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FeaturedMusicNews

Nick Grant Releases his new album SUNDAY DINNER

by Danielle Niecey September 23, 2023
written by Danielle Niecey

September 23, 2023. Atlanta, Georgia –Epic Records recording artist, Nick Grant, releases a new album, his most personal, Sunday Dinner. The South Carolina native, now based in Atlanta Georgia, is a new “tour de force” in Hip Hop and this body of work confirms it, hands down. For those that are new to the artist, Sunday Dinner (released, September 22, 2023) is  Nick Grant’s 8th project and 5th official album, following the releases of: 88 (2016), A Seat At The Table +1 (2016), The Return Of The Cool (2017, official album), Dreamin’ Out Loud (2018, official album), God Bless The Child (2020, official album), Carolina Diaries (2021), and Welcome to Loveland (2022, official album).  Nick credits production lead on Sunday Dinner to Donte “Tae Beast” Perkins and Amarah Session.

Raised by his God fearing grandmother, one of her household requirements for the members of her home was regular attendance to church on Sunday; and after, the entire family met for Sunday dinner in their home. In the environment where Nick Grant was raised, his exposure to different figures in the community and the members of his family, gave him different perspectives that impacted his outlook on life and the person he would eventually become. These influences weren’t always positive; from cousins with different temperaments, some of which graduated from college and others who chose a less affluent path; to a drug addicted mother and an absentee father, now deceased; it is clear in this album, Sunday Dinner, that what Nick Grant witnessed and experienced, should have never been his portion in life, but like a good Sunday dinner, Nick wastes none of what was dished on his plate, “I was long overdue to tell my story.” he expressed when asked in his interview with Danielle Niecey of The Knockturnal about what inspired this project,

“I wanted to be vulnerable and personal with this album. It [the album] reflects, in a way, being vulnerable and not caring about being judged.”

Which one can only imagine, being raised in a christian household with his grandparents in a tough community, likely came with tight guidelines, restrictions, and judgements that kept him, “in-check” and “safe”.

Upon hitting play on the first song, “Worryin’ Bout A Classic,” there’s an echo of the influence from two legendary hip hop artists Andre 3000 and Nas, who co-signed Nick Grant’s artistic genius.“My grandma was a big inspiration for me to pursue music,” Nick shares of his biggest musical influences,“My granddad as well; Jay-z, Nas, Biggie, Tupac, Stevie Wonder, Michael Jackson and [singer] Brandy Norwood. I’ve been inspired by hardworking people that I saw growing up.”  Out of respect for his individual artistic expression, it’s important that I emphasize that Nick Grant embodies his own prolific styling in lyricism and wordplay and that his level of talent is reminiscent of Andre 3000 of Outkast, not a comparison I can ever say I’ve come across worthy to make of an emerging artist; and his gifted ability to pen and articulate a story on record, while delivering it all with such a cool, collected demeanor, brings you to mind of Nasir Jones, one of Nick’s creative influences. What gives Nick Grant distinction, however,  is found in his vocal presence, performance and the way he writes. He has an unsuspecting way of delivering punch lines; his word placement and phrasing deserves applause; as well as his surety of confidence and undertones that commands the audience to listen to him. He has forged his own lane, his own original style and his own vibe. 

The full length album is an introspective collection of Nick’s life events that led him to where he is today as a songwriter-recording artist. It wouldn’t be far-fetched if many classified him as a “hometown hero”, touring with big name acts such as Nas, Dave East, Ab-Soul, Ms. Lauryn Hill and Chronixx; but as you listen closely to Sunday Dinner, you hear a man that has exceeded the limitations placed over his life, and that he still aches to bring structure in his life and in the lives of the people that he loves, the community, the city that raised him.

 

“I moved to Atlanta with hopes of being able to go back to Carolina and put other people on,” Nick confesses, “I’m still in the process of that. South Carolina is a beautiful place with a diverse rap scene. [There’s] a lot of people doing their thing and I think if we [can] start being consistent in that, we can grab the attention of the masses.”

With the microphone and pen as interchangeable batons, Nick is running his race and writing his way to his wins through consistency in action, his hand to the plow and money where his mouth is. Sunday Dinner is packed with substance. It is a full serving and offering with much to unpack and with every replay there is something more to digest. Although the album is reflective and at times bears within it a solemn depth, there is an air of realistic optimism and playfulness in its composition. The themes that echo through the album are reminiscent of the films, Friday, as it holds a comedic flair and in other moments in his expression, when he shares the heaviness of what caused his life great suffering and pain, Boyz N’ The Hood.  At times it is as if we, the listeners, sit on a front porch with Nick in chill-mode, and on impulse, jump in the, “Cutlass, Regal, Impala or Bentley” pimpin’ and cruising the neighborhood in his whip for a ride-along through his ink. Sunday Dinner is reflective yet present, and Nick sets the stage in the phrase, “Ain’t got no white neighbors/still I’m moving the waviest [explicit]/ Riding round with a banger like a radio hit…/…wait for the click“ .

Interwoven in the songs, you sense him interacting with life within, life without and all around him, living day to day and sharing with us the layers and complexity that simply exists in his life; a discomfort he’s learned to maneuver, because he knows no other way. Nick’s intention is clear, he wants his expression to land differently, with hopes that sharing his story, moves his fans,“I hope that these stories resonate with the fans. If somebody shares these experiences I hope that they know they’re not the only ones going through these things.” The artist skillfully illustrates turning points of his self awareness and subtly presents that in his verses. As the events unfold in his past and present waking life, Nick gives breath to the community around him, weaving in dialogue in excerpts, and song transitions on “Know Your Worth/Grandma Said,” these excerpts carefully placed in transition, show that he’s never set aside or moved too far away from the age old wisdom instilled from his childhood from his grandmother.

Nick Grant is notably skilled at affirming the listeners that he catches all of the lessons life has thrown at him, and he is solid enough in himself to manage the pain that proceeds personal triumphs. On the song, “Catch This Fade,” Nick makes it clear that he holds no fear squaring up to the challenges life throws at him in the form of rivals, person, place or thing, “When you got heart that’s hard to beat/ Young [explicit] growing up awkwardly/ Yeah I’m from the Southside – If I lose once gotta fight til I win/ yeah my brother like a bout time / Whoop a [explicit] ass still walked in the house crying/ My dad like how, why knowing damn well I got it from him/ Swing on any [explicit] with a foul vibe…”  The artist notes that the song, “ ‘Last jam,’ is a very personal record,” as he speaks on maneuvering the industry and staying grounded in himself, never losing ties to his roots, “it [takes] a unique approach that you don’t hear a lot of rappers talk about,” he adds.

Nick Grant further solidifies himself as a lyrical dynamo, carrying the weight of the project on his back and lightly accenting the album with all in two features from famed lyricist, Ransom, on “Art Dealer” while still dominating in his presence, punchline after punchline; and the two collaborate masterfully. The artists mentioned,  “Ransom is a legend. I thought he fit my story so I just wanted his perspective and he executed perfectly.” Another refreshing feature on the album includes the Southern hummingbird herself, Tweet, on “Heaven”. Nick shared that he reached out the award winning songwriter on Twitter for a feature and the collaboration took off from there, “Tweet is one of the sweetest people I’ve ever met. I’m such a big fan of Tweet and took a shot and just messaged her on Instagram. She’s one of the best vocalists ever.” Without fail, Tweet melodically wisps her haunting vocals the hook, “I’m gon’ take you to heaven/Make you feel like I do,” and Grant showcases the versatility in his range, rolling out his smoother textures of sound that compliment Tweet’s honey ladened vocals.

“[Sunday Dinner is] my most personal album to date, [its] my best body of work.” Nick says towards  the closing of his interview with The Knockturnal, “I want my fans to hear and know that I wasn’t scared to do what I loved. I didn’t care about judgment. That I was being my true authentic self while chasing my dream.” To his credit, there lies in the musicality of this project a “down to earth” and “at home feel” in its sound and presentation and when asked, the artist states that the most important part about self-expression as an artist is, “…being truthful.”  and he does just that in scenes that are vivid and with wordplay that is highly engaging. Sunday Dinner effortlessly balances out the more prominent sounds in the Rap and Hip Hop scope today. The precision and thoughtfulness he places in compiling this project makes it authentic, nostalgic and heartfelt; and these true elements of classic hip hop are not readily found in this era of the genre today. There are no skips in this body of work and it commands the respect of several thorough listens. Nick Grant’s talent, tenacity, passion and focus is undeniable.

Sunday Dinner is available on all major music streaming platforms, Tidal, Apple Music, Spotify, Pandora, Amazon Music and many more outlets for listening enjoyment.

September 23, 2023 0 comment
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MusicThe Latest

Exclusive: Harlem Artist Quany Gz Talks Debut Album 16 Laws Of Power & Working With Dave East

by Nishat Baig April 18, 2023
written by Nishat Baig

We recently caught up with Dave East co-signed artist Quany Gz.

Harlem born and raised, Quany Gz has been consistently making music for 4 years, but has recently started to garner attention for his collaborations with Harlem rapper Dave East. East featured on Quany’s “Never Had Shit” single which currently has over 2 million views on Worldstar. In addition to locking in with East, Quany recently went on tour with him as well and performed at the Apollo. Quany is the latest artist to join Dave East’s collective From The Dirt. After releasing his Self-Centered EP last year, Quany will be following up with his debut album The 16 Laws of Power which drops May 8th. The 16-track project will include features from Dave East, Millyz, Mr. Chicken, Cruch Calhoun and more. Inspired by Robert Greene’s The 48 Laws of Power, Quany’s 16 Laws of Power showcases his approach to life.  Find out what else Quany shared in our interview below.

The Knockturnal: When did you first start experimenting with music?

Quany Gz: About six years ago.

The Knockturnal: How old were you when you freestyled or wrote your first rap?

Quany Gz: I was 15.

The Knockturnal: Was there anybody in your life motivating you to take music more seriously?

Quany Gz: The guys, all my friends was locked up at the time that was doing rap, so they just motivated me to use my swag that I already had to rap so I started rapping.

The Knockturnal:And has your family been supportive of your choice to pursue music?

Quany Gz: Yeah

The Knockturnal: When did you put out your first song and what was it called?

Quany Gz: About about 5 or 6 years ago I did and it was called “Politics.”

The Knockturnal: How did you connect with Dave East?

Quany Gz: He was already like family, you know, ties to one of the guys on the block, and he lived on the block, so it was just easy just to connect at the time before he was even lit, before he even had the deal.

The Knockturnal: How does it feel having someone like Dave East help support your music and help guide you when it comes to music?

Quany Gz: It motivates me. It shows that I got somebody supportive in my corner. Also, it helps me strive to always just do good, I can’t never fail. I always gotta show out.

The Knockturnal: What is the best piece of advice Dave East has given you or you’ve learned just by being around him?

Quany Gz: Just work. Just continue working and time coming soon.

The Knockturnal: Is there anything already out you want to highlight? 

Quany Gz: I put out an EP called Self-Centered last July. Mm-Hmm.Its six songs. I feel like this is the just the beginning of me showing what I can do. I’ve got a lot of music in the stash.

The Knockturnal: And What was your favorite track off Self-Centered? 

Quany Gz: “Self Centered”

The Knockturnal: Why the title track?

Quany Gz: That’s my favorite song because I just I feel like I was telling my story and I got one of the most inspirational speakers on that track, I got Denzel Washington on the track. It’s sentimental things. I’m an inspirational rapper, so, you know, most of my raps are motivational and inspirational and about the pain I go through.

The Knockturnal: What are you currently working on right now?

Quany Gz: Right now I’m working on my tape right now, working on my tape right now. It’s called The 16 Laws of Power.

The Knockturnal: Can you tell us the inspiration behind the title? 

Quany Gz: The inspiration behind the title was the, the book The 48 Laws of Power by Robert Greene.  I had many titles at the time, but that title stuck with me for some reason because you know, everybody go through life, you know, situations and stuff like that and I feel like the songs are my Laws of Power. 

The Knockturnal: Do you have any upcoming features on the project? 

Quany Gz: Yeah, definitely. You gonna see a lot of big names on this tape. It is a level up. It’s a level up tape. Self-centered was old me, you know, show what I could do by myself, now I’m about to pull up with the Avengers.

The Knockturnal: Is it safe to say East is gonna be on the project? 

Quany Gz: Yes. East will be on the tape.

The Knockturnal: What it was like to go on tour with Dave East?

Quany Gz: It was dope. It was my first time really going on tour.

The Knockturnal: Is there anything else that you specifically want to highlight? 

Quany Gz: I’m working on a clothing line right now. It’s called Legends Never Die.

April 18, 2023 0 comment
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KoncertsMusicThe Latest

On The Scene: GUMBO Cannabis Hosts Midnight Brunch & Secret NYC Show

by Nishat Baig November 20, 2021
written by Nishat Baig

Recently cannabis lifestyle and apparel brand GUMBO hosted its first New York pop up and midnight brunch.

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November 20, 2021 0 comment
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MusicThe Latest

Concert Review: Dave East and Styles P Headline Irving Plaza For Hoodies for the Homeless

by Avani S. Jurakhan October 21, 2018
written by Avani S. Jurakhan

New York pulled up to Irving Plaza Wednesday, October 17th.

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October 21, 2018 0 comment
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MusicThe Latest

Bronx’s King Bless & Harlem’s Dave East Talk “Love & Fear” in New Video

by Boom May 10, 2018
written by Boom

Gearing up for the release of his new project, ‘Fruition’. Bronx recording artist King Bless pulls out the big guns when he grabs Dave East for his new video, “Love & Fear”.

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May 10, 2018 0 comment
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EntertainmentThe LatestTV

Watch Trailer For Upcoming Netflix Documentary ‘Rapture’

by Magdalena Bury March 16, 2018
written by Magdalena Bury

An eight-episode documentary dives into the lives of some of Hip-Hop’ biggest names.

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March 16, 2018 0 comment
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MusicThe Latest

On The Scene: Music Is Universal Hip-Hop Showcase

by Shahzaib Khuwaja September 27, 2017
written by Shahzaib Khuwaja

Universal Media Group and Mass Appeal started off advertising week with a bang, with the Music Is Universal Hip-Hop Showcase at Irving Plaza.

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September 27, 2017 0 comment
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MusicThe Latest

On The Scene: Jeezy Trap or Die 3 Tour Irving Plaza Edition

by Nishat Baig March 13, 2017
written by Nishat Baig

Last night’s installment of Jeezy’s Trap or Die 3 Tour was lit!

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March 13, 2017 0 comment
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The LatestTV

BET’s ‘Being Mary Jane’ Season 4 Premiere

by Nishat Baig January 10, 2017
written by Nishat Baig

TV news anchor Mary Jane Paul is back at it again and this time she’s in a whole new city.

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January 10, 2017 0 comment
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News

Roc Nation’s Lenny S. Discusses #BriskMode Talent Contest

by Nishat Baig October 14, 2016
written by Nishat Baig

We caught up with Lenny S. and spoke with him about his involvement in the exciting #BriskMode competition 

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October 14, 2016 0 comment
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      The Model Experience: A Fusion of Fashion, Music, and Diversity Strut the Runway

      October 4, 2023

      Entertainment

      The UnitedMasters Sessions Introduces the Next Generation in Music 

      October 4, 2023

      Entertainment

      Jane Goodall: A Beacon of Hope for Our Planet

      October 4, 2023

      Entertainment

      Director and filmmaker Matthew Mishory’s Documentary “Fioretta” Prepares to Premiere Globally

      October 3, 2023

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