A Night of Interwoven Melodies: Celebrating Mieczysław Weinberg

On February 20, 2025, the Kosciuszko Foundation in New York City hosted a captivating evening of music and storytelling titled Interwoven Melodies: Mieczysław Weinberg’s World in Music and Words.

The event, a collaboration with the Polish Cultural Institute of New York, the New York City Opera, and the National Institute of Music and Dance in Poland, offered a deep dive into the life and works of Polish-Jewish composer Mieczysław Weinberg. Held at the Kosciuszko Foundation on East 65th Street, the recital and lecture celebrated Weinberg’s lasting legacy, blending his music with moving stories of survival and resilience.

The program began with “Maly, Bialy Domek” (A Small White Bungalow), a piece originally composed by Zygmunt Lewandowski and arranged by Weinberg. This charming work set the tone for the evening, evoking a sense of nostalgia and simplicity.

Next, clarinetist Andrzej Ciepliński, a 2024/2025 Kosciuszko Foundation scholar, joined pianist Grzegorz Mania for Weinberg’s Sonata for Clarinet and Piano, Op. 28. Written in 1945, this sonata showcases Weinberg’s skill in combining lyrical expression with technical complexity. The clarinet’s haunting tones, paired with the piano’s intricate harmonies, created a dialogue that was both introspective and dynamic. The piece’s shifting moods ranging from melancholic to playful reflected Weinberg’s own experiences of displacement and survival during World War II.

The Sonatina for Piano, Op. 49, performed by Grzegorz Mania, provided a more intimate look into Weinberg’s compositional style. Written in 1951, this piece demonstrates his ability to convey deep emotion through simplicity. The sonatina’s lyrical melodies and rhythmic energy highlighted Weinberg’s strong connection to his Polish roots, while its subtle dissonances hinted at the struggles of his wartime experiences. Mania’s thoughtful interpretation brought out the work’s delicate balance of hope and sorrow.

The evening concluded with the Fantasy for Cello and Orchestra, Op. 52, arranged for cello and piano. Performed by Kristina Reiko Cooper and Noreen Cassidy-Polera, this piece was a powerful display of emotional intensity. Originally composed in 1953, the Fantasy illustrates Weinberg’s ability to turn personal and collective trauma into art. The cello’s soaring lines, accompanied by the piano’s rich textures, created a compelling narrative of resilience and redemption. Cooper’s passionate and precise performance left the audience deeply moved.

Throughout the evening, musicologist Bret Werb provided insightful commentary on Weinberg’s life and work. Born in Warsaw in 1919, Weinberg fled Poland during the Nazi invasion and eventually found refuge in the Soviet Union. Despite suffering immense personal loss, including the murder of his family in the Holocaust, Weinberg produced a vast and varied body of work, including symphonies, operas, and chamber music. His compositions, often overlooked during his lifetime, have gained renewed recognition in recent years for their emotional depth and historical significance.

The event served as a preview of the upcoming concert Music of Survival: Works by Weinberg, Korngold, and Rovner, on February 24th at Carnegie Hall. This recital not only celebrated Weinberg’s artistry but also highlighted the enduring power of music to inspire and heal.