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EntertainmentEventsThe Latest

PEOPLE, Investigation Discovery Host Fifth Annual ‘Inspire a Difference’ Gala

by Angelina Fay November 3, 2017
written by Angelina Fay

PEOPLE and Investigation Discovery distributed awards for significant charity work to four celebrities and one “everyday hero” Thursday night at Dream Downtown. Padma Lakshmi, Julianna Margulies, Alonzo Mourning, and Gabrielle Union were among the celebrity recipients this year, along with a woman named Vanessa Russell, who is devoted to bringing awareness to child trafficking.

Each of the five honorees gave a speech detailing their passions in regards to their respective charities and foundations. Jess Cagle, editorial director for PEOPLE and Entertainment Weekly, and Henry Schleiff, Group President of the Investigation Discovery, American Heroes Channel, and Destination America portfolios, introduced each awardee.

“Media organizations, print or any other form, not only can play a critical role in making sure victims’ voices are heard, but they, in fact, actually have an obligation to do so,” Schleiff said. “Vision is the art of seeing the invisible. Tonight, ID is honored to be here with PEOPLE Magazine and with you to celebrate the amazing work of our celebrity honorees, and visionaries, and everyday hero who inspire a difference for those who often struggle to find a voice.”

PADMA LAKSHMI – AMERICAN CIVIL LIBERTIES UNION

Model, author, actress, and television host Padma Lakshmi was the first to accept her award on behalf of her work with the American Civil Liberties Union (ACLU).

“The ACLU, to me, is probably one of the most valuable institutions to our democracy. It is the one champion and defender – in a class of its own, in a league of its own – to protect our civil liberties, our civil rights, the laws and tenants of the constitution, the very bedrock of why America is, indeed, great.” Citing her own “horror…as our rights have been chipped away,” Lakshmi described her increasing and fervent efforts as an ambassador for women’s rights and immigration issues.

“Who here is an immigrant or the child of an immigrant? Who here is part of the LGBT community? Who here is a person of color? Who here is or knows someone with a disability? We should all defend the ACLU because they defend all of those people, and more,” she said. “I came here over forty years ago this week. I landed in New York when I was four, on Halloween Day. [My mom] literally sculpted out of the mist a way forward, in the way that people who don’t really have another choice often do.”

“My mom came here with one hundred dollars in her pocket. Not one penny more,” Lakshmi continued, acknowledging her own privilege that her mother spoke English and was skilled as a nurse. She related stories of children and single mothers struggling in detention camps on the border, seeking asylum and refuge.

“Our democracy is under attack,” she concluded. “They’re fighting for you, and for you, and for me, and for my daughter, and for all of our children.”

“We have always been a beacon of hope, and the thing that gives us our moral high ground, is that we say, give us your weak, give us your tired, give us your poor, that we will envelop them into our arms. Here in America, you can be part of us too, as long as you can peacefully work hard.

“Who do we as Americans want to be? Because collectively, our house is on fire. What are we going to do about it?

“A country is made of its people. And we, the people, are in charge.”

JULIANNA MARGULIES – ERIN’S LAW & THE BRADY CENTER TO PREVENT GUN VIOLENCE

Three-time Emmy winner and producer Julianna Margulies accepted her award for her work with Erin’s Law and the Brady Center to Prevent Gun Violence. She spoke on the two, combining her dialogue to envelop the theme of “common sense.”

“I would like a safer world for all of us, but especially for our children,” she began. “I have been scratching my head for years wondering why these simple, common sense laws are so hard to pass. None of it makes sense to me. So that’s why I got involved.”

Margulies described the philosophy of “common sense background checks” in relation to gun violence, and said we need to think about Erin’s Law in the same way. She used the anecdote of seatbelts; when she was a child, there was no law to wear them. When she got her license, it changed to the passenger and driver’s seats. Then, in 1989, children under 14 had to wear belts in the backseats, as research proved fewer deaths when wearing them.

“I jump in a cab in New York City, and, because I’m old, I forget to put my seat belt on,” she quipped. “Then my son, who’s nine, goes, ‘Mom, why isn’t your seat belt on?’ Why? Because that’s what he knows, because we’re preventing accidents before they happen. That’s what we need to be doing with gun control and with Erin’s Law.”

Margulies reported that 90% of Americans – gun owners included – agree with common sense background checks.

“Vegas happened less than two months ago. Six weeks ago. Since then – honestly, since I was working on this speech – I kept having to change the number of deaths in this country. Since Las Vegas, over 900 people have died from gunshot wounds in our country. Think about that. What are we doing? Something has to change.”

Margulies then switched gears to telling the story of Erin Merryn, author of Erin’s Law, who was also in attendance. Merryn calls herself the “voice for the voiceless” and has dedicated herself fully to the activism and awareness surrounding child sexual assault. Merryn survived six years of sexual assault in her childhood, and when she was thirteen, finally came forward at a Children’s Advocacy Center. Since then, she has been dedicated to enforcing age-appropriate classes for children on what is okay and what is not okay. Erin’s Law has been passed so far in 31 states and is still pending in 15.

“Give them the tools, dear God, we should be giving our children every tool in the shed,” Margulies said. She then told a story about a nine-year-old girl in Maryland, where the law had passed, that came forward after a seminar on sexual abuse was presented to her fourth grade class. Tearfully, Margulies related her story, of abuse since she was three, by her mother’s boyfriend.

“It works, because he’s in jail for forty years,” Margulies said to applause. “It worked in Illinois as well, for an eight-year-old girl. He’s now behind bars. It gives kids the courage to come forward and say, I have a voice, and not live through these atrocities thinking they deserve it, or, they can’t do anything about it, so they just suffer through it.”

“Raise your voices, and we’ll be heard. We just have to raise them really loud right now.”

ALONZO MOURNING – THE MOURNING FAMILY FOUNDATION 

Alonzo “Zo” Mourning, NCAA, NBA, and Olympic basketball champion, received his award for his work with an organization he founded with his wife Tracy in 1997. The Mourning Family Foundation is dedicated to creating youth development programs, schools, facilities, and educational and extracurricular activities in South Florida.

“My life’s work is giving, and making a positive difference in other people’s lives. I humbly accept this award, but it feels pretty uncomfortable to receive an award for what you’re supposed to be doing. Something that we all have a responsibility to do – especially when you think about where you come from – to make a difference.”

“Our kids are coming into the world thirsty for information, for direction, and they count on us to give it to them. When we think about the problems that our kids have, we don’t have a kid problem. We have an adult problem.”

“It took these angels in my life,” Mourning said about his own childhood and adolescence. “It took my foster mom, who fostered 49 kids in her lifetime. It took coaches, it took teachers, it took family members, it took friends. It took a village to contribute to my overall development not only as a player, but as a person. It took all of that.”

The Mourning Family Foundation has helped thousands of children over the past twenty years in conjunction with Tracy Mourning’s organization, called Honey Shine, which mentors and fosters girls in the Miami area. Mourning spoke of his dedication to raising high-school graduation rates, which have gone from 50% to 85%. 100% of the children in after-school Mourning Family Foundation programs graduate from high school.

“We’re excited about the change, and we know that it’s contagious,” Mourning said.

“We can become the change that we wish to see in this world if we embrace the responsibility.”

GABRIELLE UNION – THE RAPE FOUNDATION

Actress Gabrielle Union has dedicated her energies to The Rape Foundation, founded in 1989.

“I was the perfect victim,” Union began. “I had the luxury of being raped in a wealthy community.” She stated that the under-worked police department, under-utilized rape crisis center, rapid therapy process, and supportive family and friends made her experience “painfully rare.”

“Whose pain and whose truth is tolerable? Whose pain and whose truth is intolerable? Whose pain and whose truth means direct action, right now. And who can wait?”

At age 19, Union was raped at gunpoint while working at her summer job at Payless. For the past 20 years, she has been speaking out as a sexual assault survivor.

“I have to keep reminding people that just because you might see someone look polished, or on a show, or in a movie, or a magazine – yeah, me too. You cannot price your way out of sexual violence or sexual harassment or sexual assault. All of us who keep moving further and further away from urban centers because we think we’re getting safer? I was raped at work, coming from a two-parent household where both my parents were college educated, I was the right kind of black person. And by that I mean, I laughed at racist jokes. I didn’t call people out on their shit. I was the non-threatening kind of black. You know, the cool one.

“So when I was raped, I was believed. But my dad fell into this very bizarre, dark hole, because my dad bought into the American Dream. My dad’s from the projects. And the horrors that he saw from the projects, he wasn’t supposed to see in the suburbs.

“I was the point guard. I dated the right kinds of boys. We were active in our Catholic church. He married the right kind of woman. We went to the right kind of schools and had the right kind of friends and I was still raped.

“Assimilation was supposed to pay. It was supposed to keep us safe. Me shrinking and hiding my blackness, that was supposed to mean something. And his child was raped, at gunpoint, at her after-school job in the summer. My dad thought he was teaching me work ethic, and how to not be entitled. My dad didn’t want me falling into the trappings of my very privileged friends. But what he and none of our parents realized is that you can’t out-run or out-price sexual violence.

“Sexual violence can happen to anyone, anywhere, at any time, and nobody had it coming. Nobody is asking for it. If you had some cocktails, you’re not asking for it, no matter what you had on. I was at work, wearing a tunic and leggings. And a family female friend still asked what I had worn. And I was the perfect victim.”

Union then spoke about the current Harvey Weinstein’s victims and tasked the media to re-define what it means to be a “perfect victim.”

“Everyone’s truth deserves to be believed. Everyone’s pain should incite you to act.”

VANESSA RUSSELL – LOVE NEVER FAILS

This year’s “Everyday Hero” award was given to Vanessa Russell, who began as a dance teacher in 2000, teaching all genres of dance between ages 3 and 25. In 2010, she discovered that one of her 15-year-old students had been sold into human trafficking. Russell then realized, upon research and intense activism, that human trafficking, which she called “modern-day slavery,” is one of the nation’s largest yet most under-discussed emergencies.

The average ages of child victims range between 11 and 14. Russell cited the growing homelessness epidemic of San Francisco as an exacerbating factor of trafficking.

Russell founded Love Never Fails, which is dedicated to housing, educating, and protecting women and children involved in or at risk of becoming involved in domestic human trafficking. As a survivor of domestic assault herself, Russell, who lives in the Bay Area with her husband and seven children, believes firmly that human trafficking is something that can be fixed.

Inspire a Difference honorees over the past five years have included Rosario Dawson, Marcia Gray Harden, Stephanie March, Tamara Taylor, Angie Harmon, AnnaLynne McCord, and Grace Gealey.

For more information about the mentioned foundations, please see the links and phone numbers below:

ACLU: http://www.aclu.org/  –  (212) 549-2500

Erin’s Law: http://www.erinslaw.org/

Brady Center to Prevent Gun Violence: http://www.bradycampaign.org/  – (202) 370-8101

The Mourning Family Foundation: http://www.mourningfamilyfoundation.org/ – (305) 46-0095

The Rape Foundation: http://www.therapefoundation.org/   – (310) 451-0042

Love Never Fails: http://www.loveneverfailsus.com/ – (844) 249-2698

November 3, 2017 0 comments
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EntertainmentFilmThe Latest

Film Review: ‘Human Flow’ is a Staggering, Stomach Turning Look at the Refugee Crisis

by Adam Hobbins October 12, 2017
written by Adam Hobbins

The documentary is the latest film work of Chinese dissident Ai Weiwei

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October 12, 2017 0 comments
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EntertainmentFilmThe Latest

NYFF Review: ‘The Rape of Recy Taylor’

by Talia Smith October 8, 2017
written by Talia Smith

The black woman’s body has been viewed under a duo racist and sexist gaze since the founding of our country. Dating as far back to when the first black woman stepped onto U.S soil, blackness had always been ‘othered’: made to seem inferior or exotic in nature. So, it came as no surprise when the black woman’s body became a commodity to U.S slave masters and government officials like Thomas Jefferson. For too long the sexualizing and dehumanizing of black women had been swept under the rug as apart of everyday life, however the  2017 release of the film  ‘The Rape of Recy Taylor’ rejects this silence and uses the theatre as a space to hold a mirror up to the face of United States history.


‘The Rape of Recy Taylor’ in title alone, is powerful: forcing you to say her name, and acknowledge what was done that night in 1944. The film is not for the faint of heart, as it deals with heavy realities and tells the story of Recy Taylor, the black woman who was gang raped by 6 white men who were never brought to justice.

Throughout the film, we follow the story of Recy as told by her brother, Robert, and Alabama historians. Director, Nancy Buirski, does a wonderful job of visually mapping and connecting Recy’s case with the heavy involvement women of color have had in pushing the civil rights movement forward. We are given a new understanding of civil rights leaders,  like Rosa Parks, who dedicated much of her time post-Montgomery bus boycott to cases of sexual assault against black women.

Buirski does a great job of connecting all of the historical dots. We see how past racial positioning have shaped our current day social standings. No stone goes unturned as, Buirski even examines how the treatment of women of color has its lineage in shaping the way black family roles are set up.

Upon thinking about it, I can not name a film more important in 2017. In the wake of the Charlottesville riots, the film mixes past outrage with a present day viewpoint. The film is so powerful and emotionally charged it will leave viewers wanting to leave the theater to go out and protest more than 70 years later.

We screened the film at the 2017 New York Film Festival.

October 8, 2017 0 comments
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EntertainmentEventsThe Latest

On The Scene: Black Aids Institute Heroes In the Struggle Gala

by J. Jerard September 21, 2017
written by J. Jerard

My time at the star-studded Black Aids Institute’s annual Heroes in the Struggle Gala was all that it was promised to be – a poignant night of great food, entertainment and most importantly, activism.

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September 21, 2017 0 comments
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FilmThe Latest

Athena Film Festival Presents ‘Dolores’ and Activist Town Hall Meeting

by Catherina Gioino February 16, 2017
written by Catherina Gioino

In a political environment such as our own, it becomes customary to question what is going on in our environment and look to those who acted before us for inspiration. Be that looking hundreds of years ago at revolutionaries and how they overcame monarchs, or even only fifty years ago and looking at labor unions.

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February 16, 2017 0 comments
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Film

Human Rights Watch Film Festival Review: ‘Hooligan Sparrow’

by Frances Raybaud June 8, 2016
written by Frances Raybaud

Activism in China is no picnic.

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June 8, 2016 0 comments
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EntertainmentNewsThe Latest

M.I.A. Not Allowed in United States

by Daniela Cobos June 2, 2016
written by Daniela Cobos

After dropping “POC That Still A Ryda” and teasing the release of her new album, M.I.A. revealed that she is not allowed to enter the United States.

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June 2, 2016 0 comments
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Events

The Eugene O’Neill Theater Center Hosts Annual Monte Cristo Award Ceremony [Recap]

by Frances Raybaud May 11, 2016
written by Frances Raybaud

“It’s heavy, isn’t it?”

George C. Wolfe accepted his award graciously and with more than a little humor, hoisting the notoriously heavy Monte Cristo award up in his arms with aplomb and cheeky dramatics. This was not a stressful night. There was no suspense. There may have been only one winner that night, but everyone knew him, and no one was complaining.

The atmosphere on the red carpet was breezy and exciting, everyone there not in anticipation of either losing or winning, but just there to celebrate one man. And what a man he is. George C. Wolfe, renowned director of Angels in America and countless others, including Shuffle Along, which has just received 10 Tony nominations for its outstanding status as musical and civil rights activism, more than deserved the award bestowed upon him last night. And everyone seemed to think so.

Preston Whiteway, Executive Director of the Eugene O’Neill Theater Center, explained the award as such:

“The Monto Cristo award is named after the house where our namesake, Eugene O’Neill, grew up,   and of course he set two of the greatest America dramas in that house, the Long Day’s Journey into Night, being revived this season, and Ah, Wilderness!, his only comedy. And so with that sort of balance on both sides of the scale there with theatre, with comedy and tragedy, I think it’s a perfect name for this award which is given to an artist who’s pioneered in the same way that Eugene O’Neill has- and on top of all of that, it was his father’s greatest role, the Count of Monte Cristo.”

He further went on to explain how Wolfe exemplifies a recipient of the award:

“Few can match George Wolfe’s trailblazing leader as a writer, as a director- he’s a multi-hyphenate, he’s a writer, he’s an actor, he’s a director, he’s an artistic producer, he does it all. There really could be nobody more worthy for an award honoring significant artists in American theatre.”

As for Wolfe himself, when asked about his pioneering work on African-American and LGBT theatre, he had only this to say, which he later repeated in his acceptance speech:

“I wouldn’t even call it activism, I just would call it – I don’t know, just responsibility. When you live in a world where you are in a capacity to hire people or you make decisions, then you may need to make decisions that are reflective of the world in which you live.”

Responsibility is something Wolfe holds very true to his heart. In his acceptance speech after the dinner, he thanked everyone in the room for their support as he existed as a fledgling young writer, then director in the theatre world. His last words were “Thank you so much”, and it wasn’t for the award, but for the help he had received along the way that led him to this moment, to being able to have such an impact on the world through theatre. He feels responsible in turn to “act as not only a director, but a mentor”. It’s the true spirit of the theatrical world- everyone collaborates. Whether they are actually participating in the movement itself onstage, like Savion Glover, Tony Award-winning choreographer that performed that night in celebration of longtime associate Wolfe, or assisting in offstage things like production, like the presenter Broadway producer Hal Prince, winner of the most Tony Awards ever, everyone is a part of the process.

George C. Wolfe understands this as a fundamental rule of theatre, and that, along with his genius and talent, deserves ample celebration.

May 11, 2016 0 comments
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