The Harbinger, acquired by Screen Media, was released in theaters and On Demand on September 2nd.Β Β
Film
Exclusive: Joslyn Rose Lyons Talks Directorial Debut with Showtimeβs Sports Documentary STAND [Interview]
Joslyn Rose Lyons will make her directorial debut with Showtimeβs Sports Documentary STAND, scheduled to air in early 2023.Β
Participant documentary Invisible Demons by filmmaker Rahul Jain is a visually stunning attempt to raise awareness about an emergency in Delhi. Pollution and climate change has made the heat unbearable, turned the air poisonous, and killed all life in the river. The film is a visceral introduction to this new reality. Interviews are interspersed with granular visuals. A cow’s nose, a melting ice block, and foam on the river are emblematic examples of Invisible Demons visual style. There is something almost tactile to it. The film captures particles of pollution darting through the air, or βpoisoned arrowsβ as Jain calls it.Β
Coughing is an upsettingly prominent noise throughout the film. From children living on the streets, to an elderly woman who can’t fully exhale without falling into a coughing fit; the human cost of pollution is audible. Except in conversation with the workforce of Delhi, who are quick to say they don’t complain about what they can’t change. A boatman says it must be the gods.Β
Invisible Demons is a familiar story of the poor being trampled on. Most westerners will experience several instances of certainty that this could never happen in their own capital city. The people of Delhi are well aware that the rich are heavily insulated from this public health crisis. From within air conditioned offices, politicians refuse to speak about pollution. A rickshaw driver says air conditioning is only for those who always have it. Acclimating to cool temperatures causes sickness upon return to the streets of Delhi.Β
Every aspect of the film speaks just as much to class as it does to the environment. All the interviews grapple with some form of powerlessness. Invisible Demons invites urban westerners to locate themselves on the ladder of privilege. The film is an expansion of awareness, impressed through granular examples, and an influential way to spend an hour and ten minutes. Go check out Invisible Demons while it’s in theaters.
The film releases September 23rdΒ in NYC (theatrically) and will be on MUBI starting October 4th.
Don’t Worry Darling, the highly anticipated Olivia Wilde film starring Florence Pugh and Harry Styles, about a housewife living in the idyllic community of Victory,Β can only be seen one way: at Dolby Cinemas.
Pugh, who plays Alice Chambers, a woman wholly devoted to her husband, Jack (Styles), begins to question her surroundings as she experiences vivid dreams and hallucinations. She also starts to challenge the founder of the Victory Project, Frank (played by Chris Pine), who has a stronghold on the residents of this seemingly utopian community.
The film is visually stunning, featuring vibrant colors of a Palm Springs-like atmosphere contrasted with scenes showcasing a vast desert landscape. With Dolby’s high resolution screen, viewers were truly able to see the beauty of the film so viscerally that at times we almost felt as though we were in the desert with Alice. Dolby’s visual experience is further augmented by the sound quality, wherein viewers can hear and feel the complementary music score composed by John Powell.

Between Alice’s visions of black and white synchronized swimmers, being pressed between a wall and a glass door, and surrounding her own head with saran wrap, Don’t Worry Darling creates a visually stunning and yet incredibly tense experience for the viewer with an mind-blowing twist at the end.
Our suggestion? Put aside the off-screen drama and go see this visual masterpiece at a Dolby Cinema near you.
Harry Styles, Gemma Chan, Nick Kroll, and Cast Discuss ‘Don’t Worry Darling’ at NYC Premiere
The stars and director of the highly anticipated psychologicalΒ thriller talked all things ‘Don’t Worry Darling’ at the film’s New York City premiere. Β
Are celebs just like you and me when it comes to pandemic travel? Β We caught up with a few you may know — and others you may not have heard of — to hear their travel tales.
Jacques Torres, celebrity pastry chef
I went to Bandon, a city between Toulon and Marseilles in Provence for five weeks in 2021. I grew up there. It’s famous for wine. I went to the beach. I enjoy the south of France for wineries and tastings. I felt safe traveling because this is a house I own.
Photo Courtesy of Facebook
Ben Johns, pro-pickleball player
No international travel. We go all around the US for tournaments. We donβt vacation. We just play pickleball. Even in 2021, there were full crowds. In July of last year, I played pickleball in Hawaii. October 2021, Las Vegas. I did go to Ecuador, but not too recently.Β I own a pickleball vacation company called Pickleball Getaways.
NOTE: Johns and his business partner, pro-pickleball player, Dekel Bar, have led trips to destinations including Riviera Maya, Ecuador, the Dominican Republic and Richmond, British Columbia.
Photo Courtesy of Facebook
Collin Johns, pro-pickleball player
A lot of times the pickleball tournaments are in locations where there are vacations. The PPA Masters November 2021 in La Quinta, California was like a hotel. Itβs a nice area — essentially like a vacation.Β I go on all of the same tours as Ben. In the height of Covid-19, they were shut down for a couple of months, and there were travel restrictions.
Photo by Laurie Heifetz
Jorge Rodriguez-Gerada, artist
I did a trip from Barcelona to New York. We were in lockdown in Barcelona in the middle of the pandemic when no one was flying β May of 2020. I did an homage piece next to the Queens Museum to a Latino doctor who passed away. That flight was bizarre. It was a huge plane with two passengers. There was no food in the airport. The reason Β why the plane was larger was that it was used for cargo. It was filled with cars on the bottom floor!
Photo by Laurie Heifetz
Jet Tila, celebrity chef (“Food Network”)
I took my family to Hawaii in the height of Omicron, November/December of 2021. We were on the island of Oahu, which I love. We based ourselves at the Disney Resort, but weβd take day excursions. One callout excursion families need to know is Kamoauli, a 100-year old wooden canoe from Tonga staffed with teachers and native experts who tell the history. Basically, youβre whale watching, while theyβre preparing native foods and teaching native history. Itβs like a luau in a boat!
Photo by Laurie Heifetz
Photo by Pat Lambert
Deana Martin, singer-actorΒ
My trip to Toronto last year was fantastic! I had light drinks — “sippy-poos,” as my dad would say — on the plane because you didn’t have to have your mask on. I did a debut of the documentary, “Dean Martin, King of Cool,” and won the IItalian Contemporary Film Festival (ICFF) Excellence Award. It was one of those experiences where you go to this party and this press conference. We had excellent meals in Toronto.
Interviewed in NYC at: “Taste of the Upper West Side”; βLive with Kelly & Ryan”; βThe Hug” statue unveiling for me2music.org’s “Monumental Moments” at Lincoln Center; CAMP’s flagship store Visit California media event; and Frank Sinatra’s birthday party at Patsy’s Italian Restaurant.
The interviews have been condensed and edited for clarity.
R and R stands for rest and relaxation. RRR stands for anything but.Β
RRR (Rise, Roar, Revolt) is a three hour Telegu language epic about Indiaβs fight for independence against the British, replete with over the top gun battles, spontaneous dance-offs, CG rendered wild animal attacks and no shortage of gratuitous TNT explosions.
The film is a sensation, standing at the third highest grossing film in India ever. Itβs also found quite a bit of success overseas.
Director S.S. Rajamouli sat down for a Q & A after a screening of his film at the IFC Center in lower Manhattan. On whether he expected the film to be such a success across the globe, the director said, βAbsolutely not. I never thought Iβd appeal to the sensibilities of the West.β But the universal themes clearly tap in to a broad audience. He said, βAny creator will agree: a good story is a good story across the globe for any race, any language, for any people.β
Rajamouli wrote the film with his father, V. Vijayendra Prasad, another commercially successful Tollywood director. Rajamouli cut his teeth in film by working as an assistant in the editing room on his fatherβs films. Rajamouli said that his father spurred him on to make his latest film. βInitially I was doing nothing,β he said. βHe was constantly nagging me.β
After relenting to his dadβs nagging, the next step in the creative process was forming the filmβs iconic images. The film is full of striking images: a tandem shoulder riding gunfight, a flurry of disparate wild animals escaping from a cage, a man draped in an Indian flag as he barrels through a raging fire to save a little boy.
βThe iconic images come first even before the story,β he said. He had the basic idea for the film down at the beginning: βLetβs get these two freedom fighters together. Initially they would be against each other, then they would come together against a common enemy. That was the basic line. Then it would come into discussion with my father. Then I look for iconic images for scenes. I tried to figure out what iconic images would tell this story and build the scene towards it.β
RRR is in theaters and available for streaming on Netflix.
Tackling present day topics in media is an often used method to break down and understand perspective in a better manner, however it’s easy to get the message lost in insincerity. Many have attempted to tackle the Covid pandemic in recent media and often are met with lukewarm feelings. It always boils down to sincerity and a feeling of genuineness. Especially with a topic that the world is actively facing still. Offside Productions is the recent contender to the challenge, with the upcoming anthology series Normal Ain’t Normal, co-produced by BuzzFeed and activist & actress Rosario Dawson. The series presents the realities of social injustice and economic disparity in America that became more prevalent during the height of the early stages of the pandemic.
Helmed by director Yvan Iturriaga and co-writers Josh Healey, Reem Assil, Tommy Orange, and Reyna Amaya, the 4 episode series will be available to stream on BuzzFeedVideo on YouTube and Facebook starting September 27th, 2022. The digital short series tackles our current pandemic landscape in a fresh manner by realistically pulling in raw humor and diverse storytelling to reflect the local community’s experience. Who better to share the realities the Bay Area, specifically Oakland, faced during the pandemic than an Oakland creative team. Each episode involved different members of the team and pulled from personal experiences from their professional, health, and racial experiences during the pandemic and it’s immediate aftermath. With mixes of fantasy, emotional monologues, and humor, each episode of Normal Ain’t Normal reminds the audience of what’s truly important: community and our fellow humankind.
Featured cast included actors and debut acting from Reem Assil, DβPharaoh Woon-A-Tai, Martin Sensmeier, Tristan Cunningham, Sal Lopez, and Rosario Dawson. The Knockturnal had the opportunity to speak with Director and co-creator Yvan Iturriaga and writer/actor Reem Assil about their experiences with the series.
How do you go about telling a story on a topic that is still actively going on right now? Film is typically an escape, so how do you tackle keeping it fresh and pull viewers in?
Iturriaga: “It is our intention, me and Josh (Healey), and our passion to work on films that is very relevant to our lives. Sadly the pandemic is still relevant these years later, however the story really focuses on the working class community. We knew the impact of the pandemic, even after the vaccine would carry on for a long time. The pandemic made a lot of people realize, things are going to change. What was “normal” wasn’t okay, and things that were taken for granted needed to shift. We live in a society that doesn’t value workers and their stories need to be heard the loudest.”
As a director, did you come across any areas of opposing vision while working with the writers for each episode?
Iturriaga: We didn’t have any conflicts. There’s a lot of trust, we often shared guides and drafts to each other to ensure strong collaboration amongst us. My job as a director and directing what others wrote, is to actually trust the writers. I always went back to them, especially with Tommy (Orange) as there’s a story very specific to him, and who am I to tell a Native American story. I need his validation and guidance to tell it right. For us, writers are very key and we need to follow them.

Josh Healey, Reem Assil, and Yvan Iturriaga at the premiere screening of “Normal Ain’t Normal”
Reem Assil, Oakland based chef and writer shared similar sentiments in her journey in writing out an episode for the series.
Assil: “For me, the most healing thing is to take people on my journey with me. Makes you more vulnerable which has its drawbacks and I certainly grapple with that in my episode. But at the end of the day, it allows others to not see you as this two dimensional person. My identity is inter-sectional, I’m a Palestinian woman but I’m also a restaurateur and a worker. All of these identities play into how I see the world. The pandemic made that perspective for me much clearer, and in the series we really zoned in on that experience. What I want is justice, I don’t want to be a cog stuck in the wheel or be a token for the outside world to create their own story.”
Assil had opened her restaurant mere days before the California lock-down, and grappled with the realities of taking care of her employees and livelihood during an unknown time. The crucial value that helped everyone carry forward strongly through the pandemic was always community and caring for each other. Assil often mentioned that the label of chef is not for her, as it has a connotation of a “one man show” but behind every success is the hard work of an entire staff and team. These feelings of vulnerability, community, and facing the unknown are prevalent throughout the writing of the series, allowing viewers to remind themselves of the raw emotions that many people faced in the height of the pandemic. But the series educates viewers through four characters perspectives stemming from diverse backgrounds to highlight the diversity of Oakland’s community is a strong point and should not be forgotten. The cinematography tactics used weaved elements of spoken poetry and speeches to add emotion through the camera, making the acting extremely human. Iturriaga’s direction and art style behind the camera really highlighted each actors strong suits, whether that be facial expression, body language, stunts, or more. His direction really pulled together the synergy of each script to relay messages in a succinct and impactful manner.

Panel discussion for the premiere screening of “Normal Ain’t Normal”
The select audience that night were privy to a full screening of all four episodes of the digital series, and a panel discussion touching on all the sociopolitical topics highlighted within the series. Oakland gentrification, tech boom, Covid medical bills, the fluctuating financial landscape, these are some of the ongoing realities for many in the Bay and the pandemic was quite isolating. The team aimed and succeeded in bringing to light those realities and using storytelling as a tool to remind others, you are not alone. In the words of co-creator and writer Josh Healey, “Normal is what got us into this sh*t in the first place”, so it’s beyond time for us to re-define our “normal”. Society is always stronger together, and change can only come from community care and action. The premiere was held at the Oakland Museum of California, and the theater was filled with laughter, acknowledgement, and a silent reminiscence as we were taken through a journey of emotions many of us have reflected on privately in the last few years.

Premiere screening of “Normal Ain’t Normal” at Oakland Museum of California in Oakland, Calif., September 17, 2022.
Co-creators Iturriaga and Josh Healey have worked with Offside Productions before, as well as co-producer Rosario Dawson, and the production house focuses on digital projects to amplify grassroots’ movements. A goal held dear to the cast and crew for Normal Ain’t Normal, and a message ringing clear to all who watch; communities hurting to live is not a normal meant to be upheld. The partnership between Offside, Iturriaga and Healey remains dynamic and robust. With the inclusion of Dawson, the powerhouse team brings to life a poignant commentary on the pandemic, without being insensitive to those of us still processing the trauma of a worldwide event. A quick to consume series that all should see, with beautiful direction, powerful acting, and genuine writing allowing the heart of the series to resonate in viewers’ for time to come.
Habla Loud is one of the premiere films of the New York Latin American Film Festival, running from September 12th through September 18th. Habla is an HBO series, now on its sixteenth installment with Habla Loud. The hour-long film premiered at the Regal Union Square. The after party was hosted by The Dean NYC, a restaurant in midtown specializing in events. Habla Loud is a celebration of Latino culture and its wide ranging impact. After the screening Bianca Marroquin, Nicolas Entel, Yulin Cruz, Olga Merediz, and filmmaker Alberto Ferrera spoke on a panel. All of the guests shared a different aspect of the Latino-American experience. The panel focused on how different industries have changed their standards of inclusivity towards latinos.Β
The film is made up of interviews with fourteen guests: Curly Velasquez, Olga Merediz, Nicolas Entel; activist and co-founder of the Young Lords Party, Miguel βMickeyβ Melendez; actors Wilson Cruz, Isabella Gomez, Bianca Marroquin, and Leonardo Nam; Pulitzer Prize-winning poet Natalie Diaz; musicians Leila Cobo, Carla Morrison, and RenΓ© Perez-Joglar; U.S. Congressman Ritchie Torres and former Mayor of San Juan and Puerto Rico, YulΓn Cruz, who gave Habla Loud its name. An ode to her grandmother’s advice on how to deal with bullies.
Most of the creatives and entertainers spoke to Latino stereotypes in the mainstream and how theyβve changed. The stories drew from experiences across different industries. The politicians spoke to how their lived experiences as Latinos pushed them into politics. Yulin spoke about her experience in Puerto Rico during the hurricane and her struggle to get aid under the Trump Administration.Β
The first interview of Habla Loud was with Nicolas Entel. He spoke about the experience of losing his national identity upon arrival to the states and becoming Latino. He stated that he believed that Latino culture was βmainstreamβ American culture. The New York Latin American Film Festival is a demonstration of this ongoing phenomenon.Β
The Knockturnal attended a βDonβt Worry Darlingβ Vintage Pop-Up event hosted by the gift shop Espionage LA, a store featuring stunning, high-end vintage pieces ranging from jewelry to home decor to designer clothing. βDonβt Worry Darling,β which comes out in theaters this Friday, September 23rd, is set in 1950s California, making this unique Los Angeles vintage store the perfect backdrop for cinematic photo-ops and an aesthetic, Donβt-Worry-Darling-inspired immersive shopping experience.Β
Espionage LA seamlessly incorporated the filmβs posters all over the store, blending in with the wide variety of colorful and unique vintage items. Coupled with the record player filling the space with eerie yet peaceful 1950s music, Espionage transported guests to the past through the lens of Warner Bros.β βDonβt Worry Darling.β
Movie posters, refreshments, and an assortment of cookies were available for the guests as they mingled and rifled through the storeβs unique trinkets and homeware pieces.Β
βDonβt Worry Darling,” directed by Olivia Wilde and starring Florence Pugh, Harry Styles, Chris Pine, and Gemma Chan, comes to theaters nationwide this Friday, September 23rd.





