
To begin, much of the film is a tribute to Chadwick Boseman, who tragically passed away in 2020 of stage III colon cancer at the age of 43. Dolby’s ultra-vivid colors and sound system make seeing Boseman’s face on the silver screen feel like we never lost the talented actor at all. Beginning with T’Challa’s (Boseman) death, Queen Ramonda (Angela Bassett) is now at the helm, running an empire that is rich in vibranium, a metal used to make weapons and armor. Tensions rise when other nations attempt to procure this scarce resource via taking it by force or tracking missions in the Atlantic Ocean led by the US government.
The Atlantic is populated by the Talokan and led by Namor (Tenoch Huerta), who wishes to keep Talokan secluded. However, the tracking mission threatens exposure to his secret empire. Infuriated, Namor goes to Wakanda, claiming them responsible for the mission and asks for help to kill the lead scientist who built the vibranium tracking device, but Wakanda refuses, thus spurring conflict between the two worlds. What ensues is a complex tale of colonialism, struggle, and loss.
Seeing the world building executed by Ryan Coogler on the Dolby screen enriched the experience for the viewers. The Dolby screen unlocked the emotional impact of every scene and enhanced the costume design that defines each character within their respective communities. And thanks to Dolby’s superior sound capabilities, the audience felt like they were part of the action scenes.
In all, if you want to be one of the millions who have seen Black Panther: Wakanda Forever on the silver screen, our suggestion is to experience the beauty and power of this film on a Dolby screen near you.

 
                         The film begins by showing the passion between Alice and Jack, who are newlyweds as well as new residents of Victory. Every day, Jack drives to work through the desert and over to a large, ominous dome that sits atop a hill, miles away from Victory’s city center. Alice begins to experience lucid dreams and visions at varying hours of the day and night, which become unsettling to her as she begins to confront Frank and his wife, Shelley (Gemma Chan),  about what is really going on at Jack’s workplace and what the purpose of the Victory Project really is.
The film begins by showing the passion between Alice and Jack, who are newlyweds as well as new residents of Victory. Every day, Jack drives to work through the desert and over to a large, ominous dome that sits atop a hill, miles away from Victory’s city center. Alice begins to experience lucid dreams and visions at varying hours of the day and night, which become unsettling to her as she begins to confront Frank and his wife, Shelley (Gemma Chan),  about what is really going on at Jack’s workplace and what the purpose of the Victory Project really is. 
                        


 
                        



 
                         Hosted at NeueHouse Hollywood, Hannah Marks screened her new film, Don’t Make Me Go, starring John Cho (Searching) and Mia Isaac in her on-screen debut. The story centers around Max (Cho) and Wally (Isaac) Park as they travel across the country to make contact with Wally’s estranged mother after Max has been diagnosed with a terminal brain tumor.
Hosted at NeueHouse Hollywood, Hannah Marks screened her new film, Don’t Make Me Go, starring John Cho (Searching) and Mia Isaac in her on-screen debut. The story centers around Max (Cho) and Wally (Isaac) Park as they travel across the country to make contact with Wally’s estranged mother after Max has been diagnosed with a terminal brain tumor.

 
                         It’s not every day you get to sit in a room full of people talking openly about mental health, but that is exactly what arthur gallery’s new short film, Genesis X, prompted dozens of young adults to do. Hosted at the Hippo Factory Studios in Los Angeles, the 15 minute movie was screened in the large photo studio with an open bar and music featured by William Anthony.
It’s not every day you get to sit in a room full of people talking openly about mental health, but that is exactly what arthur gallery’s new short film, Genesis X, prompted dozens of young adults to do. Hosted at the Hippo Factory Studios in Los Angeles, the 15 minute movie was screened in the large photo studio with an open bar and music featured by William Anthony.

 
                        