children reconnecting or coming to terms with aging or lost parents.
So when Jim called, Adam Driver answered the phone immediately.
“Anytime he calls about anything,” Driver said, “Regardless of what it is, if it’s, you know, therapy, wallpaper, I’d be interested in doing that. He’s one of my favorite directors of all time.”
When it was their turn to praise Jarmusch, Indya Moore described their experience working with the director in poetic terms.
“I got to do my best work on James’ film,” they shared, “It was my best work because all of the years of experience that I’ve had, I came up to that moment in the discipline. I got to really fill out my space on set to really embody this character. But when it comes to my instrument as an artist, what I find is that I’m able to provide the most sincere reflection of whatever human experience I’m reflecting as an actor when the environment supports that.”
”I felt respected, there was food,” they added, after noting that Jim curated a safe space on set.
Luka Sabbat echoed similar sentiments. “Jim creates such like a great work environment,” he said, “And he’s particular without like being like arrogant or mean in any sort of way, and he really knows how to communicate his ideas and I feel like as an actor it’s so helpful to be with somebody who really knows what they want and knows how to communicate their ideas, you know.”
Expanding on this, he shares, “I’ve always wanted to be an actor and I grew up watching his films and actually moved to, I grew up in Paris and I had moved to New York to become an actor and then, like, my first big time movie, I got to shoot it back in Paris with one of my favorite directors, so I was like, wow, this is really awesome.”
While all of these actors expressed gratitude to work with Jim Jarmusch, the director himself expressed no desire to see Father Mother Sister Brother following its release in December.
“We presented the film in Venice at the Film Festival, and we presented here,” he said, “And after that, I will see it one time more with a paying audience that doesn’t know I’m there. And then I will never see it again.”
“You can’t change them later,” he added, ‘And I always follow the French poet Paul Belair. He said, ‘A poem is never finished, only abandoned. And you could edit forever and ever.’”
“Father Mother Sister Brother” is now playing at the New York Film Festival, and will be seeing a limited release on December 24, 2025.
The 2025 Teen Vogue summit was filled with fashion and conversation, with exciting events and booths.
There’s nothing wispy about these Willows.
I first met Noah Rothbaum at this year’s Tales of the Cocktail, and it was immediately clear I was in the presence of whiskey royalty. His deep well of knowledge, disarming humility, and easy storytelling made an impression long before a single bottle was opened. So when I heard he was launching The Whiskey Bible, I knew it wasn’t going to be just another book release—it was going to be an event for whiskey lovers.
It didn’t take much to get my ass in the seat for this one. Jordan Peele is the preeminent horror director of our time, and even without that caveat, he’s in the upper echelon of Hollywood filmmaking talent, so him producing this film made it frankly unmissable.
The Tensor Robocar is the first Level-4 autonomous vehicle for personal ownership built from the ground up with advanced sensors, redundant systems, and Tensor’s proprietary AI. It introduces consumer-ready autonomy with self-maintenance and on-vehicle data privacy to usher in a new era of personal self-driving cars that outdo anything else on the market right now.
Timed perfectly with the excitement of the US Open, Tubi premiered its original documentary Naomi Osaka: The Second Set last night at The Roxy Cinema in New York. The evening featured an engaging opening panel with Naomi Osaka and director Kat Jayme, moderated by acclaimed journalist Gayle King, before guests were treated to an exclusive first look at the film.
America runs on Dunkin’ and rooftop Kahlúa. Gorgeous surroundings keep me running, too.
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