And that’s a wrap!
In a city where wearing a DSLR around your neck is almost as common as an iPhone, it’s refreshing to be reminded of photography’s simple rules: Click and shoot. Be in the right place at the right time. Get to know your subjects’ and their message. See through the lens to the person of front of it, and don’t just capture their face; Capture their essence.
Mick Rock doesn’t just achieve this. He lives and breathes it. And now, you can too, thanks to a recently released documentary about this legend.
Shot! The Psycho Spiritual Mantra of Rock held its World Premiere at the Tribeca Film Festival on Friday April 22nd. The documentary captures Mick Rock and all of his essence, from his beginnings in Cambridge, to his travels with David Bowie, to his work on album covers. Director Barnaby Clay calls Mick’s work the “blueprint of music photography” and Mick is truly just as famous as the icons he snapped, definitely just as rugged, and equally as cool.
Combining interviews taken on a constructed set, black and white film (which beautifully mimicked the feel of Mick’s photos), and reenactments of Mick’s darkest times, Barnaby’s film takes a journey through the wild side, and the creative side, of Mick. There’s no shortage of psychedelic elements and virtual acid trips in the film, nor crunch of the guitar that rips through the soundtrack. It was a soundtrack that would continue long into the evening courtesy of a film after party at the Dream Downtown.
Long into the night, patrons were treated to a catered rock show of covers that reflected the life and talent of Mic Rock. It was a Rock n’ roll-a-dex, if you will, of Mick’s most famous photographs including The Ramones, David Bowie, and Lou Reed. The “house band” in this case, included a Yeah Yeah Yeahs reunion, as they and other special guests like immersed themselves in hits such as “Rebel, Rebel” and “Walk on the Wild Side.” The audience squealed with delight as Marky Ramone himself joined the drums for “I Wanna Be Sedated” and provided a drum solo before Karen O and crew launched into “Sheena is a Punk.”
Tunde Adebimpe (TV on the Radio), Sky Ferreira, Debbie Harry, Eugene Hutz, Money Mark, Rose McGowan, Waris Alhuwalia, Nick Zinner, Bob Gruen, Nur Khan, David Katz, Scott Lipps, Barney Clay, Todd Dicurcio, Megan Dicurcio and more were spotted partying at the Gallery in the Dream Downtown. The evening was presented by Nur Khan and Gibson Guitars. The bands continued the party down at Electric Room.
Could it get any cooler?
It may be every musician’s dream to play this music.
Nay.
It is every musician’s dream to see themselves as Mick sees them. As soon as you step in front of his lens, he thinks you’re the most interesting person in the world. And through this documentary, everyone gets one step closer to being there.
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Photo Credit: David X Prutting/BFA.com
On Thursday, 21st at the Bow Tie Cinemas #ActuallySheCan, the inspiring female empowerment campaign by the leading women’s healthcare company Allergan, premiered three short films in association with Tribeca Digital Studios—Leaders of the Pack, directed by Erin Sanger, La Cocinera, directed by Emily Harrold and Chromat: Body Electric directed by Ricki Stern and Annie Sundberg at the Tribeca Film Festival. The films were all directed by female filmmakers and tell the stories of young women who are defying all odds, challenging convention, and “out to prove that #ActuallySheCan”.
Leaders of the Pack tells the story of two incredible women, as photojournalist Katie Orlinsky who captures Kristin Knight Pace, a musher in the 2016 Iditarod Trail Sled Dog Race. La Cocinera brings us the inspiring story one of the youngest and most successful chefs in New York City, Daniela Soto-Innes. A 25 years old, Daniela is Chef de Cuisine of renowned Mexican restaurant Cosme in New York City. Chromat: Body Electric follows the story of emerging fashion designer Becca McCharen as she prepares her clothing line for New York Fashion Week. Becca’s work embraces women of all shapes and sizes and is made from innovative and technological stance.
After the screening award winning actress, Sarah Jessica Parker lead a Q&A discussion with the directors and documentary subjects about their life journeys, inspirations, and advice for others. Check out our exclusive coverage:
Sarah Jessica Parker: It’s really thrilling to sit in a darker theater and get to watch these wonderful and interesting well told stories about and by such amazing women and subjects and filmmakers in my opinion are incredible impressive people. These stories are filled with ambition and vision and struggle and triumph and not feel inspired and here more from all of you. I’m very pleased to be joined by you all tonight, talented female directors and compelling subjects. Each of these women are a perfect illustration of the power of ambition and conviction
Do you think ambition is an accurate portrayal as yourself as ambitious people and women?
Becca McCharen: I really work hard to get where I’m at. I’m really driven and motivated to be where we are at with Chromat. We want to do something bigger with every season. That drive and motivation comes with knowing that what we do matters to people who see our work. It’s a positive feeling because we know that we representation people who aren’t normally represented in fashion. That is one one thing that really drives me, the community that we are in and representing.
Katie Orlinsky: I’d say I’m ambitious. I’m always seeking knowledge and am always curious so that sort of of leads me to want to get to a certain level in my career were I have the opportunity to do so. It’s a funny word ambition. I would definitely consider myself ambitious but it’s never how I described myself.
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Sarah Jessica Parker: When you are looking at your work, do you think your world view is the point of view of being a women or curiosity?
Katie Orlinsky: I’m a woman and I do tell a lot of stories that focus on women but not exclusively. The interesting part is that history is told by men and I’m documenting history and journalism has been a male dominated industry for a really long time and it’s moving out of that. Having my own vision and the why I see my stories is coming from a woman and that’s important I think for diversity of the history if the world.
Erin Sanger: Film has been a medium about humanity and if it’s men who are always making films or Caucasians, then how do we have a body of work that we can all appreciate if it’s only told from one perspective? As a documentary filmmaker working on a film like this makes you more aware and opens your eyes.
Sarah Jessica Parker: Tell us the courage of conviction when making a documentary?
Emily Harrold: One thing I love about Documentary is that it is so hard and you do have to care so much about the story you are telling. You probably won’t see money in the beginning but you have to begin shooting and show why the story is important and show it to the world and get it out there and if you care that much about, other people will. It’s very different then the native world in that way.
On April 23rd, 2016, The Knockturnal had the chance to attend the Red Carpet and an after film Q&A for the Tribeca premiere of Special Correspondents
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On April 22nd, 2016, The Knockturnal had the chance to attend the Red Carpet for the Tribeca premiere of Mr. Church.
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