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Arin Ray Sets Tone at Blue Note Los Angeles

Another strong night inside the venue

by Sharafa Odusanya April 13, 2026
by Sharafa Odusanya April 13, 2026 0 comments
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Arin Ray pulled up to Los Angeles and delivered exactly the kind of night you hoped for if you’re tapped into real R&B. Smooth, intentional, and personal from start to finish.  Set inside Blue Note Los Angeles, the night carried a little extra weight. The venue has quickly carved out a reputation as one of the city’s premier intimate stages, blending jazz roots with a forward-thinking mix of R&B, soul, hip-hop, and live instrumentation. It’s the type of room where artists don’t just perform, they connect.

And the lineup speaks for itself. Blue Note has been bringing in names like PJ Morton, Talib Kweli, Digable Planets, Eric Roberson, and Tiana Major9, while also hosting residencies and curated runs from artists like KEM and Lady Blackbird. On the upcoming side, the calendar stays just as strong with acts like Samara Joy, Kota the Friend, Durand Bernarr, Bilal, Melanie Fiona, Estelle, and even Take 6 continuing that blend of legacy and next wave talent.

Photo Credit: Ricky Horne Jr.

That kind of environment fit Arin Ray perfectly. From the jump, “Change” set the tone. It was one of those openings that immediately lets you know the night is going to be cohesive, not rushed. He leaned into the emotion early, and the crowd followed right with him. As the set built into “Bad Idea” and “Reckless,” the energy picked up without losing that laid-back, late-night feel that defines his sound.

What stood out most was how seamless everything felt. Tracks like “We Ain’t Homies” and “The Mood” hit exactly how they should in a live setting, while “Gold” and “With or Without” added a little range to the pacing. Midway through, he tapped into fan favorites like “Cheap Champagne” and “Just Like Everybody,” which got some of the biggest reactions of the night. You could tell a lot of people in the room really knew the catalog, not just the singles.

The back half of the set slowed things down in the best way. “Human Nature,” “Both of Us,” and “Wait So Long” brought the room into that more introspective space, before closing out with “Sweet Thang,” which felt like the perfect send-off. Smooth, nostalgic, and right on brand. The performance came together as a polished, well-paced set that highlighted both vocal control and intentional sequencing. The focus stayed where it belonged, on the music and the connection with the audience.

The performance came together  was as a polished, well-paced set that highlighted both vocal control and intentional sequencing. Before wrapping, Arin Ray took a moment to speak directly to the crowd, getting noticeably emotional as he opened up about the next era of his career. He shared that he will be stepping into an independent phase, signaling a new level of ownership and creative freedom moving forward. As someone who has been a fan for a while, it was a genuine moment to witness. There’s a real sense that this next chapter is going to unlock something even deeper in his artistry, and it will be exciting to see where he takes it next.

Photo Credit: Ricky Horne Jr.

ARINARIN RAYBLUE NOTE LAnew musicRnB
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Sharafa Odusanya

Sharafa Odusanya is the Sports & Music Editor at The Knockturnal, covering concerts, festivals, album releases, artist interviews, and the ever-evolving music landscape. Since joining the publication in 2024, he has reported on everyone from emerging artists to Grammy-winning performers, earning recognition for his thoughtful storytelling and engaging event coverage. A Los Angeles native of Nigerian American descent, he draws on firsthand experience producing sold-out music festivals and a passion for discovering artists across genres, giving him a unique perspective on the industry and connecting audiences with both established stars and emerging talent.

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