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Barbie On The Big Screen Delivers On Being Clever And Entertaining

by Emerson Unger July 18, 2023
written by Emerson Unger

 

She’s a Barbie girl in the Barbie World. Life in plastic—its fantastic. Yes, Barbie on the big screen is finally here! Considered one of the most anticipated films of 2023, Margot Robbie steps into the iconic heels of “typical” Barbie for this one-of-a-kind film about Mattel’s legendary toy doll.

Now, bringing Barbie to the big screen has not been easy. The film has had multiple writers and directors and even at one point had Amy Schumer playing Barbie, but all of that changed when Margot Robbie was cast in the lead role in 2019. The momentum kept growing when it was announced that Oscar darling and “Ladybird” director Greta Gerwig would take on the daunting task of bringing Barbie to life with the help from her longtime partner, Noah Baumbach, co-screenwriting with her. Subsequently, the excitement for the film spiked again when Ryan Gosling signed onto the film in 2022 to play Ken. The film is also produced by British film producer David Jonathan Heyman, who brought the Harry Potter film series to life. Margot Robbie is also listed as a producer as well.

The film tells the story of “typical” Barbie, played by Robbie, who sets out on a quest for the real world after experiencing “being less than perfect” in perfect Barbie Land. Accompanying her on this journey of self-discovery is her longtime boyfriend Ken, played by Gosling. The film also stars America Ferrera as a Mattel employee who helps Barbie in the real world and Will Ferrell as the over-the-top Mattel’s CEO. Likewise, Kate McKinnon plays Weird Barbie, while Issa Rae plays President Barbie and  Simu Liu as another Ken. Rounding out the cast Rhea Perlman plays Ruth Handler, the creator of the Barbie doll.

The film is slightly in the vein of campy like other toy movies, in which an iconic toy brands breaching the big screen, such as Transformers and the Lego movies. However, this film, with Gerwig at the helm, comes out swinging right from the beginning being extremely feminist centric, but in a tongue and cheek way giving Barbie the credit for solving feminism and females’ issues in society. #JustJoking #JustNotInTheRealWorld While in Barbie Land, like Beyoncé sings, “Who runs the world? Girls!,” the real world hasn’t really embraced all that girls can be like it is in Barbie Land.

In Barbie Land we find a Barbie president, Barbie doctors, Barbie astronauts, Barbie reporters, and all the Barbie’s own their own dream homes, while Kens seem to be OK on the beach, not surfing, not as lifeguards, but just hanging out on the beach. Every day seems great until typical Barbie has an existential crisis and realizes she’s not perfect. Her shower is cold, she has bad breath, her milk is expired, and her toast is burnt, but worst of all her feet are flat and she discovers she has cellulite after falling off her roof all while obsessing over death. It’s at this time that she enlists the help from Weird Barbie, who guides her to the real world. In the real world she realizes that all the dreams that little girls had and who they wanted to be were very far from the truth. Donning her iconic rollerblades with canon toe she happens upon a construction site expecting to find hard-core female construction workers only to be mocked and cat called. She is shocked that the real world is a lot less female friendly than Barbie Land.

Upon her arrival into the real world, Mattel is alerted to the situation and acts quickly given what happened to Skipper several years prior in the Florida Keys. Mattel quickly tries to get Barbie back into the box but being a quick one she escapes into the care of a Mattel employee, who played with her as a child. With Barbie on the run, the Mattel employee and her daughter join Barbie in return to Barbie Land only to realize that Ken had returned before them and brought back a concept called patriarchy, which saw all the Barbies give up their power in order to appease their oppressors a.k.a. the Ken dolls. Barbies dream House is turned into mojo dojo casa house and is full of horses and beer drinking boys. It is at this time that Barbie hatches a plan to release her fellow dolls from their brainwashing and to take back Barbie Land. Not long after their plan is hatched, Mattel employees venture into Barbie land as well. The Barbies work together to free Barbie land from patriarchy and to return it to its previous prosperity. Upon successfully doing so Barbie is revisited by Ruth the creator of the Barbie doll. After speaking with Ruth, Barbie realizes that she wants more from this life then Barbie Land can offer and she sets out to find it.

The strength of the film comes from its clever messaging. Its tongue and cheek depiction of what we would like reality to be a.k.a. Barbie Land and what it really is– the real world, insightfully comments on humans’ innate ability to better themselves. The film is cleverly written for an open-minded audience seeking more than mere mindless entertainment but the movie is packaged in a way that is just the opposite i.e., a pure spectacle of cheerful escapism. For example, while moviegoers may be frustrated at the depiction of Ken as an over the top clingy, whiny, complaining character, who lacks depth, it is obvious when you take a step back that his character is an homage to that one-dimensional female character, seen so often in film, who lacks depth that would resemble a real human being. The cleverness of the film continues and its campy exploration of bringing fun whimsical Barbie notions into the real world, such as joking about how Mattel is led only by men even though it is a brand that is female centric. It just goes to show you how Mattel is not only willing to poke fun at itself but to be the butt of jokes. The movie also tackles troubling issues like how Barbie is designed in an unrealistic way with the perfect proportions that no woman can actually obtain. There also is a joke mid film delivered by the narrator played by the one and only Helen Mirren that jokes about Margot Robbie’s casting that is sure to get an audience to laugh. There are also other heartwarming moments like America Ferrera’s speech to the Barbies, in which she highlights the struggles of women and their inability to accept themselves in their quest for acceptance. There’re so many poignant moments in this film however it does seem that there is a bit too many messages leaving the film slightly convoluted at times. That being said the film is visually a feast for the eyes and certainly entertaining when it comes to comedy. It does what a movie should do; it entertains and inspires and that is why it’s so amazing to see Barbie on the big screen in this way.

Barbie hit theaters on July 21st, 2023 in US theaters.

July 18, 2023 0 comments
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EntertainmentFilmThe Latest

Tribeca Film Festival Review: ‘Yesterday’

by Liam Haber May 6, 2019
written by Liam Haber

Danny Boyle’s newest film ‘Yesterday’ is also maybe the weirdest that he has ever made… and that is saying a lot.

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May 6, 2019 0 comments
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EntertainmentFilmThe Latest

Film Review: ‘Ferdinand’

by Jake King December 14, 2017
written by Jake King

Thankfully, this is not the same old bull.

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December 14, 2017 0 comments
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EntertainmentFilmThe Latest

Film Review: ‘Leap!’

by Jake King August 25, 2017
written by Jake King

I know the Weinstein’s fingerprints when I see them!

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August 25, 2017 0 comments
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EntertainmentFilmThe LatestVideo

On The Scene: ‘Rough Night’ World Premiere [Video]

by OJ Williams June 16, 2017
written by OJ Williams

On Monday, June 12, The Knockturnal was on the red carpet for the World Premiere of Columbia Pictures’ latest release “Rough Night” out today.

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Events

On The Scene: 2016 Athena Film Festival Awards Ceremy & Reception

by Catherina Gioino February 24, 2016
written by Catherina Gioino

The 2016 Athena Film Festival occurred this past weekend where male and female filmmakers alike came together to showcase their work, all featuring female protagonists. In a world where women tend not to have the same kind of rights that men do, the film festival hopes to awaken women filmmakers to pursue their dreams in Hollywood and in the film industry, which is one of the most male dominated industries that anyone can go into.

Founded six years ago by Kathryn Kolbert and Melissa Silverstein, the festival has come to feature the films of countless women leaders, and has even started the Leading Man Award, which was given to Paul Feig for his accomplishments in promoting female characters in his films. Not only did the festival screen films, but it also held certain events, like a workshop in collaboration with the Blacklist, in which women screenwriters worked on getting their scripts made.

The festival was a woman-made, women-packed celebration, and to further celebrate that, here are some interviews we’ve had with the founders, as well as honorees  Geralyn Dreyfous and Mira Nair.

Kathryn Kolbert:

What was the thinking behind getting the festival started six years ago?

So the Athena Film Festival has one simple goal, which is to change what leadership looks like. So that when you close your eyes and when you think leadership, you’ll conjure up an image of strong, influential, powerful women.

You also are the director of Barnard’s Athena Center for Leadership, so how was that experience useful in creating this vision?

Clearly our goal at the Athena Center for Leadership Studies at Barnard is to ensure that more women rise to leadership across all sectors of society and one of the ways that we can cultivate change is to change how culture sees leadership, and that’s the point of the film festival.

And do you believe that the festival has helped women leaders through filmmaking and showing films?

Absolutely, this is our sixth year and we’re showing fabulous films; each one of whom has a woman in a leadership role, is a protagonist in a story. You spend a weekend here with us and you will see leadership in a different way.

This year marks the first ever Athena’s Leading Man award, given to Paul Feig. How did you choose to award him and come up with the award in the first place?

Well Paul Feig is the recipient of our first Leading Man award. We have always believed that men and women need to work together to cultivate change, and so part of the festival we show films that are made by both men and women as long as women are the central aspect of the story. Creating the Leading Man award is part of the continuation of that same theory and we’re thrilled to honor Paul: he is a trailblazer, he has created a whole genre of films in which women are very, very, very funny and we are thrilled to honor him. He will be here at the festival tomorrow with Kate McKinnon from Saturday Night Live and it’ll be a fabulous event and we encourage people to come.

 Melissa Silverstein:

What was the thinking behind founding the festival six years ago?

We just want to show women leaders on screen and work as hard as we can to show as many women as we can behind the scenes. The whole objective is to create inspiration as well as aspiration for young women and men to see the world as it should be: 50/50.

Have you seen women filmmakers rise to the challenge and showcase their work?

I don’t think women have to prove anything. They are competent, they are trained, they are ready to go. I think the world needs to wake up and pay attention to the fact that they are there and to treat them with respect that they deserve. When a man and a woman are trained equally and the man is looked at as more competent than she is, is just unacceptable, it’s just sexism.

How do you see this festival combating that?

Well the festival is like an intervention in a variety of different levels. We have a lab that was started this year in partnership with the Blacklist for screenwriters that are working on a screenplay that has a female protagonist in it and they just completed two days of workshops. And we also have the Athena List, which is two days of scripts that get to be filmed with female protagonists. And everything you see on screen, the whole weekend—it is basically the antithesis to Hollywood, it’s all about women.

Paul Feig is the first recipient of the Athena Leading Man award, so how was it like choosing him?

Well when you look at Paul Feig’s body of work, he highlights and celebrates women. And he has been doing it before it was sexy and cool. And so what he exemplifies is exactly what we want in the world. He recognizes women on screen are funny, are sexy, are awesome.

Geralyn Dreyfous:

As a well accomplished producer, how does it feel like attending the festival and offering insight to aspiring female producers and filmmakers?

Well you know it’s thrilling. It’s a great time to be in documentary filmmaking. I also do some feature filmmaking but the non-fiction is the place that I really love the most. And there’s some extraordinary women directors and producers and talent in that field and sort of just to watch that community keep growing and how we really support one another and support each other’s stories; it’s just a great story.

And how do you feel the Athena Film Festival is helping women filmmakers achieve their dreams?

Well I think it’s really cool that a school like Barnard College that was founded with such a deep tradition of supporting women hosts a festival like this and give women a platform that they can be taken seriously and engage with students and next generation leaders but also be in the culture capital of the world and the media capital of the world in New York City so it’s great a combination. I just think that stories really matter and telling them is the way we crack the world open and reinvent it and just to have people to support these films as audience members and philanthropy. Just supporting it by connecting to the stories and having conversations about it.

Mira Nair:

How is it like to be honored by the festival?

They’re killing me softly baby. No I’m really happy to be here and honored to be part of a festival that promotes leadership in women because that’s what we are. And what I do is speak softly and carry a big stick, so I’m very happy to be part of a festival that honors that.

And what are your thoughts on the festival promoting women leaders and filmmakers?

There is nothing greater inspired than someone before you who has sweated the struggle and seen the life of the other side and that’s what festivals like this do. They bring us people who have done this and we celebrate their work and we can hopefully see ourselves in them to do that kind of thing—or more. So that’s why

Your career spans combining South East Asian culture with American filmmaking, so have you found any overlap with the cultures?

Well I have always made my own films whether they are independently made or studio, but they are always with my voice. And my voice is distinctly Indian/African: a world view that is not primarily within America but outside America as well. So it’s a unique to be, to be at home here and to be able to tell American stories but also what really inspires me are stories of people like us who are rarely on screen but have universal stories to tell. So Monsoon Wedding is a story about the madness around my own dining table at home in New Delhi but it became a massive worldwide hit because everybody saw their own selves and their families in it. So that kind of idea of making work that is specifically local and truthful but because of its specificity and its treatment, becomes universal, is what I love to do.

You also have a bridge program for Ugandan students, Maisha, to learn about filmmaking.

Yes, Maisha: it’s a film school now for 11 years that works in the four countries of Rwanda, Kenya, Tanzania and Uganda and we have now trained more than 650 filmmakers. And that is the point because the slogan of Maisha is one of my great philosophies which is “If we don’t tell our own stories, no one else will.” So this is a way for Africans to tell their stories and in the process of it, I have made my own stories there, the Queen of Katwe, which is a new film.

Oh! Tell us more.

It’s a Disney film, there will be a clip of it tonight, and it’s with Lupita Nyong’o and David Oyelowo and it’s releasing all over the world in September.

 

February 24, 2016 0 comments
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FilmThe Latest

Director Paul Feig Honored at 2016 Athena Film Festival [Video]

by Catherina Gioino February 24, 2016
written by Catherina Gioino

This year proved to have a new addition to the Athena Film Festival, in which the first ever Leading Man Award was given to Paul Feig for his dedication in promoting female protagonists and showing women on screen when others in Hollywood avoided it. Ghostbusters star Kate McKinnon came out to support Feig and presented the award to him as the two reminisced on the struggles they had in making Ghostbusters as well as just showing funny women on camera. Here are some of the key points Feig made in his interviews:

You received a lot of backlash on Twitter and the internet ever since rumors of Ghostbusters came out. How was it like fighting with trolls who were against the film?

Well fighting on the internet is very interesting because it’s such a weird fight because you’re fighting with faceless people who are hiding behind their computers. Look, there are plenty of fans of Ghostbusters who have an issue that it’s a reboot, and that I completely get, I find that valid. But when it’s just pure misogyny, I don’t want to give voice to it. When I’m on the internet, I try not to block people, I want to hear all voices but sometimes you just hammered on for a year and you finally crack and I just decided that I just wanted to start blocking people because I don’t want to give those people a voice in a forum and it’s just such a non-starter when it’s just misogyny then what’s the point?

You can listen to their speeches the rest of the interviews with Feig below:

 

 

February 24, 2016 0 comments
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TV

A Look At Some Of SNL’s Best Political Sketches

by Catherina Gioino October 19, 2015
written by Catherina Gioino

Seeing Tracy Morgan up and about was a sight for sore eyes as we’ve all awaited his return following his recovery. And his appearance as host of Saturday Night Live’s third episode of it’s 41st season gave us all reason to smile.

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October 19, 2015 0 comments
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In the Off-Broadway play ‘The Ask’, the deepest di In the Off-Broadway play ‘The Ask’, the deepest divide is not between left and right, but within the left itself.

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