A free concert in the heart of New York to support the causes you most care about? Say less.
Netflix’s moving film Jay Kelly, starring George Clooney and Adam Sandler, premiered at the New York Film Festival.
Dining at Enso Omakase in Brooklyn was one of those meals that lingers long after signing the cheque. I’ve been to my fair share of omakase spots, and while many memorable, it can sometimes feel rushed or theatrical—courses flying by before I had a chance to absorb the experience. Enso was the complete opposite. It was thoughtful and intentional, serving at a pace that allowed us to enjoy every bite and fully appreciate the fish that comes from purveyors specializing in omakase.
Gotham Week Night 3: The Locals delivered six exciting short films on their way to becoming feature-length films.
Forty-two years after audiences first plunged into the shimmering neon circuitry of Tron, and over a decade after Tron: Legacy revived the franchise with sleek, high-gloss bravado, Tron: Ares arrives like a signal from another world — one both hauntingly familiar and thrillingly new. Directed by Joachim Rønning, the film achieves what so few franchise revivals dare: it deepens the mythos without drowning in nostalgia. The result is a stunning, ambitious, and surprisingly emotional continuation that cements Tron as one of Disney’s most visionary science-fiction sagas.
Stepping into the premiere of Luca Guadagnino’s After the Hunt, my expectations were high. I’ve seen and adored so much of his oeuvre, and Julia Roberts never misses, so I expected a knockout.
And knocked out I was.
“How many people are in therapy?” Rebecca Zlotowski asked the audience, following the premiere of “A Private Life,” prompting hand raises and knowing laughter.
Saturday, October 4, 2025. Duggal Greenhouse. Flushing Ave, Brooklyn — This year’s CultureCon 2025, powered by The Creative Collective NYC and presented by Chase, Inc. I-N-K, invited attendees to boldly “Take Up Space.”
Not every music biopic needs to chronicle an entire life, and Scott Cooper’s Springsteen: Deliver Me From Nowhere doesn’t attempt to depict The Boss in such a way. Bruce Springsteen’s catapult to fame? Skipped over. Instead, the film trades Springsteen’s hits for the moodier tracks of his sixth studio album, Nebraska. With a focus on this particular chapter of his life, the film sidesteps some biopic clichés — only to trip over others.
Netflix’s A House of Dynamite was a captivating film that questioned the power of the government.