Who here is familiar with the Rodgers & Hammerstein’s classic musical The King and I?
So here’s my prompt: There are only so many creative ways to discuss the high-speed and entertaining ferocity of Broadway’s Freestyle Love Supreme. So in a valiant attempt to utilize the power of words (a pivotal theme of FLS, might I add) please enjoy this acrostic(ish) poem.
Last Thursday at the Gramercy Theatre during the New York Comedy Festival, Kill Tony hosts Tony Hinchcliffe and Brian Redban bent over New York City’s bottom-notch comedians into pillories for the love of roasting.
First things first: Adrienne Warren is a powerhouse that is grounded in emotion with a state-of-the-art delivery as she embodies Tina Turner on Broadway.
5 things you should know before going to see the modern day revival of Oklahoma! On Broadway.
The most anticipated physical album that is coming from a Broadway musical.
The famed musical returns to its roots with a Yiddish off-Broadway production at Stage 42.
With direction by Leah C. Gardiner and choreography by Camille A. Brown, the revival of Ntozake Shange’s For Colored Girls Who Considered Suicide /When The Rainbow Is Enuf is running at the Public Theater now until December 1.
Found, a piece by Mikal Glass will be open until Halloween at NYC’s Cell theatre.
At first glance, Slave Play takes place on a plantation, confined to the framework of slavery as we know it.