The open road has often reflected isolation in film.
Even within the last few years, films like The Rider, Nomadland and Train Dreams used the vast landscapes of Americana to reflect the disconnect between a person and the world around them. The contrast between their old fashioned lifestyle and the rapidly changing outside world is ripe for exploration, especially when what’s holding back the main character from growth is personal trauma or stubbornness. In David Drake’s debut feature, The Long Haul, he touchingly explores isolation through the lens of trucker, C.J. (Margo Martindale) and the strength it takes to reunite with the world after massive trauma.
The Long Haul is anchored by Martindale’s captivatingly subdued performance. She has tremendous power where even her most minimal facial expression speaks volumes — her pain, disconnect, humor, and frustration all blending into one nuanced and layered portrayal. Drake also excellently matches Martindale’s energy to the pace of the film, taking his time in each scene while instinctively knowing when to ramp up the energy as her performance builds.
His direction expertly captures the scale of Martindale’s world — both in the American landscapes and the trucks themselves — contrasting that scale with how she guards and insulates herself. We learn more about why Martindale’s character has isolated herself through her interactions with a friend played by Stephen Root and a trucker/vlogger played by Cole Sprouse. Sprouse is a natural standout in his role, and seeing his wannabe-influencer attitude clash with Martindale’s gruffness is a consistent highlight. While the performances overall are solid, the dialogue is at times too on the nose, spelling out themes at the expense of natural conversation. It is not frequent enough to be a serious problem, but it does occasionally disrupt the film’s natural feel.
Overall, The Long Haul is a deeply forgiving, intimate film that knows how to use its quiet moments to speak volumes. Seeing an experienced character actor get the opportunity to lead a film is always a joy, and Martindale shines in the driver’s seat. This is a film you will not want to miss.
