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The Walking Dead Season 11, Episode 23 Review

by Julian Cannon November 14, 2022
written by Julian Cannon

There is one more episode of The Walking Dead after this week and there is a ton to process.

The biggest story of the week is Judith being shot by Pamela. To me, this is a remix of the comic book scene when Sebastian shot and killed Rick Grimes. While that was a straight up assassination, this was an accidental crossfire in which she was in the wrong place at the wrong time. I wanted to see Pamela die once this happened. But I have a feeling that Pamela will be overthrown as the leader of The Commonwealth and to be jailed for her actions.

With that said, while the shootout scene was good, it reminded me of The Walking Dead’s eight’s season. I love that season, but just like the many opportunities Rick had to kill Negan, the same can be said for Pamela. How is it that Daryl had a clean view to shoot the fire extinguisher but yet he could not do this to Pamela before that. With that nitpick aside, the battle kept my attention.

Lydia getting bit was something I found to be unexpected. Cassady McClincy did a great job with her acting on the scene including when her wrist had to be cut off. Also to note, Aaron telling Lydia that she is loved by the family is a great touch of a warm feeling since she did not have that same love from her own mom regardless that Alpha protected her most of the time.

I do not expect Mercer to be in jail for long since he is working against The Commonwealth now. Plus, He has to be the one to help everyone that got boxed it with the walkers and variants by Pamela’s orders. It is a sticky situation that brought the family together!

Another easter egg we got that I liked is the way Daryl carried Judith which mirrored Rick carrying Carl Grimes when he first got shot. I think the scene would have been better without Judith saying “daddy” to leave it more ambiguous but that is just me.

I really enjoyed this one and it is my favorite of this final batch of episodes of The Walking Dead. Next week is the final episode ever which is going to be a big one!

November 14, 2022 0 comments
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ArtEntertainmentEventsEventsFashion & BeautyFeaturedFilmMusicNewsNewsThe LatestTheaterTV

Netflix Hosts Sensational ‘Wednesday’ Night Function to Celebrate Fierce Addams Family Reboot

by Jonathan Tolliver November 13, 2022
written by Jonathan Tolliver

Wednesday was a DRAG, baby. Netflix x Most put together a rowdy, revelatory soirée in honor of ‘Wednesday,’ their upcoming Addams Family  reboot focused on everyone’s favorite moody teen girl. From the clips they showed at the event, this show is whip smart, funny and gorgeous. C’mon, art direction!

TS Madison

The night was hosted by the divine TS Madison, who was absolutely part of my queer awakening back in the day. She got us all riled up and ready for some haunting drag numbers.

Crystal Methyd (Drag Race Season 12) performed in a self-made ‘Thing’ look, aka a giant hand. It was hilarious and fun and a fantastic kickoff to the night’s performances.

Mo Heart (Drag Race Season 10, All Stars 4, UK vs The World) delivered the tightest lip-sync of the night; a sultry, sexy number where she skulked around stage seducing us all.

Photo by Ron Clark

Gottmik (Drag Race Season 13)  was all gusto in his goth glam rock number. He had the best look of the night in a witchy black ensemble. Face beat, hair slicked. Here for it.

 

Photo by Ron Clark

Violet Chachki (Drag Race Season 7) had me sweating with a burlesque performance that hit all the right notes. Damn, ma!

We then danced the night away to spooky mashups of pop hits, took photos at the IG-friendly lil setup and generally had the time of our lives.

Be sure to check out ‘Wednesday’ when it drops November 23rd. It’s gonna be a moment.

November 13, 2022 0 comments
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Exclusive Interview with Katie Lee Biegel

by Ranya Salvant November 11, 2022
written by Ranya Salvant

Katie Lee Biegel explained what cooking meant to her during the holiday season and gave amazing suggestions on how to reduce stress and focus on the experience with friends and loved ones.

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November 11, 2022 0 comments
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Queens Non Profit Org To Host Multicultural Festival The “1World Fest” Nov. 13th 2022

by Staff November 11, 2022
written by Staff

In a world that seems to be filled with hate, division, and intolerance, more and more individuals are coming to the realization that we can no longer do this alone.

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November 11, 2022 0 comments
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The Must Watch HBO Documentary Film: “Say Hey Willie Mays!”

by Danielle Niecey November 10, 2022
written by Danielle Niecey 8 Minutes read

Thursday, October 27, 2022, Manhattan, New York. HBO Documentary Films and Urbanworld Film Festival – hosted an exclusive screening for, “Say Hey, Willie Mays!” at the SVA Theater (located at 333 W 23rd Street in Manhattan, New York). The production runs in association with UNINTERRUPTED, Zipper Bros Films, and the Major League Baseball franchise to curate and celebrate one of baseball’s most renowned players, the living legend, and Baseball’s oldest living Hall of Famer, Willie Howard Mays Jr.

The film “Say Hey Willie Mays!” is directed by Nelson George and produced by Colin Hanks, Sean Stuart and Glen Zipper; Executive producers from UNINTERRUPTED include LeBron James, Maverick Carter, Jamal Henderson, Philip Byron and Major League Baseball’s Nick Trotta. With his career that spanning over 25 years, “Say Hey Willie Mays!” tells the story of the MLB icon, Willie Mays Jr, the discovery of his life calling in Baseball and emphasizes the fulfillment this path afforded him. The film covers Mays’ early career, where he began his profession in the Negro minor leagues; his draft by the US Army during the Korean War (1952 – 1953 ) shortly after being signed to the, then New York Giants; his impressive record setting career stats, that are compared to Babe Ruth’s; the highs (and the self-reflective times) of his life, and how he changed the face of baseball for the world.

Athleticism runs in Mays’ blood. His story begins in Westfield, Alabama; the living legend co-narrates the film which speaks highly of his father, Cat Mays, who raised him after he and Willie’s mother separated. Cat Mays played an integral part in young Mays’ development as an athlete and his sportsmanship. Willie’s father, Cat Mays,  a talented baseball player himself, participated in a local baseball team in Fairfield. His mother, Annie Satterwhite, also a skilled athlete, chose to run track and play basketball while she attended school. As a natural athlete, Mays explored an array of sports from basketball, to even becoming a quarterback for his school’s football team. Ultimately, his heart found its home in Baseball. His professional career as a baseball player began before he finished high school at the tender age of 17 with the Birmingham Black Barons, a minor league that initiated him into the, then, Negro American League. Despite all of the social commotion and cultural norms separating people of color from experiencing a more robust life, it was impossible to hide a light as bright as Mays. On the field Mays shone, and was scouted by several major leagues before he was of legal age to commit to a professional Major league team. Mays eventually signed to the New York Giants in 1950 and it is here that the world begins to take notice of Willie Mays Jr!

As the story continues, the world kept a close eye on this gifted athlete as he literally swept the nation westward; branching his career from the East Coast and playing for teams as far out as California. He even inspired younger athletes, such as his godson, Barry Bonds; to walk in his footsteps. Mays would go on to become the Rookie of The Year (1951); becoming an MVP player after closing in on 41 home runs and leading his team to win the World Series Championship of 1954-1955 thanks to his infamous “Catch” from a fly-ball hit by Vic Wertz of the Cleveland Indians.

The film also highlights Mays as a star off the field. His natural charm and mild-mannered temperament opened doors for him to meet high ranking public officials, political and national figures and receive special honors. Mays was featured in mainstream television, where his early media appearances on “The Donna Reed Show”(1964-1966); “The Colgate Comedy Hour Self”(1954) reaffirmed the benevolent narrative that surrounds him and set the trajectory for his star-studded career in and out of Major League Baseball.

Although the documentary is filled with gems and life principles, one of the most inspiring aspects of this film is Mays’ diplomacy and his work ethic, which he allowed to speak for the man that he was raised to be. He never lost sight of his mission to excel or perform at his best, even when facing discrimination. He never let the outside noises or distractions become the “thing” that branded his career.  He had a gift of not taking things personal, remaining focused, rooted and being noted by his colleagues as a very reserved man, even in the face of personal and career scrutiny. The film makes reference to  fellow MLB icon,  Jackie Robinson, who accused him of “selling out” and “not doing enough for the advancement of black people”. With class, poise and dignity, Mays responded to his statement and made it clear that he successfully led his own quiet revolution for his people and many others. The film backs this evident truth by highlighting community involvement, charitable works, his impact on every community he’s stepped foot in; his accolades and praises from public figures and his dedication to his craft. Mays clearly inspired and opened doors for people of various nationalities to enter the league and never once did he care what the color of their skin was.

 

Willie Mays Jr loved what he did, and played with love. The film does an extraordinary job highlighting these wonderful qualities about him.


Other special film appearances included his protégé, Barry Bonds, the son of baseball legend Bobby Bonds.

Chuck D of Public Enemy Nick Trotta, Colin Hanks, Nelson George, Michael Mays, Sean Stuart and Jamal Henderson. Credit: HBO/GETTY IMAGES

The special guest in attendance for the HBO Documentary screening included film-contributor and Hip Hop Legend, Chuck D of Public Enemy (who I was so thrilled to have met); Nick Trotta, Colin Hanks, Nelson George, Michael Mays, Sean Stuart and Jamal Henderson.

The new HBO documentary for, “Say Hey Willie Mays!” aired on HBO Nov. 8, 2022 and is available on HBO Max.

I highly recommend it!

November 10, 2022 0 comments
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The Glenlivet Celebrates It’s 21st and 25th Year Old Expressions, With A Whiskey Pairing Dinner Party in NYC!

by Nova Bajamonti November 9, 2022
written by Nova Bajamonti

Glenlivet’s Distillery Expert, Lisa Glen (who flew in from Scotland just for the event!) and U.S. Brand Ambassador, Jenna Murray, hosted the intimate whiskey-dinner pairing at Zou Zou’s NYC restaurant.

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Escape the City with American Express and Marriott Bonvoy

by Sanjana Sarna November 8, 2022
written by Sanjana Sarna

Prepare to be inspired and discover where the new cards can take you with an evening of cocktails, bites, and entertainment at the elegant Ritz Carlton NYC. Travel to the beach, an urban oasis, or a ski slope, anything is possible with the American Express Bonvoy cards and their exclusive deals.  

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November 8, 2022 0 comments
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EntertainmentFeaturedTV

EXCLUSIVE: The Walking Dead star Khary Payton Opens up on working with Jeffrey Dean Morgan, Melissa McBride, and a video call from Andrew Lincoln

by Julian Cannon November 8, 2022
written by Julian Cannon
Editor’s note, this interview took was scheduled to be published on Oct. 23 prior to our new server update.
Khary Payton has been a main character of The Walking Dead since the seventh season as Ezekiel. As the main show is wrapping up, Ezekiel and Negan had a conversation for the first time as he called the former Saviors leader out for coercing women for marrying him, killing his Kingdom residents, and pretty much letting him know that he will never forget what he did. Ezekiel is also part of the revolt against The Commonwealth.
With that said, I caught up with Khary Payton to talk about these developments along with his memories on the set in this exclusive interview.
How was Alexandria being turned into an outpost and labor camp approached by you?
“It came to me in the script. I didn’t get any input when I picked up the script, so I was like, ‘oh, this is cool.’ We’re going full circle, you know? After leaving Alexandria, it’s becoming another walk down memory lane and it’s going to be pretty cool. It’s going to be pretty interesting because. Because the time that we were shooting all of this stuff for Alexandria ends up being some of the coldest that I’ve spent shooting the show. And it’s and I feel like you can see it in the filming. It’s gray and dank.”
You and Jeffrey Dean Morgan finally had an exchange of dialogue for the first time. Were you satisfied with the outcome?
“Jeff and I were excited to finally work together. We’ve been on the show for years, and except maybe on a battlefield where arrows and bullets are flying and swords swinging, we weren’t having interaction. So this was the first time we actually had a conversation So we were looking forward to it. It was fun. I love the way he worked. And it was cool to finally get together and do it that way. It’s like it’s one of those things where life isn’t perfect. And when they hand you lemons, you make lemonade. When they hand you Negan, you use him to do what he does best, which is which is a little havoc. And hopefully this time it’ll pay off for people who deserve it. You know, I think that Ezekiel’s intent was to put his own feelings aside to take care of business.”
After the filming of the series concluded, what was the first thing you did when you went home and did you had time to reflect on your time on The Walking Dead?
“I went home and hugged my kids. Before the pandemic, I would fly home constantly. So even if I was away for a couple of weeks, that was as long as it was. So when the pandemic hit, it was like months at a time before I would see them again and that was really hard. So this was a grind getting to the end of the show. And, and I feel like I’ve still haven’t had a chance to take a deep breath and breathe it all in and understand what it’s meant to me and my life and career and all of that. Melissa McBride is probably the thing I will miss the most about the show. She is the greatest acting teacher I’ve ever had. I learned something beautiful and nuanced from her every time I’m on set with her. I don’t think I’ll ever know anyone like her again. And it was always magic when we were on set together. The thing is, she teaches you without even trying. She is a raw nerve and a live wire. And she feels and and takes aspects of so many things about from the script or just in the room surrounding you. She takes and uses it and she’s pointed out things to me along the way that have just changed my perspective on a scene and the way that we interact with each other.”
One of my favorite episodes from the previous season was “Walk With Us” when we saw The Hilltop burn down during that chaotic battle. Any moments you would like to share about your experience during that lengthy scene?
“I remember how awesome the kids were. I had one kid in my arms holding one’s hand and seven others running behind me and they were such little professionals. They listened and took direction. There’s all this fire and flames and horses running and all of this stuff. I’m proud of all of them. And that’s what I will remember most. I also remember that because we were right next to the fire and there were so many fun moments, the nights that we were shooting those scenes, with The Whisperers and the walkers. We’d all been waiting for this battle to happen all season. And it was and it felt so cathartic, you know, I remember that Andrew Lincoln video called Norman that night. And we all huddled around the phone and video chatted with Andrew Lincoln, who we hadn’t seen in so long. It was a cool night.”

 

November 8, 2022 0 comments
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FeaturedThe LatestTV

‘Star Trek: Prodigy’ Stars Tease Season 1 Finale [Video]

by Candace Higgins November 8, 2022
written by Candace Higgins

New episodes of Star Trek: Prodigy are set to be released October 27th. We sat down with stars Kate Mulgrew, Ella Purnell, and Brett Gray to breakdown the series.

Mulgrew, reprising her role as “Captain Janeway” some 20 years later, provides the voice of “Hologram Janeway.” She said she enjoyed reconnecting with her character and explained the art behind portraying two different versions of Kathryn Janeway. “There are many other things happening within Prodigy, you know I’m not just Hologram Janeway. There’s Vice Admiral Janeway, there’s mirror Janeway. There are many elements of Janeway being illustrated … so I get to work on nuisance and subtly.”

Star Trek: Prodigy follows a motley crew of young aliens who must figure out how to work together while navigating a greater galaxy. Members aboard, Ella Purnell as “Gwyn” and Brett Gray as “Dal,” divulged some of the themes this series tackles as it approaches its second half of season 1.

“There’s so much to get into and top of that Gwyn is complex and I knew this was a show aimed at kids but the writing is just so smart, Purnell said.

“I do think it says about our world that there’s space for more kindness, there’s space more unity, there’s space for more compassion,” Gray added.

Star Trek: Prodigy  is streaming on Paramount+.

November 8, 2022 0 comments
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FeaturedTV

The Walking Dead Season 11, Episode 21 Review

by Julian Cannon November 8, 2022
written by Julian Cannon

How does The Walking Dead addresses the ending of last week’s episode? By barely moving the story forward with illogical decision making.

First off, we learn that the communities that The Commonwealth took over were transformed into forced labor camps. It is here that we see Alexandria being used to expand the train operations. I like the idea, but could we have saw this a few episodes earlier? There is no reason why we had to wait to the near end of the series to see this. Also, how ridiculous is it to bring the Alexandria residents back there as prisoners since they know the entire layout of the community.

Speaking of The Commonwealth, whatever training Mercer did with the soldiers are pointless. They act and talk like video game NPCs and it was on full display here as many of them were easily killed by Daryl, Carol, Maggie, and others.Sure, I love a good gun battle, but those soldiers looked pretty stupid trying to combat back. Plus, there was no sense of urgency or tension while I was watching the ambush take place.

And do not get me started on the intro. Cool to see that solder get shot from the back of his head. But it meant nothing due to what transpired before. Everyone in that truck was zip-tied and those are not easy to get out of when its behind your back. How did Maggie just break out of that?! At least when Rick, Daryl, Bob, and Glen were zip-tied, they showed Rick using the sharpened wood to break it. For some reason, Maggie had super powers for a second and broke free. WHAT?! Are you kidding me?

And the other two things that were ridiculous was that scene when Rosita dislocating her arm, and the one solder that fell asleep. Soldiers are supposed to stay awake when they have captives. Why would he fall asleep with his assault rifle? And last, why would the train conductor use that horn when there could be walkers miles away? Do the writers even know what show they are writing anymore?

There are some positives. I am a huge Negan fan, but I am glad that Ezekiel brought up how Negan used to force women to marry him and burning Dwight’s face. It was glossed over for so long and I felt like it was a big scene between Negan and Ezekiel since they never interacted outside of battles. Gabriel also did not forget his roots as a preacher all season long as he spoke with the injured soldier before he died. And finally, Kelly knowing what would happen if she escaped the worksite like the three others did.

After all this, the episode ends the same way as the last episode did. Which is, back to Alexandria. Or in this case, Outpost 22. Nothing of value was gained here except the positives that I mentioned. When it is all said and done, this episode of The Walking Dead in my eyes is the weakest and most illogical of this final half of season 11.

 

November 8, 2022 0 comments
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