Wes Anderson and his co-story writer Jason Schwartzman discuss the dystopic eccentricity of ‘Isle of Dogs,’ the multiple references to influential Japanese films, and a bizarre explanation about what a group of pugs is called.
The esoteric director tells young aspiring filmmakers to adopt the Perry system of prolific filmmaking
Alex Ross Perry’s “Golden Exits” explores the self-loathing emotional complexities of a Brooklyn microcosm
“The Overnight” is the best comedy movie you’ll see.