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Disney’s Winnie the Pooh: Theater Review

by Dano Nissen November 16, 2021
written by Dano Nissen

There’s nothing ado with Winnie the Pooh.

 

 

Disney’s Winnie the Pooh is a delightful little production following AA Milne’s beloved characters as they go about doing…well, they don’t do much at all.

As our characters confront mundane and innocuous situations, they come up with solutions with profound yet kid-friendly implications. Tigger and Piglet have a stick racing competition. Which stick won? The brown one! How to determine the winner then? Everyone wins! It’s philosophy for your five-year old.

Winnie and friends are voiced and brought to life by puppeteers. The movement of the puppets is limited, and it sometimes feels as if you are watching humans lug around giant stuffed animals. Initially, this was distracting, but eventually, I came to see just the characters on the stage.

The production is light on musical numbers, action and Christopher Robin’s presence, so children may have a tough time staying engaged by singing along, getting excited by the story of relating to their kid proxy on stage. But the meandering anthropomorphic animals are fun and whimsical enough they left nary a fidgeting kid in the audience.

Disney’s Winnie the Pooh is a great family outing with little kids, albeit for ones with a high degree of patience and appreciation for the simpler things in life.

November 16, 2021 0 comments
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EntertainmentThe LatestTheater

Exclusive: Uzo Aduba, Ron Cephas Jones and Cast Talk New Lynn Nottage Play “Clyde’s” [Video]

by Sydney Hargrove November 2, 2021
written by Sydney Hargrove

It’s no secret to anyone who’s been lucky enough to witness a Lynn Nottage play that she is an absolute powerhouse.

Lynn combines the highs and lows of life into her art and in turn gives audiences the theatrical experience of a lifetime.  When talking about her new play Clyde’s, she expressed how sitting down to write this particular piece led her to believe that she was writing strictly a drama, but as she went through, aspects of comedy shined through into her writing, creating a show that is both so heartwarming, so inspiring, and so incredibly funny. The beauty of this show is that it brings situations and political aspects to real life characters, which causes the situations to feel more real, and closer to the viewers. This tactic is so incredibly important in every way. Nottage puts so much care into each of her characters. Uzo Aduba plays the titular role of Clyde, a woman who has lived a life with a lack of love, who believes that the good of life is lost in her and there isn’t much she can do about it. The owner of a sandwich shop, Clyde is surrounded by a lively group of ex convicts turned “Sandwich Artists,” as Ron Cephas Jones put it. Alongside her is Cephas Jone’s Montrellous, as well as a handful of people on the quest to reclaim the good in life. We sat down with the cast and creative team of Clyde’s, check out the brilliant conversation below!

November 2, 2021 0 comments
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EntertainmentThe LatestTheater

The Woman In Black Makes Its Return At The McKittrick Hotel

by Vinesh Vora October 26, 2021
written by Vinesh Vora

The Woman Is Back!

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October 26, 2021 0 comments
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EntertainmentThe LatestTheater

Exclusive: Tony Award Winners Speak at Virtual Press Room

by Sydney Hargrove September 28, 2021
written by Sydney Hargrove

Last night symbolized the official reopening of Broadway as the iconic Winter Garden Theatre housed the 74th Annual Tony Awards.

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September 28, 2021 0 comments
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EntertainmentThe LatestTheater

Pass Over: Theatre Review

by Melissa Edelblum September 27, 2021
written by Melissa Edelblum

What is in a name? What does one’s name symbolize? What does one’s name mean in the context of society and our history? As Antoinette Chinonye Nwandu’s new play Pass Over so brilliantly and clearly points out, it’s a lot more than just how we address each other.

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September 27, 2021 0 comments
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EntertainmentThe LatestTheater

On The Scene: ‘The Lion King’s’ Official Broadway Reopening Night

by Sydney Hargrove September 15, 2021
written by Sydney Hargrove

“Broadway is back.”

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September 15, 2021 0 comments
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EntertainmentEventsThe LatestTheater

Broadway & Vine Continues In Napa Valley With an All-Star Lineup

by Vinesh Vora August 31, 2021
written by Vinesh Vora

Taking the phrase wine and dine to the next level

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August 31, 2021 0 comments
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EntertainmentThe LatestTheater

Top 5 Reasons to Go See Merry Wives

by Melissa Edelblum August 14, 2021
written by Melissa Edelblum

After the year and a half+ we all had, we could use a little bit of merriment in our lives. So, without further (much) ado (about nothing) – here are your top 5 reasons to run to see the current production of Merry Wives – this summer’s featured Free Shakespeare in The Park show presented by The Public Theatre.

1.) The diverse and unique perspectives brought to a classic work. Upon being seated, audiences are fully welcomed into the production via a drummer on stage who invites audience members to participate in a series of call and response greetings that are native to various African nations, including Kenya, Nigeria, and South Africa, among several others.  This warm welcome brings us into the world of modern day South Harlem and sets up the stage perfectly for this witty and fun production of Merry Wives, which is a spin on Shakespeare’s The Merry Wives of Windsor adapted by Jocelyn Bioh and directed by Associate Art Director/Resident Director Saheem Ali. The choices made regarding this production make it clear that this is more than just your average Shakespeare in the park show – this summer’s production is here to honor Black joy, queerness, differences, similarities, heritages of all sorts, and the city itself.

2.) Physical comedy. Mark my words, there is no greater joy than seeing excellent physical comedy in a Shakespeare production. A good physical performance can take the antiquated words from the page and transport them centuries into the future. Overall, the performances were very strong – it was clear that the cast trusted each other and celebrated heritage, the Bard, and each other on that stage. I would be remiss if I didn’t shout out Jacob Ming-Trent, who portrays Falstaff in one of the most innovative and dynamic ways I’ve ever seen – perfectly adapted for a modern audience, but remaining true to iconic joker himself. Comedy gold was shining thru when Madam Nkechi Ford (Emmy nominee, Susan Kelechi Watson) and Madame Ekua Page (Tony nominee, Pascale Armand) play Falstaff’s game and meet him with shenanigans of their own in their element, heightening the confusion and making the encounter all the more enjoyable for the audience.

3.) Lights! Sets! Choreography! Costumes! Where to start. The craftsmanship of Merry Wives was all around outstanding. As mentioned earlier, from the get go, the audience is fully immersed in the world of this contemporary story. The scenic design by Beowulf Boritt and costume design by Dede Ayite focus on the small, but necessary details that make this production realistic and relatable such as Black Lives Matter signage all around the neighborhood and decorated iPhone cases that were used by characters to capture hysterical moments. At the end of the show there, we are transported into a “dream-like” sequence, which utilizes costumes and design in an extremely dynamic way that derives elements from various African cultures, making the scene impactful and emotional not only for Falstaff, but also for the entire theatre. Speaking of the “dream-like” scene, the choreography (by Darrell Grand Moultrie) and fight direction (by Rocío Mendez) were powerful vehicles for physical storytelling throughout the duration of the 110 minute show. The use of movement truly propelled the story in ways that just dialogue did not, we felt more connected to the characters and the emotional journeys they were going on.

4.) Theatre, but make it socially distanced (and vaccinated). Re-acclimating to “normal” life is a challenge in its own right. In addition to being an outdoor production (which is a staple of Shakespeare in the Park whether during a pandemic or not), The Public is requiring proof of vaccination for full capacity seating areas. Upon walking into the Delacorte Theatre, you must wear a mask until you get to your seat and those in physically distanced seating areas do not need to provide proof of negative testing, but those non-vaccinated guests must remain masked at all times. I’ve seen a few productions back at this point and this was by far among the safest I felt. A huge thank you to The Public for taking the initiative to put the safety of so many New Yorkers first.

5.) Merry Wives highlights the beauty of New York City in all its glory! Free Shakespeare in the Park has been a New York City tradition since 1954 and it’s one of the few that continues to strive to make professional theatre relevant to new generations and widely available to diverse audiences. This production is a love letter to New York and shows the world that we’re back and merry, baby!

Free Shakespeare in the Park’s production of Merry Wives as presented by The Public Theatre, is playing at the Delacorte Theatre (81 Central Park West) through September 18th, 2021. For more information, please visit: https://publictheater.org/productions/season/2021/sitp/merry-wives/

August 14, 2021 0 comments
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EntertainmentEventsThe LatestTheater

Exclusive: Creator, Director and Writer Nia O. Witherspoon Talks Ritual-Play Cycle ‘Chronicle X’

by Kayla Brantley June 8, 2021
written by Kayla Brantley

The Knockturnal experienced Chronicle X – a two-night ritual-play cycle memorializing the stories of Black women warriors at The Shed in New York City.

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June 8, 2021 0 comments
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EntertainmentThe LatestTheater

Theatre Review: ‘Blindness’ Some Light in the Darkness

by Melissa Edelblum May 10, 2021
written by Melissa Edelblum

If you asked me 18 months ago if I wanted to spend an evening in a dark theatre downtown “experiencing” an audio-based science-fiction theatrical event, telling the tale of an epidemic that seemed (at the time) truly unbelievable, I probably would have opted out of the opportunity. Quite frankly, I probably wouldn’t have been able to connect to work. At the time, it likely seemed so far-fetched.

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May 10, 2021 0 comments
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