Timothée Chalamet reteams with ‘Call Me By Your Name’ director Luca Guadagnino for charming cannibal romance Bones and All’
Noah Baumbach and company provide a wild re-imagining of Don DeLillo’s ‘White Noise’
With Showing Up, Kelly Reichardt sculpts a portrait of an artist on edge, featuring a wonderful Michelle Williams and Hong Chau
Stars at Noon, the latest film from Claire Denis, befuddles and bewilders but is worth the watch if you get on its wavelength.
Noah Bambauch the mumblecore king presides over new postmodern territory.
Don DeLillo’s “unfilmable” gold standard pomo masterpiece “White Noise” has emerged from development hell to the hands of Noah Bambauch.
At first glance, he seems an unlikely steward to bring the classic book to life after its nearly 40 year gestation. He’s known for his slice of life narratives with realistic characters speaking naturalistically. In other words, the polar opposite of the DeLillo novel. DeLillo speaks the language of the absurd and parodic. Bambauch speaks the language of New York apartment hunting and divorce lawyer contracts — real life things as they happen in real life.
But the sensibilities of DeLillo and Bambauch share some threads, woven together for a faithful adaptation. To wit, “White Noise” is fundamentally a story about a family. And Bambauch knows a thing or two about depicting a family on the big screen, having directed “Marriage Story,” “The Squid and the Whale” and “The Meyerowitz Stories.”
Bambauch spoke to the Knockturnal at the film’s North American premiere kicking off the 60th New York Film Festival.
“It is about a family,” said Bambauch. “The gap between what we say and what we mean. What we say and what we feel. What we think about ourselves and who we really are. Those are things I’ve explored in a lot of my movies.”
“Family mythologies are in a lot of my movies too,” he continued. “Parents tell their children and children have to unlearn them later. In this case you have all of that. But then you also have family as a microcosm of the culture. You have that line: ‘Family is the cradle of the world’s misinformation.’ You have Essentially the kids shouting facts and saying things we don’t know if they’re real or not. After a while you lose track wishing yourselves and you create your own facts. That’s something that is both true of a family and something we see is also true of the American culture at large.”
White Noise hits theaters Nov 25 and will be available for streaming on Netflix Dec 30. The film stars Adam Driver, Greta Gerwig and Don Cheadle who were all in attendance for the premiere.
The long-anticipated sci-fi/action epic had its North American premiere at New York Film Festival on October 7th. The film’s director, Denis Villeneuve, gave a brief speech and special thank you to the New York audience for being in attendance. He later was joined by the film’s composer, Academy Award winner, Hans Zimmer for a post-screening Q&A.
Fondation Cartier Premieres Artavazd Peleshian’s ‘Nature’ and Andrei Ujică’s ‘2 Pasolini’ at NYFF 59
Nature is Peleshian’s first feature film in 27 years. Andrei Ujică’s 2 Pasolini was originally part of an exhibition with The Fondation Cartier pour l’art contemporain. Both enjoyed premieres at the 59th annual New York Film Festival.
For fans of The Velvet Underground, you are in for an absolute treat.
The Knockturnal was on the scene for the star-studded New York Film Festival premiere of Maggie Gyllenhaal’s directorial debut “The Lost Daughter” at Alice Tully Hall this week.
The Knockturnal was on the scene for the 59th New York Film Festival Opening Night screening of “The Tragedy of Macbeth.”