We’re here, we’re queer: Is that still weird to you? HBO’s hit series ‘We’re Here’ returned last Friday on Max with another season following four queens who go to small towns to empower queer people through the power of drag.
Jonathan Tolliver
Take one look at me you know imma Andre 3000 fan. The artistry, the honesty, the forthrightness: he’s a genius after my own heart.
So I was thrilled when I got invited by Knockturnal’s foremost music writer Hakeem to witness an IMAX presentation of ‘New Blue Sun,’ a film / album directed by Terrence Nance – huge fan of his, too – featuring Andre in a blue room simply living. A living room, if you will.
This album ended up on several year end best of lists and I couldn’t agree with those critics more. It’s meditative, curious, improvised and whimsical.
The visual we got matched that energy perfectly. He’s doing hand stands, he’s playing with toys, he’s walking with shoes for hands: it’s a tour de force of childlike improvisation soundtracked by improvisational jazz.
‘Ninety Three Til Infinity and Beyoncé’ is the standout track, a fete of Sun Ra soaked genius, featuring the magnificent string work of Memphis-born genius V.C.R.
We seguewayed to a Q+A with Terence and Andre after the film wrapped. Full disclosure: fully thought they’d both be live in the building.
Still had a marvelous time. It’s just so fun listening to Andre talk.
‘If you don’t follow through on things…overly losing just don’t feel good,’ he said in reference to successfully washing his car. Such an off-kilter and direct way of describing a universal feeling.
We sat in rapt attention as questions flooded in from around the country. We could hear – in state of the art surround sound – the live New York audience shouting out in support of one of the most brilliant minds of our time.
I was jealous I couldn’t be there to register my thanks to him in person. He may have brought us a new blue sun, but Andre 3000 remains ice cold.
Hornitos and The Gay Games: A Love Story. I had the privilege of stopping by The Warm-Up, a day party aimed at limbering us queers up for a week of Olympic-style events in Guadalajara and Hong Kong.
Wigloose, baby, Wigloose! You’re holding it together you got no excuse! An All-Star level assortment of queens from RuPaul’s Drag Race season 15 gathered at the LA LGBT Center to perform for Emmy voters, and what a performance it was.
Fresh is the word of the day, y’all. I was lucky enough to venture into Urban Plates on a recent night out in Pasadena and was greeted by a sensational staff and impossibly tasty food from this made-from-scratch outpost serving New American fare.
Ocean Prime Revamps and Refines Already-Sensational Menu for Maximum Delectability
Ocean Prime has it all figured out. A high-end steak and seafood outfit that isn’t afraid to take risks, they’ve become a staple of the country’s jet-set culinary scene.
Exclusive: RuPaul’s Drag Race Season 15 Queens Talk Drama, Mamas and Eating at Benihana [Video]
C’mon, Quinceañera! RuPaul’s Drag Race duckwalks onto our screens with 16 brand new queens – the most ever – and a yassified grand prize of $200,000. This season feels incredibly fresh; sort of a season 2-3 cutthroat seamstress vibe mixed with a season 7 ‘the glamour is here’ type beat.
The king has returned. Will Smith’s latest film is a frank, rousing look at the life of a runaway slave evading ruthless catchers in the unforgiving swamps of Louisiana.
Smith is unflinching in his portrayal of ‘Whipped Peter,’ a man fighting for his freedom and a return to his family. Through gnashed teeth and broken limbs, he hopes for a reunion that seems incredibly unlikely.
He’s hunted by Fassel (Ben Foster), a man with no scruples. Foster is magnificent in a very tough role; that of a slave catcher who’ll stop at nothing to bring Peter to his knees.
Charmaine Bingwa plays Dodienne, Peter’s wife, with a torrent of passion and care. She’s left behind to care for their children and keep the hope of his return alive. This is a breakout role for Bingwa, and I wouldn’t be surprised if an Oscar nomination is next.
Director Antoine Fuqua pulls no punches. Each scene is sobering and hyper realistic. His attention to detail is unmatched, as so many in the cast told us during red carpet interviews.
The script is based off a photograph of the aforementioned Whipped Peter. A Union army medical examination photo shows his latticed, shredded back, and contributed to growing public opposition to slavery.
Emancipation is out today via Apple TV. It’s essential viewing, and I’m very grateful these artists came together to tell this story.
I once played a show in Paris and was excited to try as much food as possible that day, but all I had time for was a chicken shack by my hotel. And while that chicken did slap, I knew I’d been cheated.
So when I heard Mr. T, with its Parisian outpost, French techniques and international street food was opening in LA, I knew I had to find my way there. I was not disappointed.
The space is industrial and trè chic, with exposed pipes and uncovered bulbs. It feels at once high end yet approachable.

All photos by Ron Clark
I started with a couple sensational drinks, as I do. First was the Mr. T, a sublime mezcal-based drink featuring fruity accoutrements; prickly pear, Cointreau, lime juice, agave and candied hibiscus. This is obviously their signature drink, and it was sensational, the mezcal a perfect smoky balance to the other sweet ingredients.
Next up was the Let Me Ride, the sweetest drink on the menu. It’s made with tequila, mango, lime juice, agave, and squirt with a mango purée tajin rim. I loved it, though it’s more of a summertime al fresco taste. I’d absolutely have it again.
The ‘Uni’ was my appetizer. It’s sea urchin topped with confit egg yolk and Koshihikari rice. It was subdued and incredibly fresh, a savory and buttery taste that was lighter than I expected.
The morning before I went to this dinner, my very sophisticated friend said ‘you can’t go wrong with steak frites,’ so I ordered it. I trust him with my life.
He was correct! I’ve always adored hanger steak, and this was a particularly choice offering. I ordered it medium rare, and it was succulent and juicy. I just involuntarily drooled thinking about it.
Despite that high praise, the dish of the night was the striped bass sabayon, an unbelievably delicious cut of fish that tasted so sophisticated and fresh I couldn’t help but fall head over heels.
The vandouvan crust was such a lovely touch, a welcome addition to both the texture and taste of the dish. Can’t stress it enough: I was blown away by this.
The poulet frit ‘cesar’ was decadent, a fried Cornish game hen slathered in hot honey. It was lovely and sinful, which is a wonderful combination.
Rounding out the night was apple pithiviers, a straightforward and gently-bombastic dessert. I had a great time with it, though after the heavier entrees, I should’ve chosen something a bit lighter.
Mr. T more than lives up to the hype. This developing corridor of Hollywood is lucky to have such a tremendous dining experience. I can’t recommend it enough.
Netflix Hosts Sensational ‘Wednesday’ Night Function to Celebrate Fierce Addams Family Reboot
Wednesday was a DRAG, baby. Netflix x Most put together a rowdy, revelatory soirée in honor of ‘Wednesday,’ their upcoming Addams Family reboot focused on everyone’s favorite moody teen girl. From the clips they showed at the event, this show is whip smart, funny and gorgeous. C’mon, art direction!

TS Madison
The night was hosted by the divine TS Madison, who was absolutely part of my queer awakening back in the day. She got us all riled up and ready for some haunting drag numbers.
Crystal Methyd (Drag Race Season 12) performed in a self-made ‘Thing’ look, aka a giant hand. It was hilarious and fun and a fantastic kickoff to the night’s performances.
Mo Heart (Drag Race Season 10, All Stars 4, UK vs The World) delivered the tightest lip-sync of the night; a sultry, sexy number where she skulked around stage seducing us all.

Photo by Ron Clark
Gottmik (Drag Race Season 13) was all gusto in his goth glam rock number. He had the best look of the night in a witchy black ensemble. Face beat, hair slicked. Here for it.

Photo by Ron Clark
Violet Chachki (Drag Race Season 7) had me sweating with a burlesque performance that hit all the right notes. Damn, ma!
We then danced the night away to spooky mashups of pop hits, took photos at the IG-friendly lil setup and generally had the time of our lives.
Be sure to check out ‘Wednesday’ when it drops November 23rd. It’s gonna be a moment.





