Directed by Julian Schnabel, At Eternity’s Gate is a colorful and emotional look at Van Gogh: often depicted, endlessly revered and still misunderstood. Schnabel comes closest to the perfect imagination of it all.
Following 2018 Nobel Peace Prize-winning activist and trafficking survivor Nadia Murad, “On Her Shoulders” is equally upsetting and informative.
A role reversed ‘Driving Miss Daisy’ with a black passenger and a white driver, the attempts at commentary of ‘Green Book’ feel artificial and insincere.
We joined director Nadine Labaki for an exclusive screening of her latest film, the award winning Capernaum, set in sprawling Beirut, at a cinema in NYC. She offered a brief Q&A after the screening. Here’s a review of Capernaum.
Who would’ve thought it would take a young Yeti named Migo to show that ignorance isn’t always bliss and that it’s always better to use the power of knowledge for good.
David Lowery’s ‘The Old Man & the Gun’ is a somber, funny film that gives Robert Redford his best role in decades—one that might be his last ever.
Though Julianne Moore’s performance wavers, it is still the highlight of Bel Canto, an otherwise overwrought book adaptation from writer-director Paul Weitz
Although gifted with a promising premise, the film ultimately falls short of what it could be.
‘The Nun’ succeeds at scaring, but shoddy logic and mediocre film making will leave you wanting a lot more.
Even at 90 minutes, this film moved way too fast!