Maestra Music’s Amplify 2026 gala concert, and fundraising event energized City Winery NYC at Pier 57, filling the Hudson River venue with Broadway talent, music, and a shared commitment to amplifying voices too often unheard.
If you love dance, you’ve gotta get your ticket to Gotta Dance! at Stage 42.
More than 25 years after its brief Broadway debut, The Wild Party musical returned to the stage in a City Center Encores! revival, and was exactly what its title promised: wild, electric, and a little dangerous.
This is the 45th anniversary of Theater Breaking Through Barriers.
It is a pleasure to welcome The New Jersey Repertory Company to New York. The company was founded in 1997. They aimed to make a lasting contribution by developing and producing new plays.
Bughouse, written by playwright Beth Henley and conceived and directed by Martha Clarke, immerses audiences at Vineyard Theatre in New York City in the haunting and imaginative world of outsider artist Henry Darger.
Some audience members wear hoods provided before the play. A light illuminates the entrance aisle in the darkened theater. A woman with long blonde hair, wearing a short red robe, and holding a telephone enters the stage from the back of the theater. The stage features a satin mattress and several telephone stands.
Off-Broadway’s newest sensation proves that sometimes the most thrilling theatre happens when the clock is ticking and the treadmills won’t stop.
In The Amazing Sex Life of Rabbits, the playwright and director, Michael Shaw Fisher, presents an amusing twist on class warfare.
The Frog & Peach Theatre Company was founded in 1996. Their goal was to present Shakespeare to the public. They edit texts to keep the verse intact and maintain efficiency. The audience is drawn into Shakespeare’s world. Shakespeare’s messages remain clear. Macbeth – What if a madman were king? clearly achieves this goal.