Ryan J. Sloan and Ariella Mastroianni’s genre-bending debut is a triumph of bootstrapped independent cinema.
On the first day of New York Comic Con 2024, directors Anthony and Joe Russo (Avengers: Endgame, The Gray Man) joined stars Millie Bobby Brown and Chris Pratt on stage to give fans an in-depth look at their upcoming Netflix film, The Electric State.
I saw the first Smile movie. I heard the buzz, bought into the hype, and was pleasantly surprised by the new and innovative take on the typical ghost-slash-demon jumping from victim to victim genre (think It Follows). I left the theater feeling content and excited for the franchise’s future.
Saoirse Ronan’s filmography exudes a stunning range.
Future films of any stripe will be hard-pressed to surpass the ambition and ostentation of Emilia Perez.
Do we as humans have the ability to forgive and move on? Or is it something more complex? Titus Kaphar’s latest film, “Exhibiting Forgiveness,” stands out as a poignant exploration surrounding the idea of forgiveness, identity, and the transformative power of compassion. Kaphar, a renowned painter and filmmaker, delves into themes such as generational trauma, grace, and forgiveness that resonate deeply with audiences, pushing the boundaries of traditional narrative and visual art.
Amy Adams takes parenting to a whole new level in this dark comedy/horror, guiding viewers through a wild metaphor for a maternal crisis.
In attendance were the film’s stars Naomi Scott, Kyle Gallner, Dylan Gelula, Miles Gutierrez, and Writer/Director/Producer Parker Finn.
The Palme D’Or winner’s torrential, jaunty pace belies a bleak portrayal of sex work under a setting American sun.
Sue Kim’s New Film The Last of the Sea Women produced by Malala Yousafzai celebrates powerful women divers with a traditional way of life.