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SAN JUAN, Puerto Rico — July 20, 2025 — As I arrived at the Coliseo de Puerto Rico on Sunday night, the air vibrated with excitement. I got there at 5 p.m. alongside thousands of fans draped in traditional Puerto Rican attire — jibaro dresses, guayabera shirts, pavas hats, and bomba skirts. Surrounding the stadium were wooden kiosks resembling the colorful establishments of Calle San Sebastián. Food vendors served up bacalaitos, lechón con arroz y gandules, piraguas, and other island favorites.
Replicas of traditional balconies provided perfect photo ops, while small jibaro-style houses hosted sponsor booths. L’Oréal offered mini makeovers and free lipsticks, misting fans with their signature setting spray to keep makeup flawless all night. CeraVe created “Calle Cerrave,” a skincare-themed street with a DJ, while Medalla’s “Casa del Perreo” became a mini reggaetón club serving cold beers. Don Q’s walk-in bar let fans sip cocktails made with the island’s official rum.
Upon entering the Coliseo, every fan received a camera simulator with a central light that flashed to the rhythm of the music — a nod to Bad Bunny’s song “Debí tomar más fotos” (“I should’ve taken more pictures”). Inside, every seat was filled. The crowd chanted and sang long before the lights dimmed.
When the arena finally went dark, I knew I was about to witness something historic. The show opened with a young girl searching for her camera, explaining its importance — it held pictures of her parents and the last photo of her abuela. That sentiment hit home; holding onto those memories is something I know all too well.
Eric Rojas
Bad Bunny appeared and launched into his new single, “Alambre Púa.” The arena erupted, bathed in the red, white, and blue of the Puerto Rican flag. Thousands of voices, including mine, sang every word. This wasn’t just a concert — it was a declaration of identity.
During the concert, two stages were used. The main stage connects us with life in the mountains, featuring the typical “flamboyán” tree, animals such as chickens, and typical fruits like plantains. The second stage is a cement house with a large balcony with round arches and white windows, reminiscent of a Puerto Rican grandparent’s home.
In between stage transitions, a short film appeared on the screens. In it, the Puerto Rican frog known as El Sapo Concho found himself in a cold, snowy environment, speaking with an old man about the nostalgia and longing for Puerto Rico’s tropical warmth. The man, portrayed by the legendary Jacobo Morales — a Puerto Rican actor, poet, writer, playwright, filmmaker, and author — shared reflections on identity and home. Morales, widely regarded as Puerto Rico’s most influential film director, brought a powerful authenticity to the moment. His presence in the video underscored the concert’s dedication to preserving and celebrating Boricua culture.
Cheery Viruet
Surprises kept coming. Wisin joined him for “Veldá,” “Saoco,” and “El Gistro Amarillo,” turning the arena into one giant perreo party. Later, Ednita Nazario stunned with a breathtaking performance of “Lo Que Le Pasó a Hawaii.” Her voice was so powerful that I found myself holding my breath, just taking it all in
Cheery Viruet
Adding to the night’s excitement, Bad Bunny brought out a diverse lineup of special guests that surprised and energized the crowd. French soccer superstar Kylian Mbappé and Moroccan defender Achraf Hakimi made unexpected appearances, drawing thunderous cheers as they joined in the celebration, showing the global reach of Puerto Rican culture. Also showing support was Puerto Rican singer Eladio Carrión who took the stage the night before, Their presence elevated the concert, turning it into not only a cultural tribute but also an international spectacle.
Cheery Viruet
Cheery Viruet
Bad Bunny blended genres effortlessly — from a salsa version of “Callaíta” to the explosive reggaetón of “Me Porto Bonito” and “Tití Me Preguntó.” Each song felt deliberate, honoring Puerto Rico’s musical roots while delivering the hits we came to hear.
Eric Rojas
One of the most powerful moments came towards the end of the night during “La Mudanza.” Bad Bunny removed his sunglasses, tears in his eyes, as a massive Puerto Rican flag unfurled on the screens. Together, we shouted, “Nadie me saca de aquí, yo soy de Puerto Rico.” Goosebumps rose across my skin
Beyond the music, the show was steeped in Puerto Rican culture. The residency prioritized tickets for locals, and every detail — from the visuals to the guest performances to the overarching themes — celebrated the island while confronting its struggles. Songs like “Turista” addressed gentrification and the fight to preserve home. Bad Bunny’s concert was not just a musical performance; it was an immersive experience where he showcased the great values and unique aspects of Puerto Rican culture. Through a seamless fusion of his music with the roots and identity of his people, he also infused a touch of protest against certain political sectors. The beauty and intention behind every scene’s design reflected his dedication and genuine love for Puerto Rico — La Isla del Encanto.
When the final song ended, I didn’t want to leave. My voice was hoarse, my feet were sore, but my heart was full. That Night, I wasn’t just a fan at a concert — I was part of a movement that celebrated everything it means to be Puerto Rican.
Bad Bunny didn’t just perform; he reminded us why Puerto Rico’s voice will never be silenced.
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It started with a video I had recently directed — gritty, New York, and visually bold. After seeing it, a friend said, “This feels very Scar Lip. She would love this style.” That led me to take a closer look at her work, and I agreed, her energy, her voice, and the way she carries herself matched the kind of raw visual storytelling I had been exploring.