This week’s episode of Power Book III: Raising Kanan delivered yet another compelling installment, maintaining the series’ reputation for consistent writing and pacing. The intricate web of relationships and the characters’ evolving dynamics add depth to the narrative, making it an engaging watch. Especially one week after Howard killed Birch.
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Bookie is a new comedy series that follows longtime bookie Danny (Sebastian Maniscalco) and his best friend Ray (Omar J. Dorsey) as they collect bets, and try to keep their gambling business afloat in Los Angeles. Cast also includes Vanessa Ferlito, Jorge Garcia, Andrea Anders and Maxim Swinton, with appearances from Charlie Sheen, Ray Romano and Angus T. Jones. The series is created by Chuck Lorre and Nick Bakay.
The Knockturnal recently interviewed Omar and Sebastian about the series. They told us about the origin of this show, working with the creators and finding chemistry with their co-stars. Following his audition, Omar showed up for his chemistry test with Sebastian, he told us, “we were knocking it out of the park…throwing it back and forth with the jokes and it felt really good and it just felt like we were a team.” Sebastian was already signed up to star in this show and he told us about finding his screen partner, “we met Omar at the screen test, he was the guy. He had a swagger about him.” From the first days of filming to wrapping this series the guys knew they had created an extremely funny show. Sabastian told us, “it’s digestible comedy, it’s quick, it’s clever. You get to see a great cast, a collaboration of some really, really great talent.”
Watch Bookie now on Max with new episodes on Thursdays.
Ever wonder if your favorite SNL stars get nervous before a show or if they get star struck when getting to work with a new host? Now’s your time to find out!
SNL episodes have a fast turnaround rate and the actors are all tremendously talented at being able to adapt quickly to new scripts, characters and changes that are being made. Not only are they adapting to those elements, but to add in another level, they work alongside new hosts frequently.
Some of the SNL cast confessed to getting star struck when working with Emma Stone, Kendrick Lamar and Bad Bunny. Others admitted that they still get nervous before getting on stage despite all the practice they’ve had and the amount of years they’ve been with the show. However, as one actor said, “feeling nervous means you care,” and I couldn’t agree more.
The cast lit up the red carpet with their charm, witty jokes and honesty. The tight knit members often spoke highly of each other and served as each other’s hype men and woman. Given the amount of long hours they put into the show, the actors dotingly told me that they consider each other family, and that was more than evident on the AMNH’s Gala red carpet.
Exclusive: MeKai Curtis, Patina Miller, Joey BadA$$, and more explains why Trust is a theme for the new season of Power Book III: Raising Kanan
The upcoming season of Power Book III: Raising Kanan promises to delve even deeper into the intricate dynamics of loyalty and trust, becoming a thematic linchpin that shapes the narrative. As the characters evolve and face new challenges, the exploration of loyalty takes center stage, providing a lens through which viewers can dissect the complex relationships within the storyline. The fabric of trust will be tested in unexpected ways, adding layers of tension and suspense that will keep audiences on the edge of their seats.
In this gripping new season, loyalty becomes a driving force that influences character decisions, alliances, and conflicts. The narrative intricately weaves a tapestry of connections, examining the lengths to which individuals will go to uphold their loyalties and the consequences of betrayal. Viewers can anticipate a compelling exploration of the blurred lines between friend and foe, family and adversary, as the characters navigate a world where trust is both a powerful currency and a fragile commodity.
Patina Miller highlighted that Raq is facing the consequences of her lies. As the third season begins, trust is absent, and the family is depicted as more fractured than ever. Particularly, the trust between Raq and Kanan is emphasized as nonexistent, a situation that evokes fear in a mother. Kanan, who has been Raq’s best friend and the center of her world, now lacks trust in her, creating a challenging and unsettling dynamic for both.
“We start this season where he wants nothing to do with her. And you have to watch her deal with that,” she said. “She has to deal with all of those things, while also, business wise, making the decision to reevaluate her place in this thing that she set up for herself.”
Patina Miller is not alone. MeKai Curtis, also has the same sentiment about this season’s theme of trust and loyalty. Curtis expressed the essence of any relationship lies in the beauty of friendship. Despite inevitable ups and downs, the key is to have each other’s backs and navigate through challenges together.
“Everybody, while they’re there, figuring out who they are and what they want, everybody kind of has their own thing so you can’t you can’t be mad at somebody for who they are,” Curtis told us.
As Power Book III: Raising Kanan embarks on its next chapter, the emphasis on loyalty and trust serves as a thematic anchor, shaping the evolution of characters and the overarching storyline. The season promises to deliver a riveting exploration of the intricacies involved in navigating a world where trust is elusive, and loyalties are both tested and defined in unexpected ways.
Joey BadA$$, who plays Unique, shared his point of view on the theme for this season’s Raising Kanan as his character has a brother named Ronnie, who is out of prison. Joey also expressed that everyone encounters their own set of challenges, especially within the context of family dynamics. As observed in the last season, there were conflicts between Uncle Lou’s and Rock’s characters, resembling a big brother-sister relationship. This theme of trust presents similar challenges for the character Unique.
“Ronnie is clearly not pleased with the way that Unique has what he’s done with the Empire,” said Joey BadA$$. “And I don’t think that he necessarily trusts him to get what he wants to get done to the point where he feels like he has to take matters into his own hands.”
London Brown notes that Marvin’s engagement with therapy has allowed him to embrace chess more in the current season than he did in the past. On the other hand, Lou-Lou’s trust has suffered irreparable damage, influencing his actions throughout the season due to feeling wronged. The pervasive distrust has repercussions, affecting his relationships, including with his favorite niece, Jukebox.
Hailey reflects on the past seasons, highlighting how various characters have repeatedly broken Juke’s trust. However, Jukebox is evolving, learning to adapt and not rely as heavily on familiar figures who have let her down. This maturation process involves navigating new relationships and discovering individuals beyond her usual circle.
You can check out the full interviews with the cast of Power Book III: Raising Kanan below.
Exclusive: RZA Expressed Why He Wanted to Start His Radio Show, Wu-Wednesdays
In a groundbreaking move, RZA, the visionary force behind the iconic Wu-Tang Clan, is poised to captivate audiences with his latest venture—Wu-Wednesdays, a dynamic radio show set to debut on LL COOL J’s esteemed Rock The Bells Radio on SiriusXM, broadcasting on Channel 43. This innovative platform promises a sonic journey through the rich tapestry of Wu-Tang Clan’s storied legacy, showcasing classic tracks that have left an indelible mark on the genre.
However, Wu-Wednesdays goes beyond the realm of nostalgia, offering an immersive experience with exclusive DJ mixes, unreleased musical gems, and engaging interviews with special guests. RZA, known for his groundbreaking contributions to the hip-hop landscape, invites listeners to join him on a weekly exploration of the past, present, and future of the Wu-Tang legacy, making Wednesday nights a must-listen for hip-hop enthusiasts and music connoisseurs alike.
We recently caught up with RZA. Embarking on a project he has long harbored a desire for, RZA expressed his enthusiasm for the upcoming launch of “Wu-Wednesdays” on LL COOL J’s Rock The Bells Radio. Reflecting on the journey, he revealed, “Well, it’s just something I’ve been wanting to do for years. It’s funny because maybe five years ago I was going to do it with the BBC, and then I was going to do it right in New York with Hot 97,” he said. In essence, RZA sees Rock The Bells Radio as the ideal platform to bring “Wu-Wednesdays” to life, aligning seamlessly with the station’s significance in the hip-hop landscape.
RZA acknowledged, “It’s something that I probably had in my creative wheelhouse and never really got a chance to fully explore. And now I do have the chance, and I’m looking forward to exploring it.” RZA has always wanted to do radio, so this radio venture represents the fulfillment of a creative aspiration he had for years.
RZA also highlighted the importance of staying authentic to different demographics as Wu Tang Clan’s music is geared towards Gen X, older and younger Millennials while also Gen Z, who is discovering it for the first time. The optimal approach is to retain your talent and music within your creative arsenal. Wu-Tang Clan, in particular, has carved out a distinctive subgenre within hip-hop, evident in their expansive catalog that could arguably require the collaboration of a substantial portion of the hip-hop community to match. It’s extensive catalog serves as a perpetual source of discovery, marking a rite of passage for generations—from Wu-Tang’s inception to the present day. Countless enthusiasts have attested that their initiation into the realm of hip-hop stemmed from the transformative experience of engaging with Wu-Tang’s seminal works like “36 Chambers” or other projects within the Wu-Tang Clan.
“I think that Wu-Tang, especially in our first 5 to 7 albums, are capturing the youth energy of the world, especially of America, of our community, but of the world because you get nine points of view of young energy. And I think when somebody hears it, that is something that relates to them. A kid could be 14 years old and he’s ready to bring the ruckus. A kid could be 19 about to go to college and think about his parents and growing up saying why life can be all so simple. Or a kid could be exploring life and getting into the job market and realize cash can rule around him,” he said.
Also during our discussion about the intricacies of musical production, RZA delves into the episode of sampling on “Wu-Tang: American Saga,” shedding light on the artistry and innovation that defined the group’s distinctive sound. With a narrative that intertwines personal anecdotes and creative processes, RZA offers a unique glimpse into the transformative role of sampling in shaping the Wu-Tang Clan’s iconic tracks.
“That was the intention of that when we sat down and we decided how we wanted to explain it,” said RZA. “We thought about other movies that did great music documentaries, whether it was Rocketman or whether it was, you know, James Brown or all these biopics. Everybody has a way of going into showing the creation of music. But for hip hop, it’s a different formula, a different process. And we said the only way to do it is to actually see if we could go into the mind of the producer and explain what he’s doing. And as I explained it in the writers room, we were able to put it in writing and we had Mario Van Peebles, a very intelligent director. He was able to then take that and translate it into the episode that we saw, which I think is good enough to be shown in classes. I think it’s like an educational tool. You could take that now and use it as a reference to understand the process of hip hop creativity and production.”
Kathryn Busby, President of Original Programming for STARZ, expressed enthusiasm about continuing Kanan Stark’s narrative. She anticipates that viewers, following the intense events unfolding in the third season, will demand more insights into Kanan’s character, exploring how his formative years shape the cold-hearted villain introduced in the original ‘Power’ series. Notably, “Power Book III: Raising Kanan” is the first Power spinoff to reach its fourth season, highlighting its enduring success. The fourth season is slated for debut in 2024.
They set season three to debut on December 1, with subsequent episodes released weekly on Fridays at midnight ET on the STARZ app and all STARZ streaming and on-demand platforms. The linear premiere is scheduled for 8:00 p.m. ET/PT on STARZ in the U.S. and 9:00 pm ET in Canada.
Set against the backdrop of the early 1990s, the series explores the origin story of the beloved character, Kanan Stark, as he enters the criminal world under the ruthless leadership of his mother, Raquel “Raq” Thomas. The cast includes MeKai Curtis as Kanan, Tony® Award winner Patina Miller as Raq, Omar Epps as Detective Malcolm Howard, and a stellar ensemble portraying other key characters.
Sascha Penn will resume his role as the showrunner and executive producer for the upcoming fourth season. The “Power” Universe series continues to be executive produced by Courtney A. Kemp, creator and showrunner of the original “Power,” Curtis “50 Cent” Jackson, and Mark Canton. Additional executive producers include Chris Selak and Kevin Fox. The series is produced by Lionsgate Television for STARZ.
Power Book III: Raising Kanan is gearing up for an eagerly awaited return on December 1st, marking the arrival of its highly anticipated third season. The stakes are set high, especially after the intense season two finale, where Unique’s unexpected intervention during Sal’s multi-group assault left fans on the edge of their seats. As the premiere date approaches, viewers are eager to witness the repercussions unfold for pivotal characters like Kanan, Raquel, Howard, and Unique.
Having had the exclusive opportunity to preview the first three episodes of Raising Kanan’s third season, this non-spoiler preview aims to shed light on what audiences can anticipate in the Season 3 premiere. One notable highlight is the deeper exploration of Unique’s character as his family takes center stage, providing additional layers to his enigmatic persona. Joey Bada$$ is garnering praise for his portrayal, infusing Unique’s character with a more human and nuanced dimension.
The episode delves into Kanan’s evolving sense of distrust towards Raquel, stemming from past events, as he embarks on a quest to uncover the truth about her. Alongside this central narrative, there is an intriguing subplot involving Kanan and Famous, who harbor aspirations of entering the world of illegal business. Simultaneously, law enforcement becomes more vigilant in response to the escalating drug trade, a direct consequence of the Season 2 finale’s bloodbath.
Jukebox’s storyline takes a poignant turn as she grapples with the aftermath of her mother’s death from the Season 2 finale. This sets the emotional tone for her character arc throughout the season, with an anticipated heart-rending scene between Jukebox and Raquel promising to add significant depth to the storyline.
Viewers are advised to brace themselves for two unexpected scenes—one featuring an unforeseen plot twist and another described as a jaw-dropping moment that will leave them questioning the reality of the events.
The first episode of Raising Kanan’s third season sets the tone with a grounded and grittier atmosphere. The characters, navigating through unforeseen situations, promise heightened suspense and drama. The commendable direction of the episode not only captures attention but also sets the stage for a season filled with unforeseen twists and turns, elevating the overall viewing experience for fans of the Power series.
When Fear The Walking Dead debuted in 2015, it had a different premise and expanded on the idea of showcasing how the zombie outbreak happened on the west side of the United States. Characters such as Madison, Alicia, Troy, and Strand became household names as Fear gave us interesting stories from them.
Seasons 1 to 3 are regarded as the best seasons of Fear as the quality was compared to the main show. Season 4 onwards, with the exception of season 6, has been met with average to low quality reception as the show deteriorated from what it once was.
This week marks the end of Fear The Walking Dead and I wish I could say that there was anything that I liked outside of Alicia and Madison’s reunion. That is because the same tropes of this whole season kept coming back to bite me. Everyone was just out of character with these big long speeches, walkie talkies, a bad script that should have been flushed down the toilet, and non-essential plot twists that made no sense whatsoever.
I’ve noticed that the recent story progression in the last two episodes of the show, up to the reunion, bears a striking resemblance to The Walking Dead’s final episode from last year. A side-by-side comparison reveals undeniable similarities. I’m puzzled as to why Troy was brought back only to be killed off four episodes later, especially considering he never posed a convincing and credible threat throughout his entire time on screen.
Alicia’s cult storyline continues to be a source of frustration for me and I am glad that it is over. The portrayal of these kids, who talk and act like full-grown adults, feels unrealistic and detracts from the narrative.The ongoing conversation about PADRE appears dull and inconsequential, lacking a clear purpose. Tracy’s revelation that Alicia is her mom sparks timeline questions, especially considering Alicia’s near-death experience from radiation seven years ago. However, the plot twist reveals that Tracy is not actually Alicia’s mom. Huh, talk about a stupid fucking turn of events!
It appears that the showrunners introduced fan service moments to distract from the issues of pacing and writing for the series finale of Fear The Walking Dead. Despite these concerns, the reunion was well-executed and perhaps the most natural one this season.
When I think about Fear The Walking Dead, all I can see is the wasted potential it had. Unlike (to an extent) World Beyond, Dead City, Daryl Dixon, and even Tales, Fear’s writing has been all over the place since season 3. It’s too obsessed with throwing in easter eggs and reminding us of the good old days instead of telling a solid story.
The ending felt like a letdown, and it seems like they did it just to get people hyped for ANOTHER potential spinoff with the leftover Clark family members. It’s a bit of a mess, to be honest and this show and the actors and staff deserve way better than what they, and the fans got.
For some reason beyond me, the character Reva seems to get some unnecessary hate during her screen time on the series Obi-Wan Kenobi while Shin Hati gets praised by fans for some reason.
The Ahsoka series was praised highly by fans while Obi-Wan Kenobi received more of a mixed response from fans, with the audiences claiming that the latter was more woke and unnecessary in the lore of Star Wars. As a result, the character Reva was derided and Shin Hati was more beloved by fans. I’m here to explain why the Star Wars fans are, once again, wrong in their assessment of these characters.
Reva’s arch is more drawn out
Reva’s arch stretches out all the way from Revenge of the Sith, as she was one of the younglings in the Jedi Temple when Darth Vader came waltzing in with an army of clones murdering almost everyone in their path. This history cements her arch broader into the lore of the series and gives her a proper motivation as to why she joined the darker side of the force.
With all of that being said, her trauma is detailed and her anger seems more justified and why she joined forces with the Grand Inquisitor.
Reva is a more passionate character
Reva is a much more passionate character in the miniseries than Hati and while both women want the approval of their superiors, Hati seems more shallow in her attempts at trying to earn that respect and her motivations seem a lot weaker than Reva’s.
Hati seems like a very hollow character in the Star Wars universe as she is living in the shadow of another villain by the name of Baylan Skoll, who is a character that nobody really cares about in the universe. Reva lives in the shadow of Darth Vader which is more than enough to raise a few eyebrows as she is working for a villain who is already well-known in the universe.
To be fair, I don’t even remember any memorable moments from Hati either.
The newest FX series introduces a young, amateur detective who must solve a murder mystery using her technology skills and knowledge from her father’s work as a coroner.









