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EntertainmentEventsThe LatestUncategorized

On The Scene: NYC Mayor Eric Adams, Jane Lynch, Patti LuPone and More Attend Opening Night of Broadway’s “Paradise Square”

by Sydney Hargrove April 6, 2022
written by Sydney Hargrove

In the mid 1800s, lower Manhattan contained a row of streets that were known as the Five Points. On the outside, the streets were lined with danger and uncertainty, but inside the community, at an all-are-welcome bar called Paradise Square, it was easy to forget about life for awhile. It was there that freed slaves and Irish immigrants came together and created an explosion of music and dancing that would define the generation.

The cast and crew of Broadway’s Paradise Square have been working tirelessly to bring this astonishing work of art to life right before our eyes, and we finally got to witness the masterpiece firsthand on Sunday night. The red carpet dazzled with Broadway legends and political figures, all sharing a buzzing excitement for the show that was about to begin.

In attendance was NYC Mayor Eric Adams, New York Attorney General Letitia James, Former NYC Mayor Bill de Blasio, Huma Abedin, Patti LuPone (Company), Chita Rivera, Former NY Giant Tiki Barber, Traci Lynn Johnson (The Real Housewives of New Jersey), Jane Lynch (Funny Girl), Arian Moayed (Succession), James Monroe Iglehart, Brian Stokes Mitchell, LaChanze (Trouble in Mind), Composer/Lyricist Jason Robert Brown, Danny Burstein (Moulin Rouge), Lillias White, Ramin Karimloo (Funny Girl), Victoria Clark, Joe Crowley, Sheila Johnson, Shoshana Bean (Mr. Saturday Night), Julie Halston, Judy Kaye (Diana The Musical), Richard Maltby, Jared Grimes (Funny Girl), Merle Dandridge (Once on This Island), Choreographer Lorin Latarro (Waitress), Frank Wildhorn, Charles Rangel and so many more.

Paradise Square opens with Nelly O’Brien, played by Joaquina Kalukango, telling the story of the Five Points and how her and her family ended up there. Running the bar is her loving husband Willy, vivacious sister-in-law Annie, kindhearted brother-in-law Reverend Samuel, Annie’s nephew — the incredibly talented Owen who has just arrived from Ireland, and Joah, a runway slave who’s taken the name Washington. The family goes through moments of triumph, fear, pain and joy as they move through the ever-changing times of 19th century Manhattan.

New York City Mayor Eric Adams took to the stage before the show began to kick off the evening, comparing the rise of the curtain to him taking the stage as mayor on January 1st, and how the emotions of the cast resonated with him as he went on this journey.


We could not possibly recommend taking a trip to Paradise Square for yourself more! Check it out and get tickets here!

April 6, 2022 0 comment
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EntertainmentFilmThe Latest

An Inside Look: David Osit’s ‘Mayor’ – A Complex Portrayal of Dignity

by Megan D'Souza December 17, 2020
written by Megan D'Souza

Ever wonder what’s involved in governing “a city without a country”? From local Christmas celebrations and relatable family moments, to dealing with the fallout of Israeli occupation, Mayor Musa Hadid of Ramallah, Palestine must grapple with playing an unprecedented role in his community.

Mayor Hadid’s Christmas celebration quest and humorous approach to life give us a refreshing take on a region of the world that is so often shrouded with violence, tragedy, and one-dimensional victimization in Western media’s portrayal. 

Director Osit’s vision for the film was to “explore the city in a way it was unexplored before.”  In order to feel as little like an outsider as possible, he did extensive research on the history of Ramallah. In the beginning, he was “filming information for [himself], rather than for scenes.” He found the city fascinating, with its hipster bars, nightclubs, and vaping mayor. Ramallah appears unique in that it is a predominantly Christian city within Palestine, with religious history dating back to the Ottoman empire – back then, if the city was Christian, the mayor had to be too. Jesus lived and died not too far away, and is literally a “hometown hero,” according to Osit. Although the mayor’s determination to pull off the city’s Christmas celebration is a focal point of the movie and an important personal goal, religious differences “didn’t matter much” to the residents, who all greet the mayor with affection in the film.

Osit notes, “My rubric was wrong. We’ve been conditioned in the west to think that this is a religious conflict, there are religious problems here, but this is a state that’s been occupied by a state, and the crisis here is people don’t have agency.” In spite of their location in a part of the world known for its religious conflict, the citizens of Ramallah have common purpose although they may have differences of faith. 

Depicting the “banality of daily life” in Ramallah was a facet of creating Mayor that really excited the director. The audience isn’t viewing the city from the normal American lens of Palestine, and focusing on the banality makes the violence and tragedy of Israeli occupation more disturbing. By telling “a simple story in a complicated setting,” (the story of a mayor and his Christmas celebration) the violence that doesn’t fit into the frame stands out much more. Focusing on a story as small as possible was the goal: when you see the way the city reacts to the violence, and deals with it as if it were normal, you realize that while the occupation is a consistent presence in Ramallah, it doesn’t define people’s lives. The funny aspect of the film, fueled by Mayor Hadid’s natural humor, just serves to reinforce this message.

While coverage of this region often fill us with anger on behalf of what’s happening to innocent people, Osit wanted to “reject [the notion of] foie gras filmmaking and stuffing emotions down people’s throats rather than letting them decide” He asked, “What can I do that I haven’t seen before in a documentary about this part of the world? What can make me feel different?” Ultimately, if he could create a story for the viewer so that the next time they think of Palestine, they don’t think of one-dimensional victims of suffering but of people with dignity watching a water fountain show, that would be a victory. We felt that this essence of dignity was captured excellently in both the Mayor and the citizens of Ramallah. It will be available globally on January 21st, 2021, and we highly recommend everyone to watch.

December 17, 2020 0 comment
0 FacebookTwitterPinterestEmail
EntertainmentFilmThe Latest

An Inside Look: David Osit’s ‘Mayor’ – A Complex Portrayal of Dignity

by Megan D'Souza December 17, 2020
written by Megan D'Souza

Ever wonder what’s involved in governing “a city without a country”? From local Christmas celebrations and relatable family moments, to dealing with the fallout of Israeli occupation, Mayor Musa Hadid of Ramallah, Palestine must grapple with playing an unprecedented role in his community.

Mayor Hadid’s Christmas celebration quest and humorous approach to life give us a refreshing take on a region of the world that is so often shrouded with violence, tragedy, and one-dimensional victimization in Western media’s portrayal. 

Director Osit’s vision for the film was to “explore the city in a way it was unexplored before.”  In order to feel as little like an outsider as possible, he did extensive research on the history of Ramallah. In the beginning, he was “filming information for [himself], rather than for scenes.” He found the city fascinating, with its hipster bars, nightclubs, and vaping mayor. Ramallah appears unique in that it is a predominantly Christian city within Palestine, with religious history dating back to the Ottoman empire – back then, if the city was Christian, the mayor had to be too. Jesus lived and died not too far away, and is literally a “hometown hero,” according to Osit. Although the mayor’s determination to pull off the city’s Christmas celebration is a focal point of the movie and an important personal goal, religious differences “didn’t matter much” to the residents, who all greet the mayor with affection in the film.

Osit notes, “My rubric was wrong. We’ve been conditioned in the west to think that this is a religious conflict, there are religious problems here, but this is a state that’s been occupied by a state, and the crisis here is people don’t have agency.” In spite of their location in a part of the world known for its religious conflict, the citizens of Ramallah have common purpose although they may have differences of faith. 

Depicting the “banality of daily life” in Ramallah was a facet of creating Mayor that really excited the director. The audience isn’t viewing the city from the normal American lens of Palestine, and focusing on the banality makes the violence and tragedy of Israeli occupation more disturbing. By telling “a simple story in a complicated setting,” (the story of a mayor and his Christmas celebration) the violence that doesn’t fit into the frame stands out much more. Focusing on a story as small as possible was the goal: when you see the way the city reacts to the violence, and deals with it as if it were normal, you realize that while the occupation is a consistent presence in Ramallah, it doesn’t define people’s lives. The funny aspect of the film, fueled by Mayor Hadid’s natural humor, just serves to reinforce this message.

While coverage of this region often fill us with anger on behalf of what’s happening to innocent people, Osit wanted to “reject [the notion of] foie gras filmmaking and stuffing emotions down people’s throats rather than letting them decide” He asked, “What can I do that I haven’t seen before in a documentary about this part of the world? What can make me feel different?” Ultimately, if he could create a story for the viewer so that the next time they think of Palestine, they don’t think of one-dimensional victims of suffering but of people with dignity watching a water fountain show, that would be a victory. We felt that this essence of dignity was captured excellently in both the Mayor and the citizens of Ramallah. It will be available globally on January 21st, 2021, and we highly recommend everyone to watch.

December 17, 2020 0 comment
0 FacebookTwitterPinterestEmail
EntertainmentFilmThe Latest

An Inside Look: David Osit’s ‘Mayor’ – A Complex Portrayal of Dignity

by Megan D'Souza December 17, 2020
written by Megan D'Souza

Ever wonder what’s involved in governing “a city without a country”? From local Christmas celebrations and relatable family moments, to dealing with the fallout of Israeli occupation, Mayor Musa Hadid of Ramallah, Palestine must grapple with playing an unprecedented role in his community.

Mayor Hadid’s Christmas celebration quest and humorous approach to life give us a refreshing take on a region of the world that is so often shrouded with violence, tragedy, and one-dimensional victimization in Western media’s portrayal. 

Director Osit’s vision for the film was to “explore the city in a way it was unexplored before.”  In order to feel as little like an outsider as possible, he did extensive research on the history of Ramallah. In the beginning, he was “filming information for [himself], rather than for scenes.” He found the city fascinating, with its hipster bars, nightclubs, and vaping mayor. Ramallah appears unique in that it is a predominantly Christian city within Palestine, with religious history dating back to the Ottoman empire – back then, if the city was Christian, the mayor had to be too. Jesus lived and died not too far away, and is literally a “hometown hero,” according to Osit. Although the mayor’s determination to pull off the city’s Christmas celebration is a focal point of the movie and an important personal goal, religious differences “didn’t matter much” to the residents, who all greet the mayor with affection in the film.

Osit notes, “My rubric was wrong. We’ve been conditioned in the west to think that this is a religious conflict, there are religious problems here, but this is a state that’s been occupied by a state, and the crisis here is people don’t have agency.” In spite of their location in a part of the world known for its religious conflict, the citizens of Ramallah have common purpose although they may have differences of faith. 

Depicting the “banality of daily life” in Ramallah was a facet of creating Mayor that really excited the director. The audience isn’t viewing the city from the normal American lens of Palestine, and focusing on the banality makes the violence and tragedy of Israeli occupation more disturbing. By telling “a simple story in a complicated setting,” (the story of a mayor and his Christmas celebration) the violence that doesn’t fit into the frame stands out much more. Focusing on a story as small as possible was the goal: when you see the way the city reacts to the violence, and deals with it as if it were normal, you realize that while the occupation is a consistent presence in Ramallah, it doesn’t define people’s lives. The funny aspect of the film, fueled by Mayor Hadid’s natural humor, just serves to reinforce this message.

While coverage of this region often fill us with anger on behalf of what’s happening to innocent people, Osit wanted to “reject [the notion of] foie gras filmmaking and stuffing emotions down people’s throats rather than letting them decide” He asked, “What can I do that I haven’t seen before in a documentary about this part of the world? What can make me feel different?” Ultimately, if he could create a story for the viewer so that the next time they think of Palestine, they don’t think of one-dimensional victims of suffering but of people with dignity watching a water fountain show, that would be a victory. We felt that this essence of dignity was captured excellently in both the Mayor and the citizens of Ramallah. It will be available globally on January 21st, 2021, and we highly recommend everyone to watch.

December 17, 2020 0 comment
0 FacebookTwitterPinterestEmail

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      Remember This: A one man film telling a story of humanity’s greatest crimes

      January 28, 2023

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      Exclusive: Director of ‘Freedom Path’ Brett Smith talks about his career as a…

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      Oscar Nominee Ana de Armas Talks About New Film “Blonde”

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      Remember This: A one man film telling a story of humanity’s greatest crimes

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      The New York Jewish Film Festival 2023 Feature Showcase

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      NYFF 2022 Opening Night: White Noise

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      On The Scene: The New Queens of Six The Musical Talk Playing The…

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      Remember This: A one man film telling a story of humanity’s greatest crimes

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      Review: Life Imitates Art in “The Collaboration”

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      EXCLUSIVE: Hugh Dillon Talks Mayor of Kingstown

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      BMF Season 2, Episode 4 Review

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      EXCLUSIVE: Hugh Dillon Talks Mayor of Kingstown

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      On The Scene: The New Queens of Six The Musical Talk Playing The…

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      Elevation Squared: Zooz Group cultivates a one of a kind experience at a…

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      December 6, 2022

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