Last Wednesday, I took the F train downtown to see the third iteration of DENNIS, written by Aidan La Poche. Currently circulating like gossip through every Paloma Wool–clad Lower East Side Gen Z’er, it not only takes on the topic of AI, but also explores therapy culture, brain rot, and the particular seduction of being understood by something that isn’t human.
Broadway Bound Kids (BBK) celebrated an unforgettable evening at City Winery NYC on February 2, raising over $80,000 at their fourth annual Broadway Bound Benefit: Empower State of Mind. The funds will support free summer programs and expand performing arts opportunities for over 2,000 students across nearly 50 New York City schools.
Los Angeles has never been short on nostalgia. But every so often, a project arrives that doesn’t just reference the past—it inhabits it. Brassroots District: LA ’74, which opened on February 7 at the historic Jewel’s Catch One, isn’t asking audiences to remember 1974. It’s inviting them to step inside it.
Theater productions offer different feelings. This can range from amusement, amazement, a frisson of fear, and an insight into the human condition. An important moment is when the playwright presents an event from history that speaks to today’s events.
On December 27, The Christmas Night Opera filled Carnegie Hall with an audience made of longtime opera enthusiasts, devoted fans, and first-time listeners drawn by the holiday program. Set inside the Stern Auditorium, the evening brought together world-renowned vocalists and the American Symphony Orchestra for a concert that felt both celebratory and focused, offering a year-end gathering rooted in tradition rather than spectacle.
Urban Stages was founded to support playwrights in developing and showcasing new work. They now also work to increase access to the arts. Their mainstage program supports artists and presents acclaimed plays and musicals Off-Broadway.
Last week, The Parliament proved it knows how to give ’em the old Razzle Dazzle as it celebrated its grand opening in true Broadway fashion—paired perfectly with the kickoff of Chicago on Broadway’s 29th Anniversary.
You know what?! We (didn’t) invent Post-Its!
Rakugo is a Japanese tradition dating back 400 years. A single performer kneels on a cushion and tells a long, complex story. A fan and a hand towel are the only props.
I wasn’t sure what to expect when I arrived at Sony Hall, but the night quickly set sail on a sea of sound and community. Broadway Bound Kids opened with a spirited performance that captured the energy of the evening—a celebration where Broadway flair met yacht rock grooves, all in support of The PATH Fund (Performing Artists That Help) and its youth program, Rockers on the Rise.