On September 5th, ready-to-wear womenβs clothing brand KΓR launched its Spring and Summer collection βCompact Travellerβ with a fashion show, featuring a hybrid of business casual and leisure looks.
Founded in 2009 by Kasuni Rathnasuriya, the international brand centers around global, sustainable handmade clothing and accessories. At the French Institute Alliance FranΓ§aise, Rathnasuriya presented her newest collection which the KΓR brand has identified as being tailored towards βthe strong and confident woman who is professional with an affinity for work, travel, and exploration.β
In an interview with The Knockturnal, Rathnasuriya shares her inspiration for her line. βI feel like it’s very different the way we travel, like there is a woman who is traveling for business,β she says. βThey like to stay in another place and extend their trip to get the weekend, and stay there for probably leisure. Young millennials are traveling a lot, and we have B&Bs, and we do travel a lot, so that’s why I wanted to create a collection for the woman who is confident to explore.β
20 new ensembles from KΓR hit the runway, featuring pleats, pockets, pinstripes, and collars made out of lightweight linens, ideal for quick travel changes and compact packing. Capes, big pockets, and wide leg trousers and jumpers livened up muted colors and geometric laces seen on models.
The silhouettes are completed with KΓR’s signature handmade Dutch and Portuguese lace in geometric patterns, and top Japanese textiles. βI’m trying my best to keep it elegant, simple and very ready to wear,β admits Rathnasuriya. βNot very flashy, but mainstream colors like white, and I incorporate a lot of handcrafted lace. I’m working with something that’s old-fashioned, and people say it’s sustainable fashion.β She ardently feels that those investing in a piece should understand the process of its manufacturing.

With that in mind, authenticity is also a focus for KΓR, as Rathnasuriya hopes it is for all luxury brands today. Originally from Sri Lanka, a country that has seen Dutch and Portuguese influence portrayed in local fashion, Rathnasuriya embraces her authenticity by paying homage to her roots through use lace.
βThis lace was introduced to Sri Lanka by Dutch and Portuguese in 1970’s, 1980’s, and it became very Sri Lankan in the years,β she says. βRight now I’m in this platform in New York Fashion Week, but I can share this story, which is very exciting for me.β Environmentally as well as socially conscious, KΓRβs lace helps to revitalize a dying art in Rathnasuriyaβs native Sri Lanka, employing local craftsmen and empowering less-privileged weavers, mainly women, in its Southern coastal region.
Also included in the KΓRβs NYFW 2019 looks are hues of power statement hues of white, set against bold neutrals and shades of blue. These looks were topped off on the catwalk with slip-on oxfords in silver and white, as well as comfy mules and leather bags. The Spring and Summer collection also reveals a heavy artistic influence from the βSuprematismβ art movement and the βBlack squareβ painting of Russian Artist Kazimir Malevich.
On the place KΓRβ holds in upcoming trends for 2019, Rathnasuriya predicts, βI think Spring and Summer ’18, and all next year’s fashion will be sustainable, focused. People will be more focused on detail–intricate detail–and craftsmanship.”


